Despite being a seven-time Grammy Award winner, it was only at the 2025 Love Supreme Festival in Glynde that Jacob Collier had his first major festival headline show.
Wearing his...
“I felt the narrowing of my life to a very fine point. A hard triangle of a life over and me sprawled at its peak, hopeless and lost.” - Russell Brand, describing a mental breakdown.
Even as our favourite American TV shows are owned and
trademarked by enormous conglomerates with massive influence over the
entertainment industry, prestige television has often been...
John, Paul, George and Ringo, chased
through the oft-mistook Marylebone station, boyishly attempting to evade a
hoard of adoring young fans. It is an iconic scene...
Pulses were sent racing in 1995 when Andrew Davies’ television adaptation of Pride and Prejudice saw Mr. Darcy, played by a fresh-faced Colin Firth, emerge sopping wet from a lake in a translucent white shirt that barely clung to his torso.
After working on a Channel 4 documentary on masculinity, William Atkinson reflects on the role of culture in the formation of male identity - and whether it has a role to play in recent atrocities in the US.
Although seemingly it is a truth
universally acknowledged, we need to reiterate that Fleabag was one of
the best sitcoms broadcast in years. From its three-dimensional...
It
may seem an overstatement, but I truly believe that Shane Meadows’ This is
England saga is one of the greatest contributions ever made to British
culture....
Synesthesia is a hugely rare cross-sensory condition - and yet features in some of our most famous canonical works. How can we ever understand the experience of a synesthete?
Their physical manifestations seem so much a part of the poetic experience that seeing them on a page, relying only on written descriptions for their original context, is almost a tease – a promise of the possibility of an even fuller experience.
Morpurgo intended the tale to be one of ‘reunion and reconciliation’, but Nick Stafford and the National Theatre have transformed it into an ‘anthem for peace’.
Imagine the future. You walk into a room expecting an art gallery. Instead, you come face to face with a baron white cubicle. A woman stands in the corner, holding a pair of VR glasses. She hands them to you. Puzzled, you put them on.
Sophie Hyde’s latest film Animals, adapted from Emma
Jane Unsworth’s 2015 novel, is a welcome antidote to the friendships of fun, feminist,
Glossier-buying millennial women that...