Culture

Let’s go to the movies: Fennec Fox Productions’ ‘The Flick’

After their staging of Company at the Oxford Playhouse earlier this term, Fennec Fox Productions are set to return next week with a run of The Flick (2013) at the Burton Taylor Studio.

Culture Beatrix Arnold -

A deeply Singaporean play: In conversation with ‘Late Company’

OUMSSA Theatre makes their debut with Jordan Tannahill’s Late Company. While the text originated in Canada, OUMSSA Theatre’s take on it is nonetheless entrenched in Singaporean culture.

Culture Jessica Phillips -

Why I only run to classical music, and you should too

I decided on a whim to put on Gershwin instead of my usual playlist. It was life changing.

Culture Evelyn Lambert -

Questioning the nation’s obsession with ‘Love Island’

Love Island’s formulations have begun to seem increasingly sinister. Last summer’s season (series twelve) saw a particularly high number of complaints.

Culture Charlie Bailey -

Latest

Behind the Scenes: The Line-Producer

In the second edition of Behind the Scenes, Andrew Litvin tells us something about line-production

These Dark Materials

An adaptation of His Dark Materials hits Oxford next term, and Cherwell went backstage to see it being created.

Coolness In The Face Of Fire

Vid Simoniti talks to a Merton student who balances studying philosophy with flaming poi

The Cactus Where Your Heart Should Be

The Cactus Where Your Heart Should Be is fun, but never quite brilliant

Squirrels

Good acting and directing can't get David Mamet's flawed Squirrels to the top of the tree

The Philadelphia Story

The OFS performance of late-1930s classic The Philadelphia Story is hugely enjoyable

Not as stable as they look?

More information and analysis on Cherwell's interview with Bob Blackman on the future of the West End

Behind the Scenes: The Producer

In the first of a new blog dedicated to the people who make our films, Laura Hastings-Smith talks production

Review: Mankind

Our man is impressed by this modern update of the medieval classic

Straight to DVD: Mob Doc

Out of Africa...we review the latest from Kenya's Jitu studio

Review: The Broken

Our review of Sean Ellis' latest horror flick

On the road to nowhere

Casting an eye over Sam Mendes' Oscar-baiting 'Revolutionary Road'

Bruce Springsteen – Working on a dream

The boss is back...

Franz Ferdinand – Tonight: Franz Ferdinand

Review of the third outing from the Glaswegian art-rockers

See the People

Through a sparse metaphysical landscape, Makind walks a tense, manic path

Theatre Expert: a third of all West End theatres may go bankrupt

In an interview with Cherwell, the author of a GLA report on the West End discusses what its future may hold

Look Closely

Yasmin Reza's play Art is a perfectly staged composition of fury and mischief

Take To The Streets

In the latest in our series on world theatre, Cherwell dons the cap of the workers to look at the influence of theatre on 1980s protests in Eastern Europe

Blindness isn’t Love

Frank Marcus's play Blind Date is poignant, but ironic viewing

Bringing it all back home

Cherwell deals with the personal problems of the singer-songwriter.

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Culture

Let’s go to the movies: Fennec Fox Productions’ ‘The Flick’

A deeply Singaporean play: In conversation with ‘Late Company’

Why I only run to classical music, and you should too

Questioning the nation’s obsession with ‘Love Island’

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