Friday 16th January 2026

Culture

In defence of the theatrical release

If film, like all art, nourishes itself on its own œuvre, I don’t think we can afford to sever the association between the cinema and the film.

Falling out of Louvre

In spite of recent events, the expected heightened security was nowhere evident.

The cost of ‘free’: How streaming undermines the value of music

Monthly subscriptions may seem affordable when compared to vinyl, but the cost quickly accumulates.

2025 releases you may not have seen (but definitely should)

It’s that time of year again: the season in which we are inundated with...

Emma Johnson and Pascal Rogé

Our new classical music reviewer attends an impressive concert at the Sheldonian Theatre, 30th January

Heavenly Features

Nicolas Pierce evaluates cinema's after-death experiences

Online review: A Prophet

Beau Woodbury says the future's uncertain for this acclaimed drama

Cherwell Photo Blog – Week 3!

Yet more snaps and shots from around Oxford...

Art, not without ambition

Macbeth has much to commend and much to condemn, says Andrew McCormack

Online review: Edge of Darkness

Edge of your seat stuff

What you’ve been missing

Is it indulgent to review an author in this column? Not when it's Orhan Pamuk

Review: Romance is Boring

Cherwell's most musically minded Ex-Editor reviews the latest from Los Campesinos!

Review: Realism by The Magnetic Fields

Idiosyncratic but interesting

15 years since…

We take a look at Leftism by Leftfield

Something to watch

Someone Who'll Watch Over Me impressed Vanessa Lehner

A Humorous Rhinoceros

Brave choices and absurdist comedy make this production entertaining as well as profound, says Alex du Sautoy

First night: The Magic Toyshop

Artful, exciting and ambitious. Not bad at all

Burns Night – a retrospective

A selection of photos from Burns Night festivities at Balliol.

Chronicling transformation in ink

Review: Building the New Ashmolean: Drawings and Prints by Weimin He

In search of loves once lost

Our books editor loses and finds himself in Orhan Pamuk's 'The Museum of Innocence'

No horsing around here

Equus is sinister, stressful and very successful

Thou Shalt not…

Dan le sac talks to Cherwell about his relationship with Scroobius Pip

Guilty Pleasures

Films or genres we know we shouldn't like, but do. This week, Flash Gordon

Review: Precious

A diamond in the rough

Follow us