Culture

How 2025’s biggest films made their mark through music

The recent Oscar nominations have allowed us to reflect on how fundamental musical scores are to film, and the highlights of last year’s film soundtracks.

Culture Ruaridh McEwen -

Translating Oxford into Urdu

It’s a different emotion whenever I read the Urdu language. I’m not a native speaker, nor have I actively pursued learning the language, but as someone who finds solace in reading shayari (Urdu poetry), I wanted to follow it even in Oxford.

Books Manya Singh -

Stitching the world together: GFC’s London Fashion Week show

A few weeks ago we, the Cherwell fashion editors, were lucky enough to be extended an invite by the Global Fashion Collective to their London Fashion Week show.

Culture Cherwell Fashion -

Seeped in nostalgia: ‘Things I Know To Be True’ reviewed

Lighthouse Productions' 'Things I Know to Be True' had high expectations to meet. Put frankly, they nailed it.

Culture Charlie Bailey -

Online Review: Bad Lieutenant

Deranged and brilliant says Benjamin Kirby

First Night Review: Measure for Measure

Alisha Patel condemns not the fault, nor the actors in this triumphant production.

The Future’s Brightwide

Jane-Marie Saldanha talks to Paola De Leo, Executive Director of a new website for Social and Political cinema

Review: The Prince of Persia

Fans of the genre will most likely enjoy it, but others should give it a miss

What Makes A Classic: 2001: A Space Odyssey

Cinema drugged up to its eyeballs, says Benjamin Kirby

Review: Four Lions

Alistair Smout reviews Chris Morris' controversial new comedy

Why We’re Fussed About Fassbender

Jane-Marie Saldanha talks to actor Michael Fassbender

What Makes A Classic: Singing in the Rain

Why Singing in the Rain has such staying power.

LIDF Blog: Part One

The Cherwell's blog from The London International Documentary Festival

What Makes A Classic: On The Waterfront

Jacob Williamson discusses Marlon Brandos's performance in On The Waterfront

Online Review: Eyes Wide Open

A refreshing take on forbidden love says Esther Kent

What makes a classic: Amelie

One film can change your life forever

Online Review – No Exit

Emily Hawes takes advantage of the free advertising in Cherwell Stage?

Online Review: Robin Hood

Sophie Adelman gives her verdict on Ridley Scott's latest release

4th Week Photo Blog

Terrific photography from around Oxford* v. 0.4

The Thirties: An Intimate History

Olivia Williams talks to Juliet Gardiner about that 'low, deceitful decade'

Carnaby Street Fashion – A Retrospective

Former Elle Fashion Director tells Olivia Williams that youth culture needs to up its game

Online Review – Pool (no water)

St Catz lobs an avant-garde grenade at Oxford’s classical theatre

Review: Measure for Measure

Jacob Zwaan measures up Matthew Monaghan's lady-loaded romp through Shakespeare

Patch me if you can

Maximillian Millard talks to the Ivor Novello-nominated indie hopefuls, Patch William

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