Culture

Tailoring expectations: Couture culture shocks

Academia has a historic relationship with fashion, both officially and unofficially. The former manifests itself in Oxford’s sub fusc – mounting costs and pressure of tradition aside, it’s at...

No-buy Trinity: A guide to buying less and creating more

For Oxford students, the start of Trinity marks not just the start of the...

Cherubs Grow On Trees: Atmospheric student filmmaking

Making short films is hard. You have anything between two and 20 minutes to...

Cheap cashmere in freezing February

Cashmere is a luxury fibre, warm in winter, sustainable, but you may have been...

Learning From Blackface Comedy

conformism to a prejudiced society shapes our perception of humour more than we may realise

Tuning in: Podcasts in lockdown

It’s no wonder then that in times of hardship and isolation, such as these, podcasts are more popular than ever.

Eight LGBTQ+ Musical Theatre Songs to Listen to this Pride

As we face the prospect of another six months spent watching Star Wars and ‘sport’ (?) with heterosexual relatives, now more than ever we...

Review: Bridge Theatre’s A Midsummer Night’s Dream

Set in the mystical woodlands surrounding Athens, with its cocktail of magic, love triangles, and donkey-human hybrids, Shakespeare’s A Midsummer Night’s Dream has always...

On my white window ledge

'Now I see them yield to the light, papery and, with old age, translucent.'

Ode to an empty Oxford

"The quads no longer echo with passing, light-hearted exchanges or 3am stumbling returns from Hassan's."

Review: Repeat Attenders

In Repeat Attenders (2020), a legion of loyalists to musical theatre take their turn in the spotlight. The documentary introduces us to repeat attenders of theatre...

Review: Florence Given’s debut book Women Don’t Owe You Pretty

Florence Given sells feminism as what it is: freeing and utterly delicious. She affirms and articulates precisely the points it feels so hard to put your finger on sometimes.

Fact and Fiction: Where Should the Boundary Lie?

Novels, TV shows, films. They are a form of art. And in art there is no wrong answer. Yet this becomes more complex for historical...

Returning to my favourite play: Dancing at Lughnasa

If we’re not watching Saoirse Ronan star in her latest feature film, we’re quoting Derry Girls from memory or fetishing Connell’s chain and fan-girling...

Now That’s What I Call… Poetry?

Somebody once told me there are a lot of bad song lyrics out there. Imagine, for every subtle, elegant song you hear, there’s bound...

The Fashion of Villanelle

"Gone is the femme fatale spy-assassin we have been accustomed to seeing."

Murakami’s ‘Killing Commendatore’: where art can transport you

Murakami’s Killing Commendatore got me thinking about art within literature. We can easily find examples of literature within art: Shakespeare’s Hamlet in Millais’ Ophelia,...

Review: The Madness of George III

Alan Bennett’s acclaimed 1991 exploration of George III’s first bout of mental illness and the constitutional crisis it triggered is reborn in this National...

Review: A Midsummer Night’s Dream

‘A Midsummer Night’s Dream’ follows four main plots: the wedding of the king of Athens; the complicated love affairs between four young Athenians;...

Navigating the Theatre Interval

Intervals. I know you have been dying to read an article about them for as long as you can remember, so I’ll put you...

Black trauma porn, slacktivism, and chicken soup for the activist soul

TW: racism, police brutality, racial violence The torrential online aftermath of the murder of a black man: posts mourning fallen black victims, names added to...

Ballet: bewitching, beautiful, bold

I have loved ballet all my life. Since day one it has been filled with Barbie ballet DVDs, ballet dolls and of course ballet lessons. While...

CulCher’s Choice: Andy Warhol at the Tate Modern

Almost twenty years after his first retrospective Warhol in 2002, Andy Warhol is now showing at the Tate Modern. The prolific artist is best...

Where Industry meets Humanity: Johanna Unzueta at Modern Art Oxford

Upon first entering the gallery I was struck by the sheer scale of Unzueta’s sculptural centrepiece – a huge felt chain, draping down from...