Thursday 9th April 2026
Blog Page 1217

OUFC kicks off year

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The University football squad have been back in Oxford training hard for the new season.

The Blues, led by captain Alex Tsaptsinos, have been integrating a large number of new players this year. They got off to a winning start in their first pre-season game away at Brunel University.

With five debutants in the starting lineup, the game could’ve easily escaped the Blues from the beginning. However, after five minutes, they were one up; captain Tsaptsinos got his reign off to a great start with a driven finish from the edge of the area following some good build up down the left by Brook Tozer and Blues debutant Adriaan Hilbers. After Blues dominance for the first half an hour, Brunel achieved parity with a long ball over the top and a composed chip over goalkeeper Blane Scott.

The game started to become stretched prior to half time and the Blues lost two players to injury, debutants Henry Smith and Tom Faktor. This brought another debut from Cian Wade, in the unfamiliar position of centre back. The injury drama increased as Blues stalwart centre back Michael Moneke then went down after dislocating his shoulder. Half time was a welcome break.

Moneke lined up for the start of the second half, playing through the pain he was clearly in. After twenty minutes, though, his shoulder dislocated again. Nevertheless, the Blues carried on for the rest of the game with ten men as a training exercise. In the interim, man of the match Sam Gomarsall finished off another great move down the left flank. Rising like a salmon after a cross from Mike Feeney, he beat the keeper with a powerful header for his first goal for the Blues in 25 appearances.

Some good defending from the Blues and hard running up front from Ed Mole and James Somerville ensured the game finished up 2-1.

The Centaurs (University 2nd team) were also in action with a new captain, Joe Fowles, as well as a new coach, Nathan King. After an intense few days of training, the Centaurs were handed their first pre-season challenge in the form of the Lloyds Insurance team, who made the long and convoluted journey to Pembroke Sports Ground for the occasion.

The Centaurs were clearly the better of the two teams in the opening exchanges. Dan Brown and debutant Callum Akass deserve an honourable mention, dominating midfield and looking comfortable on the ball.

This sustained midfield pressure led to the first goal, John Dinneen practically tying the defender’s shoelaces together and leaving him no choice but to bundle him over in the box. Dinneen stepped up and calmly slotted the re- sulting penalty; making the score 1-0 the break.

Though two goals before the break by an increasingly confident Lloyds side made the final score 2-1, the Centaurs put in a confident performance and should be proud of their first outing 

OULTC serves out the summer with an ace

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This summer saw some remarkable ten- nis as the men and women of Oxford University Tennis Club (OUTC) experi- enced continued success in both the national league and Varsity.

In the build up to the summer season, both Blues squads travelled to the Kiwi Tennis Club in Melbourne, Florida; five days of clay-court tennis that provided twelve of the club’s best players with a fantastic opportunity for some intensive training in the Florida heat. Even after this sun-drenched excursion, however, the training regime refused to relent, with preparation for Varsity involving the training regimes of all squads being intensified, with both the courts at the White Horse Leisure and Tennis Centre in Abingdon and the grass courts at Iffley being put to near-constant use. Upon returning to Oxford, fixtures against sides including the Army, Cumberland, Hurlingham and North Oxford as well as the biannual Old Blues match all served as important preparation for the Varsity match.

Such intense preparation paid dividends. Though the men’s Blues team approached the courts at Moor Park with nine consecutive previous defeats in the fixture, a great effort on the first day took the team to a 9-3 lead, with club champion Matt Morrow sealing the 11th and winning rubber for the Dark Blues after winning all of his matches. Captain Zeb Nicholls lifted the trophy after an impressive overall 13-8 win which capped off an unde- feated season for the team. The hard work on the court paid off for the women’s team as well, pulling away as the pressure rose to win 13–8 after a tie of 8–8.

The women’s success was continued by their thirds (‘Swifts’) as they stormed towards a 13–8 victory. The 2nds (‘Robins’) played well but were undone ultimately by some brilliant tennis by their Light Blue counterparts, slid- ing to a 7–14 loss. The men’s group ultimately went one better, the 2nds taking no prisoners and winning 17–4, with a special mention to first years Angus Nicholson and Shunta Takino who each took an impressive five out of five rubbers on their Varsity debuts. The success was followed by the 3rds’ 12–9 triumph and the 4ths (contesting their very first Varsity) taking a strong 7–2 win, leading to a clean sweep of four out of four Varsity matches for the teams in Dark Blue.

Such impressive performances were not consigned just to Cambridge, however. Under the inspirational leadership of captain Mal- lika Sood, the women’s Blues team achieved promotion from the Midlands 1A into the Premier South Division, with Sood solidifying their victory by winning the final match 7–6 in the final set. On the men’s side, the 1st team consolidated their position in the Pre- mier by taking fourth in the division, whilst making the quarterfinals of the cup compe- tition and losing out to a strong Durham side. The men’s second team had an outstanding year topping their division and winning promotion to Division 1 where they will be one of the highest ranked university second teams. They also won the Midlands Cup after a nail-biting final against Birmingham’s first team.page1image36888

Formula 1: Mortal engines

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From early doubts about the sound of the new turbocharged V6s to the dominance of the Mercedes power unit, the 2015 season has been dominated by engines. We untangle the soap opera that is the Formula 1 engine supply story.

Mercedes AMG have again enjoyed near total dominance, running away with both world titles with their engine having started the season an estimated 100 bhp up on rival engines produced by Renault and Honda. Williams, also running the Mercedes power unit, have had the edge on Red Bull throughout the year owing to their strength on high-speed tracks like Canada and Italy. Mercedes have also just signed a deal to supply Marussia with engines which should give F1’s perennial minnows hope of beating next year’s rookies Haas F1 in the battle at the bottom.

Thankfully for fans, Ferrari do seem to have closed the gap from 2014, although Singapore remains the only race where Ferrari appeared to have the stronger package – with wins in Malaysia and Hungary more due to team and driver error at Mercedes respectively. The rate of improvement has perhaps been most encouraging for the Tifosi, given that in-season testing will be banned from next year barring renegotiation.

The rift between Renault and Red Bull has been covered by the media like a celebrity divorce. The partnership that, less than two years ago, brought home a 4th consecutive world championship began to deteriorate when both Team Principal Christian Horner made public the team’s frustration at the lack of progress Renault had made with the new breed of engine. Tired of being the scapegoat, Renault threatened to quit F1 before deciding to instead buy back the Lotus team that has struggled since being sold by Renault in 2009. Having burnt their bridges, Red Bull turned first to Mercedes to negotiate a deal for engines in 2016 but were rebuffed by Mercedes team principal (and Arzoo regular) Toto Wolf – presumably fearing being beaten by a car with not just a top engine but also a chassis designed by Adrian Newey. Red Bull now must make a deal with Ferrari or risk leaving F1 altogether, or worse, getting engines from Honda! With the cards firmly in their hands, Ferrari agreed to sell engines to Red Bull but only their current 2015 engines rather than the developed 2016 version being sold to Toro Rosso and Sauber. Recent rumours suggest Ferrari would be willing to do a deal including the mercurial Max Verstappen, with Kimi Raikonnen’s seat up-for-grabs in the near future. With Red Bull ‘serious’ about their threat to quit F1 if they do not have a competitive engine, it’s going to be a case of who blinks first. Bernie Ecclestone has also now entered the engine politics, with coverage of Mercedes and Ferrari cars conspicuously absent during the Japanese Grand Prix in a bid to pressure them into a deal.

If Red Bull-Renault has been the perfect marriage gone wrong, then McLaren-Honda has been the story of a failing marriage that everyone is pretending is OK. Everyone except the drivers.

‘This is embarrassing. Very embarrassing.’ said Alonso over team radio in Japan with all the frustration of a man for whom this team and engine is his last roll of the dice to find an elusive 3rd championship winning car. With the current state of the Honda engine this might turn out to be an impossible dream.

McLaren ended their partnership with Mercedes this year knowing that they had to try something different in order to be able to fight Mercedes own works team for the championship. Harking back to the early 1990s and one of the best partnerships in F1 history and an Ayrton Senna in his prime, the deal generated a great amount of interest… and an even greater disappointment. Perhaps limited by the rules regarding engine development, Honda have produced an engine that has left one of F1’s great constructors wallowing 2nd from bottom in the constructors championship. It is set to be a long winter for Honda.

We can cross our fingers that the competition will be tighter for 2016 but at least be safe in the knowledge that there is only another year till the 2017 rule changes and the deck is shuffled once more.

 

Drama needs video

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In medias res: realism is why drama needs video today. Drama’s very raison d’eÌ‚tre rests on the idea that a realistic imitation of human life presents its viewers with a critical mirror. This is true whether it’s about the individual or the collective, whether it’s about crisis or success. The theatre is a laboratory, designed for our self-examination. For this examination to yield results, we need to identify with what happens on stage.

So the challenge for playwrights is to find ways in which today’s world can be put on stage. So far so good. But the challenge of every director dealing with plays written in a former time is to make the work relevant. In one way, this is easy, because the great thing about theatre is its continuity through transcendence. In another way, it is extremely difficult, because the transcendent themes that are relevant to all ages need to be isolated from the play first. This is an incredibly difficult task and accordingly no method – video among them – should be forbidden. Because of the difficulty of realising this relevance, I believe that video will in fact

be an inevitable part of the theatre’s future. Allow yourself to cringe at this analogy. We have smartphones, but if someone gave us a good old Nokia brick we might be tempted to switch back to its vintage charms. We would use it just the same, to write messages, make phone calls, set our alarms and doodle around with it while in the lunch queue. Overlooking the loss of internet access everywhere (try for a second), we might even adopt it as a retro trend. But, let’s face it, we would all eventually return to the temptations of the modern world.

So if the old is so cherished and we so naturally lean towards nostalgia, why do we persist in pursuing the new? It is the same reason why Apple is so keen it reinvent the mobile phone over and over and over again. We just get bored easily. The vicious (or not so vicious?) cycle of boredom and reinvention naturally casts its shadow over the arts most of all. Just consider the recipe for any action movie sequel: higher death count, greater dangers and a deeper level at which the roots of evil are unravelled.

Going back to theatre, what does this mean? It means that we have to admit something to ourselves: we don’t care what happens on the stage, unless it feels like our world. That world is digital and fast; it creates entertainment, which stimulates us, with a frequency and extremity that is unparalleled in our history. Overexposure to these diversions means our sensitivity to them is being gradually eroded; theatre must therefore respond in kind. It would be a pointless nostalgia to deny drama the use of video – it is as ridiculous as using a Nokia brick to take a selfie. Video is integral to navigating this hyper stimulated world of entertainment. Indeed it is pointless to hark back to an era when theatre was unpolluted, for this ultimately prevents theatre from serving its real purpose. 

A view from the cheap seat

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Here at Cherwell Stage we love to encourage brilliant new critics. Recently, a keen fresher off ered to review a play for us before term. Naturally we were delighted. But we were reckless; our would-be critic was far too overwhelmed by the whole experience. The damage from the shock maybe irreversible; below we publish his impressions of the ‘play’.

“The cast is huge, I have never seen such a massive immersive theatre project. I can’t imagine how much money was spent making everybody on the entirety of Turl Street look so ridiculous – how could they have bought so many brightly coloured trousers in order to be so tastelessly combined with so many gratuitously patterned jumpers?

“I don’t understand who these characters are or what their motivation is, but it is clear this play is a tragedy. For example, there is the unparalleled dramatic meta-irony of the characters on the Cowley Road scenes: they think that there is no irony in the fact all they do is ironic. Truly this production is audacious in even considering to present something so sad.

“Nevertheless, the most horrifi c spectacle was no doubt that at the Oxford Union. Shakespearean delusions of grandeur were set in a funny red brick building just off Cornmarket. I still can’t believe that such a respectable institution as the Oxford Union could play host to such debased proceedings. Truly not even the most provocative productions plumb the depths of depravity I saw in the ‘chamber’. Still, in spite of these genre references I can’t piece it all together, what is the overriding story behind the façade of pretension, poor dress sense and Machiavellian politics? I don’t even know what the play is called, someone mentioned it might be ‘-1st week’?”

The reader will be reassured to know that the author of this extract is now being contained at the Cherwell offices until he recovers from shock

Remembrance of theatre past

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Stephen Fry, Hugh Laurie, Emma Thompson, Tom Hiddlestone, Eric Idle, Simon Russell Beale; the list could go on… at Cambridge anyway. Don’t panic, like our inferior cousins, we too have a succession of illustrious dramatic predecessors. At Oxford you could be the next Hugh Grant or Rowan Atkinson: a choice between a bumbling middle English nobody and… the point is that the sky is the limit, whether you’re an actor, producer director or indeed a humble critic, the Oxford theatre could be your big shot. First, a confession. I, dear fresher, also came to the dreaming spires with dewy eyes and baited breath. Sitting over an extortionately priced pint, I too dared to compare the thespian bums that had graced my bar stool with my own, surely destined to greatness posterior.

Alas, dear freshers, this nostalgic episode is also a sad one. Looking back I feel like that older sibling, looking on with amusement and condescension as their naïve younger sister/brother tries to buy booze without ID at the off license. A regrettable combination of deluded optimism and woeful ridiculousness.

But I will not judge you by my own low standards, let us for a moment glimpse at the pantheon and your destiny within it. The journey will be long and fraught with difficulty. The first thing you must do is sign up to the Cherwell stage mailing list – email [email protected]. This beacon in the darkness will guide you through the murky waters of the week’s drama. Cherwell will not only tell you what’s good but can also get you in for free. Our weekly mailing list will offer you the mildly Faustian pact of writing a review in exchange for tickets. Your next stop will be Cuppers. The Cuppers drama festival is an opportunity to laugh with (but mostly at) your new dramatically minded friends. It’s like freshers’ week all over again, but cheaper. Each college is given a twenty-minute slot in which to perform a play worthy of the university Drama Society committee’s understandably low expectations. Yours truly for example, was nominated for a best supporting actor award after his luminary rendition of a questionable Catholic priest.

After Cuppers you will hopefully have made a small name for yourself at college, or at any rate as someone who found use for their theology degree. Next, you should audition for a play. Bring along Camus in this time of existential doubt. Yes darling, you really are good enough – brave it. If asked to prepare a piece, remember that the most original thing a student actor can do is wildly oscillate their delivery from really loud, to really quiet. If you are a budding director, remember any small studio production will benefit from throbbing dance music in between scenes: truly a declaration of originality. Imitation of the 90s, not only in music but also in dress, will cement the edifice of ‘edge’ that is your dramatic reputation. From there, who knows – more auditions, more plays and more ridicule from the rest of the world. But worry not: Cherwell will be with you every step of the way; like an indulgent uncle who instead of sweets and trips to the zoo offers you mildly sarcastic reviews and semi free tickets. Make no mistake though, the road will be long and arduous. But if you want a short cut straight to bumbling idiot status, you can always write for The OxStu.

An open letter to British freshers

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On Tuesday 29th September, Oxford University’s Student Union (OUSU) banned the distribution of a new political magazine, No Offence, at its freshers’ fair. Citing the magazine’s inclusion of content such as “a graphic description of abortion” and “a celebration of colonialism”, OUSU announced that they “do not wish to be associated with the offensive views in this magazine.”

The battle lines in this issue ought to be clear. It is not a question of the legitimacy of offensive or obscene satire. Explicitly, the magazine was banned from the fair because it gave an airing to views –to opinions – that OUSU found offensive. Concerns about the allegedly edgy satire were secondary in their statement. Whilst it is obviously within a student union’s rights to run its own events however it wishes, we can and should be seriously concerned about the wisdom of this decision and what it represents.

The restriction of No Offence is just the tip of an immense iceberg. The sad truth is that British universities are no longer places where ideas can be judged on their merits in a climate of mutual respect. In the 1960s students gained the right to campaign for political causes without pastoral regulation, but this has become a poisoned chalice for students who do not share the very specific brand of socially left-wing politics advocated by OUSU and other students’ unions.

At many a modern British university, you simply cannot criticise the student unions’ version of feminism, or their views on racial or sexual politics, without unpleasant consequences. Last year, here at Oxford a pro-life society tried to organise a debate on the ethics of abortion. Within days a huge protest was planned, with feminist campaigners, supported by OUSU, threatening to disrupt the debate as much as they possibly could. Unsurprisingly, the college hosting the event, unable to secure the attendees’ safety, felt forced to cancel it.

Nearly four in ten students’ unions in the UK now enforce a ‘no platform’ policy, whereby offensive speakers are officially barred from addressing students on campus, as do almost a third of universities themselves. According to an anti-campus censorship campaign run by online magazine Spiked, 60% of universities and 70% of student unions restrict free speech in some way.

The real costs of all this, though, go far beyond the headline statistics. Every day, students with different worldviews to their supposed leaders find themselves feeling intimidated and unwelcome at their own universities. At Oxford, I have spoken to Conservative-voting fellow students who were terrified of social ostracism if their friends found out about their political views. Others feel the need to conceal even the newspapers they read from public knowledge.

All this adds up to an enormous stifling of free discussion. Ideas that fall outside appropriate bounds – be they traditional religious or conservative ones, or branches of radical feminism with unorthodox views of transgender liberation or sex work – simply cannot safely be aired in most public forums at universities.

Of course, challenges to our deeply held beliefs can seem offensive, and bigoted attitudes can reinforce the oppression of marginalised groups. But if our tolerance towards those different from us depends on artificial protection from ideas that might challenge our specific views on social questions, it is a tolerance unworthy of the name. Rather it is a degraded, cowardly ignorance, and an ignorance that defeats the entire purpose of a university.

If this continues an entire generation of Britain’s finest minds will never have been taught to learn from challenges to their opinions, and instead to view them as personal attacks. They will have been educated in ‘safe spaces’ – universities where the whole idea of ‘free speech’ is mocked and vilified.

“But what about our freeze peach!” screamed the OUSU acolytes when met with complaints of censorship over forcing the cancellation of the abortion debate. Anywhere else in Britain, this rank contempt for a fundamental principle of liberal democracy would be met with the horror it deserves. Not so at Oxford University.

We owe it to each other, and to Britain’s future as a free country, to do things differently. It’s about time the real world realised what our universities have become and a serious national debate was had about how to fix them.

And to the new freshers just arriving, or recently arrived, at universities across the country, I say this. The best argument against censorship is always that the view being censored might be true. By preventing others from expressing it we risk a huge loss for a paltry gain and make ourselves stupid and dogmatic into the process. So if you hold controversial opinions, ones your student union might not like – if people tell you you’re a bigot, an oppressor, that you have a ‘phobia’ of some description – don’t be disheartened but excited, because you have the chance to make a difference.

The real bigots on campus are those who hound and vilify people who respectfully disagree with them. Expose them to the fresh air of reason and shout your controversial views from the rooftops. Once they realise you won’t be intimidated they’ll be forced to listen, and listening is the first step towards the mutual understanding that underlies any true democracy. Britain is still a free country but at many universities you’d be forgiven for no longer thinking so. It’s time this changed: time we all came together and smashed this censorious sect of secular zealots once and for all. 

Jacob Williams is the co-founder and editor of No Offence, and co-founder of the Facebook discussion group Open Oxford.

A response to Williams’ letter from the Cherwell Comment editors can be found here.

The responsibility of free speech

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In his open letter published in Cherwell, Jacob Williams, editor of the ‘No Offence’ magazine, claims to be a champion of ‘Britain’s future as a free country’. Despite its ban from next week’s Freshers’ Fair, Williams upholds the magazine against the ‘stupid and dogmatic’ Oxford University Student Union (OUSU). In his words, OUSU are ‘the real bigots on campus… who hound and vilify people.’

‘No Offence’, however, is not a neutral publication. Through articles justifying colonial rule and graphically describing the abortion of 12 week foetuses, Williams and his writers use the veil of the struggle for free speech to voice abhorrence. In his immature publication of all the extremes of free speech, Williams has forgotten that ‘Britain’s future as a free country’ depends on everyone’s right to express their views free from intimidation.  We should be free from the frankly disgusting content of ‘No Offence’.

Why, then, has Cherwell decided to publish Williams’ letter? Here at Cherwell, we do support open debate, and this means the open demolition of the arguments voiced in ‘No Offence’. We feel that OUSU has made a mistake by failing to let the magazine be shown up for the nonsense it contains at the Freshers’ Fair. By banning ‘No Offence’, OUSU has given students like Williams the biggest coup they could have hoped for: a chance to be the heroes of free speech, without the scrutiny of public debate. Such scrutiny would surely expose the magazine’s flawed principles.

You might ask, what is so bad about ‘No Offence’? Cherwell has received a preview of the magazine and its contents, as expected, are disappointing. So long as this debate rages without public exposure of this extremely low quality publication, Williams can pretend that he is the victim of a great injustice. Instead, publishing horrifically unbalanced articles that describe ‘Rhodesia: The End of a Great Country’, without mention of the appalling racism of the regime, the magazine is exposed as the fraud it is. The bullying tone of the magazine’s articles is made worse by the terrible quality of its writing. Why on earth should we take ‘No Offence’ seriously when it climaxes with an article entitled ‘Finger Me Like One of your French Fries’?

Williams’ argument ultimately falls down when we consider the responsibilities of freedom of speech. Yes, Williams can exaggeratedly call for an escape from the ‘censorious sect of secular zealots’, but no, we should not let him and his writers go unchallenged. With freedoms of speech we have a responsibility to make sure that good ideas are developed and bad ideas demolished. We have a responsibility to make sure that no one is intimidated by someone else’s free speech to the point that they are scared to paricipate in debate. Most of all, we have a responsibility to see that articles designed only to offend and intimidate are shown up for what they really are.

OUSU bans ‘No Offence’ materials from Freshers’ Fair

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OUSU has banned ‘No Offence’ magazine from distributing its materials at this year’s Fresher’s fair after deeming it’s views “offensive”.

OUSU released a statement, explaining, “The editor-in-chief of ‘No Offence’, Jacob Williams, asked Oxford University Student Union (OUSU) to review his magazine for distribution at OUSU’s Freshers’ Fair. The magazine included a graphic description of an abortion, the use of an ableist slur, a celebration of colonialism, and a transphobic article. In an attempt at satire, another article suggested organising a ‘rape swagger’ – in the style of a ‘slut walk’ – in order to make rape ‘socially acceptable.’

“OUSU do not want to be associated with the views in this magazine, therefore do not want it to be distributed at our event. The offensive views exhibited in this magazine do not in any way represent the majority of Oxford students, or OUSU.”

OUSU did however emphasise that the editors “are, of course, completely free to publish the document online, in the exact form in which it was sent to us” to enable students to read it if they wish.

Becky Howe, OUSU President, explained to Cherwell that, “We have told ‘No Offence’ they cannot distribute their material at an OUSU event, but have not in any sense ‘banned’ it on a wider scale. Open Oxford will still have a stall at Freshers’ Fair. Given they want their messages to reach as many students as possible, we assume the editors will publish ‘No Offence’ online imminently, in the form in which they sent it to us.” 

Under ‘Regulation 13’, OUSU is entitled to remove any material at any time from any stall.

The new magazine, founded by Jacob Williams and Lulie Tanett, was formed to “promote debate and publicise ideas people are afraid to express”. According to its Facebook page, ” ‘No Offence’ is a new Oxford-based magazine devoted to controversy, contention, and all things freeze peach. We aim to broaden the spectrum of opinion at Oxford, and create a climate where people are more comfortable expressing ideas some see as offensive. Our purpose is to publicise ideas and arguments that people otherwise may never encounter.

Jacob Williams told Cherwell, “When our students’ union can restrict publications that express views they deem offensive, there is no hope of Oxford ever having a climate of free expression. You can have safe spaces if you want but the university must always be safe for the exchange of ideas.

“NO is a magazine devoted to publicising viewpoints people are usually afraid to discuss, to try to widen the terms of debate at Oxford.

“We will indeed be publishing online but we can’t reveal all of our distribution plans just yet.”

 

Getting a fair deal for junior doctors

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Doctors don’t usually go on strike. In the last 40 years they have taken to the streets only twice to voice their dissatisfaction about working conditions. Given the BMA’s decision on Saturday to ballot its junior doctor members on industrial action over their proposed new contract, this statistic more than anything shows just how angry people are with the government’s plans.

As a second-year medic, it’s hard not to worry about what the proposed changes will mean for me. For current junior doctors, this anxiety can only become more pressing, as the contract is set to be introduced as early as August 2016.

One of the BMA’s biggest issues with the contract is the extension of routine working hours (or ‘plain time’) from 7am to 7pm on Monday to Friday to 7am to 10pm on every day except Sunday. This will inevitably lead to pay cuts for junior doctors who currently work evening and weekend shifts, as routine working hours are rewarded with the most basic rate of pay. In specialties involving a lot of out-of-hours work such as A&E and acute medicine, existing staff shortages will only be exacerbated if inconvenient working hours are no longer properly compensated with overtime rates.

The job of a trainee doctor is that much harder outside of the current routine working hours, as they are often left with huge responsibilities when fewer consultants are present. The new contract could lead to trainee doctors working longer shifts just to make ends meet, potentially risking the safety of the many patients under their supervision.

The extension of routine working hours for junior doctors could also have larger implications for the whole NHS. If this precedent is set, other professions within healthcare such as nursing (many nurses currently rely on overtime rates as a main source of their income) could fall victim to sudden contract changes.

The new contract has also been accused of being discriminatory against women, as junior doctors who work full-time will see their annual pay increase more quickly than those working part-time, many of whom are women returning from maternity leave.

The idea of rewarding those who progress through training rapidly may well be a good one, and could potentially lead to a larger number of highly-trained doctors in a shorter period of time. This point has a link, albeit a tenuous one, with the idea that staff within the NHS should be rewarded mainly on the outcomes of their patients, with less emphasis on the number of years they have been working, or the number of procedures they carry out.

Having said that, an inflexible contract that penalises women for having children is not fair, and efforts must be made to ensure that people who progress through training more slowly due to genuine, unavoidable reasons are not punished.

Since the new contract has been proposed, the GMC has received huge numbers of requests from junior doctors for certificates to work overseas. When combined with the very real threat of industrial action, it is no wonder that leading figures at the BMA are warning of impending disaster.

Few can argue that we need to see real change in how the NHS operates in order to cope with the huge challenges that it now faces. Some of this responsibility may well fall onto the shoulders of junior doctors. Despite this, the sudden and unfair proposed contract will not help the cause. Not only will it drive junior doctors away from the NHS altogether, but it might just put off prospective medical students and medical students alike from following a medical career. And that would be a disaster.