With Anna Wintour trotting around New York and cosying up with Lauren Sanchez Bezos, it is no surprise that the 2026 Met Gala is hitting highly controversial seas. The...
A few weeks ago we, the Cherwell fashion editors, were lucky enough to be extended an invite by the Global Fashion Collective to their London Fashion Week show.
The only possible way to remedy the shortened days and Tupperware skies of winter is to imagine yourself as a sexy, mysterious, no-time-for-your-bullshit, French woman striding around snowy Paris.
'I think, when it comes to any biopic, "real history" has to be deprioritised. If an accurate and chronological rendering of history is what you're looking for, watch a documentary!'
Maebh Howell writes on the dichotomies of the biopic, asking which is to be prioritised; accurate truth-telling or entertaining story-telling.
"Marginalised actors should not just be shoehorned into pre-existing plays without any respect or provision for the stories they have to tell. To do so is to package diversity into commercially successful morsels that are digestible for largely white, middle-class audiences."
"Jazz was being played over the stereo like theme music, as if they were acting in a television drama where each character had some essential trait, some crucial role."
Hamnet — Maggie O’Farrell
The subtle majesty of Hamnet, Maggie O’Farrell’s eighth novel,would have been welcome in any year, but it was a particular blessing...
Our film team have put together a list of the years best, from the stylish and disorientating, Waves, to Charlie Kaufman's mind-bending masterpiece, I'm Thinking of Ending Things, and the slow-burning romance of A Portrait of a Lady on Fire.
'Godard gives us a film that shows the white knight as the charlatan we always knew him to be and offers us the anti-hero instead. And after decades of excessively moralistic cinema, this breath of fresh air was thoroughly needed.'
Several regional theatres have struggled to cope in the pandemic, due to persistent negligence and underfunding for decades, both by regional funding bodies and the government themselves.
"The whole crew behind this production are worthy of praise for their resourcefulness, having produced a piece which works with, rather than against, its unusual circumstances".