When we think of historical fashion, images of towering wigs, tight-laced corsets, heavy brocades and voluminous skirts often spring to mind – ornate, impractical, and rooted firmly in the unenlightened...
As a show with only two characters, the use of four actors in this production was truly innovative. It was able to showcase their talent in the best possible way, highlighting the actors’ strengths while elevating the characters to a level above how they have been traditionally interpreted on stage.
Mila Ottevanger explores the less than triumphal return about the Oscars of fashion, and what the lackluster exhibition and red carpet say about the...
I read How to Kill Your Family while at home during the vacation and given my own parent’s unnerved curiosity as they scanned the book’s title, I can understand the necessity of the dedication to Mackie’s parents: “I promise never to kill either of you.”
"Of all the books that explore the question of how and why we learn, I find that Frank Herbert’s Dune offers an unsettling, prescient answer to this question."
"Perhaps Tarantino will become a better novelist as time goes on, but there's a charm to how this book is a behind-the-scenes look at a story still in construction, full of blind alleys and experiments."
'Our narrator’s tone of voice sways between the revelatory and the didactic, the divine and the desperate, so that our first job is to work out whether we are watching a man or a god.'
You don’t need to go to every library on this list. But if you’re lucky enough to carry a Bod Card, you should make a point to visit at least a few. These are special places, each with its own history and personality. Make the most of them.
"Lost Connection, as a production, effectively memorialises the issues and troubles that lockdown caused all of us, whether in the world of performance or not."
'Women are born with the opportunity to make everything possible. It’s part of our DNA, if we can deliver children in this world, we can do anything. Women are the best managers, we manage the home, pregnancy, periods, family.'
"I didn’t sit back and enjoy the show. And I ended up with a lot more opinions than I had ever expected four pieces of 21st-century choreography to evoke."
Patrick Gwillim Thomas discusses the Royal Opera House's newest choreography project.