Monday 9th March 2026

Culture

Seeped in nostalgia: ‘Things I Know To Be True’ reviewed

Lighthouse Productions' 'Things I Know to Be True' had high expectations to meet. Put frankly, they nailed it.

Well-educated, fairly bred, but without money: Gissing’s ‘Collected Short Stories’

Hassan Akram reviews the Collected Short Stories of George Gissing, edited and introduced by Pierre Coustillas.

Let’s go to the movies: Fennec Fox Productions’ ‘The Flick’

After their staging of Company at the Oxford Playhouse earlier this term, Fennec Fox Productions are set to return next week with a run of The Flick (2013) at the Burton Taylor Studio.

A deeply Singaporean play: In conversation with ‘Late Company’

OUMSSA Theatre makes their debut with Jordan Tannahill’s Late Company. While the text originated in Canada, OUMSSA Theatre’s take on it is nonetheless entrenched in Singaporean culture.

Live at Comma Club

Music Editor Alistair Smout heads down to Cellar to check out the best student acts

Preview: Villainy

Richard O'Brien finds out why the good guys always win when it comes to Oxford's light entertainers

Preview: The Duchess of Malfi

A poor production fails to live up to Webster's tragic masterpiece

Interview: The Spring Offensive

James Maloney chats to The Spring Offensive about the band leading the Oxford scene

Preview: Knives in Hens

Rob Holtom on the last BT play of the term

Oxford in ten objects

Annabel James follows a BBC initiative celebrating the local history.

Top 10: Drama Finalists

Cherwell picks out ten stars of the future from this year's finalists

Review: A Chaste Maid in Cheapside

The Edward's Boys bring Cheapside into Somerville chapel

Feature: The Next Dimension

Rebecca Treece dons her 3D specs and stares into the future

Feature: Best out of show – 2010

Benjamin Kirby sifts through the blunders and oversights of the Oscars

Photo Blog: Magic Seven

Our final photo blog this Hilary Term, but don't forget to send all your fantastic vacation snaps to [email protected]!

No spills and no thrills

Jenny Winders is bored to distraction by the latest release from the Cussler production line

Putting the pits into Pitt Rivers

Our Exhibitions Editor finds that size matters when it comes to 'world savine' voodoo dolls.

Review: Bent

A poignant script, interesting staging and the odd song make this one to watch

Review: Blood Wedding

A bloody ambitious effort, says Vanessa Lehner

Review: ‘Love’ by Angels and Airwaves

Not quite worth the hype, says Sam Pilgrim

Sound of the Underground

Christian Bridge talks to The Sunshine Underground

Preview: The Revenger’s Tragedy

Treachery, lust and murder in the Exeter chapel

First Night Review: Little Shop of Horrors

Let down by a talented but under-rehearsed cast

First Night Review: Samson Agonistes

Merton Chapel provides the perfect backdrop for this atmospheric production

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