Culture

NAZA: The most important film of the year

The filmmakers of NAZA clearly know that beyond physical distance, emotional distance is what allows the violence in Gaza to continue, and shows us just how easy it is to ignore what is going on right under our noses.

In conversation with John Kennedy, “one of the most trusted voices in music”

In a media landscape often dominated by gossip, rumours, and sometimes pure hate, it’s undeniably refreshing to listen to John, a man who never lost sight of what really matters.

The legacy of the caricature

That the ‘In Memoriam’ section of the 2026 Academy Awards is going to be a serious tear-jerker was solidified by the passing of Dolly Parton and Tim Curry over two consecutive days.

The problem with Nolan’s ‘The Odyssey’

Nolan had all the tools for greatness. Instead, to my eternal frustration, his 'Odyssey' will always only be just alright.

Chronicling transformation in ink

Review: Building the New Ashmolean: Drawings and Prints by Weimin He

In search of loves once lost

Our books editor loses and finds himself in Orhan Pamuk's 'The Museum of Innocence'

No horsing around here

Equus is sinister, stressful and very successful

Thou Shalt not…

Dan le sac talks to Cherwell about his relationship with Scroobius Pip

Guilty Pleasures

Films or genres we know we shouldn't like, but do. This week, Flash Gordon

Review: Precious

A diamond in the rough

Feature: Apocalypse Now

The end is nigh, in the cinema at least, says Nicolas Pierce

Online Review: Nine

It's no masterpiece, but it's an awful lot of fun

Cherwell Photo Blog: Version 2.0

Check out our second week of fine Oxford photography.

Online Review: It’s Complicated

It's Complicated? Not really

Drama Briefing

All the thespy ins and outs this week

Off, you lendings

Looking ahead to 'Equus', our Stage Editor takes a voyeuristic peek at onstage nudity

What you’ve been missing: Polish art

As well as gold suits and spaceships, what else has the former Communist state to offer?

Review: A Children’s Book

Harry Potter would be infinitely preferable to this Booker-Prize nominee

Fool’s Gold

Our reviewer regrets dressing up for this interactive review

Guilty Pleasures

Films or genres we know we shouldn't like, but do. This week, Strictly Ballroom

Review: Brothers

Solid, but in the end unremarkable

Pick of the Week

Our pick of the latest releases. This week: Heartland by Owen Pallet

Review ‘End Times’ by Eels

A divorce made in heaven.

Review: ‘The Betrayed’ by Lost Prophets

Not quite dark or atmospheric enough

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