Culture

Hail Agnes full of grace: ‘Hamnet’ and the perfect mother figure

A couple of days ago, I saw an Instagram reel (in the Friends tab, no less) regarding Jessie Buckley’s recent Best Actress win at the 2026 Academy Awards. The...

Film Ruya Oral -

Stubborn, devout, doomed: ‘The Anti-gone’ reviewed

When The Anti-gone begins, the only thing onstage is a lectern – stark in the harsh white light and terribly lonely – before Ismene (Kitty Brown) walks uncertainly down the aisle and stares, torn and lost, into the audience.

Culture Natalie Tan -

Something wicked this way comes: ‘Macbeth’ previewed

Arriving at Somerville College in its full summer pomp, Stanley Toyne and Cameron Spruce,...

Theatre Arun Lewis -

G for Georgian? LGBTQ+ representation in historical fiction

It is undeniable that LGBTQ+ representation in the media has become more positive in recent years.

Books Elizabeth Gammaidoni -

Latest

Ansel Adams: Photographs

Modern Art Oxford Until 1 June 4 stars out of 5

Encounters: Katie Paterson

Modern Art Oxford Until 1 June 3 stars out of 5

Review: Volpone

OFS Theatre Tuesday-Saturday 1st Week

Words words words

The theatrical art of the translator.

Spanish intellectuals

Theatrical Thrills

Foals – “Antidote”

Monique Davis reviews Foals' new album.

The Kooks – “Konk”

Dan Rolle reviews The Kooks' new album.

Review: Fool’s Gold

Charlie Martin reviews Fool's Gold.

Back to basics: Super 8

Nick Westfield delves into the Super 8 archives.

Review: Persepolis

Greg tate reviews the adaptation of Marjane Satrapi's graphic novels.

A positive sample

Begging, stealing or borrowing? Not so, says Robin Whelan.

Review: In Bruges

Laura Williams reviews Colin Farrell's latest venture.

Chick-on-chick flicks

Rowan Parks visits the 22nd Gay and Lesbian Film Festival.

Neighbourhood Watch: Chris Chan

Thomas Barrett meets Chris Chan, organ scholar supreme.

Great Novels: Gravity’s Rainbow, by Thomas Pynchon

Gravity’s Rainbow, Pynchon’s manic schizophrenic novel, originally titled ‘Mindless Pleasures’, is a quasi-sequel to his previous work V, which had appeared in 1963 to...

Review: Mort

Thank heavens Mort is showing in 8th Week of Hilary: the term of sickness, stress and freak exams for an unlucky few. Well –...

Panel Discussion: The Role of the Art School in the 21st Century, Modern Art Oxford

Richard Wentworth, Master of the Ruskin School of Drawing and Fine Art, initially seemed slightly taken aback to discover that he was the sole...

Concert review: Tomas Gould & John Reid play Schubert, Szymanowski and Schumann

Holywell Music Room, 2nd March 2008Wandering past a posterboard for the Holywell Music Room coffee concerts it is easy to feel a twinge of...

Classical review: Oxford Chamber Orchestra play Copland, Barber and Haydn

Sheldonian Theatre, 8.30pm, February 29th 2008The Oxford Chamber Orchestra, under the direction of Jonathan Williams, gave a programme connecting the 20th century back to...

Roth by numbers – a review of Philip Roth’s latest novel, ‘Exit Ghost’

Nathan Zuckerman, a writer living out his winter years in rural isolation, believes he finally has a handle on unpredictability. Prostate cancer has left...

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Culture

Hail Agnes full of grace: ‘Hamnet’ and the perfect mother figure

Stubborn, devout, doomed: ‘The Anti-gone’ reviewed

Something wicked this way comes: ‘Macbeth’ previewed

G for Georgian? LGBTQ+ representation in historical fiction

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