As frosty winter winds swept through Oxford at the start of term, you would imagine that we’d spot more students nestling their necks into fluffy scarves and fending off...
"Perhaps Tarantino will become a better novelist as time goes on, but there's a charm to how this book is a behind-the-scenes look at a story still in construction, full of blind alleys and experiments."
'Our narrator’s tone of voice sways between the revelatory and the didactic, the divine and the desperate, so that our first job is to work out whether we are watching a man or a god.'
You don’t need to go to every library on this list. But if you’re lucky enough to carry a Bod Card, you should make a point to visit at least a few. These are special places, each with its own history and personality. Make the most of them.
"Lost Connection, as a production, effectively memorialises the issues and troubles that lockdown caused all of us, whether in the world of performance or not."
'Women are born with the opportunity to make everything possible. It’s part of our DNA, if we can deliver children in this world, we can do anything. Women are the best managers, we manage the home, pregnancy, periods, family.'
"I didn’t sit back and enjoy the show. And I ended up with a lot more opinions than I had ever expected four pieces of 21st-century choreography to evoke."
Patrick Gwillim Thomas discusses the Royal Opera House's newest choreography project.
'If I do go to these places, I won’t need to be transported to a fictional world for them to be magic. They’ll be wonderful because I went there, and had fun, and lived a life that is far less exciting than those of the characters, but was good all the same.'
For a historian who has made every effort to avoid studying the early history modules, Prime Video’s Vikings was perhaps a surprising viewing choice....
Every aspect of the show was defined by attention to detail. All of Dettmer’s movements were controlled and carefully blocked; from walking across the stage to crossing her legs and the little touches of her hands, each had a sense of purpose. Accompanied by judicious use of props — the chair and stool, a water glass, and folded list — this meant every little motion was imbued with meaning.
"'Half Baked' passes the Bechdel test with flying colours. It is truly a feminist triumph and is so refreshing to see an all-female cast on an Oxford stage—something of a rarity, especially in the genre of farce."
James Newbery reviews the first live post-Lockdown show in Oxford, "Half Baked" by 00Productions at the North Wall Arts Centre.