Culture

Caught Between Grief and Hope: ‘On Some Far Shore’ Reviewed

Fresh off the back of Our House and Macbeth, Cross Key Productions presents an original three-hander focused on the complexities of grief and young love. Produced by Madi Boutcha...

Culture Melissa Eddon -

The road to reckoning: ‘The Slip’ reviewed

Sharp, unsettling, and emotionally intelligent, 'The Slip' is a striking showcase of the ambition and talent behind Wide Eyes Productions, while establishing Wyatt as a writer-director to watch.

Culture Leo Jones -

How an Oxford undergraduate made a name in choral music

When he arrived at Oxford, he expected his future to lie primarily in orchestral music. Instead, it was choral music that transformed his direction.

Culture Anish Vedantham -

‘Scenes With Girls’ and complicated female friendships

'Scenes with Girls' deserves to be seen as one of Labyrinth Productions’ (Rosie Morgan-Males and Emily Cullinan) most impressive accolades.

Culture Charlie Bailey -

Latest

Review: Edward II – ‘fantastic at handling themes of homosexuality and power’

The tender exploration of sexuality in Bagnall's production makes Marlowe's sixteenth century play still relevant for a modern audience

Van Gogh and Britain

Exploring Van Gogh's fascination with British culture and Dickens

Tracey Emin’s A Fortnight of Tears: an unflinching study of the haunting power of trauma

The body is placed centre stage in an exhibition that flits between the violence of both birth and death.

BBC Three’s Fleabag

“I’d just like my tits to be that much bigger — does that make me a terrible feminist?” Such forthright, fourth wall busting, hilarious, and...

Jordan Peele’s new horror film ‘Us’

The idiom, “To be afraid of one’s own shadow,” normally forms part of an insult, a derogatory phrase denoting child-like cowardice. The characters of...

Hartnell’s ‘Bodies’: Hugely readable

A review of Medieval Bodies by Jack Hartnell (Wellcome Collection, 2019, 352 pages)

Talkin’ ’bout a Revolution: The Sound of Protest Art

Tracy Chapman’s appearance at the 1988 Nelson Mandela tribute concert transformed her career. The political turmoil surrounding Apartheid was transposed onto Chapman’s performance; songs...

Mackintosh at the Liverpool Walker

A working-class liberator of the arts

Review: Betrayal – ‘all the poise, restraint and subtlety that Pinter’s masterpiece requires’

Ingenious set design, the actors’ spectacular chemistry, and director Lloyd’s brilliant attention to detail make Betrayal a triumphant culmination of the ‘Pinter at the Pinter’ venture

Review: The Duchess of Malfi – a brave and ambitious move

York Settlement Community Players present an ambitious take on the Webster classic

The crises of contemporary art

An exploration of beauty and meaning in the world of contemporary art.

Some New Angles on Perspective

A preview of Thinking 3D (Treasury Room, Weston Library), on from March 21st 2019 until February 9th 2020.

A tapestry of living and dead: Max Porter on his new book, ‘Lanny’

An exploration of Max Porter, in conversation with Ali Shaw, and his new novel, Lanny.

The Dark Review – ‘calls our attention to the othering of refugees’

Taiwo Oyebola finds that poet Nick Makoha's new play uncovers the stark realities of a refugee's journey.

So Far Gone – Ten years on

A decade ago, Aubrey Graham was trying to break into the music industry. After 8 years playing Jimmy Brooks on a Canadian soap opera Degrassi, he...

Bird Box: a victim of its own platform?

It is ironic that Netflix, the reason for the film’s rapid popularity, might also be the reason why it’s not as memorable a film as it could have been. Emilie Rapport Munro discusses whether Netflix overdid its latest hit

Surviving the Drama Scene

Do Oxford's student theatre productions have the longevity of professional shows?

Fade to Black – a history of the theatrical blackout

The convention which now seems part-and-parcel of theatre wasn’t always there – indoor venues and developments in lighting provided new staging opportunities. But what is the theatrical blackout for?

Review: What Comes After – ‘one of the most effortlessly flowing performances’

Wonderful set design, music, and performance make for a beautiful new song cycle by Máth Roberts

Coldplay heating up

The death of being embarrassed about playing Coldplay in the shower

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Culture

Caught Between Grief and Hope: ‘On Some Far Shore’ Reviewed

The road to reckoning: ‘The Slip’ reviewed

How an Oxford undergraduate made a name in choral music

‘Scenes With Girls’ and complicated female friendships

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