Wednesday, April 30, 2025
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A response to Max Leak’s Israel ‘experiment’

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Max Leak’s article published online in Cherwell the other day painted the Israeli-Arab conflict as a simple and monolithic issue of justice and equality vs. oppression and evil. To back up his point, Leak embarked on an ‘experiment’. He took an apartheid apology and replaced South Africa with Israel, and succeeded at getting it published in the OxStu. He claimed that this proved the worth of the apartheid analogy to Israel.

Leak’s experiment lacks any argumentative worth. This was a poor attempt to construct what he perceived as stereotypical ‘pro-Israel’ arguments, followed by the claim that these arguments were analogous to defences made against apartheid. It’s worth dealing with this first.

Leak’s article claimed that many of the arguments made by Israel’s defendants are the same as those made by apartheid apologists. He cites the following arguments:

‘We are told that the natives are barbarians who will slaughter their former rulers as soon as they get freedom; we are invited to look at a troubled region, and then at the little island of repressive stasis under discussion, and draw the conclusion that oppression works better than freedom in such a savage, unruly part of the world.’

Sure, there may be a small section of hardliners that may occasionally make these embarrassingly poor arguments. But if he ever cared to properly investigate what constitutes pro-Israel thought he would discover that this quite simply isn’t the case. Those who believe in Israel’s very existence (a bizarre claim to have to justify anyway) do so from a range of important normative positions.

The most common arguments in favour of Israel tend to fall into two categories. Firstly, many see Israel and Zionism as the fulfilment of Jewish collective rights to self-determination. The Jewish people, in an age of nation-states, sought to fulfil their own collective rights through creating a nation-state of their own through mass immigration to an ancient homeland. Secondly, and perhaps more significantly, others see Zionism as a vital refugee movement, providing one safe haven for Jews around the world in a period where anti-semitism led to a genocide from which the Jewish people still haven’t recovered. It is an argument that seems anachronistic, but yet in 2016 there is something of a Jewish Exodus from France to Israel.

I could go into these arguments in more depth. I’m sure Leak was well aware of them. He could have quoted pieces from student publication Zionish, or have looked at the output from liberal Zionist organisations Yachad or JStreet. He could have looked at the ideology of prominent early Zionists such as Ahad Ha’am, Be’er Borochov or Chaim Weizmann, or of Israeli political parties such as Meretz or the Zionist Union. But he undoubtedly chose to ignore these sources because they didn’t suit his pre-chosen narrative.

In short, Leak can only sustain his analogy with a weak parody of what arguments constitute ‘pro-Israel’ discourse. If he ever cared to talk to anyone who even remotely claimed to be ‘pro-Israel’, he would have realised this. Instead, he picked and chose from the dregs of the internet and hard-right organisations.

The absurdity of his argument is also worth pointing out. Because some people justified both A and B using the same argument, Leak claims that A and B must therefore be the same thing.

Well, to apply Leak’s argumentative structure to his own cause, let’s try this. Hamas, a brutal and deeply anti-Semitic terrorist organisation, uses anti-colonial rhetoric and the language of oppression in its screeds against Israel. Leak and other Palestinian solidarity activists also use anti-colonial rhetoric and the language of oppression in its opposition to Israel. Therefore, as justifications for Palestinian solidarity activism are the same as those used to justify anti-semitic terrorists, all Palestinian solidarity activism must be anti-semitic terrorism.

I’m sure Max will agree that this is ridiculous. In short, the only conclusion we can draw from Leak’s experiment is that a rushed OxStu student editor agreed to publish a poorly written and weakly argued opinion piece. Some ‘experiment’.

It’s also worth turning to the narrative that Leak seeks to promote. The author’s slander of all pro-Israel and Zionist discourse with the tag of apartheid apologetics is particularly awful. Fundamentally, it fails to reflect the reality of the situation. The distinction between Green Line Israel and the Occupied Territories is one which did not exist in South Africa. The Occupied Territories are not part of Israel; they are Palestinian land in which the Palestinians should form a sovereign state.

This is the reality of the situation that Max ignores when he describes Israel as apartheid. The plight of the Palestinians living in the Occupied Territories is an awful human tragedy, and should shame the state of Israel. The occupation must end. But to conflate this with green-line Israel is an astonishing claim. Palestinian citizens of Israel have the same rights as any other Israeli citizen in crucial areas – not least the vote. There is discrimination, sure, but to claim wholesale that Israel is an apartheid state is nothing short of intellectual fraud.

Leak’s fundamental narrative of the conflict is also worrying. In the last paragraph, he states that, ‘If you want to know about that struggle – if you want to know how you can be on the right side of it – come to our events at Israeli Apartheid Week, running Monday to Saturday of 6th week.’

In my view, precisely the problem with much of the discussion around the Israeli-Palestinian conflict is that it is an issue of ‘us and them’; two opposing sides and activists on either side must choose one side to place their flag. The idea there is a ‘right side’, that we must all stand with in uncritical solidarity, in a conflict as complex and nuanced as the Israeli-Palestinian one is laughable.

To say that one side is flawlessly moral and just, while the other is a den of racists and colonialists, is simply untrue. There are many problems in Israel, its society and its politics, I don’t deny that, and I’m sure you can learn about them at Israeli Apartheid Week. But Palestinian society and politics is hardly blameless. Israel is currently in a wave of random knife attacks, where elderly women are stabbed to death whilst walking down the street. Mahmoud Abbas was elected to a four year term in 2005 that he’s still serving, and Hamas is designated as a terrorist organisation by the EU and the USA.

Nor is each side monolithic. Many Zionists and Palestinian activists share criticisms of both the Israeli government and the Palestinian Authority. Many on both sides actively campaign for the two state solution. Leak’s conception of the conflict as a zero-sum game of good and evil is a dangerous one that threatens to alienate the moderates on both sides who are genuinely capable of making peace.

We should not restrict ourselves to blindly standing with one camp or the other. Many on both sides do this, including Max Leak. To claim that Israel can do no wrong, like some pro-Israel activists do, is misguided. But the opposite position is equally so. Max paints the conflict as a black and white issue, right vs wrong, justice vs apartheid. This is an unhelpful distortion of the realities of the conflict. I’m not asking anyone to view the conflict in 50:50 terms. But 100:0, in either direction, is ridiculous.

If we want a constructive discourse about the conflict that includes all voices, then it’s imperative to ditch worldviews which force activists into extreme positions. In Oxford, of all places, this is something we should strive for. 

Bexistentialism: HT16 6th Week

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It’s a Saturday night, and my friend is problematically drunk.

We are not at an inappropriate location for being drunk (which, after some analysis, I have decided is only limited to a) a funeral of someone you don’t know very well b) if you are looking after small children c) whilst you are operating heavy machinery, or indeed, operating d) driving e) all of the above). We are not participating in any of these limitations. In fact, we are at a bop – of all places, a perfectly acceptable location for inebriation. But before you eschew me as a prude, let me at least explain.

At this particular bop I have gathered together friends from different colleges. Thrilling, I know. As expected, we dance, and as expected, we are drunk. My problematically drunk friend in question is already a little alarming. She is adorned in a very long and very large white nightgown with pink cardboard ears, and dirt on her face. (It’s more amusing to not tell you the bop theme). Therefore she is already visually discomforting. But then Nightgown-Girl quite rudely tells my friend to go away.

“Mate” I say, in the medium where it is loud enough to reach above the music, but not loud enough for him to hear. “What are you doing?”

What sounds like “Fucking fuck fuck stupid person dancing with MY fucking fuck friends can fucking fuck fuck off from my fucking fuck fuck bop” appear from out of her mouth. These eloquently framed remarks continue as I tactically and tactfully guide her out of the main room by performing Robot-esque dance moves in front of her, forcing Nightgown to reverse at a calm but firm pace.

But my steady tellings-off are delayed by the sight of someone peeing in the corridor. Mr Piddle accompanies his fierce hissing with ‘Wahey’, flourishing his weapon of choice with much joy. A swift kick and puddle-jump and Piddle is forced back into the toilets. I turn around. Fuck. I’ve lost Ms Nightgown.

By the time I find her, we’re about to head to Fucking fuck off friend’s room for a nightcap. And with the choice to walk Nightgown home or bring her with me, she comes too. A Gregorian chant accompanies us, “cigarette cigarette cigarette” emitting – humming – screeching from her lips. ‘I will dream of cigarettes tonight’, I ponder sadly, ‘she has enveloped my subconscious. Singed it with her tobacco hue’. I look at Nightgown with sadness in my eyes, and she looks up silently. “Cigarette?”, she innocently questions. I look away.

After Nightgown has insulted every inch of the college we are walking through, as well as everyone in the vicinity, a reliant friend decides it is time to take her home. I feel the fresh and sweet breeze of freedom upon my brow, and think no more. It is only a few hours later, when I wearily get home, that I find Nightgown snuggled in my bed. I have never seen her look so peaceful.

Common People announces Big Top line-up

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Rob Da Bank and his team behind Bestival present Common People, to be held at Oxford’s South Park on this year’s May Bank Holiday weekend (28th-29th May). In its second year, with last year’s event being held only in Southampton, the musical weekend now comes to Oxford as the team expand this “two-day metropolitan adventure”.  

The line-up for the Big Top has now been confirmed. Saturday’s headline slot is to be filled by legendary DJ David Rodigan MBE, who will present his Ram Jam with My Nu Leng, DJ Zinc, Prince Fatty and Venum Sound. House duo 99 Souls and Oxford’s very own Housewurk will also take to the stage.

The tent will feature fantastic dance-based acts and DJs on Sunday too, including Brentford’s Kurupt FM. The Hospitality takeover will include Austrian electro duo Camo & Krooked as well as London Elektricity, Fred V & Grafix, Etherwood with Dynamite MC & Wrec, and beats from exciting London-based DJ Amy Becker.

The Big Top stage is sure to be a main attraction well into the early hours as more acts confirmed include those at the Sugar Skulls Cocktail Bar: Ben Gomori, Cornerstone Soundsystem, Ghettospheric, Mims & Thirsty, DJ Giles, Joel Kane and DJ Hectick will perform on the Saturday. The following day will see Simple Presents with Jasper James, Em Williams, James Weston, Xavier, Tim Gore, Tom Baker, Stay, Dan Gascoyne and Burt Cope.

These DJ and dance acts are to join the existing line-up on The Common. Duran Duran will headline the Saturday night, with renowned rockers Primal Scream taking the top spot on the Sunday night. Adding to this high-profile line-up are Katy B, Soul II Soul, Jamie Lawson, The Cuban Brothers, and Chas & Dave on Saturday, with Craig David’s TS5, Public Enemy, Gaz Coombes, Ghostpoet, The Sugarhill Gang and Don Broco joining Primal Scream on Sunday.

Festival curator Rob da Bank says: “Well, what can I say? Some of my favourite DJs, new and old, are coming to our Common People shebang in Oxford. Rodigan is a legendary party starter and reggae god, Kurupt FM are the funniest, funkiest garage crew ever and Hospitality promise to bring the jungliest ruckus… See you down the front”.

To stay up to date with Common People news and buy tickets for the festival, visit: http://oxford.commonpeople.net/

Junior doctors hunt for the truth

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Over the last week, the issue of the junior doctors contract has been eclipsed by the debate over Britain’s membership of the EU. Heated public debate always suffers from fatigue, and the media eventually run out of interesting photos to accompany their articles, so they move on. However, the dispute over the contract is still very much unresolved — negotiations have broken down and Jeremy Hunt is still trying to impose the new deal against hostile opposition from the BMA. So as we gaze into the future and wonder what will happen next, how do we begin to make sense of the mess?

It can be hard to see clearly through the blur of conflicting statements surrounding the proposed contract. Opposing groups often appearing to be talking about such different deals that is leads you to question whether they are even reading the same document. What is clear is that the debate has drawn incredibly strong emotions from both doctors and the public. With the first doctor strikes since 1975 and the risk of alienating an entire generation of junior doctors, the stakes could not be higher.

It is worth starting off by looking at the facts, but the devil is in the detail, and however anyone may try and put it, the contract is complicated. Will doctors get a pay cut? Well, probably not. Most junior doctors will either be paid more than they were this autumn, or the same amount, for at least three years. This is due to “pay protection” measures that were introduced to the contract in November, but doesn’t completely eliminate the possibility of some loosing out, particularly if their salary in the autumn was for some reason lower than usual. It is also true that the protected salary will not rise with experience or inflation, so their salary may end up lower than it hypothetically would have been and they get more experienced. It all gets even more complicated when you try to consider the huge variation in the out of hours patterns of different specialities.

Adding to the confusion is that there have been a number of different proposals made at different points in the negotiations. The proposals in July would have meant a pay cut for some junior doctors, but the NHS employers have stated that the deal put forward at that point was never considered perfect, but rather somewhere to start negotiations.

As devoted as the team at Cherwell is, it would be near impossible to try and apply the details of the deal to every single junior doctor to see whether they would be losing money, and it doesn’t get any easier when you turn to the big organisations for help. The BMA stand defiantly with their objection to the contract, and on the other side of the fence, Jeremy Hunt accuses them of misleading doctors. NHS Employers (firmly on the government’s side) talks about it positively, but they are drowned out by the numerous medical organisations who have come out against it. It is hard to get either side to put down an unbiased and systematic argument in their favour, and it therefore seems to boil down to a game of trust. As one would perhaps expect, the BMA current has the favour of the public.

It is also worth looking at the commonly quoted issue that patient safety will be compromised by the removal of the pay banding system for unsocial and its associated safeguards. Unsurprisingly, the camp is once again divided. The BMA argues that the removal of financial penalties for employers subjecting doctors to “fatiguing” work patterns will put patients at risk — The Royal College of Paediatrics and Child Health and The Royal College of Obstetrics agree. NHS employers says that it is not these safeguards that are responsible for reducing working hours, but rather it is down to the European Working Time Directive.

All this talk of fact is beginning to make me weary, but it is also unlikely to help us in a dispute that is as much about sentiment as it is about details. The major factors contributing to this is the state of the current NHS, the way in which the government has gone about the negotiations, and suspicion over the motivations of the government.

The NHS is under huge strain, with rising patient numbers and shortages with regular staffing, to name but a few of its many symptoms. This has left many NHS staff, from consultants to GPs to junior doctors to nurses, feeling under immense stress and pressure. The changes in the healthcare system under the conservative government have created strong feelings of resentment towards the government and this has inevitably made negotiations difficult.

It is also impossible to ignore the actions of Mr Hunt in this debate. The fact that the negotiations have got to this point is a very poor reflection on his skills as a mediator, and at some points, his rhetoric has been outright misleading. This leads us to the greatest point of contention in this debate: the inclusion of Saturdays in what are considered ‘normal working hours’. The health secretary continues to claim that poor care on weekends is responsible for excess deaths, and that the solution to this is a 7 day NHS. This is misrepresentation of data. Although it is true that research suggests that there are ‘excess deaths’ at weekends, to claim that this is due to sub standard care is simply incorrect. There are many possible explanations for increased weekends deaths, for example those that wait until the weekend to go to hospital may be more unwell, and in the case of strokes (another claim recently made my Mr Hunt) it is possible that people who suffer less serious stokes on the weekend do not seek immediate treatment. As the researcher put it: “It is not possible to ascertain the extent to which these excess deaths may be preventable; to assume that they are avoidable would be rash and misleading”.

During the strikes, Mr Hunt also claimed that doctors were putting patients at risk by going on strike. Consultants covered much of the extra work and this attempt by the government to win over public support is not substantiated by evidence, nor is it agreed with by most medical organisations. Mr Hunt has also appeared to deliberately avoid debate with doctors over the issue, only increasing suspicion that he is unwilling and unable to defend his ambitions.

The suspicion among many health professionals is that this deal is the first step in a series of changes to all NHS employees that will gradually see the erosion of standard working hours and weekend pay in order to make it easier for hospitals to roster staff in the weekends. Junior doctors were perhaps the easiest targets for the government to start with, and the fear is that the continual ambition to make a 7 day NHS on the same funding as a 5 day one is only possible by making the staff cheaper. These feeling and resentment among junior doctors meant that the BMA has felt unable to move on this disagreement.

So, we can safely conclude that it is a mess. Short term ideology sailing on the prevailing economic winds continues to plague health policy (and let’s face it, this is politics, it always will) and the NHS continues to go from crisis to crisis. David Cameron has already tried to draw attention away from the dispute with a ‘new’ focus on mental health, and the EU debate is helping distract the press. Meanwhile, the BMA are still standing strong, and have recently announced they will be mounting a legal challenge against the imposition of the deal. So here is my prediction: the government will water down the contract as they realise that the fight isn’t really worth it, the new contract will go through and both sides will claim victory. Jeremy Hunt will be promoted to a cosy cabinet position as a thank you for withstanding the abuse, and all will be calm before the government think the time is right to push for another reform. Some doctors will leave the country, or leave the profession — how many is hard to say. The morale may increase for while (depending on the rhetoric surrounding the final deal), but otherwise continue as before and the NHS will continue to suffer the same problems that have been plaguing it for years.

I would argue that responsibility for this conflict mainly lies with the Department of Health, but neither side have acted in the most honest of manners. Whatever happens, having a health service workforce that is at odds with the government will help no one. This must change if the NHS is going to make any progress at a difficult time, and the duty lies on both sides to try and make it work.

Preview: Mercury Fur

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On my way to attending this preview, I read the Wikipedia page of the play – it’s a classic ploy for secretly and profoundly ignorant theatre critics to maintain their veneer of omniscience to construct the absurd notion that we actually know what we’re talking about. The Wikipedia entry for Philip Ridley’s Mercury Fur actually made me more, rather than less, anxious about the rehearsal I was about to witness. It features such choice quotes as “at least 10 walkouts reported each performance” or “In 2010 police almost raided a production of the play (which was staged in a derelict office block) when a resident living next door believed the play’s violent scenes were being carried out for real”. At this point I should warn readers that I will not only be lightly spoiling some of the plot of this production, but will also be reporting some quite frankly horrifying events that unfurl over the course of the play.

Mercury Fur is set in a post-apocalyptic London; where roving criminal gangs fight over the market for hallucinogenic butterflies. Several of the main characters are addicted to these butterflies, which send you on bizarre journeys into the surreal, and cause severe memory loss. This is pretty much the dictionary definition of ‘dystopian’, on steroids – our loveable band of drug addicted and/or homicidal protagonists scrape together a livelihood in this hellish future by throwing ‘parties’ for the tiny minority of the hyper-rich. These aren’t the standard champagne, coke and porcine necrophilia beset sort of parties which the hyper-rich enjoy today – rather, the gang promises to fulfil the very deepest and darkest desires of these individuals, which, in the context of Mercury Fur, turns out to be the dismemberment of a child dressed as Elvis Presley for sexual gratification (I did warn you).

This production has a stunning cast, who have really come to grips with the darker side of Ridley’s work – Director Jonny Dancinger reflected that he is effectively orchestrating a “social experiment.” The cast have been following Artaud’s ideas of ‘Theatre of cruelty’ (yet another occasion for some Wikipedia reading) – basically they’re tired of dramatic performances that fail to make the audience feel anything, so they want to bring people to the edge of an emotional breakdown, to force you to engage with the characters. All I can say is that over the course of my half an hour in their company, the cast certainly brought me to the edge of an emotional breakdown.

Centre stage we have Calam Lynch as Eliot, whose mastery over Ridley’s bizarre, vile and lyrical phrasing draws a sense of poetic profanity to the genuinely disturbing imagery (“I’ve known gang-raped toddlers to act with more alacrity”). Mia Smith’s Darren, whose bizarrely sensual description of hyperviolence painfully evokes a sense of infantilised desensitisation, joins Lynch. The preview was so packed full of highlights that I could ramble on for several more pages – for example a soundscape made entirely out of The Sound of Music’s ‘Do Re Mi’ at various levels of distortion – basically, go and see this show, if you can stomach it, it promises an evening of drama nonpareil.

Spotlight: From Stage to Screen

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noticed recently that often the best actors in film have a strong theatrical heritage. What was it that drew them together, I asked myself. Here I want to show that, funnily enough, what draws this selection of actors together is a shared sense of how acting should be done that often makes them stand out – I think that it’s what they garnered from their time in the theatre.

Daniel Day-Lewis, for one, started his career in the National Youth Theatre, continuing his theatrical development well until he took his first major role
in
My Beautiful Laundrette. The method acting for which he is famed, however, was not fully evident until My Left Foot some years later. I believe that this method acting, which has won him three Academy Awards, is a legacy of having  been educated in acting by the gruelling and very different experience of acting in theatre. The ferocity of the monologues and the intensity of his gaze, evident in There Will Be Blood (arguably his career-defining performance) show a theatricality that should come as no surprise to anyone with a knowledge of his background. Other actors such as Ben Kingsley, Chiwetel Ejiofor and Derek Jacobi share this background of having studied at the National Youth Theatre, and what becomes immediately apparent is their shared interest in fiery, distinctive character studies. Between them, they possess some of the most widely-known and instantly recognisable roles in film history.

The translation of stage success to film success is so pervasive because of the distinct ability to bring a convincing and authentic possession of a role that comes from having sharpened one’s chops on the stage rather than going straight into the daunting world of film.

 

Spotlight: Eliot as playwright

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Murder in the Cathedral is one of the stranger plays I have had the pleasure of reading. Full of both highly lyrical meditations on life and faith and passages of religious obscurity, it ultimately fails to toe the fine line between theatricality and poeticism.

Many of the speeches run on for far too long and the play even includes a sermon half way through. Completely dissipating any sense of pace that the play may have had, the character of Thomas A Beckett monologues for
several pages on Christian ideas of peace. Although it is true that Eliot’s poetic power never deserts him, it doesn’t translate at all well to a genuine stage performance that will entertain the average theatre-goer.

From my point of view, it is a play to be read and not seen. Once this fact is accepted, it seems as strong as much of his poetry, employing themes of existential purpose, temptation and the relations between church and state. These renewed focuses, combined with the novel idea of changing historical setting, reinvigorates much of this play – as read on the page, at least. Subtly drawing parallels between Beckett’s individual resistance to authority to the rise of anti-individualistic Fascism in 1935 when it was first performed is, in my opinion, one of Eliot’s defter artistic ploys, and makes the play both timeless yet also powerfully pertinent to the period. Watching this would be perplexing – trying to understand complex references and nuanced verse in the theatre would probably be too much of a strain for the average viewer.

Yet as an English Literature student, studying the play reveals much of its complexity in an enjoyable way that shows how good it really is.

In short, I’m not saying I don’t like Eliot. All I am saying is, don’t go and watch his plays. 

How similar is pro-Israel discourse to apartheid apologism?

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Attacks on Israeli Apartheid Week often claim the apartheid analogy is inappropriate and inaccurate. So I thought I’d put the analogy to the test, and it passed.

The analogy between the modern State of Israel and apartheid South Africa is a highly controversial one. This week has seen another scandal ignite, with Labour Party personalities signing open letters condemning Oxford University Labour Club for its endorsement of Israeli Apartheid Week (IAW) – not to be confused with the separate, highly concerning allegations about anti-Semitism at the Club. In a letter published on the website LabourList, a host of former OULC co-chairs declared, “It is wrong to contend that Israel – a multiracial democracy – even remotely resembles the horrors of South Africa’s racist dictatorship.”

I was genuinely curious, then, about what the reaction might be when I changed the words “South Africa” for “Israel” in a 1980s pro-apartheid screed, and submitted it to The Oxford Student. Surely, they wouldn’t fall for it? Surely, we would have made some progress since the 1980s, when the defence of racist chauvinism was commonplace?

In the end, they published it largely unchanged.

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The original version of the article is here, in a 1,300-word essay from 1989 for the US-based Christian Science Monitor. I’ll leave it to readers to judge whether the argument was faithfully compressed in the shortened version I submitted to The OxStu, but I believe that most fair-minded observers would say it was. (The editors made a couple of tweaks – a long paragraph denying the historical reality of black people/Palestinians having been driven from their lands was cut, though few would dispute that such denials are, indeed, commonplace in pro-Israel discourse). Barring the opening sentence, there is nothing in this defence of Israel – a cogent, typical and superficially quite compelling one – which was not cribbed directly from the racist diatribes of pro-apartheid white South African academic Anne-Marie Kriek.

Of course, there are differences between Israeli apartheid and its South African counterpart. The key difference is that Israel does give the right to vote to a small sub-section of the Palestinian population, namely the 1.5 million Arabs who reside within ‘green-line’ Israel. This allows liberal apologists for Israel to argue that, despite the oppression of 4.5 million Arabs in the occupied territories, “Israel proper” is nonetheless a “multiracial democracy”.

But Arab-Israelis are allowed to vote solely because there aren’t enough of them to make an impact. When asked about the Palestinians expelled in 1948, Israeli authorities are perfectly explicit: they and their descendants are not allowed to come home, because if they did, they might vote the wrong way (i.e. for Arab, rather than Jewish, leaders). A ‘democracy’ that gerrymanders its own electorate at gunpoint to ensure an ever-lasting ethnic monopoly on politics is no democracy at all.

Then there are the 4.5 million Arabs, second-class, non-voting Israeli citizens in all but name, who live in the occupied territories. These people rely for everything, even drinking water, upon a state that openly regards their very existence, their very ability to reproduce, as a threat. No wonder South African anti-apartheid leaders like Desmond Tutu and Dennis Goldberg have concluded repeatedly that Israel’s system of race management is, if anything, more brutal than classic apartheid.

But if The OxStu’s decision to print the article demonstrates anything, it’s that the parallel is at its most visible in the discourse of these systems, the arguments they deploy in their defence. We are told that the natives are barbarians who will slaughter their former rulers as soon as they get freedom; we are invited to look at a troubled region, and then at the little island of repressive stasis under discussion, and draw the conclusion that oppression works better than freedom in such a savage, unruly part of the world. The OxStu published my/Kriek’s article with a picture of glittering Tel Aviv harbour, and the caption, “Israel has one of the highest standards of living in the Middle East.” It’s an achingly beautiful photograph, but the message couldn’t be uglier: “Look at this civilization; look at everything colonialism has built. If the natives take over, they’ll run it into the ground.”

These are the arguments used today to justify Israel’s system of oppression. They are precisely the same ones that were used to justify South Africa’s system of impression, utterly indistinguishable to a student editor, not because that editor was at all incompetent or was dozing on the job, but because they are the exact same thing.

My little experiment is hardly the final word in the debate over the nature of Israeli apartheid, but it did help underscore that, sensible and mainstream as it feels to us now, making excuses for Israel’s systematic racial oppression is something that few people will feel proud of in 20 years, 30 years, 40 years or whenever it is that justice and equality are instituted in Palestine, as they surely will be. If you want to know about that struggle – if you want to know how you can be on the right side of it – come to our events at Israeli Apartheid Week, running Monday to Saturday of 6th week.

NOTE: This project was undertaken on the sole initiative of the author, and was subsequently presented to Cherwell. The editors of The Oxford Student have submitted the following statement in response:

“We have been made aware that the article submitted to us, ‘Criticism of Israel is disproportionate’, was heavily based on a pro-South African apartheid article. We were unaware of its source, and must conclude that it was written as an act of provocation which we do not endorse.

“We also observe that Cherwell received no such article. We heavily edited the article, even removing entire paragraphs of content which we viewed as particularly problematic, but felt that the article should be published in order to voice both sides of the argument and avoid prejudice or bias on the part of our publication.

“The content in Comment in no way reflects the views of The Oxford Student. We were disappointed to note the article in Cherwell, which seems like a blatant attempt to politicise the role of our respective newspapers, even as we attempt to include both often unbalanced perspectives on this issue to synthesise them into a balanced overall discourse, which is especially important considering the topical nature of this debate within Oxford.

“However, we apologise for printing false statistics which present a distorted picture of the Israel / Palestine conflict.”