Theatre

The Goat Review: ‘raw, absurdist, and honest’

Clarendon Productions brings The Goat, or Who is Sylvia? (Edward Albee) to the Michael Pilch studio, painfully, humorously, and soulfully. Seated in the round, the audience is gifted a...

Culture Michelle Jiang -

The Busy Body Review: ‘Theatre of the Real’

The Busy Body (1709) is one of the many plays written by Susanna Centlivre....

Culture Lara Machado -

In conversation with ‘The Children’

‘If you’re curious as to how and why cows, nuclear reactors, tricycles, peperami, and...

Culture Olivia Sloan -

Sanskrit drama returns to Oxford

Building on a strong recent tradition of plays performed in Sanskrit (with surtitles!) we...

Culture Benjamin Atkinson -

Latest

Dead Man’s Suitcase: A Review

"At once funny and profound, Dead Man’s Suitcase is a treat for the senses."

Othello: A New Era of Shakespeare

"This production has chosen to take a step away from this preoccupation with setting and allow the play to speak for itself."

“Who am I, and who do I love?”: Neil Bartlett’s adaption of Orlando

Ursula White reviews Neil Bartlett's adaption of Orlando at the Garrick Theatre starring Emma Corrin as Orlando.

Confessions of a Theatre Kid: Debunking The Myth

"This problematic and relentless framing of the theatre kid as marginalised or an 'underdog'... misses the fact that the arts are propped up by privilege."

“A thrilling look into disjunctive relationships”: Fêtid Review

"Morgan’s multi-faceted script offers a combination of dark comedy and depth which keeps the audience consistently intrigued."

“Refreshingly ambiguous” – Review of Wishbone

"Wishbone offers an insightful and tender portrayal of the complicated emotions tied up in a relationship".

‘After Life’: A review

After Life was an understated joy – a brilliant, bittersweet highlight of Week 7.

“In here, it’s just pretending…”: ‘Posh’ and the brilliance of impersonation.

At the end of it all, the audience are left in the wake of their destruction, while tellingly, most of the boys have left the scene, unscathed.

A Night Under the Stars: Reviewing Enclosure

The programme for Mostly Moss Productions' Enclosure reads: “In this time of crisis hold each other closer. In community with each other, and with...

Delightful, witty and well-rendered: ‘Blithe Spirit’ in review

In something of a swan song for Oxford’s A2 Productions, on the 9-12th November, they took to the Keble O’Reilly Theatre for their production of...

The Duchess of Malfi: A Review

"Evocative performances, convoluted script, limited visual resources"

Narcissus : a review

"It is perhaps unsuprising that a play names after a boy who falls in love with himself should be as self-indulgent as ...Narcissus is."

‘Women You Know’: Review

"I laughed, I tried but failed to cry, and had an overall nice time spending my Wednesday evening listening to these two women."

‘Blithe Spirit’: In conversation with A-squared Productions

'Blithe Spirit', running at the Keble O’Reilly theatre from the 9th – 12th November will be A2 productions final Oxford show after successes such...

‘Maurice’ : A review

"It is the perfect choice for the start of term with the potential for all of us to find a piece of ourselves"

Scenes With Girls : A Review

"The play as a whole was beautiful to watch. It is funny, relatable and well-delivered."

Flora’s Fringe Guide

I went up to Fringe in the first week and saw as much as I possibly in order to recommend to you lot what’s worth seeing and what’s not, so please read on for my top recs!

Vessel : A Review

CW : mention of disordered eating, fat phobia, body dysmorphia Have you ever wept in a toilet stall—maybe during a particularly rough school day,...

Scenes with Girls: In conversation with Love Song Productions

"The dialogue is simultaneously so realistic and so weird and the characters and themes felt like they would really ring true to a student audience."

“Unafraid to poke fun at the elite” – Review: The Corn is Green

"Miss Moffat plucks Morgan Evans out of the mines, trains him to speak like a gentleman, and stuffs his head with Adam Smith and Voltaire. It’s like My Fair Lady, but gender-swapped and very, very Welsh."

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Theatre

The Goat Review: ‘raw, absurdist, and honest’

The Busy Body Review: ‘Theatre of the Real’

In conversation with ‘The Children’

Sanskrit drama returns to Oxford

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