Culture

The midterms and the YA novel: Impossibly happy endings

Given its intense media coverage and everything that seems to be on the line, I feel as though I have been anxiously awaiting the results of the 2026 US midterm elections for weeks, months – maybe years.
Books Ruya Oral -

How books are burned today

It is a worrying thought that what sits on your bookshelf today could be...
Books Romilly Ireland -

The burden of the face: Why are so many singers wearing masks?

We can all name at least one musician who has performed behind a balaclava, helmet, or hood. Whether to preserve anonymity, cultivate mystery, or construct an entirely new artistic identity, masking the face is common among those under the limelight.
Culture Leandro Landolina and Francesca Lamberti -

New Oxford Windrush generation exhibit opens for Black History Month 

Amidst recent political tension provoked by the government’s refusal of slavery reparations to the...
Art Madison Garrett -
Latest

First Night Review: No Exit

Max Marenbon checks in, and checks out Sartre's classic at the Frewin Undercroft

Online Review – Fourtissimo

A new comedy of modern manhood hits the BT next week. Will it stick?

Online Review – Dangerous Liaisons

Ice-cold trysting at Trinity in a superb garden play

A Lovely Labour, Well Found

Andrew McCormack picnics with Shakespeare and St. John's Mummers

‘5th WEEK’ – Cherwell’s famous Photo Blog

Beat those blues with brilliant photography from around Oxford

Preview: Magdalen Film Society Screenings

A preview of In the Realm of the Senses & The Cook, the Thief, his Wife and her Lover

Online Review: Bad Lieutenant

Deranged and brilliant says Benjamin Kirby

First Night Review: Measure for Measure

Alisha Patel condemns not the fault, nor the actors in this triumphant production.

The Future’s Brightwide

Jane-Marie Saldanha talks to Paola De Leo, Executive Director of a new website for Social and Political cinema

Review: The Prince of Persia

Fans of the genre will most likely enjoy it, but others should give it a miss

What Makes A Classic: 2001: A Space Odyssey

Cinema drugged up to its eyeballs, says Benjamin Kirby

Review: Four Lions

Alistair Smout reviews Chris Morris' controversial new comedy

Why We’re Fussed About Fassbender

Jane-Marie Saldanha talks to actor Michael Fassbender

What Makes A Classic: Singing in the Rain

Why Singing in the Rain has such staying power.

LIDF Blog: Part One

The Cherwell's blog from The London International Documentary Festival

What Makes A Classic: On The Waterfront

Jacob Williamson discusses Marlon Brandos's performance in On The Waterfront

Online Review: Eyes Wide Open

A refreshing take on forbidden love says Esther Kent

What makes a classic: Amelie

One film can change your life forever

Online Review – No Exit

Emily Hawes takes advantage of the free advertising in Cherwell Stage?

Online Review: Robin Hood

Sophie Adelman gives her verdict on Ridley Scott's latest release
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