Monday 21st July 2025
Blog Page 1022

Review: Doctor Faustus

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Cai Jauncey’s directorial vision is – appropriately enough, given the subject of the play – very ambitious. Replete with impressive lighting, a technically adept group of dancers and a soundtrack that would perhaps be best characterised as techno, this is a Faustus that is striking and original. At its best, when these features come together and complement one another– notably in the Helen of Troy scene – the production soars. At other times, however, it faltered. Often the music and dancing were too discordant, and the music failed to set the right mood, as in the parade of the Seven Deadly Sins, when the words of the play were somewhat drowned out by music. The cutting of certain scenes also rendered Faustus’s changes in tone especially abrupt, adding to the sense of disjointedness. For instance, at one point, Faustus suddenly launched forward to deliver a soliloquy in which he voiced doubts about his demonic pact only moments after he had been seen talking amicably with Mephistopheles upstage. The inclusion of the prologue and epilogue unfortunately meant the play began and ended on a dull note in what was an otherwise high-energy Faustus.

There was nonetheless much to be commended in this production. The dynamic between Georgie Murphy’s spirited, over-reaching Faustus and Thea Keller’s engaging and unusually sympathetic Mephistopheles was particularly strong. Keller’s Mephistopheles watched Faustus waste away his talents with, for the most part, carefully adopted poses of casual detachment, which made his passionate outbursts, such as when he lamented being “depriv’d of everlasting bliss,” all the more moving. At the action’s climax, after Murphy had brilliantly ramped up the tension in her final monologue before being dragged away to hell, it was Keller, looking on with a mixture of pity and terror, who arrested my attention. I would, however, have liked to see the sexual tension between the two leads, often hinted at, further explored.

Beyond the central pairing, there were impressive performances from Anusia Battersby and Laura O’Driscoll, as the Good and Evil angels respectively. The decision to situate them to the same platform worked well, as it enabled them to interact with one another more than is usually the case. Battersby offered a very interesting take on the Good Angel; she was increasingly frustrated and angry with Faustus, and took immense pleasure in gloating when Mephistopheles movingly described his torment. Matt Roberts, meanwhile, combined perfect comic timing with impressive physicality, as he extracted every ounce of humour from the text, starring in scenes from the comic subplot that are often cut.

The production also made an interesting use of technology, as Faustus cast away his books in favour of phones and tablets when his demonic experiments began. Mephistopheles revealing the vast array of information contained in one ‘book’ (i.e. tablet) highlighted the wonders of the internet age, when information is more readily accessible than ever, as well as the attendant possibilities and, arguably, dangers. The use of props such as horns and fake limbs deliberately drew attention to the theatricality of the play in a clever and amusing way. Whilst this production may have overreached itself at times, it had many brilliant moments, offering new and insightful interpretations of the text – and a fascinating Mephistopheles in particular – and is certainly worth a watch.

London, books and bears: an interview with Michael Bond

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“The first time I nearly died was on a Wednesday.” Michael Bond, a smiling and well-dressed 90 year old, leaned forward as he talked. “It was during the war and I was in Reading, getting my pay, and we heard low flying aircraft approaching. Someone went to the window and shouted, ‘Christ! It’s a Dornier!’ It dropped a string of bombs that fell almost horizontally.” Bond slowly learnt back in his seat, eyes fixed on the middle distance as if he were somewhere else. “I think I died five times as the five bombs dropped.”

Michael Bond is not your ordinary ‘national treasure’. World famous creator of Paddington Bear, Bond has written series of books for both children and adults, and gives off the air of a man who has lived through many adventures. His front room in London, still only a short walk from Paddington station where it all began, feels warm and homely, lovingly filled with books, magazines and photos – though there are clear signs of Bond’s many creations and achievements. “Yes, he’s one of the original Paddingtons used in the first TV shows”, he smiles, pointing to a recognisable bear in red fedora and blue dufflecoat on a bookshelf behind him. “We had to have a few of them, because the filmmakers kept wearing them out, and he needed to look fresh for the camera.” Bond graciously fails to mention the framed CBE signed by the Queen leaning nonchalantly against the sideboard, or the gold disk in recognition of the 2014 blockbuster film Paddington propped up next to it. He doesn’t seem the sort of person who is overly concerned about accolades – it’s all about the writing, and the characters. “In fact, I’ve just started on a new Paddington book.” He smiles, gesturing to his laptop. “But I have to type it up – if I handwrote it, after about a paragraph no one could read it.”

As with all great creations, Michael Bond found Paddington almost by accident. “I didn’t mean to write him at all”, he tells me, “I wrote my first published story in the army in Egypt in the war. It sold for seven guineas to the London Opinion magazine – I had a job cashing the cheque, it was a lot of money in those days.” Once demobbed and back in England, Bond continued writing stories and pieces about car and motorcycle testing for magazines. “Paddington happened because of the BBC. They rang and asked if I had ideas for a story – I was living in Notting Hill Gate in a one room flat at the time, sitting there with no idea what to do next.” Bond looked around the room for ideas, and spotted a small toy bear which he’d bought for his wife. “I’d called it Paddington because I liked the name and we lived near it.”  Bond wrote down the first line, the BBC were happy with the idea – and the worldwide phenomenon of Paddington Bear was born. “I would have thrown the story away, but it caught my fancy. At the time I had a government surplus duffle coat and bush hat, so I dressed Paddington in them. I found myself talking to him, he simply came alive in my mind.”

Having grown up with Paddington all of my life on the empty, idyllic borders of Wales, I discovered the faraway world of London through Paddington’s various adventures – and when I finally got the visit the capital as a teenager, the friendly and fastidiously polite bear from Darkest Peru was always in my thoughts. When asked if he likes the fact that Paddington and London are now tied inextricably together, Bond nods. Having just published a new book of Paddington adventures and ‘Paddington’s Guide to London’, where visitors can explore the city’s attractions in the company of their favourite bear, Paddington is now deeply embedded in the city – even arriving at Paddington station that morning, I’d seen stickers, statues and posters. Once you think about him, you start seeing him everywhere. “It’s almost hopeless writing a guide to London”, Bond chuckles, “as London’s changing all the time. Even as this new book comes out I should be working on the next one! But I like the changes, and Paddington is at home in London really –he’s part of general life now, people expect to see him around the city.” And the iconic bear has now spread from London, going truly global: “I like the way a ‘Paddington hard stare’ is an accepted phrase. I read in the paper the other day someone had given the Pope a ‘Paddington hard stare’ – it made me rather happy.”

Despite his latest Paddington adventure ‘Paddington’s London Treasury’ being written specifically for children, Bond is pleased that the first books were not specifically for any age group. “Originally the BBC simply asked for a story, and children weren’t mentioned. See, I like to hear that Paddington’s written for everyone. That’s important, as when you’re writing for children you have to be careful as they don’t like being written down to, which I understand.” When asked how children respond to the recent books written specifically for their age range, Michael smiles. “I get a lot of fan letters from whole classes of children writing to me, and you can’t write back to them all. If a child has taken the trouble to write to you, the least you can do is to write back. Though they all write because they love Paddington – I think they’re rather envious of him.” Paddington’s humour – one of the few books that has ever made me laugh out loud – is important to the makeup of the stories. “It’s meant to be humorous. You can say a lot with stories, and if you can make children laugh with them it sticks in their mind more than a serous story would ever do.”

When asked whether Paddington could only have been created in 1958 and whether similar fresh ideas could gain purchase today, Michael’s smile shrank slightly. “The world has changed – not necessarily for the better,” he says. “It’s overcrowded, and harder to get opportunities.” There are certainly certain aspects of Paddington that are distinct to the time it was written in, though this only makes him more endearing. “Paddington’s from Darkest Peru because no one really travelled to South America back then: it seemed ‘a long way away’. In those days, most people only went to the Isle of Wight, I thought no one would get to Peru! Now the world has shrunk, and everywhere has the same shops, people can get anywhere.” Even Michael’s agent for the first book was a ‘bit of a Paddington’: “he was a Jew living in 1940s Germany, and was alerted just in time that he was on a hit list. He left with all his belongings in one suitcase. So yes, a lot of influences went into Paddington – the label round his neck is from my memory of refugees during the war.” When asked if there’s lots of himself in his creation, Michael shakes his head: “there’s more of my father than me in Paddington. He was always wearing a hat – even on the seaside, in case he met someone he knew.”

“I had a nice fan letter from America soon after my first book- they said they were so used to Paddington being a bear, it had become a funny name for a station. That really made me smile.” And this sums up Michael Bond – in the hour I spend in his study chatting about his life and writing, I got to know a wonderfully fascinating, kind, and open person with many stories to tell and who really loved his bear from Darkest Peru, who had become a friend to so many worldwide. In his own words, “Paddington keeps me young!” Those who say never to meet your heroes have clearly never read Paddington Bear and spoken to the man behind him –perhaps they deserve one of his trademark ‘hard stares’.

Portrait of Viceroy replaced with student art at Balliol

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Balliol has replaced the portrait of a controversial alumnus with four smaller portraits of women painted by a current student – the first time student art has been hung in the hall.

The new portraits, painted by Balliol undergraduate Fine Artist Emily Freeman, depict a woman in four different positions and replaced a portrait of George Curzon, 1st Marquess Curzon of Kedleston, who was a Viceroy of India from 1899 to 1905. The original portrait was taken down last term at the height of the decolonisation debate spurred by Rhodes Must Fall.

However, the college claimed at that point the portrait was removed for cleaning and repair. Current JCR President Annie Williamson attributed the new replacement to the regular changing of artwork in college.

The fact that the new work was made by a woman has been seen as greatly important. “Female painters are vastly under-represented throughout history and for a piece of female-made (and student-made!) art to get exhibited inside of an Oxford University Hall, as a piece of institutional improvement toward diversity but also as a wider contribution to the representation of female artists in history is really really encouraging,” Balliol Fine Artist Indigo Wilde said.

Perhaps the biggest change is the symbolism of putting portraits of a woman up in Hall. “For a college which was largely founded by a woman, Balliol doesn’t have the best history in terms of actually embracing us” first-year Balliol historian Beth Cadwalladr said.

“Women weren’t admitted to the college until 1979 and the masters and famous alumni who are openly celebrated in the Hall are overwhelmingly male, and entirely white. To sit in that hall, whether it’s for collections or just for a daily meal, is to be reminded of exactly who the college honours and chooses to commemorate. Women deserve to feel like we can achieve that too. We deserve to be reminded that we are important, that we can create.”

Educated at Eton and Balliol, Marquess Curzon was later heavily criticised as a Viceroy for doing relatively little to combat a famine that killed millions of Indians. An ex-president of the Oxford Union, he argued vociferously against Home Rule in Ireland and was particularly defensive of colonial policy during his time in the House of Commons.

Many members of the Balliol JCR and MCR have expressed support for the change, holding the view that the Hall portrait celebrated and commemorated a man well-known for his greatly harmful actions to groups still marginalised at Oxford.

For some, however, even the possible symbolism of removing the paintings was relatively meaningless. “Taking down a portrait isn’t ever going to be a concrete action to counter racism, right? Plus what are portraits when the whole university has benefitted immensely by colonial rule?” one South Asian Balliol student commented.

JCR anti-pooing motion flushed down the drain

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A recent JCR motion calling for “anti-pooping” in Somerville’s college library was dropped from the JCR meeting’s agenda.

According to Chloe Funnell, the second year who originally proposed the motion, this idea stemmed from the fact that there is currently only one toilet in the Somerville college library.

“Some users spend a long time in there and, as a result, waste other people’s time, not to mention their own,” Funnell told Cherwell.

She added that while she conceded her proposed motion itself was “ridiculous in some aspects”, such as the resolution of “having a stock photo of someone looking angry in the toilet”, she thought that it was reflective of the view among people in the college that “some others don’t really take into consideration other people who use the college’s facilities.

“It’s a small toilet, and when people [defecate] in there, the smell lingers, so it’s almost like an extra smack in the face when you have to wait a good ten minutes to either pee or fill up your water bottle.”

Funnell also went on to clarify that the motion does not at any point forbid anyone from using the library toilet, but that it was purely against what she calls “poopcrastination”.

“It’s more concerned with people spending an unnecessarily long time in the toilet, and leaving it messy [for other users]. People pee on the toilet seat and leave [poo] stains quite often.”

By proposing her motion, Funnell told Cherwell that she was essentially encouraging the users of the toilet to be more “conscientious” hereafter.

“Frankly, I’m sick of people’s s*it – proverbial or otherwise.”

Somerville’s outgoing JCR president Louis Mercier confirmed to Cherwell that the motion was indeed dropped, but did not comment on the reasons behind this change.

Responding to Funnell’s motion, a member of Somerville college library’s staff stated that it “[does] not have any comment, other than that [the] library toilet facilities are due to be upgraded over the summer.”

Britt Tomson, first year CAAH student at Somerville said, “I just kind of laughed it off when I first saw it. I was amused by the prospect of someone having to check and enforce it if the motion had passed”.

First year english undergraduate at Somerville Catrin Haberfield said, “I think motions like that are actually a good way to get people engaged in the JCR – it’s hard to get people to come to meetings and to even care about what we do, but I heard loads of people talk-
ing about it once the motions were sent out. Everyone knew it was kind of a joke, but at the same time a really valid point because the library only has one toilet and people ‘poopcrastinate’ in there.”

Ballin’ for a tenner

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Harris Manchester are running an Oxford ball with tickets set to cost only £10 on Friday of 7th week.

The ball will have three different parts. First, a pre-dinner party will feature a retro mini-golf stall, a retro strong man ‘ring the bell’ stall and a candy floss stall. These will be accompanied by Prosecco and Pimms and a performance from Dots Funk Odyssey. The capacity for this section is over 150 people.

A four course formal dinner will be held for 150 guests with musical entertainment throughout. Finally, the after party will continue in another venue, the 1855 Wine Bar in the Castle Quarter with capacity of 100. The separate after party venue has been chosen to accommodate finalists preparing for exams in college.

The event is being funded by both the MCR and JCR. Harris Manchester College has also agreed to subsidise the cost of the ball by £1000, despite having the smallest fi nancial endowment of any Oxford college, which as of 2012 was at £6 million.

Charlotte Baker, a member of the Harris Manchester Ball Committee said, “The college is subsidising so much because we feel that more things in Oxford, especially classic Oxford events like balls, need to be more accessible to all and as the smallest college in Oxford it is important that we are as inclusive as possible.

“One of the most exciting and special things about Harris Manchester is the huge overlap in the JCR and MCR, mainly because of the lack of difference in ages. This gives Harris Manchester the maturity of an MCR but the vibrant lust for life of a JCR!

“Although previously the two have been officially quite separate, the current committee and college community as a whole felt inspired to combine all college efforts to create a super-massive event (in Harris Manchester terms!) that will hopefully become the beginning of a tradition for years to come.

“The current sense of anticipation and excitement within the college hints it’s going to be a colght to remember!”

Tickets for Oxford Balls are typically very expensive, usually costing over £100. A non-dining ticket for the White Tie New College Commemoration ball, which is to be held on the 25th June, costs £185.

One DPhil student at Harris Manchester told Cherwell, “I went to a ball this year and another last year and was kind of overpriced for what they ended up being and was kind of disappointed. So at least with £10 there won’t be disappointment amongst the students.”

Les Misérables composer comes to Catz

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Claude-Michel Schönberg, the French composer who first adapted the novel Les Misérables into a musical, has been announced as the next Cameron Mackintosh Visiting Professor of Contemporary Theatre at St Catherine’s College. He will succeed Simon Russell Beale in October 2016.

The position of Chair of Contemporary Theatre, which was founded through a grant from the Mackintosh Foundation at St Catz promotes both the study and the performance of contemporary theatre. Previous professors have included Patrick Stewart, Stephen Sondheim, Tim Rice and Phyllida Lloyd.

Schönberg announced, “After a certain age you want to share what you have learnt about your work and pass it to the next generation. Everybody has to go through their own experience, there is no shortcut but I can help to bring to the surface what creators have deep inside so they can understand better the process of their alchemy: channelling the stream of your passion and being patient enough to be at work when the inspiration occurs.”

Professor Roger Ainsworth, Master of St Catherine’s College, commented, “I am thrilled that Claude-Michel will be this year’s Cameron Mackintosh Visiting Professor of Contemporary Theatre. Claude-Michel’s eminent position and long-standing experience in contemporary musical theatre makes him an apt holder of this title, and it is wonderful that our students will have the opportunity to learn about this first-hand. It is an honour for St Catherine’s to be welcoming him and I look forward to his inaugural lecture later this year with great anticipation.”

Claude-Michel Schönberg began as a record producer, singer and songwriter and began musical theatre composition in 1973 with the French musical La Révolution Française. This began his long term collaboration with lyricist Alain Boublil.

In 1974 they began their musical adaptation of Victor Hugo’s Les Misérables, which would go on to become a global success, winning eight Tony awards including Best Musical. It was adapted to film in 2012 for which Claude-Michel received nominations for Best Original Song at the Academy Awards for “Suddenly”.

Schönberg has penned other successful musicals such as Miss Saigon (1989) and Marguerite (2008) and has received a Grammy for outstanding contribution to the creative community.

Izzy Rose, second year Music student at University College is delighted by the news, and told Cherwell, “I think it sounds like a fantastic appointment, it’s so important to have strong representation of contemporary arts within the academic structure of the Oxford collegiate system. It’s an extremely effective way of making new artistic ideas accessible to the broader student body even if it’s not part of their degrees.”

Issy Newell, Magdalen first year and producer of Magdalen’s garden play The Importance of Being Earnest had mixed feelings about the appointment. She told Cherwell, “As a fan of Claude-Michel’s work and musical theatre, his appointment is exciting news. It can’t be denied that he has reams of experience of the contemporary musical industry, and perhaps his appointment will result in a greater number of more adventurous modern musicals to be produced in Oxford.

“However, musical theatre plays a small part in the very large contemporary theatre industry, and I can’t help feeling that he won’t be able to contribute much to Oxford drama. The most exciting student drama is the wonderfully creative interpretations of both contemporary and old plays, but with musicals I feel that such artistic exploration isn’t as possible.”

Summer VIIIs: The Story

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Crashes, clashes, and collisions: Summer VIIIs 2016 has all the makings of a great bumps week. The leading amateur collegiate rowing festival in the world (sorry Cambridge) has been a tale of continuity at the top thus far, with the traditional powerhouses maintaining their dominance in the mens’ and womens’ divisions.

Oriel have put in two powerful performances to row over as Head of the men’s divisions. Captained by the charismatic Stevan Boljevic, the Tortoises held Christ Church, stroked by Blue Boat man Nick Hazell, at a length and a half on Wednesday. House were a little more threatening on Thursday, pushing Oriel to a quarter length, but again the Tortoises clung on. Cherwell expects that this may be the year when a Serbian college boat club captain finally takes the headship. Behind Crunchie, Pembroke have delivered two successive row overs. Without Jonny Ross, veteran of over nine years bumps racing, they’ve looked a little short in their rowing but are unlikely to be caught until Saturday when Keble strike.

At the top end of the men’s rowing the most exciting pile-up came on Wednesday when Magdalen, Wolfson and Keble were involved in a three way collision. Magdalen, bereft of a strong top-end, glacially made their way from Donnington Bridge to the gut with Wolfson in hot pursuit. As the Wolf-pack went in for the bump, a chasing Keble crew struck , Tintin Stutter (Osiris 2016, Keble M2 2015) the Keble cox expertly steering her boat into the Wolfson stern. Panic ensued as both Wolfson and Keble pulled-over, thinking they had bumped, with Keble forced to put in an emergency restart as Teddy Hall approached, powered by George ‘Ladiator’ Mckirdy.

Over on the womens’ side Wadham have also been dominant. After a weak showing at Torpids, Wadham have managed to evade Pembroke on both Wednesday and Thursday, keeping them at a length as they passed Boat House island. With last year’s OUWBC captain, Anastasia Chitty, in the seven seat, the Panthers will be looking for some heroics over the weekend as they push on for the Headship. Oriel have also surged up into the bottom end of division one, bumping Worcester on Wednesday to become the top div sandwich boat and then taking Sommerville later that day. The Blessed Virgins struck again on Thursday, clinically bumping New outside the Univ boathouse. Coxed by the formidable Ed Carroll, this is a crew to watch over the last two days.

Overall in the top two women’s divisions there has been more mobility than with the men. Teddy Hall, New, Worcester, Merton and Osler House were all bumped on both Wednesday and Thursday, whilst Lincoln, Mansfield, Hertford and Keble as well as Oriel have all moved up on both days. With Univ bumping Magdalen on the first day to move from fourth to third, but unable to take Pembroke on the Thursday, it seems unlikely that there will be much turnover between the top three. One crew to watch in particular are Lincoln W1, who stand a strong chance of progressing into the top divisions.

It hasn’t all been rosy for Oriel however. Their Men’s 2nd VIII has lost the coveted ‘Head of the Second VIIIs’ position to Pembroke M2. The Panthers’ second boat is a formidable beast. In Torpids it bumped up into the first division and has continued this form into VIIIs. With the redoubtable Carl Gergs, their men’s captain, powering the boat from the seven seat, this boat has a fighting chance of finishing sixth in the men’s second division. The LMH men are another boat to watch in the men’s div two. Chasing Catz on the Friday and then potentially Hertford on the Saturday, they may well win blades. Another crew who have achieved a meteoric rise is Hugh’s M1, who have risen from second in division three to 12th in division two. Could this be the year for Hugh’s?

Down in the bottom divisions it has been predictably chaotic on both the mens’ and womens’ sides. It has been a tale of two boat clubs for LMH, as their men’s third boat has dropped from 8th to 12th in division seven, with Catz M3 inverting this performance and ascending from seventh to eleventh. Pembroke IV currently hold the mantle of foot of the river on the women’s side, and seem likely to stay there, with Balliol III hovering above them.

In a year in which the top end boats look a little slower than those which raced in 2015 and 2014, the performances have followed expectation. This is a bumps campaign without some of the men and women who have cast a long shadow over Oxford rowing; Constantine Louloudis, Will Geffen (Hilda’s M2 coach 2016) and Karyn Davies are all conspicuously absent from the river. With 25,000 supporters due to descend on Boat House island on the Saturday, be sure to be there for one of the greatest spectacles in world rowing.

Magdalen creates new Trans rep

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Magdalen has unanimously passed a motion to mandate the LGBTQ officer to represent Trans members of the JCR.

The role will involve working with the college on developing a Trans policy, as well as recommending to future JCR Committees to appoint a Trans officer should the LGBTQ officers feel unable to lobby for Trans students.

The motion stated, “These [Trans] students often have specific needs and face complex issues for which there is often little guidance and support. For example, negotiations with college regarding transitioning, financial assistance with medical costs, being put in contact with other transgender students.

“There has been a greater push among the University and national student body to support transgender students, including through the creation of the new full time NUS trans-rep and the widespread adoption of gender neutral toilets and transitioning policies.”

It also noted that Magdalen was yet “to create publicly accessible gender neutral toilets” despite prompting from both the JCR and MCR and that it has “no current policy for transitioning students”.

Matthew Elliot, the LGBTQ trustee who proposed the officership, told Cherwell, “As a non-binary person, I felt that there could be no guarantee that future LGBTQ reps could adequately represent trans members of the JCR.

“I think that this is an important issue because the college still needs to do work on creating an official policy for transitioning students and providing access to publicly accessible gender-neutral toilets.”

The debate concerning the motion was not at all about the merits of gender-neutral toilets or the college’s need to have a policy for transitioning students, but came down to smaller questions of constitutionality and whether a full officership was possible, and how many students the position would represent.

“I was quite surprised that the motion passed unanimously, and I was quite nervous about the possibility of strong opposition to the motion.

“However, in hind sight, I feel that any members of the JCR who attend-
ed the meeting and opposed the motion would have had strong reservations about being openly against the provision of the right of representation for trans people.”

Indeed, the only changes made to the motion dealt with small issues adapting the position from another college to the constitution of Magdalen’s JCR, which makes officerships more difficult to create.

“I based the motion to create a trans officer on the same role in the JCR of St. Hugh’s, where the position does not have to be filled”, Elliot said. “However, this contradicts the constitution of the JCR, as all committee roles must be filled, and so the motion was amended to create the position as a supernumerary officer in the case where LGBTQ reps feel that they are unable to represent trans students.”

JCR president Sam Sherburn commented, “I am delighted that Magdalen JCR unanimously passed this motion which affirmed our commitment to make sure that all voices are heard equally, and are represented in the strongest way possible to the college.”

Many students saw this as a welcome development for the college.

“This is another essential step in making the college a more welcoming place for all people” first-year historian Benn Sheridan said. “Magdalen has always had a slightly austere reputation, this will change that.”

Voting for NUS referendum approaches; debate continues

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Campaigns for the NUS referendum were launched this week, with both ‘Yes to NUS’ and ‘No Thanks, NUS’ unveiling their official manifestos and beginning to canvas throughout the university.

The campaign launches come a week before polling opens for the referendum, which follows a period of controversy in the national union due to the election of Malia Bouattia, who was accused of anti-semitism, as NUS national president.

Speaking about the campaign launch, Becky Howe, OUSU president and co-leader of ‘Yes to NUS’ said, “We have got a really amazing bunch of students we’re working with on this, and whilst it is really, really time consuming, it is definitely being helped by how many people are giving time and energy to this.”

Her co-leader and OUSU vice-president Lucy Delaney, added, “We’re pretty exhausted but also still quite spurred on. I think adrenaline characterises it, and we’ve got a fantastic, fantastic, dedicated campaign. Everybody is equally doing so much: there’s no hierarchy.”

Howe continued, “What we want to try and do with the campaign is make sure as many voices as possible are heard and as many people get to express why the NUS is invaluable to them but, hand-in-hand with that, making sure that people are aware of actually what NUS does.”

Representative of ‘No Thanks NUS’ and former OUSU vice-president Jack Matthews told Cherwell, “It’s been a great start to the campaign, with so many people offering their time and support. What’s especially encouraging is hearing from those who voted ‘yes’ two years ago, who’ve seen for themselves how promises of reform from within have proved false, and are now supporting a ‘no’ vote.

The key thing for us is to engage students from across Oxford in this debate, give them the facts and figures, and show them we have a strong and sensible OUSU that can represent us. We’ve been out at the common room debates where the response has been really positive and, as polling day approaches, you’ll be hearing and seeing a lot more from the ‘No Thanks, NUS’ team.”

Since the launches, a number of independent organisations have released official statements outlining their position.

The university’s Jewish Society has announced its support for ‘No Thanks NUS’, but will not be contributing to campaigns as an organisation nor releasing further comment beyond their initial statement, president Isaac Virchis told Cherwell. However, their individual members will be free to campaign as they wish.

Mind Your Head, an Oxford-based student mental health charity, have gone on record in support of ‘Yes to NUS’ but take a similar line regarding campaigning.

Co-chair Jack Schofield commented, “I don’t think we’re going to get too involved. Individual members of committee are welcome in a private way to do as they wish. Yes, it is our official policy that we endorse a vote to remain in the NUS, but in general I think we have made our statement and we probably won’t be doing too much more, as we do, in general, try not to be political, and we do just want to keep campaigning on issues of mental health in Oxford.”

The campaigners themselves are, by their own admission, unsure about what level of voter turnout to expect, but the general mood around the city seems apathetic, and at best ambivalent. Some students expressed uncertainty as to the nature and causation of the referendum, while others told Cherwell they are unlikely to vote.

There were some undecided voters present at a well-attended referendum debate at St. Hilda’s on Wednesday 25 May, where Howe and Matthews delivered pre-drafted speeches in addition to fielding questions from the audience just six days before polls open on May 31.

Oxford comes second to Cambridge in new rankings

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As well as claiming to offer better punting and more Nobel prize winners, Cambridge now have the satisfaction of being ahead of Oxford in university league tables once again.

The rankings, recently released by the Guardian, rate each university on a wide range of metrics. These include student satisfaction with their teaching course, quality of feedback, spending and number of staff per student, entry tariff and whether the graduate career after six months.

The data was compiled by an independent company using information provided by the universities themselves and drawn from the National Survey of Students to measure satisfaction scores.

Oxford did top Cambridge on student satisfaction with teaching, achieving 92.9 points against the other institution’s 91.3, and satisfaction with courses, 91.6 to 88. Oxford also spends more per student, while Cambridge edges out its rival in jobs, with 89.6 holding a career after six month to 87.6 from Oxford, and higher UCAS point entry tariff s – a score of 600.1 to 576.9.

Cambridge, Oxford and St Andrews have held first, second and third positions respectively for the third year in a row, and Surrey holds onto a fourth place from last year. The big mover is Loughborough, which has shot from 11 to joint fourth since last year.

Oxford edged out Cambridge in both Mathematics and Economics, but was ranked lower in some staples like Classics, Law and History.

An Oxford University spokesman told Cherwell, “The various university ranking tables vary greatly in their criteria and in their placings from year to year. What is most important is that across these tables, Oxford is consistently ranked among the world’s leading institutions, both for the strength of its research and the quality of its teaching.”

First year History and Politics student and Oxford resident Hugh Tappin cited the greater range of course options as one of the reasons he chose his hometown over Cambridge as well as the nightlife.

He told Cherwell he made the decision “principally because they don’t do HisPol at Cambridge and it’s very small: I have heard bad things about the night life – there’s a distinct lack of Bridge.

“You can’t really say no to the Rad Cam being your faculty library and despite what people say about History at Oxford being very traditional, there is actually a fair degree of choice and you’re not as bound to studying British kings and queens as some people would have you believe.”

Some took a silver lining from the loss. “Both educational institutions are world class and the constant competition between us is what create the environment where we keep improving and developing,” first year Magdalen student Hannah McNicol said.