Culture

Oxford Commas at the Fringe – Interview

The Oxford Commas are a contemporary gender-inclusive a capella group who had their Fringe debut this year. They kindly agreed to talk to Cherwell about the trials and tribulations...

Culture Lara Machado -

‘Aca-demic Weapons’ at the Fringe: Oxford Commas Review

★★★★☆ A capella groups from Oxford have long been favourites at the Edinburgh Fringe, with...

Culture Alexander Kwon -

‘Do Zombies Dream of Undead Sheep?’ at the Fringe

★★★⯪☆ Do Zombies Dream of Undead Sheep? is a one-man, one-puppet musical journey through the...

Culture Nicole Palka -

‘Timestamp’ at the Fringe: Existing in the ‘now’

★★★★☆ Timestamp is a part-theremin, part-dance exploration of womanhood, expectation, and time. Brought to the...

Culture Nicole Palka -

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WATCH3WORDS: Palm Springs – Exuberant.Poolside.Mayhem.

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"To adapt such a complex series into a musical would be to severely undermine the weight of each of these topics and in turn, the production would do no justice to the character of Beth Harmon and the communities she represents." Beth Ranasinghe considers the obstacles in the path of adapting the hit Netflix show for the musical stage.

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The ideals of rugged American individualism are a powerful national myth, so much so that when they are questioned, it can feel like an...

Review: Romeo and Juliet at the National Theatre

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Deconstructing Dr Seuss: the issue of diversity in children’s literature

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Culture

Oxford Commas at the Fringe – Interview

‘Aca-demic Weapons’ at the Fringe: Oxford Commas Review

‘Do Zombies Dream of Undead Sheep?’ at the Fringe

‘Timestamp’ at the Fringe: Existing in the ‘now’

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