Saturday 7th June 2025
Blog Page 1143

The Smyths fall hard on this humdrum town

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-What’s your favourite Smiths album?
 

Mine personally is Meat is Murder. I remember how overawed I was when hearing it for the first time (I bought it the week of it’s release). 

They had grown so quickly, become so muscular and varied in the space of a year. The album contains my favourite Smiths track, “Well I Wonder”.
I also adore “That Joke Isn’t Funny Anymore”. For me it’s a perfect album

 
-Has Morrissey himself ever said anything about you?

Alas no. We’ve met Rourke and JOyce several times – we went to the pub with Joyce. A music journalist friend of mine (Rob Hughes, Uncut, Radio 6)

sent me a copy of The Queen Is Dead that Johnny signed with a special message to us.

 
-Have you ever covered the solo Moz stuff?

Yes, we’ve played quite a few over 12 years – they tend to be the early stuff but “Irish Blood..” and “First of The Gang” have probably featured 40/50 times 

over the course of 500+ shows we’ve played.

 
-On Friday, will you play ‘Well I Wonder’ considering The Smiths never played it themselves live as is too ‘special’
 

Yes, we’re playing the album in full. It’s a very difficult song to play live but having played it some 40 times now I hope we’ve perfected it.

 
-Are you also a vegetarian?

I don’t eat meat – I sometimes eat shell fish and a little fish for my sins. I’ve not consumed flesh in 10 years. I’ve not eaten meat in 20 of the last 30 years.

 
-Why did you choose to cover the Smiths specifically?
We formed the band back in 2003 because of our passion for The Smiths. We didn’t just want to be a tribute band – we wanted to play the music of The Smiths and recreate what is was to see and hear The Smiths live – it just happens that when you do that, the world calls you a tribute. For us that was a world of silly wigs and props – everything we felt a homage to The Smiths shouldn’t be. So we spent a year rehearsing every week to make sure that when we launched we sounded genuine – The Smiths and their fans (like us) demand nothing less. We focussed on the sound and spirit of The Smiths live. Fast forward 11 years and some 500 shows later and we see and hear ourselves now spoken of as being in the top tier of tributes globally. The years in between have seen us play throughout the UK, overseas and at major festivals such as Glastonbury. We’ve appeared on numerous TV and radio shows and many a newspaper column written. The word tribute has also developed and grown in respect in that time, coming to represent something that is not silly or trite but the best way to see and experience the music of bands no longer with us played by artists who are as passionate and dedicated to their shows as actors and actresses.

 
-What kind of Smiths merchandise/memorabilia do you own?

As I was a teenager growing up with The Smiths I have the Rough Trade original albums, singles, 12′. Various NME’s of the time, Videos, Original t-shirts and the ticket stubs from the gigs I went to (London Palladium, October 1986, Brixton Dec 12 1986)

-What song makes you feel you’re representing The Smiths in their ‘truest form’?

I can’t pin that on one song – as the gig unravels the energy and passion consumes us and when we hit that, I feel we truly evoke the spirit and joy of a Smiths gig

 
-Do you think The Smiths repackage too much?

I can understand why you pose that question. I know that in some cases the artist has little control over the re-issue of recordings, especially if a label has bought a license to recordings.

Morrissey’s material seems to appear often in different jackets, more so than The Smiths I’d say.

 
-What’s your favourite Marr riff?

What Difference Does It Make – that intro is genius

 
-What’s your favourite Smiths lyric?

“Oh Mother I can feel the soil falling over my head…”

 
-How are you received in Manchester?

Extremely well – Manchester gigs really do have something different about them. As I have said, on stage in Manchester “We’re bringing the songs home”. It does feel like that

 
-Have you read Morrissey’s autobiography? If so, what do you think of it?

I loved the first half – everything up to the forming of The Smiths. I was disappointed that he chose to say so little about The Smiths and so much about a court case that means nothing to 

most. I feel the book required an editor who could have indulged Morrissey less and shaped the book into something better balanced. It could have been so much more. For me it was 75% the book
it could have been.
When the book was published, I was featured on The News At Ten reading excerpts from it. They said they couldn’t get Morrissey and I’d do!

 
-Do you find the Smiths funny?

Very much so. There humour – his humour – is as funny as his dark side is black. I think he is the wittiest lyricist of any in the music world.

 
-Any Smiths songs you don’t like? (I hate ‘Golden Lights’!!)

I’m no fan of that song – at least they didn’t write it. I’ve struggled with Death of a disco dancer since the day the album was released. It punctuates the flow of Strangeways for me.

 
-Do you ever perform the two instrumentals – Oscillate Wildly and Money Changes Everything?

We’ve performed The Draize Train but not those two.

 
-Do you think the Smiths are still relevant?

Are they not the very reason we “speak” today. Yes, absolutely. On a human level, they’ve never stopped being relevant / never will as the themes are timeless.  Politically, with the Tories back in power, those

Thatcher formed words mean as much now as they did then
“The poor and the needy, are selfish and greedy on her terms” – they could be singing that about Cameron and Osbourne for sure. 
 
-What’s your favourite Smiths cover art?

The album sleeve for The Queen is Dead. I like the cover of What Difference re-shot with Morrissey in place of Terence Stamp. I have that single sleeve. It cost me 50p in 1984 from the Boots in Stevenage.

It’s more than doubled in value I’m told. I no longer shop in Boots as they don’t appear to like paying Tax in the UK…

 
-How long will The Smyths keep going for?

The music and words are timeless – in 200 years people will still play, admire and speak of The Smiths – if mankind lasts that long…

 
-Do you ever write your own material?

Yes – I am also an original musician and have an early 80’s new wave/electronic band called beautiful mechanica (www.beautifulmechanica.com). You can hear that here: https://soundcloud.com/beautiful-mechanica

4 years in the making, we launched this Summer with a show at the Islington Academy. This month we support 80’s acts, Toyah and Heaven 17 in Holmfirth and Manchester respectively.
I term my work in The Smyths as “musical theatre” and beautiful mechanica as “music industry”. Interestingly I’m not the only person in both an original and tribute band as Glen Gregory – the singer of Heaven 17 also performs with Bowie Tribute, Holy Holy

 
-Can you describe your average audience member?

A passionate music fan with great taste!

 
 
The Smyths are playing at the O2 tomorrow evening.

Tinie Tempah to headline Varsity Trip 2015

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Varsity Trip have announced their headline act for the final night party as the hip hop and rap star Tinie Tempah. 

Varsity is an annual Oxford and Cambridge ski trip at the end of Michaelmas Term. This year’s trip runs from 5th to 12th December, with booking opening this Friday, 16th October. 

The 26 year old artist is having a come back, with his latest single with Jess Glynn ‘Not Letting Go’ going straight to number 1 in the charts, and a new album expected out soon.

Feminism, history and Suzannah Lipscomb

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was glad, and unsurprised, to hear that Suzannah Lipscomb is an out-and-out feminist. “I don’t think anyone of sound mind could be otherwise”, she tells me. The plight of feminists has changed significantly in the last twenty years, and it is certainly still needed now. Lipscomb points to the regressive steps that have occurred regarding gender equality – namely the sexualisation and objectification of women’s bodies.

But the academic realm of Oxford was not where she came across sexism. Lipscomb says that here she felt she was in a safe place as a woman, as both under- and post-graduate. Nor is it especially sexist in the higher echelons of the academic world to which she now belongs, it’s a progressive area with positive changes being made regarding gender equality. Yet she was stunned to find that in the working world, after many years of studying at Oxford, she was minimised because she was a woman. A common and unwelcome reaction from people meeting Lipscomb for the first time is to say: “you don’t look like what we’d expect a historian to look like” – an indicator of the inherent sexism of society, the misconception that a historian would be older, perhaps rather plain looking, and probably male.

In a recent article on feminism, Lipscomb commented on “the media adulation of women who have achieved nothing beyond looking good, be they Jordan or Kate Middleton.” Reading this, I was struck – could a historian who writes of past monarchs with such vitality, possibly think that the monarchy today is irrelevant? Confining them within a critique of glossy magazines rather than giving them proper recognition for their pertinence? No, not at all – Lipscomb describes herself as a monarchist (admittedly probably conditioned by the nature of her work and interests). By making the remark that she did, Lipscomb was finding fault not with Kate Middleton, but with the media and its absurd obsession with the appearance of public figures. Yet she admits that “looking good” is a large part of what Kate Middleton’s job is. It is difficult for a royal to make a political statement or opinion without an uproar from the media; theirs are the faces of Britain, but not its voices. And so yes, maybe Kate hasn’t achieved much beyond an impeccable dress sense and taming her mane, but in this day and age it’s actually not for her to be doing much more.

Considering today’s obsession with aesthetics, it’s hardly surprising that TV history is so popular. When I asked whether televised history lacks the depth and quality of written history, Lipscomb emphasised that TV history has a number of benefits that academic books are without. Yes, the average documentary has far fewer words than an academic article, or even a lecture, but what the production team do with the visuals is invaluable. Places, objects, re-enactments – television has a very different impact to a book; it can provoke empathy and stimulate the senses, making the past more accessible. If anything, history on the television leans towards empathy with the past at the expense of how different it actually was. As the popular adage goes, ‘history belongs to everyone’. It is important to have it in the public forum, on the TV, to interest people who are not yet interested.

On the topic of commemorating the World Wars whilst conflicts still ravage the world today, Lipscomb was definite that it was right and proper to memorialise those who fought in World Wars One and Two, especially considering veterans still live today. These conflicts were significant to the formation of our people. Lipscomb noted that, as a historian, it is important to prevent false narratives being spread; when topics are popularised in this way they are inevitably taken out of the diligent and professional hands of the historian, yet the accuracy of these formative events is crucial. Lipscomb believes that a ‘Just War’ is possible, and pacifism is not an appropriate response to the current situation in the Middle East, for example. Britain’s response to the situation in Syria regarding refugees is not ethical, and this is a consequence of not getting involved militarily.

Discussing war and defence, I wondered whether that should be a factor in the EU referendum. With the current focus being largely economic, was it not also appropriate to discuss potential inter-European war and peace? That was, after all, the very reason for the formation of the European Union; to keep the peace in the wake of World War Two. The pro-EU politicians can count on Lipscomb for her vote. The defence point, she commented, makes a lot of sense. Organisations such as the European Union and the United Nations are flawed, but they are the best options we have regarding working together and ensuring peace. “Leaving the EU would be foolish – we would suddenly realise how small an island we 

Creaming Spires MT Week 1

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Bored of languishing upon sunbeds in the 36°C Italian sun on the shores of a warm, crystalline lake, this Oxonian ex-pat finally plucked up the courage to enter into the world of Italian stallions upon that infamous app that governs modern dating. English Tinder is a cruel mistress. One poor, dishevelled selfie and the thumb all too quickly swipes left, banishing you to dating purgatory. But the lusty European sun seems to blind the locals and foreign tourists alike, inclining them to swipe right to this pale Englishman.

I went in search of a beautiful Italian male with whom I could share something a bit hotter than a freshly baked calzone and a €3 bottle of local prosecco. But before too long, I’ve attracted the attention of a well-spoken Belgian professing his ceaseless adoration. Which before we’d even met I admit is a bit intense. But the hopeless romantic in me who dreams of the day someone will pen me a sequence of sonnets was just slightly appeased.

It was supposed to be the Tinder date to end all. Yet, quite literally ‘in fair Verona where we lay our scene’, something was amiss. A beach date at a ruined Roman villa is supposed to be the stuff of dreams. But traipsing across a lake in the baking sun, before stripping off and exposing all flab in the most Baywatch-manner your skinny body can manage to your near silent date, all within ten minutes of meeting, is more uncomfortable than arousing. ‘Thus, with a kiss’, and an awkward one at that, we parted – thinking to never meet again. The endless flurry of crashing waves had extinguished the small spark the flurry of dick pics had ignited in the underwear of this intrepid European adventurer.

But what’s that from yonder WhatsApp calls? The streams of adoring apologetic texts start pouring onto my screen. I’m persuaded to date two, and before too long it’s more than the tomatoes on the pizza before us that are blushing. Stumbling back to my hotel, I quickly turf my roommate out with one hand and occupy myself with the other. Holiday romance (kind of) consummated, spooning resumed, I feel an odd twinge that wasn’t just something more pressing pushing into my lower back. The wine, the beautiful Venetian sun and a hot man next to me are melting my icy English heart. My thoughts turn away from smut and begin to wonder, perhaps being told “I love you” on a second date wasn’t that crazy. Or maybe it was just sunstroke from my refusal to ruin my preened hair with an unsightly hat .

The mirage continues to obscure all logical thought. The week passes and the time comes to part. I find myself to have become the madman who considers long distance romance, of sacrificing the endless stream of twinks presenting themselves at my feet at the porters’ lodge or the floors of Plush. But alas, these two star-crossed lovers were doomed to a tale of woe. Floating upon a lilo on the crystal clear lake in the midday sun, I’m told the things said to me were but sweet nothings; a thing to pass the time whilst away from a flock of ripped Flemish lovers at home.

As if this tale could not get more poetic, I find myself being consoled by a kindly Italian nun upon a ferry who understands not a word of my fiery escapades into ‘the love that must not speak it’s name’ abroad. Summer loving complete, stole home this English heavy-hearted son; penis appeased, 

Preview: Oxford Fashion Week

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 It is once again that busy time of the year where reading lists, essays, crew-dates, sport training, music practices and evening events are piling up on top of the other. Michaelmas is, for this very reason, one of the most challenging but undoubtedly the most animated term of the entire year. Certainly, Oxford Fashion Week adds a little added edge of excitement to the term; and this year it is going to be even bigger and better than ever before.

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Oxford Fashion Studio have hosted Oxford Fashion Week since 2009 and some of the creative and artistic venues have included the Exam-Schools building and the Natural History Museum. The opening and closing parties have taken place at some of Oxford’s trendiest nightlife hotspots such as the Varsity Bar and Oxford Castle. Showcasing designs from fashion graduates and cutting edge artists, the week of events range from high concept to haute couture. Just an example of designers featured at previous Oxford Fashion Weeks, include Matthew Williamson, Alexander McQueen and Valentin Yudashkin.

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This year, from the 26th of October to the 31st, there will be runway events showing at yet again, another new and highly-original venue; the Sheldonian Theatre. Model castings are taking place on Saturday 17th October at the Varsity Club; a popular opportunity that many students at Oxford have taken and continue to take advantage of.

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Tickets are now on sale online and are fast selling out. We, at Cherwell Fashion, cannot wait, and hope that all of you will be able to make it along as well!

 

 

Home or Roam: Seoul, Korea

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When my friends asked me how many days they should spend in Korea, I replied by saying you could literally spend a fortnight in Seoul and still not get sick of the city. And when they stared at me with disbelief, I just grinned and nodded again. Wait and see, guys, wait and see.

Seoul’s like no other city. No, I take that back. Seoul is like a dozen cities merged into one. There’s no single word to describe this place. More than twelve million people living in the city gives it one of the greatest population densities in the world. With the Han River running through, and with tens of mountains surrounding the region, it is like a natural fortress. The perfect place to found the capital of a country. For this reason, it has been the centre of wars from the 4th century onwards, and became the capital of Korea from 1392. By Oxford standards, this might not be very early. But considering the fact that America only became an independent nation in 1776, Seoul has a history of being a capital about twice as long as that of the US.

The northern part of Seoul, or ‘Gang-buk’, used to be its hub from 1392 until the Korean War. There are a few old palaces left over like Gyeongbok or Changdeok. You can roam around the gardens and the buildings for about one quid, which is a brilliant deal if you ask me. Sometimes they open the palaces up late at night, and it turns into a really popular destination for couples.

There are also traditional Korean villages like Bukchon Hanock village, where you can take loads of pictures, pretending you’re back in 19th century Korea. Isna-dong is also around that region, and you can try making traditional Korean fans or pottery, get your name written in Korean or even try on our traditional costume, Hanbok.

If you have an extra day or two, you can try going hiking on Bukhan Mountain. This was ‘the thing’ that all my friends from the UK were most psyched about. “You’ve got about five mountains around 800m in your capital? Can we climb them?” A casual 4-hour hike right in the middle of the city. I don’t think a lot of capitals have that now do they?

But it’s not just the geography that makes Seoul special. It’s the trendy culture that we have, emanating from Gangnam, as immortalised in PSY’s phenomenal ‘Gangnam Style’. The area has taken off since the 70s. A lot of youngsters like to come here. This is where all the trends begin, from fashion to food to music.

In Seoul, we love our food. And yes, I’m generalising the entire population of twelve million people. And yes, it’s true. There are more than 20 popular TV shows that either introduce good restaurants in Seoul, teach cooking, or show cooks cooking. If a restaurant has a particularly good reputation, we go through the pain of waiting 2 hours, just to have a 20-minute meal with a Makgeolli (a type of fermented rice drink) to satisfy our stomachs and put a pic on Instagram with the ever popular tag #Foodstagrams.

We love drinking as well – when it’s raining, we go have Makgeolli and Korean pancakes. We drink when it’s the end of exams, when people break up, when they go to the army, when it’s their birthday. There are so many reasons why Koreans go drinking. And not only do we drink in pubs, we also drink on the lawns of universities, and play drinking games that are a lot louder and a lot more fun than sconcing.

The hustle and the bustle of the city never stops. All the shops are open until midnight, and most pubs or convenience stores are open all night. You can even get chicken delivered to your house at 1am. The 24/7 liveliness has more than a few upsides. You can get a bank account opened within twenty minutes, get the card activated in the next five minutes, and you can get your TV fixed within the day. We like to speed up our things, and we do not like waiting. But this desire for speech without infringing on quality is what makes the place such a successful and vibrant city. Even if it is an insomniac 

A letter to… my ex

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Casting my thoughts so far back to a time before I knew you and your influence is a feeling I’ve not yet mastered. In the years we were together, I became someone else. You defined part of who I am today, both for better and for worse. Even now I sometimes still take a peek at your latest online playlists. You inspired me to push myself to where I am today. You proved to me my naked body can actually do some pretty great things and wasn’t just good for purposes of self-deprecation. But you also triggered my trust issues after you cheated on me. Or put me off becoming too intimate for fear I’ll be trod on and spoken to like dirt, flung into yet another unnecessary fit of despair to be pulled back into loving arms a few days later.

We were messy. Our relationship was kind of like that bit of chewing gum stuck to the sole of the your shoe. Being stuck together caused a constant falter in our strides. Neither of us could explore our sexualities or be who we truly wanted to be. But whenever we pulled apart the sticky mass of our crumbling mess, the loss of part of me threw my stride so much I felt crippled without it. Both of us tugged frantically at the ever thinning fibre to grasp some essence of what had brought us so close so long ago.

When the final strand of mess finally pulled away, I retreated as quickly as I could. You took that as malicious. But it was never intended like that. I needed to be myself and be free of how poisonous we had become to each other. I had to put myself first after being so much a part of someone else for so many years. It didn’t mean I stopped loving you as a person.

Yes, the romance had died. The trust was gone. But we grew up together; even if my own growth was mainly around the waistline. The last time I saw you I couldn’t speak a single word to you. I’d changed so much, learnt so much about myself and stumbled upon so much more that needed to be worked on. The person I am now is separated from the child I used to be by a vast void that couldn’t be overcome or explained in a few simple sentences in an awkwardly public setting. But somewhere in my mind, the scrawny teenager in a duffle coat with Groucho Marx eyebrows will always love the figure in his increasingly tatty Barbour and awkwardly large shoes. These silhouettes of the past will always be holding their dryskinned hands together in my mind.

To others our relationship was a darkened lump upon my once-confident side, now restored. Which a lot of the time it was. But I saw underneath the grime collected on the outside. To me the pure innocence of someone immensely loving beneath it was hidden by trouble always seemed to come through. I’d wish I’d seen my tendency to cling to and rose tint everything earlier, but dragging things so far made it easier for both of us to move on.

Many who know how you treated me would wish you ill. Of all of them, I should be the first. But I’ve learnt to forgive. I’m not sure if we’ll ever see or speak to each other again, but my door is always open to a friend I would willingly welcome. I wish you and your new partner all the happiness a feeble arts student can. As the song goes, ‘wherever you are, I hope you’re singing now.’ I hope you’ve found what you missed out with me so many years ago. And I hope the same happens to me soon.

On reviving the Dead Sea

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The feeling of floating, unaided, in the salty water, floundering about if you try to swim, makes a visit to the Dead Sea unique. But the days are numbered for this fun and bewildering marvel, this landlocked salty ‘sea’.

The Dead Sea is dying. Due to a number of factors, both geological and human, the water level of the Dead Sea has been dropping dramatically over the past decades. Over 50 miles long in 1950, the sea is a mere 30 miles long today — leaving some resorts high and dry and causing havoc to the local ecosystem. The sea is still shrinking, and is getting barely 10 per cent of the water it needs to maintain its current levels.

The Dead Sea has always led a precarious existence. Its outlet to the sea dried up over 18,000 years ago, leaving a salty lake at the lowest point on Earth. It has maintained a fragile equilibrium since Classical times: from the rivers and streams which feed into it the Dead Sea gets fresh water, which in turn evaporates, keeping the water level stable and enabling the sea to maintain extraordinarily high salt levels (around 33% salinity). In the 1960s, the amount of water entering the Dead Sea was dramatically reduced by Israel’s pumping and diversion of tributaries to provide water across the country. In the 1970s, Jordan and Syria also began to divert key water sources, too.

An American adventurer in the 1800s described the sea as hundreds of feet wide in some places, interrupted by “frequent and most fearful rapids.” It is now a murky, dirty snake of water, barely wider than a large stream to a British observer such as myself. The Dead Sea is essential for tourism in both Jordan and Israel/Occupied Palestinian Territories. People have travelled here for centuries to experience the weightless feeling of floating, and many others have come seeking treatment for a wide variety of ailments. Hotels are finding themselves ever further from the shoreline — some even create an artificial Dead Sea nearer to their door. The money gained from tourism to the sea could hugely outweigh the money offered by agriculture sustained on the waters of its tributaries, but governments pressured by strong agricultural lobbies are slow to cotton on to this fact.

Now faced with the prospect of the Dead Sea and the tourism it encourages all but drying up in less than 70 years, Israel, Jordan and the Occupied Territories signed a letter asking the World Bank to investigate the feasibility of pumping water from the Red Sea to the Dead Sea, via a pipeline over 100 miles long. However, a pipeline or canal such as this would have a huge environmental impact, may well not solve the problem of the shrinking water levels and could severely damage the Dead Sea’s fragile ecosystem, which includes unique bacterial and fungal lifeforms.

Contrary to its name, the Dead Sea supports a complex and flourishing ecosystem. Its shoreline oases arehome to scores of plants, fish and mammals, such as the ibex. These could disappear in as little as five years.

There seems little hope in securing a future for the Dead Sea if nothing is done to change local water usage. Tourists should keep in mind that water is not something that can be taken for granted when staying at the hotels lining the shore. While a more lasting solution that ensures that the population have the water that they need and the delicate tourist industry and ecosystems are maintained, governments should perhaps encourage farmers to grow crops that require less water. However, the solution has not yet been found, and the Dead Sea is continuing to die. I would get your visit in quick before you can no longer try reading a newspaper whilst floating in the salty water

Profile: Abass Saidtaha

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In the midst of the civil war in Syria and the largest migration of people across Europe since the 1930s, it seems most appropriate to meet the first Syrian refugee to live in Oxford since 2011, having been granted residency by the British government last year. It was whilst reporting on last month’s ‘Refugees Welcome in Oxford’ rally, which took place at the height of Europe’s call to action following an outpouring of sympathy, that I first had the pleasure of meeting Abass Saidtaha.

Having him open up to me about his extraordinary experiences since the war in Syria broke out was a great privilege, and it became clear in our more formal interview that he does not intend to relive the deeply emotional experience of recalling everything he has gone through for a long time to come.

Saidtaha lost what he described as his “completely normal life” when the war began, as well as the family and friends who he has not seen since leaving Syria. “I need to start my life again. I don’t want to think about what I lost.” From the seriousness with which these words are spoken, the full extent of the tragedy of Saidtaha’s last four years was striking. He is 28 years old. He was shot by a sniper in his home city of Aleppo in 2013. It was this event, which came close to ending his life, that ultimately led to his realisation that he had to leave, pushing him to make the perilous journey from Syria to the UK by sea and then by land.

When I first met Saidtaha at the rally, his charm and stylish dress sense were amongst the first details that I noticed, but it was his remarkable story which really captivated me. Having gone from knowing no English when he arrived last year to almost effortless, fluent communication, it seems he is indeed successfully starting his new life here. Saidtaha has now been working at Topshop for a month, and he tells me that it is going well, and is quick to praise his colleagues’ warmth towards him. It is encouraging to know that he seems settled.

Asking him to take me through his life in Syria, Saidtaha recounts his time growing up playing football with friends in Aleppo, and his enjoyment of reading class at primary school. Aleppo, he recounts, was, until the war, “a thriving business city, larger than Damascus” but now, he says, “there is no life to go back to.”

Upon finishing school, he decided to start working at his father’s business of designing women’s shoes, rather than to go to university. “It was a very successful business,” he tells me. His entrepreneurial spirit and passion for the industry comes across, as he encouraged his father to agree to the opening of a large shop in the centre of Aleppo, which Saidtaha ran with one of his brothers.

Opening the shop had been an “exciting time for the family” he adds. Despite sometimes working 12-14 hour days, he says, “it was not work for me, it was a hobby. I enjoyed it. It was my business, so it was my own choice.” On his plans for the future before the conflict erupted, he speaks of his desire “for the business to be really successful and to expand across the country.”

On how everything then changed, he explains, “I saw what was happening in Egypt and Libya on the news as everyone else in the world did, but thought nothing of it from our own perspective in Syria.” It was then that groups began to criticise the government and protest in Daraa, in the south of Syria, leading to arrests, including that of children. Aleppo, however, faced criticism for not getting involved as unrest spread throughout the rest of the country.

“My father didn’t receive payments from businesses in other cities as the people of [our] city were judged to support Assad. But we didn’t support either side.” The city became increasingly expensive to live in, and, “One day, suddenly, I wake up and I see planes and helicopters dropping bombs.” He did not risk going to open the shop that day, nor did he again for over a year.

When I ask about the shooting, he tells me, “People had to go out occasionally…for food for example, but on that day, I was going to check that my shop hadn’t been bombed or stolen from. I knew to peer around corners first before turning. As I peered around the corner of the street with my shop, I was shot straight away in the chest.” He recounts how he was dragged back by other civilians and taken by taxi to a hospital where he then lost consciousness. It transpired that the bullet had lodged itself in his chest bone, narrowly missing his heart. Before entering the operating theatre, he regained consciousness and asked the doctors, “Am I going to die?” They assured him he would be fine, while he noticed his off-white trousers were now entirely red. He says he did not feel pain at that point – “I think I was too scared to feel any pain” – but his recovery after the operation was painful. Due to a lack of phone signal in the hospital, he was unable to inform any family members at the time. “All I could think was there was too little time and so much to do,” he says, as tears begin to roll off his cheeks. Saidtaha recovered in a park for two weeks, where he felt relatively safe, but would still bleed. “I then stayed in Syria and recovered for a year, and then left.”

Notably, when asked when it was that he began his journey, even for a month of the year, he responds, “Why would I need to be looking at the clock? I didn’t have work or any appointments, I just needed to make my way here.” His journey took him first to Lebanon, spending “a lot of money” for passage into the country. From there he booked a flight to Istanbul, where he then recalls seeing in the 2014 New Year. After two months living in Izmir, Turkey, he boarded a “tiny boat” which took him to a small Greek island. After arriving on the beach there, he and those he met had to trek over mountainous terrain to reach the populated side of the island. En route, however, further disaster struck when he broke his leg walking for two days to get to the other side of the island. “My friend who I had met in Izmir carried on without me, and so I carried on alone with a broken leg.” He encountered a farmer who called the police and an ambulance later arrived, taking him to hospital. Following two nights in police detention thereafter, he was granted the right to move freely around Greece, allowing him to go to the port and take a ferry to Athens, where he remained to recover for two months.

A combination of buses and car journeys with other Syrians whom he met in Athens led him through Europe. On how he reached the UK, he first says only that it was “a terrible, terrible way”, before stating that he travelled in the back of a lorry. He estimates it took two months to travel from Athens to the UK.

“I had planned all along on going to Canada,” he states early in the conversation. “I made my way to Liverpool, as I had been told to go there in order to get to Canada.” However, language barriers led to him finding no solution to realizing his aim.

The Red Cross in Liverpool was the first place in the UK that he registered. “They were very, very polite people. They looked after me and accommodated me for two nights. Someone told me I should stay in the UK, so that is ultimately what I decided to do.”

The Red Cross went on to pay for his train ticket to London in order to register at the Home Office, and wrote a letter on his behalf to show to them. “I was granted asylum on July 16; that is a date that I remember.”

Talking about the rest of his family, he tells me, “I had lost my parents. I did not know where they were for years. But then a friend contacted me this year to tell me they were with him.” Two of his brothers are now in Newcastle, but he fears for his parents, who are living in Turkey. “They are not allowed to work so they are thinking of returning to Syria. They have no choice. My father says he would rather die in Syria than out on the street in Turkey.” The British government has not been allowing his parents to join him in the UK, and I sense that he does not feel the government makes refugees feel as welcome as they should. “I wish Britain were more like Germany in its response to the crisis,” he reflects.

Regarding the sentiment nationally towards refugees during the ongoing crisis, he says passionately, “People think we are coming from nothing, but before 2011 Syria was a civilized, cultured country. “Syrian people will work hard to tell people in the UK and all of Europe that we are not coming to claim benefits. Nobody wants to have to be a refugee.”

However, he remains highly positive about his reception, stating, “Now I live the same as anybody else, I am treated in Oxford as anybody else here.” In the light of Russia’s current ongoing intervention in Syria, Saidtaha makes clear, “I don’t trust Russia but I don’t trust any of the groups operating in Syria now. They are all horrible people.” He believes Russia only wishes to bolster President Assad, whom he labels a terrorist; “He has killed too many people not to be.”

Reflecting on his new life in the UK, Saidtaha says, “It is a safe country with nice people, and there’s nothing to be scared of. You don’t expect to die during the course of the average day.”

Throughout my conversations with him, the most basic human desire to be able to get on with living a ‘normal life’ is what shines through the most. Having gone through so much to get back towards that point now, he seems happy. But the emotional scars from these recent years of tribulations seem likely to linger for longer than the physical ones.

Annie Teriba to resign all political posts

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Annie Teriba, editor of the No Heterox** zine, People of Colour and Racial Equality Officer at Wadham SU, member of both NCAFC’s National Committee and the NUS’s Black Students’ Committee, and third-year Wadham student, has admitted she failed to establish consent for a sex act at this year’s NUS Black Students’ Conference, which ran from 30-31st of May. She also admitted to having been sexually inappropriate under the influence of alcohol prior to this incident.

She made the admission in a statement on Facebook, in which she also announced that she would be taking a step back from her political campaigning and resigning all the posts she currently holds. Teriba’s Facebook account was deleted a few hours after posting the statement.

Shortly after Teriba’s statement was posted, OUSU Women’s Campaign posted a statement in response. It referred to her comments as “rife with apologism”, and is printed in full below.

Annie Teriba has been approached for comment. Wadham College and the University have also been approached for comment. Her full statement can be read here:

[TW sexual assault, sexual violence]

This statement explains why I will be stepping back from political campaigning from now.

(I owe you a proper explanation, so will go into details here which you may find triggering.)

At this year’s NUS Black Students’ Conference, I had sex with someone. The other party later informed me that the sex was not consensual. I failed to properly establish consent before every act. I apologise sincerely and profoundly for my actions. I should have taken sufficient steps to ensure that everything I did was consensual. I should have been more attentive to the person’s body language. In failing to clarify that the person consented to our entire encounter, I have caused serious irreparable harm.

In a separate incident, in my first year of university, I was alerted to my inappropriate behaviour whilst drunk in a club, where I had touched somebody in a sexual manner without their consent. Therefore this is not an isolated incident. I apologise sincerely and profoundly for my actions.

With these incidents I have rightly lost the trust of those who I organise with and fully intend to work to ensure that I both put my politics into practice in my personal relations and to prove to them that I am committed to transformation. As such, it would be wrong of me to accept platforms and access spaces until I have done so.

In order to ensure the safety of others, I will be taking a number of steps:

i) I breached NUS’s safe spaces policy, so will not be attending future NUS events.

ii) I am resigning from all the political positions I hold – from NCAFC’s National Committee and from the NUS’s Black Students’ Committee, and as editor of the No Heterox** zine and as the People of Colour and Racial Equality Officer at Wadham SU, Oxford.

iii) I will be stepping back from prominent campaigning in other forums, including‪#‎RhodesMustFall‬ and rs21.

iv) I commit to getting help with how I consume alcohol. It is clear that I lack self-awareness and become sexually entitled when I am drunk. This does not excuse my actions, I am wholly responsible for the damage that I have caused.

v) I commit to educating myself properly about consent by reading zines and other materials which have kindly been made available to me.

vi) I commit to seeking help from perpetrator organisations – for example, I have taken steps to establish contact with RESPECT and will be seeking out organisations who specifically deal with sexual violence.

I am deeply sorry for the hurt I caused.

Yours, Annie Teriba

 

OUSU Women’s Campaign has also issued the following statement:

The Women’s Campaign stands behind and believes all survivors of sexual assault and violence – whether or not the incident moves through the courts. Believing and supporting survivors who make the incredibly brave step of sharing their traumatic experience is the first step toward justice: the next is excising abusers and those who enable them from spaces that should be safe for all. Rape apologism manifests in infinite forms: we define it as any discourse that refers to sexual assault as anything other than what it is – unacceptable and appalling abuse. The statement recently shared [above] is, unfortunately, rife with apologism and we do not condone it nor the violence it describes.

WomCam is committed to ensuring that liberation spaces remain abuser-free – without our full-hearted commitment to this cause, we have no business campaigning on women’s issues. Any institution that protects abusers at the expense of survivors’ wellbeing is one that must be dismantled and reformed.

Moreover, sexual assault is one of the most underreported crimes, especially at universities. Holding those responsible for sexual violence accountable means acknowledging the terrifying fact that violence against women is deeply ingrained in and normalized in our culture: education about the issues, campaigning for the rights of those affected, and continued vigilance about the behavior we do not condone in our organization is the only way forward.

Sincerely, the Women’s Campaign Committee

Lucy Delaney, OUSU’s Vice-President for Women, added, “In my capacity as Vice President for Women I am adding my voice to that of the Women’s Campaign in standing behind and believing all survivors of sexual assault and violence, and in committing to keeping liberation spaces free from perpetrators.

“In a society which silences survivors and which tolerates rape apologism it is essential that liberation spaces do not harbour or protect abusers, otherwise they are no better than the institutions which perpetuate oppression. In my role, I am committed to ensuring that this happens.”

If you have been affected by the content of this article or would like further advice, follow these links:

http://www.respectphoneline.org.uk/
http://www.oxfordrapecrisis.net/
https://ithappenshereoxford.wordpress.com/support/