Culture

One f**king thing after another: ‘The History Boys’, revisited

Grab your motorcycle helmet. Sharpen up on the subjunctive. And cue the synthetic pulses of ‘Blue Monday’. The History Boys is back. Alan Bennett’s 2004 play followed a cast of...

What are you looking at? A reflection on the Ashmolean’s Aphrodite exhibition 

The woman crouches, nude. A gauzy blue curtain hangs where she hides her chest;...

The midterms and the YA novel: Impossibly happy endings

Given its intense media coverage and everything that seems to be on the line, I feel as though I have been anxiously awaiting the results of the 2026 US midterm elections for weeks, months – maybe years.

How books are burned today

It is a worrying thought that what sits on your bookshelf today could be...

Moments snatched in a life of touch and go

James Wright follows Jan Morris' new book 'Contact!' across a whole lifetime and half the known world

Landy’s ‘Art Bin’. Trash or Treat?

Sam Pilgrim ponders whether chucking away works of art can genuinely be considered, erm, art

Review: IMPerium

Elizabeth Biggs finds the Imps far from imperious

Review: Three Sisters

Perhaps take a rain check(ov)

Review: Samson Agonistes

Atmospheric surroundings pardon the flaws in this production

Review: Heligoland

Worth waiting seven years for? Probably, says Jane-Marie Saldanha

Review: ‘To The Rest of the World’ by Trail

James Andrewes is largley unimpressed by this unoriginal effort

15 years since

In our regular column, we take a look at the impact of Maxinquaye by Tricky

In praise of Evensong

James Maloney examines one of Oxford's great musical institutions

Ayck-born for the stage

Olivia Hanson talks to the playwright about his life's "fortunate series of events"

Haiti benefit concert: watch online from 20th February onwards

Berliner Philharmoniker (Sir Simon Rattle/Mitsuko Uchida)

Courtney Love speaks at the Union

The controversial Courtney Love talks depression, commericalism and dealing with life after Cobain

First Night Review: The Invention of Love

An ambitious but flawed production.

First Night Review: Blithe Spirit

Rozina Bashir on the first night of Coward's supernatural farce

Win tickets to see Jean-Pierre Jeunet’s MICMACS

A unique opportunity for Cherwell readers

Review: The Lovely Bones

Sophie Adelman picks over the bones of a lacklustre adaptation

The Empire strikes back, or just a clone war?

The sub-par and the sublime in two London subcontinent shows

To infinity and beyond

Umberto Eco's lists leave us wanting more

Review: Life is sweet! Nice to meet you

Lightspeed Champion's latest offering is an exclamation of exuberance

To Kingdom Come

Our music editor chats to Animal Kingdom's Richard Sauberlich

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