Culture

‘Celebrity Traitors’ season two: Complex and compelling

Reality TV series The Traitors has returned with its celebrity version and has topped viewing charts for a second time. People are hooked on the show where logical reasoning and random chance are simultaneously at play, in a game full of drama, tension, and cliffhangers.

Oxford’s art scene: A picture still being painted

Who gets to make art, who gets to see it, and whose art history...

Behind glass: Lighthouse Productions’ ‘The Seagull’

The thematic potency and the overall success of Lighthouse Productions’ iteration of Anton Chekhov’s 'The Seagull' all came together in a great and terrible revelation.

The paradox of uniformity: Who do we dress for?

Walking to chapel on a mid-winter Wednesday morning, you could almost be certain to...

The Brain Behind the Penis

A review of Dr. Louann Brizendine’s new book, The Male Brain

I Scream

Owain Jevons traces the various musical uses of mankind's most primal sound

The Mummification of Classical Music

Has the Classical music world stopped composing and started decomposing?

Interview: Mark Norfolk

Film director Mark Norfolk talks about his life and lessons in independent filmmaking.

Reviewed: Bombay Bicycle Club

'Flaws' is a step up from its predecessor, to say the least

Headfoes: can you trust your own earpieces?

Sam Pilgrim bears good news for the otology business

Whoa! Lad at WOMAD

Joseph King cuts through the jungle of generic music festivals to find something rawer

The best of all the year’s festivals?

Alex Dudok de Wit chews, digests and regurgitates his Bestival experience

Review: The Sorcerer’s Apprentice

Glossy effects can't hide this clunky film's glaring flaws.

Review: Reading Festival

The Libertines, Arcade Fire, Foals all reviewed

‘Imperial Bedrooms’ by Bret Easton Ellis

Growing pains for the Brat Pack star as he returns to the cast of his first novel

Enter the Dragonette?

Cherwell invites synth-pop’s perennial underachievers to apply for Oxford

Film isn’t dead

Will Self argues that film is dead, and Ben Kirby couldn't disagree more.

Review: The Secret in Their Eyes

This powerfully moving and thoroughly absorbing film is one of the year's best.

Review: The Girl Who Played With Fire

A disappointingly bland and confused adaptation of Larsson's superior book.

DVD Review: The Girl with the Dragon Tattoo

A stylish adaptation that can't quite help losing some of the book's appeal.

Interview: Lola Perrin

The piano world's morning-star charms Cherwell

Review: Salt

Angelina Jolie's new vehicle is preposterous, convoluted and surprisingly entertaining.

Playwriting that pays the bills

An interview with playwright, Rachel Barnett on her new work, The Law of Inertia

Review: Big Chill

Patrick Fleming finds his festival served uncomfortably lukewarm

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