Culture

Are you listening comfortably? Audio drama and theatre

When people think of podcasts, they probably wouldn’t associate them with theatre. Yet it was this seemingly unlikely convergence between the two forms that led me to attend the...

Culture Rhys Ponsford -

Algorithms of individuality: ‘The Consciousness Company’

As Stephen Fry wrote, The Consciousness Company by M.N. Rosen addresses the “enormous ethical,...

Books Maddie Gillett -

Over-the-top-vlogging and call centres: Dial 1 for UK

Dial 1 for UK is a one-man show following the journey of Uday Kumar...

Culture Caitlin Shaw -

Spike Lee’s lackluster remake: Highest 2 Lowest

There is no reason why a remake should remain inferior to its source material;...

Culture Matthew Mair -

Latest

Interview: Alain de Botton

Henry Naish speaks to Alain de Botton about life, work, and erotic offices

Interview: Ian McEwen

Ravin Thambapillai speaks to Ian McEwan, winner of the Sunday Times Award for Literary Excellence

Endnotes: Unwrapping Books

We find Endnotes a bit past its shelf-life but a man eating a book made the trip worth it

Review: Last Chance Harvey

Sophia Satchell-Baeza decides that this grown-up romantic comedy deserves to be given a real chance

Let The Right One In

Tomas Alfredson's Swedish vampire film, 'Let The Right One In,' proves to be a chilling masterpiece

Review: The Age of Stupid

Dominic Rowland is inspired to act by The Age Of Stupid

Pete Doherty – Grace/Wastelands

We review the debut solo album from the ubiquitous Mr Doherty

After-show parties

Jealousy, bitchiness, sexual tension and drinking games: suddenly it all comes out

Learning Lines

What happens when you think you can learn lines the night before the dress rehearsal.

The Just Assassins

Sensitive acting adds to the force of a Camus adaptation

An Independent Mind comes to Oxford

A must-see documentary about freedom-of-speech to be shown at the Phoenix this Monday evening

Frown Line on the Horizon

We calls for cribbage and croquet for pop's not-so-great survivors

Straight to Nairobi

Cherwell superstar Josh Lobes has found fame in foreign parts.

1968 and I’m Hitchhiking Through Europe by Joe Mack

We suggest you use this for kindling when you're hitch-hiking rather than attempt to read it

Invisible by Frank Egerton

We review a book with the least interesting cover art ever

Freedom of Speech: where are the boundaries?

'Write whatever you like', many people say. It's not that simple...

Watching ourselves

Alice Salvage looks at why people go to the theatre, and what its future is likely to be

Are You Sitting Comfortably?

A show from the Oxford Imps based on audience suggestions and home-brewed sound effects is audacious-and brilliant

S1l3nce

Our reviewer won't give too much away about this Derren Brownish magic show-except that it left her amazed.

The Truth

Four stars for this Discworld production, the latest in an Oxford tradition

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Culture

Are you listening comfortably? Audio drama and theatre

Algorithms of individuality: ‘The Consciousness Company’

Over-the-top-vlogging and call centres: Dial 1 for UK

Spike Lee’s lackluster remake: Highest 2 Lowest

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