Culture

Oxford’s art scene: A picture still being painted

Who gets to make art, who gets to see it, and whose art history gets told? Oxford’s artistic identity may seem firmly established: the Ashmolean’s collections, the portraits and...
Art Miriam Hussain -

Behind glass: Lighthouse Productions’ ‘The Seagull’

The thematic potency and the overall success of Lighthouse Productions’ iteration of Anton Chekhov’s 'The Seagull' all came together in a great and terrible revelation.
Culture Jas Mauj -

The paradox of uniformity: Who do we dress for?

Walking to chapel on a mid-winter Wednesday morning, you could almost be certain to...
Culture Tilly Stanley -

How cinema has taught us to see Autumn

Autumn is clearly a time for comfort and reflection, a fact the film industry has learnt very well and pumps into new releases.
Culture Amalia Dasgupta -
Latest

Said the Playwright to the Bishop

Review of Drew Pautz's new play at the National Theatre and its relevance for Oxford drama

The composer who painted music

Alex Dudok de Wit traces the career of Olivier Messiaen, maverick composer and bird-lover

Film4 Does DiCaprio

Film4 airs the four films that made DiCaprio an icon

Review: Inception

A furiously imaginative, action-packed and cerebral masterpiece.

Online Review: Lebanon

Jack Binysh gives his verdict on the Golden Lion winning Lebanon

Italian Renaissance Drawings @ The British Museum

Jane-Marie Saldanha reviews one of the biggest exhibitions of the year

Bob Dylan Plays Kent

Alistair Smout sees if Dylan has remained forever young at Hop Farm

Elvis Costello @ The New Theatre

'Little Hands of Concrete' still has some life in him yet

Happiness is a Warm Smith Western

Matt Walsh pulls the trigger on the rough-and-ready Illinois indie-rockers

Online Review: Whatever Works

Ben Kirby heralds the return of old school Woody Allen.

Interview: Rian Johnson

An in depth interview with Rian Johnson, director of Brick and The Brothers Bloom

8th Week Photo Blog – Escaping Oxford

An eclectic selection from our photographers

Rubbing Genet’s magic lamp

Oliver Moody squirms on the edge of his seat at 'The Maids'

Review: Women Without Men

James Randall reviews Shirin Neshat's debut feature

Doing it just for kicks

Cherwell speaks to Nichola Burley and Kerrie Hayes about kicking around in their new film

Horror’s fright-hand man

Sophie Adelman talks to critic, screenwriter and author Ben Hervey about his genre of choice

Photo Blog Week 7 – The Penultimate Pictures

Oxford in photos as Trinity draws to a close

Film Wars: Too Much Cash Will Kill You

A debate on the merits of blockbuster and arthouse flicks

Film Wars: PC Power

Does CGI have the edge over hand drawn classic animation?

Film Wars: 2D or Not 2D?

Is 3D cinema anything special?
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