Who gets to make art, who gets to see it, and whose art history gets told? Oxford’s artistic identity may seem firmly established: the Ashmolean’s collections, the portraits and...
The thematic potency and the overall success of Lighthouse Productions’ iteration of Anton Chekhov’s 'The Seagull' all came together in a great and terrible revelation.
In the latest in our series on world theatre, Cherwell dons the cap of the workers to look at the influence of theatre on 1980s protests in Eastern Europe