“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
Whether it’s a mild sniffle or full-blown tears, I always end up feeling a bit ridiculous about the whole ordeal when it’s over. I mean, it’s not real, is it? Why do I waste my grief on things that haven’t happened, that will never happen?
Murakami’s Killing Commendatore got me thinking about art within literature. We can easily find examples of literature within art: Shakespeare’s Hamlet in Millais’ Ophelia,...
Alan Bennett’s acclaimed 1991 exploration of George III’s first bout of mental illness and the constitutional crisis it triggered is reborn in this National...
Trigger Warnings- Rape and Violence
Sarah Kane’s first play, Blasted, begins with the ageing Ian grooming his young girlfriend Cate in an expensive hotel room....
Within a week, the television adaptation of Sally Rooney’s novel Normal People, which explores the oeuvre of two teenage lovers, was requested on BBC...
The book currently on top of my ever-growing ‘To Read’ pile
is David Wallace-Well’s 2019 book The Uninhabitable Earth. Based on his
2017 essay of the...