“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
Whether it’s a mild sniffle or full-blown tears, I always end up feeling a bit ridiculous about the whole ordeal when it’s over. I mean, it’s not real, is it? Why do I waste my grief on things that haven’t happened, that will never happen?
US Country singer-songwriter Chase Rice has gone Platinum multiple times, co-written a Diamond-certified hit, and last year reached No. 1 with his single...
‘It’s been twenty-five years since I last murdered someone, or has it been twenty-six?’
A serial killer suffering from Alzheimer’s attempts to protect his daughter...
Musician and neuroscientist Izzy Frances loves to play on your heartstrings. Propelled by a desire to understand herself and others, Izzy has burst onto...
At one point in Sally Rooney’s Conversations with Friends, the protagonist, Frances, tells her best friend and former girlfriend, Bobbi: ‘If I could talk like you...
Fragmentary, authentic and poetic – Derek Owusu’s latest publication, That Reminds Me, succeeds in its painfully honest exploration of a young Ghanaian boy’s journey into adulthood.
When...
Audition season for Trinity plays is beginning. Prepare your monologues and get ready to neglect your studies. More importantly though, get shopping for a...
In
“Facial Recognition”, the main organiser, Lucy Tirahan’s ambition is clear: to
break the unspoken taboos surrounding mixed-ethnic heritage.
The exhibition is extremely successful. It
avoids romanticizing while...