Who gets to make art, who gets to see it, and whose art history gets told? Oxford’s artistic identity may seem firmly established: the Ashmolean’s collections, the portraits and...
The thematic potency and the overall success of Lighthouse Productions’ iteration of Anton Chekhov’s 'The Seagull' all came together in a great and terrible revelation.
... to Matthew Holehouse, former Stu editor, who has been nominated for the only interesting category at the NUS Awards 2008. The results come out on Monday 9 June.
Once, twice, three times a fuck up.
Aldate extends his sincere thanks to HK. Michelmas' listings brought back happy memories of when OxStu could observe the basic rule of printing the right things on the right pages..
Still, at least you're not Oxide.