Sunday 30th November 2025

Culture

Buckley: The Life and the Revolution That Changed America

The ornate, Latinate vocabulary. The debates peppered with witticisms. The patrician air, the untraceable accent, the playful glint in his eyes.  William F. Buckley was arguably the most influential American...

‘Everything is constantly emotion’: An interview with the cast and crew of ‘Doctor Faustus’ 

Seabass Theatre has carved out a niche for itself producing original takes on canonical...

Between performance and reality: ‘To What End?’ reviewed

To What End is a new meta-theatrical, absurdist play written by Billy Skiggs and...

Photo Blog: Part VI

A sideways glance at life in Oxford...

Moments snatched in a life of touch and go

James Wright follows Jan Morris' new book 'Contact!' across a whole lifetime and half the known world

Landy’s ‘Art Bin’. Trash or Treat?

Sam Pilgrim ponders whether chucking away works of art can genuinely be considered, erm, art

Review: IMPerium

Elizabeth Biggs finds the Imps far from imperious

Review: Three Sisters

Perhaps take a rain check(ov)

Review: Samson Agonistes

Atmospheric surroundings pardon the flaws in this production

Review: Heligoland

Worth waiting seven years for? Probably, says Jane-Marie Saldanha

Review: ‘To The Rest of the World’ by Trail

James Andrewes is largley unimpressed by this unoriginal effort

15 years since

In our regular column, we take a look at the impact of Maxinquaye by Tricky

In praise of Evensong

James Maloney examines one of Oxford's great musical institutions

Ayck-born for the stage

Olivia Hanson talks to the playwright about his life's "fortunate series of events"

Haiti benefit concert: watch online from 20th February onwards

Berliner Philharmoniker (Sir Simon Rattle/Mitsuko Uchida)

Courtney Love speaks at the Union

The controversial Courtney Love talks depression, commericalism and dealing with life after Cobain

First Night Review: The Invention of Love

An ambitious but flawed production.

First Night Review: Blithe Spirit

Rozina Bashir on the first night of Coward's supernatural farce

Win tickets to see Jean-Pierre Jeunet’s MICMACS

A unique opportunity for Cherwell readers

Review: The Lovely Bones

Sophie Adelman picks over the bones of a lacklustre adaptation

The Empire strikes back, or just a clone war?

The sub-par and the sublime in two London subcontinent shows

To infinity and beyond

Umberto Eco's lists leave us wanting more

Review: Life is sweet! Nice to meet you

Lightspeed Champion's latest offering is an exclamation of exuberance

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