Theatre

‘Oleanna’: An imperfect but gripping watch

Boulevard Productions’ Oleanna leaves something to be desired, but what it lacks in production value it more than compensates for in audacity; so much so that David Mamet would be proud

Culture Ian Coates -

Stubborn, devout, doomed: ‘The Anti-gone’ reviewed

When The Anti-gone begins, the only thing onstage is a lectern – stark in the harsh white light and terribly lonely – before Ismene (Kitty Brown) walks uncertainly down the aisle and stares, torn and lost, into the audience.

Culture Natalie Tan -

Something wicked this way comes: ‘Macbeth’ previewed

Arriving at Somerville College in its full summer pomp, Stanley Toyne and Cameron Spruce,...

Theatre Arun Lewis -

All in a day’s Work.txt: Metatheatre’s extremes

I first heard about Work.txt when I was asked by a friend (or coworker?) if I was free Saturday night. And this was a gilt-edged proposition I just couldn’t turn down.

Culture Jessica Phillips -

Latest

A Review of Reviewing: of Source-Texts and Slighting

Charles Britton ponders the relationship between a borrowed script and an adapted performance in theatre criticism

13 Review – ‘effectively and enjoyably portrays Bartlett’s broken Britain’

Bertie Harrison-Broninski is impressed by the ambition and scope of this drama of political intrigue and belief

Summer and Smoke Review – ‘re-staged inventively, but unpretentiously’

Rebecca Frecknall's musical re-imagining of William's play at the Almeida is dazzling

RSC Hamlet Review – ‘This is simultaneous creativity and destruction. To be or not to be.’

John Livesey reflects upon the Basquiat elements of this perceptive RSC production

The Crocodile review – ‘a carefully considered yet hilariously nuts production’

Cesca Echlin is left in fits after a performance of Dostoyevsky's short story

Walk Like Natives review – ‘A flash-mob blending into the crowd’

A secret piece of theatre, taking place in central London, is a pure celebration of joy.

The Flick review – ‘a little theatrical masterpiece’

Flick is an exceptional production that brings a thin script to vivid life

Labyrinth preview – ‘an impressive blend of exciting text and creative movement’

Tom Mackie finds himself anything but lost in this psychomaniacal retelling of the Theseus and Ariadne myth

The Flick preview – ‘there’s even going to be popcorn’

Bertie Harrison-Broninski is impressed by this witty and elegiac homage to the silver screen

Not About Heroes review – ‘It is rare to find a student production of such maturity’

Chloe Taylor is impressed and moved by this poignant study of war and poetry

Jubilee review – ‘Funny, self-referential, and visually exciting’

Bertie Harrison-Broninski finds this adaptation of Derek Jarman's original film is a show one that he might be proud of

Ishtar preview -‘Nothing if not entrancing’

An excellently engaging gloss of an intriguing archaic myth

Crocodile preview – ‘This is going to be properly funny’

Nitrous Cow look set to provide a rip-roaring comedy follow-up to their sold out debut 'Lovesong' last term

#Ending the Silence review – ‘there is nothing quite like it’

Joel Stanley reccomends a captivating performance and an unmissable experience

Down with my Demons review – ‘tensions rise as secrets spill’

A talented cast bring this immersive and exciting piece of new writing to the stage

In Conversation with the Team Behind #Ending the Silence

John Livesey talks to Euton Daley and Amantha Edmead about their latest show at the Old Firestation

Hedda review – ‘stubbornly disturbing and nuanced’

The most anticipated-show of Hilary term lands with both style and substance

The C-Bomb review – ‘the perfect antidote for those mid-term blues’

Delphine Chalmers is charmed by this self-assured, intelligent, and funny piece of student writing

Hedda: “the story of a woman who demands a better life”

We chatted to the female-identifying members of the cast and crew of Hedda to find out what the play and its protagonist mean to them

Victory review – ‘Julia Pilkington’s direction places us on a knife edge’

Victory is a reminder of student theatre's capacity to thrill and chill in equal measure

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Theatre

‘Oleanna’: An imperfect but gripping watch

Stubborn, devout, doomed: ‘The Anti-gone’ reviewed

Something wicked this way comes: ‘Macbeth’ previewed

All in a day’s Work.txt: Metatheatre’s extremes

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