Culture

Form, function, and art in the cultural weight of architecture

With roughly 55% of the world’s population living in cities, the urban world – the brainchild of architects – has become what most people recognise as home. Studies have...

Art Larissa Chan -

The cantatas of Bach with New Chamber Opera

Recently, students from the University of Oxford have blessed the city with several performances...

Music Samuel Oliver-Sherry -

Review: Crocodile Tears – ‘Techno-futuristic, but why?’

There is a lot to like about Natascha Norton’s Crocodile Tears. Female lead Elektra...

Theatre Peter Chen -

Review: ART – ‘Charm, jazz, and friendship at its wittiest’

ART is charming. Centred around long-time friends Yvan (Ronav Jain), Marcus (Rufus Shutter) and...

Theatre Lara Machado -

Latest

Back to basics: Super 8

Nick Westfield delves into the Super 8 archives.

Review: Persepolis

Greg tate reviews the adaptation of Marjane Satrapi's graphic novels.

A positive sample

Begging, stealing or borrowing? Not so, says Robin Whelan.

Neighbourhood Watch: Chris Chan

Thomas Barrett meets Chris Chan, organ scholar supreme.

Great Novels: Gravity’s Rainbow, by Thomas Pynchon

Gravity’s Rainbow, Pynchon’s manic schizophrenic novel, originally titled ‘Mindless Pleasures’, is a quasi-sequel to his previous work V, which had appeared in 1963 to...

Review: Mort

Thank heavens Mort is showing in 8th Week of Hilary: the term of sickness, stress and freak exams for an unlucky few. Well –...

Panel Discussion: The Role of the Art School in the 21st Century, Modern Art Oxford

Richard Wentworth, Master of the Ruskin School of Drawing and Fine Art, initially seemed slightly taken aback to discover that he was the sole...

Concert review: Tomas Gould & John Reid play Schubert, Szymanowski and Schumann

Holywell Music Room, 2nd March 2008Wandering past a posterboard for the Holywell Music Room coffee concerts it is easy to feel a twinge of...

Classical review: Oxford Chamber Orchestra play Copland, Barber and Haydn

Sheldonian Theatre, 8.30pm, February 29th 2008The Oxford Chamber Orchestra, under the direction of Jonathan Williams, gave a programme connecting the 20th century back to...

Roth by numbers – a review of Philip Roth’s latest novel, ‘Exit Ghost’

Nathan Zuckerman, a writer living out his winter years in rural isolation, believes he finally has a handle on unpredictability. Prostate cancer has left...

Ready For The Floor?

James Louis Gallagher reviews Hot Chip live at the Carling Academy Hot Chip’s reputation as one of the best live bands on the electro scene...

Quills

After the Moser’s lavish costume drama Dangerous Liaisons in third week, the powdered wigs and buckled shoes return for this gripping production of Quills at the OFS

Review: Dangerous Liaisons

by Frankie Parham *** Beneath all the powdered wigs and tightly strung corsets, 18th century France was bursting with selfish, sex-crazed,...

Wanted: one Alistair Campbell

The REAL election '08I picked up this election leaflet (pictured) outside Frankfurt University the other day. It's from the far-left Party for Social Equality...

Single review: ‘Beautiful Burnout’, Underworld

Underworld is the electronic mastermind duo of Rick Smith and Karl Hyde. 2007 saw them return to the arena of exciting and experimental electronica...

I want to break free

Collections are over, Oxford’s wetter than the North Sea and the transition from Hollyoaks addict to workaholic is not going smoothly. Time to get...

An organ is a gift, and not a right

Changing the law on organ donation to one of presumed consent will mean that we are all organ donors unless we have formally registered...

Job losses with no consultation: education policy the Labour way

The government has decided that it will no longer fund people seeking to do a higher education course at an equivalent level to a...

Interview: Jimmy Carr

Freddie Parton talks to Jimmy Carr about what's in humour, his love of the controversial, and his upcoming UK tour Channel4’s round-faced comedian Jimmy Carr...

Pete’s week

Working terrifies me, so I intend to avoid it forever. I live in constant fear of succumbing; of choking my life away in a...

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Culture

Form, function, and art in the cultural weight of architecture

The cantatas of Bach with New Chamber Opera

Review: Crocodile Tears – ‘Techno-futuristic, but why?’

Review: ART – ‘Charm, jazz, and friendship at its wittiest’

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