Thursday 3rd July 2025

Culture

‘Pour summer in a glass’: retracing Dandelion Wine

“You did not hear them coming. You hardly heard them go. The grass bent down, sprang up again. They passed like cloud shadows downhill ... the boys of summer,...

Reviving the symposium at the Ashmolean Krasis programme

Dara Mohd, herself a Krasis Scholar, converses with Dr Jim Harris about his object-centred symposium program, Krasis, at the Ashmolean Museum.

‘This Room Their Lives’ in Magdalen College’s Waynflete building

Every Magdalen member remembers their first encounter with the Waynflete Building. Sticking out a...

In More, Pulp aren’t just trading on nostalgia – they’re fresh

In a year where many are talking about one Britpop band in particular –...

Wings and Words: why you should read Grief Is The Thing With Feathers

Recalling the first time I read Grief, on a thankfully empty train, I’m very glad no one was present to witness what must have been a harrowing and confusing parade of expressions as I progressed. It’s a few hours I will never regret.

Best Reads of 2020

Hamnet — Maggie O’Farrell The subtle majesty of Hamnet, Maggie O’Farrell’s eighth novel,would have been welcome in any year, but it was a particular blessing...

Four Panels and a Pen

"Find us together: tiptoeing across the fanning pages of a calendar."

A Story That Begins With Rain

"Under the bent thumb streetlight, umbrella domes burst forth, splashing rich nightfall onto their neighbours."

Cherwell’s best films of 2020

Our film team have put together a list of the years best, from the stylish and disorientating, Waves, to Charlie Kaufman's mind-bending masterpiece, I'm Thinking of Ending Things, and the slow-burning romance of A Portrait of a Lady on Fire.

Revisiting Godard’s ‘Breathless’ 60 years on

'Godard gives us a film that shows the white knight as the charlatan we always knew him to be and offers us the anti-hero instead. And after decades of excessively moralistic cinema, this breath of fresh air was thoroughly needed.'

Moloch 1

'Scream me into the void. I would like to be screamed into the void. Please.'

Is Love Actually actually sexist?

Disclaimer: before I massacre the entirety of its script, Love Actually is one of my favourite films. I watch it every year without fail....

the peaches

"the table is rotting, and the house is rotting, and we are rotting too."

Gift-Giving in 2020

"a difficult balancing act, between thoughtfulness and practicality, and between social responsibility and reception"

The Show Must Go On…but not in every region of the UK

Several regional theatres have struggled to cope in the pandemic, due to persistent negligence and underfunding for decades, both by regional funding bodies and the government themselves.

Review: The Dancing Men

"The whole crew behind this production are worthy of praise for their resourcefulness, having produced a piece which works with, rather than against, its unusual circumstances".

The Prom: rainbow lighting, James Corden & the stage-to-screen adaptation

After a year in which curtains have hardly left stage floors, The Prom gives theatre fans a much needed dose of gliz, glamour and cheese. Katie Kirkpatrick reviews.

Six of the best: winter albums

"Sit back and relax by the fireplace with a mince pie in one hand and a glass of mulled wine in the other, and let Bing Crosby’s ‘White Christmas’ soothe your soul."

On First Looking into Rupi Kaur’s ‘Home Body’

'bricolage applause as spoken word verses raining down like stardust'

Lighting: the art of manipulating the audience

The effect of light is upon the unconscious, unacknowledged unless you are thinking about it, but it’s influencing you all the same.

Review: Taylor Swift’s ‘evermore’

‘In the disbelief I can’t face reinvention. I haven’t met the new me yet.’ So sings Taylor Swift in her ninth and most recent...

Memory/Dream

'snippets of shared secrets, tied to a half forgotten memory'

Instead Of

"I won't have to close my eyes to remember your smile."

Review: Phoebe Bridgers’ ‘If We Make It Through December’ EP

Coming off the post-apocalyptic scream that concluded Punisher, Phoebe Bridgers’ 2020 album (my favourite album this year, and possibly ever), the muted buzz of...

Follow us