Culture

Is the dancefloor really dead?

Tongue-in-cheek as it may be, Charli xcx’s ‘Rock Music’ speaks to the structural issues actively decimating nightlife across the world, issues she addresses candidly on its follow-up, ‘SS26’, even if her motivations may be more aesthetic than political.

Culture Emma Heagney -

Testing my patients: ‘The Effect’ at the BT Studio reviewed

Necessarily navigating the difference between ‘side effects’ and reality, the play strikes a fine balance between what one thinks and what one feels.

Culture Billy Skiggs -

‘The Harrowing of Hell.26’ reviewed

Fundamentally, The Harrowing of Hell.26 is a finely acted, well-produced play which was enjoyable enough to watch, but its conclusion is unsatisfying.

Culture Arun Lewis -

Circadian Renaissance

Clara Leonard Davies writes about the beauty of summer light and the memories that we associate it with.

Culture Clara Leonard Davies -

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Jane-Marie Saldanha talks to the organiser of the London International Documentary Festival

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The Glass is half full and twice over, writes Dave McLeod

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Tediousness rescued only by moments of unintended comedy, says Poppy Hodgson

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There's nothing beardy or vegan about Laura Marling's latest offering, says Natalya Segrove

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A truly unsettling film about privacy in Great Britain

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The refreshingly quirky vocalist doesn't disappoint, says Matthew Shribman

Interview: Ellie Goulding

"I sometimes worry that I'm lacking stimulation"

Review: Kick Ass

Offensive? Perhaps. Inappropriate? Maybe. Entertaining? Definitely.

Overrated

Jane-Marie Saldanha on why Jerry Maguire isn't worth an Oscar nomination.

Oxford Literary Festival: Ian McEwan and Craig Raine

Choose your literary pairings carefully, warns Izzy Boggild-Jones, to avoid in-jokes, tension or pointless questions

Oxford Literary Festival: Philip Pullman

The supreme storyteller delights a youthful audience.

Review: Shutter Island

An Island of Hell makes for cinematic heaven, says Jacob Williamson. Scorsese is on top form.

Oxford Literary Festival: Simon Singh

You weren't a wonderful audience!

Oxford Literary Festival: Ben Goldacre

'Bad science' makes for an insightful and gripping speech, says Nicky Henderson

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Culture

Is the dancefloor really dead?

Testing my patients: ‘The Effect’ at the BT Studio reviewed

‘The Harrowing of Hell.26’ reviewed

Circadian Renaissance

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