Culture

Rap as poetry: ‘The Odyssey’ and the breakdown of the medium

When interviewed on his decision to cast Travis Scott as a bard figure in his upcoming The Odyssey adaptation, set to release on 17th July in the UK, Christopher...

Music Niamh Hoyland and Val Michael -

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

It is the examination of archaic methods and attitudes surrounding women’s bodies, and the idea of the ‘nagging’ woman, which runs through Olivia Plender’s exhibition.

Art Amy Lawson -

Nonsense and sensibility: Adapting Austen for the screen

It is a truth universally acknowledged that not all Jane Austen adaptations are created equal.

Culture Abigail Christie -

‘Our House’ in the middle of Beaumont Street

'Our House' ultimately becomes not just a story about crime or morality, but about the vulnerability of growing up and the frightening uncertainty of trying to decide who you are.

Culture Gavriella Epstein-Lightman -

Latest

Interview: The Ukulele Orchestra of Great Britain

Claire Castles has a plucking good chat with the world's most famous Ukulele players

Online Review: Carthaginians

Henry Whorwood is mightily impressed by a drama based around the Bloody Sunday massacre

Cherwell photo blog – Fourth Week

Some more photographic treats from MT10!

Browned Off

We sent some of our photographers to the Browne review protest on Thursday. Here are the results...

Bernard hasn’t lost any Sharpeness

The best-selling creator of Richard Sharpe and author of The Fort talks to Beau Woodbury in the Union bar

The Notorious L.I.T: burn these books

Cherwell Culture has read awful books, so that you don’t have to (but also so we can say nasty things about them)

Review: North – Darkstar

'Darkstar expand dubstep's crossover potential further than ever before', says Joseph Lloyd

I ain’t saying he’s a golddigger

Alex Dudok de Wit investigates the effects of the global recession on the hip hop genre

Hidden Horror

Cherwell Culture finds three hidden horror gems. Less well known, but seriously scary. Don't read this column alone.

Should you go see Saw?

This Halloween's dose of gore is dissected by Dale Viva-Lee

Psychological Warfare

'Cherwell Film believes Paranormal Activity 2 to be a bad piece of cinema'. Time for an editorial debate

Are you trying to seduce me, Mr. Ralf?

Oliver Moody falls prey to the charms of a stage adaptation of The Graduate.

Cyrano Right on the Nose

There's nose-story like a good old story: Andrew McCormack's verdict on SF Productions Cyrano de Bergerac

Cherwell photo blog – Week 3

The photo blog returns, taking a look at the term so far

Claim your right to rewrite the new writing

Ballgowns, Strongbow and that Regina Spektor track: Carla Neuss gives her exclusive guide to writing a new drama.

Review: Despicable Me

Despite moments of hilarity and emotion, this is a fairly average animation.

The Myth of French Cinema

Luke Partridge on the assumed brilliance of French cinema

Review:The Royal Hunt of the Sun

Rimika Solloway on glittering gold and less than glittering shouting

Review: The New Electric Ballroom

Anna Milne relieves her adolescent sexual encounters with three old almost-maids

Review: Shobaleader One d’Demonstrator, Squarepusher

Olaf One d-Pezzledon listens to this 'acoustic-digital dichotomy'

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Culture

Rap as poetry: ‘The Odyssey’ and the breakdown of the medium

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

Nonsense and sensibility: Adapting Austen for the screen

‘Our House’ in the middle of Beaumont Street

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