Wednesday 11th March 2026

Theatre

Seeped in nostalgia: ‘Things I Know To Be True’ reviewed

Lighthouse Productions' 'Things I Know to Be True' had high expectations to meet. Put frankly, they nailed it.

Let’s go to the movies: Fennec Fox Productions’ ‘The Flick’

After their staging of Company at the Oxford Playhouse earlier this term, Fennec Fox Productions are set to return next week with a run of The Flick (2013) at the Burton Taylor Studio.

A deeply Singaporean play: In conversation with ‘Late Company’

OUMSSA Theatre makes their debut with Jordan Tannahill’s Late Company. While the text originated in Canada, OUMSSA Theatre’s take on it is nonetheless entrenched in Singaporean culture.

Lighthouse Productions on ‘Things I Know To Be True’

Fresh from the success of their debut production, Lighthouse Productions are set to deliver their second show: Andrew Bovell’s Things I Know to Be True (2016).

Review: Measure for Measure

In Measure for Measure, one of Shakespeare’s problem plays, Vienna is depicted as a city of vice and perdition, such that the situation seems...

Review: The Pillowman

Martin McDonagh’s jet black comedy is brought to life (and sentenced to a gruesome death) by Tom Fisher and his stellar cast. I coughed, continuously,...

The Place of Regional Theatre

The power of identity is arguably greater today than ever before. The stale, collective “British” identity is slowly being pervaded by the vibrant diversity...

Review: Merrily We Roll Along at the Oxford Playhouse

Merrily We Roll Along begins with a bang – the peak of Franklin Shepard’s career as a Hollywood producer while he relaxes (and then enters...

Review: Nutcracker

As a child, ballet lessons made me wince in pain, but two-and-a-half hours of The English National Ballet’s The Nutcracker passed in the blink...

The Death of Theatre Monarchy

It’s January 2020 and a new controversy has arrived to add to the Britain’s collection. Popular discussion of the Duke and Duchess of Sussex’s exit from...

Review: Don Giovanni

Premiered in 1787 in Prague and in the Habsburg court in Vienna, Mozart’s Don Giovanni offered a biting social comedy. Breathing new life into...

Pantomime: does it still deserve a place on the modern theatrical scene? (Oh, yes it does!)

Emily Capon argues that pantomime (when done well) still has an important place in the modern theatre.

Review: Macbeth

Leone Van den Schrieck reviews Collarbone Productions' 'Macbeth' at the BT.

Review: American Buffalo

Frazer Martin reviews 'American Buffalo' at the Pilch.

Review: Malcolm The Miserable

Ottilie Mitchell reviews new play Malcolm The Miserable at the BT studio.

Review: Oxford Contemporary Opera Festival

Clementine Scott is impressed by the Oxford Contemporary Opera Festival at Saint Hilda's.

Review: The Importance of Being Earnest

Yii-Jen Deng reviews 'The Importance of Being Earnest' at Teddy Hall.

Review: Chicago

Cecelia Wang reviews Jazz Hands Productions 'Chicago' at the Keble O'Reilly.

A theatrical Utopia?

Emily Capon explores explores the possibility of a Utopia of ‘no-where’ on the stage.

Remember, Remember Your Duty to Remember

Coral Kim explores the impact of 'Translations' and 'The Height of the Storm' on both her and society.

Review: The Mine Hatch

Tatiana Gilfillan is moved and impressed by new play 'The Mine Hatch'.

Preview: Martlets

New play commemorating forty years of women being admitted to Worcester College is full of joy, wit and sharp writing.

Review: Beard

McNelis' new musical is gripping and raises the important issue of homophobia in sport.

Review: The Crucible

Francesca German feels the power of Arthur Miller's classic 'The Crucible' at the Pilch.

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