Culture

How cinema has taught us to see Autumn

Autumn is clearly a time for comfort and reflection, a fact the film industry has learnt very well and pumps into new releases.
Culture Amalia Dasgupta -

Beyond litter and emissions: The environmental costs of loud sound at music festivals

The music festivals of the summer have packed up and moved on. Stages and sound systems have been dismantled, litter cleared, and land reseeded.
Culture Leandro Landolina -

‘Burning Down the House’: A review 

During the odd ‘in-between’ space that is Week 0, I searched for a show to give me something to do, amid the random dilly-dallying and the odd collection currently occupying my time.
Culture Joe Hayes -

Why ‘No Bad Memories’ is my album of the year

I didn't expect how perfectly my personal happiness would fit an album so preoccupied with the sounds of old advertisements and obsolete electronics, filled with the relentless optimism of a world that believed the future could only get better. 
Culture Willow Jopp -
Latest

The Future’s Brightwide

Jane-Marie Saldanha talks to Paola De Leo, Executive Director of a new website for Social and Political cinema

Review: The Prince of Persia

Fans of the genre will most likely enjoy it, but others should give it a miss

What Makes A Classic: 2001: A Space Odyssey

Cinema drugged up to its eyeballs, says Benjamin Kirby

Review: Four Lions

Alistair Smout reviews Chris Morris' controversial new comedy

Why We’re Fussed About Fassbender

Jane-Marie Saldanha talks to actor Michael Fassbender

What Makes A Classic: Singing in the Rain

Why Singing in the Rain has such staying power.

LIDF Blog: Part One

The Cherwell's blog from The London International Documentary Festival

What Makes A Classic: On The Waterfront

Jacob Williamson discusses Marlon Brandos's performance in On The Waterfront

Online Review: Eyes Wide Open

A refreshing take on forbidden love says Esther Kent

What makes a classic: Amelie

One film can change your life forever

Online Review – No Exit

Emily Hawes takes advantage of the free advertising in Cherwell Stage?

Online Review: Robin Hood

Sophie Adelman gives her verdict on Ridley Scott's latest release

4th Week Photo Blog

Terrific photography from around Oxford* v. 0.4

The Thirties: An Intimate History

Olivia Williams talks to Juliet Gardiner about that 'low, deceitful decade'

Carnaby Street Fashion – A Retrospective

Former Elle Fashion Director tells Olivia Williams that youth culture needs to up its game

Online Review – Pool (no water)

St Catz lobs an avant-garde grenade at Oxford’s classical theatre

Review: Measure for Measure

Jacob Zwaan measures up Matthew Monaghan's lady-loaded romp through Shakespeare

Patch me if you can

Maximillian Millard talks to the Ivor Novello-nominated indie hopefuls, Patch William

Review: In the Land of the Free

Verdict: unjustly overlooked

Review: Sus

Jack Binysh reviews the latest suspenseful film about unusual suspects
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