Theatre

A comical approach to a classic text: ‘Hedda Gabler’ reviewed

Tiptoe Productions’ Hedda Gabler, co-directed by Ollie Gillam and Gilon Fox, delivered a strong version of the classic text, impressive in its ability to make the differences between characters...

Culture Charlie Bailey -

‘Everything is constantly emotion’: An interview with the cast and crew of ‘Doctor Faustus’

Seabass Theatre has carved out a niche for itself producing original takes on canonical...

Culture Lara Machado -

Between performance and reality: ‘To What End?’ reviewed

To What End is a new meta-theatrical, absurdist play written by Billy Skiggs and...

Culture Beth Riding -

An affectionate, homely play with hidden ambition: ‘Under Milk Wood’ reviewed

The lights dimmed, a small plaque was illuminating the stage with the red letters,...

Culture Mair Andrews -

Latest

Review: Yerma

Lorca's "tragic poem" is brought to life with subtlety and skill by Angel In The House Productions

Do actions speak louder than words?

Daniya Jawwad explores how certain classic plays prioritise physicality.

Review: Section Two

Phoebe Hennell reviews Tom Gould's new play 'Section Two'

Review: Life of Galileo

Didactic elements of Brecht's biographical play are highlighted by Velvet Vest Productions.

Review: Hannah Gadsby’s ‘Douglas’

An utter stand up masterpiece, and showcase of a truly gifted mind.

Review: The Three Sisters

Small Fry Theatre's take on Chekhov's classic impresses at the Burton Taylor Studio.

Review: Sübverse

Disgraced CBBC presenters, slam poetry and 'Take Me Home, Country Roads' all come together in Beef's debut sketch show with surprising results.

Preview: Spring Awakening

Jaya Rana previews Oxford Playhouse's Michaelmas student musical, Spring Awakening.

Review: Crave

GOYA's Crave stays true to the chaotic and disturbing nature of Kane's work.

Reaction in Metatheatre

An exploration of reaction in metatheatre and its complex psychological effects.

Review: Unplanned-ersnatch – ‘the kind of plot twists only improv could beget’

An evening of improvisation and audience participation set to the tone of laughter

Review: Me, as a Penguin – ‘bound to put a smile on your face’

A review of the heartwarming comedy by Pangolin Theatre Productions

Call to Science: Brecht’s Life of Gaileo

Brecht's Life Of Galileo brings scientific revolution to the Keble O'Reilly.

Art Heist- bold fourth wall breaking drama sees Oxford grads take on the ‘Art World’

Katie Knight reviews upcoming Oxford grad company Poltergeist Theatre's new show 'Art Heist', where three art thieves try to steal the same painting on the same night!

Freshers’ guide to the Oxford drama scene

Find out how to get involved with Oxford student drama from Ellie Cooper (Actor and Director) and Pierce Jones (Production/Management).

Review – Awkward Conversations With Animals I’ve F*cked

Fringe hit one-man-show exploring loneliness, love, sexuality and bestiality starts national tour in Oxford.

Prometheus Unbound – An ancient tragedy in open air performance

"This performance breathed a fresh, modern dynamic to an otherwise static play". Phoebe Athena Hennell explores the implications of language in a Modern Greek performance of Aeschylus' ancient tragedy 'Prometheus Bound'. With contributions from Andreas Janssen.

FLEABAG – Triumphant return to where it all began

Imogen Harter-Jones reviews Phoebe Waller-Bridge's return to the stage.

Twelfth Night – Shakespeare’s Rose blossoms in York and Oxford

Madness, hilarity and revelry ensues in Joyce Branagh's production of Twelfth Night.

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Theatre

A comical approach to a classic text: ‘Hedda Gabler’ reviewed

‘Everything is constantly emotion’: An interview with the cast and crew of ‘Doctor Faustus’

Between performance and reality: ‘To What End?’ reviewed

An affectionate, homely play with hidden ambition: ‘Under Milk Wood’ reviewed

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