Sunday 8th June 2025

Culture

‘Love in the face of hate’: A closer look at ‘Blood Wedding’

Emma Nihill Alcorta is the director of a new adaptation of the Spanish masterpiece Blood Wedding, running at the Oxford Playhouse. With flamenco rhythms and Spanish soul, our passionate ensemble...

Duplicity, infidelity and loyalty in ‘Crocodile Tears’

“An Italian summer romance that goes wrong” – this is how Crocodile Tears was...

Review: The Great Gatsby – ‘Indulge the extravaganza’

Sophia Eiden’s production of Simon Levy’s script of The Great Gatsby is an undoubted...

Barry Lyndon – Kubrick’s ultimate antifilm?

Barry Lyndon has always been dismissed within Kubrick’s filmography. While he is a filmmaker...

Bringing it all back home

Cherwell deals with the personal problems of the singer-songwriter.

Bon Iver: Blood Bank

We review Bon Iver's latest release.

Antony and the Johnsons: The Crying Light

We review Antony and the Johnsons' second album.

Interview: Emmy the Great

Sweet Valley High, destructive relationships and Emmy the Great's debut album...

Straight to DVD Review: Trailer Park of Terror

Is it a bird? Is it a plane? No, it's a film not even the director bothered to see.

Review: Valkyrie

In cinemas January 23

Review: Milk

In cinemas January 23

Romeo and Juliet at the RSC

Shakespeare's tragedy impressed our reviewer

Auditions

We ask some thesps what acting in Oxford's really like

From Interzone to Atlantis

Miguel Gately considers the distorted legacy of William S. Burroughs

A Christmas Turkey

Following festive gluttony, this French Fancy will just cause indigestion

See Frost/Nixon First and for Free

Once in a lifetime offer of preview tickets to Frost/Nixon

Animal Collective – Merriweather Post Pavilion

We weigh in on the highly acclaimed ninth LP from Maryland's finest

The Theatre By The Brewery Entrance

Two years after a £5.1m restoration programme, Cherwell goes to visit the Theatre Royal, Bury St. Edmunds

The Critic as Artist

A case for the writer as hero

What’s On in Hilary

Cherwell looks at the plays of the first half of term

London Laughs

The Oxford Revue come to the capital (8th and 9th January)

Coldplay @ The O2 Arena

Bestsellers pound out an energetic, energising live show

Review: Che (Part 1)

the revolution will not be televised

Theatre isn’t supposed to be grey

So why do so many professional performances of classic plays look exactly the same?

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