Culture

The lost art of the intermission, and why the film industry needs to bring it back 

Last month, Brady Corbet’s The Brutalist was one of the most-discussed films at the Oscars, with its award-winning cinematography, score, and direction rightfully generating great critical acclaim. Equally, though,...
Film Ruby Tipple -

A review of The Crux: Djo turns music into a profession

In his new album, The Crux, Djo, aka Joe Keery, perfectly inhabits and evokes...
Music Tom Cockburn -

40 years after the miners’ strike, James Graham’s ‘This House’ still has a lot to offer

‘Humphrey: ‘If the right people don’t have power, do you know what happens? The...
Theatre Thomas Armstrong -

Persuading the public: The play as propaganda

The play as propaganda has a long history. From the regime-affirming productions of Hieron,...
Theatre Nancy Gittus -
Latest

Review: Persepolis

Greg tate reviews the adaptation of Marjane Satrapi's graphic novels.

A positive sample

Begging, stealing or borrowing? Not so, says Robin Whelan.

Review: In Bruges

Laura Williams reviews Colin Farrell's latest venture.

Chick-on-chick flicks

Rowan Parks visits the 22nd Gay and Lesbian Film Festival.

Review: Fool’s Gold

Charlie Martin reviews Fool's Gold.

Back to basics: Super 8

Nick Westfield delves into the Super 8 archives.

Neighbourhood Watch: Chris Chan

Thomas Barrett meets Chris Chan, organ scholar supreme.

Great Novels: Gravity’s Rainbow, by Thomas Pynchon

Gravity’s Rainbow, Pynchon’s manic schizophrenic novel, originally titled ‘Mindless Pleasures’, is a quasi-sequel to his previous work V, which had appeared in 1963 to...

Review: Mort

Thank heavens Mort is showing in 8th Week of Hilary: the term of sickness, stress and freak exams for an unlucky few. Well –...

Panel Discussion: The Role of the Art School in the 21st Century, Modern Art Oxford

Richard Wentworth, Master of the Ruskin School of Drawing and Fine Art, initially seemed slightly taken aback to discover that he was the sole...

Concert review: Tomas Gould & John Reid play Schubert, Szymanowski and Schumann

Holywell Music Room, 2nd March 2008Wandering past a posterboard for the Holywell Music Room coffee concerts it is easy to feel a twinge of...

Classical review: Oxford Chamber Orchestra play Copland, Barber and Haydn

Sheldonian Theatre, 8.30pm, February 29th 2008The Oxford Chamber Orchestra, under the direction of Jonathan Williams, gave a programme connecting the 20th century back to...

Roth by numbers – a review of Philip Roth’s latest novel, ‘Exit Ghost’

Nathan Zuckerman, a writer living out his winter years in rural isolation, believes he finally has a handle on unpredictability. Prostate cancer has left...

Ready For The Floor?

James Louis Gallagher reviews Hot Chip live at the Carling Academy Hot Chip’s reputation as one of the best live bands on the electro scene...

Quills

After the Moser’s lavish costume drama Dangerous Liaisons in third week, the powdered wigs and buckled shoes return for this gripping production of Quills at the OFS

Review: Dangerous Liaisons

by Frankie Parham *** Beneath all the powdered wigs and tightly strung corsets, 18th century France was bursting with selfish, sex-crazed,...

Wanted: one Alistair Campbell

The REAL election '08I picked up this election leaflet (pictured) outside Frankfurt University the other day. It's from the far-left Party for Social Equality...

Single review: ‘Beautiful Burnout’, Underworld

Underworld is the electronic mastermind duo of Rick Smith and Karl Hyde. 2007 saw them return to the arena of exciting and experimental electronica...

I want to break free

Collections are over, Oxford’s wetter than the North Sea and the transition from Hollyoaks addict to workaholic is not going smoothly. Time to get...

An organ is a gift, and not a right

Changing the law on organ donation to one of presumed consent will mean that we are all organ donors unless we have formally registered...
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