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UrbanObserver
Saturday 15th November 2025
Oxford's oldest independent student newspaper, est. 1920
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Culture
The lying life of authors: John le Carré and authorial double-lives
“I’m not a spy who writes novels, I am a writer who briefly worked in the secret world.” This was said by the famous author John le Carré, who...
Books
Apaar Agarwal
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‘Undeniably and uniformly exceptional’: Uncle Vanya Reviewed
It is a privilege to attend the most anticipated production of the term, and...
Culture
Mair Andrews
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“You will kill my children!”: ‘A View from the Bridge’ reviewed
The stellar cast of Labyrinth Productions’ A View from the Bridge delivered a layered,...
Culture
Charlie Bailey
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The caring individual: John le Carré at the Weston
At the back of the Weston Library, in a small room off to one...
Books
Nancy Gittus
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Anyone for T?
William Kelleher talks to Toddla T at Fuse Night
4.48 Psychosis
An Expressionist take on Sarah Kane's last play misses the point
Serving It Up
Sarah Nerger was impressed by a performance of a student-written play
Taking Control
Cherwell examines the role of the director
Don Carlos
We weigh in on the upcoming adaptation of the Friedrich von Schiller classic
Liberal Facism
Jonah Goldberg's new book Liberal Facism sounds like it ought to be an interesting, though not entirely revolutionary, proposition
Odds and Sods and Death and Dogs
Paul Freestone's tender and humorous photographs find beauty in the mundane and subtly blur the boundaries between the human and the natural
Doubt
John Patrick Shanley's film adaptation of Doubt arguably equals, and quite possibly surpasses, the play upon which it is based
Black Comedy
This production of Black Comedy illuminates Shaffer's script
The Entertainer
John Osborne's historic follow-up to ‘Look Back In Anger' charts the life of Archie Rice, son of smash-hit music hall comedian Billy Rice
Stryding to success
Joseph Weir discovers the story of a DIY label and Tinchy Stryder's rise to stardom
Behind the Scenes: The Line-Producer
In the second edition of Behind the Scenes, Andrew Litvin tells us something about line-production
These Dark Materials
An adaptation of His Dark Materials hits Oxford next term, and Cherwell went backstage to see it being created.
Coolness In The Face Of Fire
Vid Simoniti talks to a Merton student who balances studying philosophy with flaming poi
The Cactus Where Your Heart Should Be
The Cactus Where Your Heart Should Be is fun, but never quite brilliant
Squirrels
Good acting and directing can't get David Mamet's flawed Squirrels to the top of the tree
The Philadelphia Story
The OFS performance of late-1930s classic The Philadelphia Story is hugely enjoyable
Not as stable as they look?
More information and analysis on Cherwell's interview with Bob Blackman on the future of the West End
Behind the Scenes: The Producer
In the first of a new blog dedicated to the people who make our films, Laura Hastings-Smith talks production
Review: Mankind
Our man is impressed by this modern update of the medieval classic
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