Tuesday, May 13, 2025
Blog Page 1309

Oxford cricket side take "impossible" Varsity victory

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Oxford 179-9 (Haines 61*, Winter 52) beat Cambridge 177 (Ansari 52) by one wicket.

An incredible batting display of 61 not out from Oxford’s no. 9 Haines snatched a dramatic victory for the Dark Blues in the one-day Varsity cricket match at Lord’s. Beautiful summer weather blessed the historic venue – this year celebrating its bicentenary – and the sun ultimately shone on Oxford, albeit incredibly late, in a gripping day of university cricket.

Cambridge opened the batting and made gentle progress, posting 30 runs before losing Wylie and Senaratne in quick succession. Ansari came to the crease and knocked an impressive half-century whilst the Light Blues middle order collapsed around him. Just 14 runs were scored between five batsmen and Cambridge Captain T.C. Elliott was run out without facing a ball. Caught up in the batting landslide, once Ansari himself was caught by Sakande off Cato, it looked as though the Cambridge metaphorical ship would soon capsize. However, a solid counter-attack from Crichard and Sadler at the tail end led Cambridge to 177 all out off 47 overs, an unflattering innings total but by no means leaving Oxford complacent. The Dark Blues’ bowling performance deserves credit, particularly Cato and Sakande who took three and four wickets respectively. Marsden grabbed two wickets, whilst Haines gave away little off his nine overs.

The crowds used the extended luncheon interval to refill beverages, returning to their seats with more energy than Luis Suarez drugged up on Red Bull. It was anticipated that Oxford would aggressively target the somewhat disappointing Cambridge score from the off. Instead, opening batsman Jeffrey found his off-stump clean bowled by Pollock after just the third ball. The momentum seemed to swing as much as Pollock’s bowling, which eventually claimed four of the Oxford wickets. An impressive display by Pollock and his counterparts Sadler and Crichard kept the Dark Blues at bay.

The eleventh over could have proven pivotal. Pollock bowled a double-wicket maiden to dismiss O’Grady for nine and Ferraby, who was caught at first slip. Ferraby was already the second Oxford batsman sent packing (and quacking!) for a duck and the Dark Blues found themselves three wickets down with only 39 runs on the board. However, Winter seemed to be Oxford’s Ansari, the ray of light amid the sinking ship. Winter did not look back after being dropped by the second slip on four runs, proceeding to match Ansari’s score of 52. The no.3 batsman was eventually given out for what looked a harsh lbw off Bath, and with Winter disappeared a large part of Oxford’s hopes. Oxford’s run rate had slipped to under three an over, taking just one run off three overs midway into the innings and leaving a sorry-looking scoreboard. Winter had gone. Soon followed Chadwick, Cato and Marsden. The tide had turned. The Dark Blues were truly caught adrift.  Oxford had just one wicket to spare and still required 41 runs. Furthermore, only six overs remained.

Winter had indeed passed, but spring arrived in unprecedented fashion in the form of Kiwi Ross Haines. An early six set the momentum for a confident display of batting, which saw the right-hander navigate his way to an impressive half century and spark a dramatic turnaround. A good percentage of the crowd had disappeared, believing victory for Cambridge was all but assured. But those that kept their seats witnessed Oxford snatch victory from the jaws of defeat. Haines was imperturbable despite the pressure inflicted on the Oxford lower order and the team hung on until the bitter end. Haines and Sakande resembled loved up tennis partners, forming a tail end connection on the basis of ‘fist pumps’. Neverthless, such intimacy seemed to do the trick. Sakande and Haines knuckled down and turned the tide. Haines batted titanically and the Dark Blues entered the fiftieth and final over requiring five runs to steal an impossible victory.

Cambridge’s Pollock was called into action for this final-over showdown. Although Haines had led a brave Oxford fightback, there was surely no way this could continue, especially facing the mighty Pollock. This was a new showdown. Froch v. Groves was now Haines v. Pollock. The Varsity match had come down to the final over. The first ball of the final over and the tension in the ground was thick enough to slice up and place inside a Lord’s prawn sandwich. That tension, however, was smashed nonchalantly by Haines into deep midwicket for six. The Cambridge fielders were left dumbfounded. The crowd was probably too inebriated to realise what had happened. This was the cricket’s version of Sergio Aguero. Oxford sealed an impossible victory in the most stylish fashion.

Haines batted titanically. A total of 61 not out, including three sixes and four fours made the Oxford no.9 the highest scorer of the Varsity match and well-deserved recipient of the man of the match award. Many historic moments in cricket have taken place at Lord’s, but what a fabulous comeback from Oxford in a thrilling Varsity match, fitting of the venue’s 200th anniversary.

The Oxford team was unavailable to comment on Friday evening, presumably busy getting merry in the Lord’s Long Room, whilst Cherwell writers also had a certain Friday event at Wahoo to attend. But in the words of Oxford batsman Richie O’Grady on Facebook, “Arise Sir Ross Haines. You’ve got to have faith.”

The four-day Varsity Match will take place Monday 30th June – Thursday 3rd July at The Parks, Oxford.

 

Catwalk to Closet: Tutti Fruity

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Cherwell Fashion has noticed something sweet on the catwalk: fruity prints! These fun, bold prints are an instant way of brightening up your wardrobe, whether the sun is shining or not. This is the perfect trend for showing that you don’t take yourself too seriously, and even finalists might appreciate an injection of colour into the library! Read ahead to see how you can get your 5-a-day.

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Strawberry shortcake shorts
£55.00, Lazy Oaf

These strawberry high-waist shorts are so gorgeously whimsical: they’re reminiscent of childhood summers and sticky strawberry fingers. To keep a sophisticated look, wear with a loose black camisole.

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Banana T-Shirt
£12.99, H&M

This t-shirt has got us going… you can guess what’s coming here…BANANAS. Channel both the fruity trend and the logo print in one bargain item. Even though it takes up most of the top, the design isn’t too in-your-face, which we love! We’re pairing this with stone-wash denim jeans and moccasins for the perfect, casual, summery look.

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Fruity Nail Wraps
£6.00, Elegant Touch @ ASOS

Give your outfit an instant fruity boost with these bright nail wraps – the perfect easy option of getting fruity without resembling a fruit salad! Mix and match nails are such a hot trend at the moment, and this way, you don’t have to worry if you’ve not got the steadiest hand when it comes to painting!

Suit and Tie: Bags

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Bags

As the summer months approach, we’re all eagerly awaiting that hard-earned
internship or the holiday we’ve been counting down to all year. Both of these
require a suitable bag – something which combines both utility and style. We’ll
ignore suitcases and focus on the day-to-day; the bag you’ll be carrying to and
from the office everyday or cramming with souvenirs while exploring sunnier
climes. 

Beginners
The most versatile bag is the rucksack. Big enough to carry a laptop and a few books, small enough to not be a burden, with as much room to exhibit your personality as you could ask for. Compact rucksacks are everywhere at the moment, in a range of colours and patterns. A personal favourite is this canvas hold-all from Ted Baker (£115). Pricey, yes, but the camouflage print adds a rugged finished to any outfit, with the leather trim and a paisley meets camo print detailing giving it a mature finish.

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Ted Baker, £115

If you are worried about practicality or office suitability, you can’t go wrong
with a black, canvas rucksack. But for a more formal atmosphere, a messenger bag or satchel may be more appropriate. Either black or brown works, and they are available everywhere – although if you have the cash to burn, try to get real leather. You won’t regret it.

Fashionistas
To achieve that individual look, go for the more formal leather satchel but in a striking colour. Patterned rucksacks are everywhere, but the bold briefcase is still restricted to the few who are daring enough to brave it. Both the Cambridge Satchel Company and Ted Baker have a massive range, but I would recommend this retro briefcase from Zara (£49.99). Cheaper than the other two, it will provide the perfect contrast against a dark suit or a colourful holiday outfit.

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Zara, £49.99

Who do you dress for?

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Who do you dress for? A conversation with a few of my friends the other day led me to ask this question to myself. Some of the group were of the opinion that anyone who takes care in the way they dress is dressing for attention. This is not to say that, for example, we dress to attract a potential mate. We may be dressing for the attention and approval of other fashion-conscious individuals. I was adamant through the whole conversation that I didn’t dress for the attention of anyone else. The thought of picking my outfit motivates me to get up in the morning. I shop to unwind and relax. I get genuine joy out of finding a really special piece. So, I must dress for myself.

But then I took a moment to analyse the reasons why I enjoyed getting ready. Did everything not lead back to how I wanted to be perceived by others? I dress based on the day I’m about to have, and so inevitably, for the people I’m about to interact with. I dress so that my day has a certain tone, presumably this does include the response I get from others. Maybe I’m over-analysing. It is possible to just enjoy the aesthetic of a certain look, and to have fun picking out clothes and accessories to match that. But walking through town, I see different students with so many distinct styles. At Oxford, most of us have one thing in common. We all have pretty strong ideas about who we are, what we’re about and what we want. The way we dress is one way of showing that.

There is no such thing as a “lack of a dress sense”. Even the person who insists they have absolutely no interest in clothes, and will wear whatever, is expressing themselves through their clothing choice. We all use what we wear to portray ourselves in a certain way. The problem arises when others make decisions about how we may portray ourselves; when they think it means that we expect to be treated a certain way.

“SlutWalks”, where women protest the idea that by wearing revealing clothing, women are somehow ‘asking’ for unwanted attention, are happening around the world to raise awareness of this issue. The “still not asking for it” photo that’s been circulating around social media attempts to challenge the sense of entitlement that can arise simply by the way someone is dressed. It’s a huge waste of our time to criticise those who dress for others and it’s completely futile to deny that we don’t. We all do it on one level or another. Instead, we are far better off investing our energy in highlighting how wrong it is to make assumptions about others, and put them in a certain box based on how they are dressed.

Suit and Tie: Summer Trends

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Summer Trends

Floral, monochrome and camouflage will remain in vogue over the coming months and they ought to form your statement looks.

Monochrome
No-one can mess up black and white, but it does look plain. The best way to get that much-needed flair is through some form of pattern – an unbuttoned checked shirt under a black blazer; a monochrome floral works well too, as would a striped jumper. This colour block jumper (Topman, £26) would be a brilliant buy. Monochrome works as well as a base, so don’t fear a bold pop of colour – a light cotton scarf could easily spruce up a simple outfit in the evenings, with minimal effort.

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Topman, £26

Florals
On trend all year, but with a much darker, edgier tone than we would expect from traditional floral prints. You can go loud and colourful or settle for a subdued approach, but focus on the boldness of a dense floral pattern. This floral print shirt (Zara, £29.99) would look great paired with some stone chinos or shorts.

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Zara, £29.99

Camouflage
Camouflage is difficult to wear well as it can come over very easily as too brash. The best camo item you can go for is either an accessory or something above the waist – no camo trousers! This Villain tee (Topman, £36) works well on both fronts offering cooler greys and greens, without being offensive on the eye. Pair with grey or blue shorts, or black skinny jeans, and you’re ready to go.

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Topman, £30

Feminism in Fashion

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Fashion has often been labelled the antithesis of gender equality. Increasingly, women are attacking each other for approaching feminism the ‘wrong’ way: for wanting to be a stay-at-home mother, for being too vocal or not vocal enough about gender issues, and, indeed, for how they look and dress. But is there only one fit of feminism?

Pehaps it’s more important how we think of ourselves and behave towards each other. Recently, an author wrote that she used to be made to think she wasn’t a real feminist because she liked frivolous things like lipsticks and heels. Gloria Steinem, labelled ‘the original’ feminist for redefining feminism to include men, was criticised for “playing on her looks”. Meanwhile, Michelle Obama, who has been a tireless advocate of women’s rights, has been accused of being a “feminist nightmare”. But the idea that being fashionable and sexy is incompatible with being a feminist is wrong. Feminism should not be about judgement and competition, but about maximising women’s choices and their freedom to pursue these choices.

Model Karen Elson, as a proud feminist herself, warns that, “If you assume that models […] can’t have strong opinions and beliefs, you’re just falling prey to the popularly held misogynist view that beautiful women are stupid.” More than that, clothes have long had power to facilitate and accompany change. We need only to look at the suffragette movement, the famous flapper dresses and miniskirts that shocked the social order when they first came out, and the more recent Pussy Riot, who used their clothing as a way to send their message out, loud and clear.

Liking fashion does not have to mean ignoring the problems that the industry poses for the feminist cause, through their promotion of a specific body shape (read: super skinny) or the fact that the whole industry exists to tell us how women should dress, while we are perfectly capable of making this choice ourselves.

Feminism and fashion are actually becoming increasingly interlinked. Frida Kahlo, the feminist Mexican artist, is the inspiration behind various SS’14 collections: richly embroidered gowns at Valentino and Dolce & Gabbana, tassels at Dries Van Noten and Oscar de la Renta, as well as a swathe of high street stores. We should move away from criticising lifestyles when gender inequality affects actual lives.

Laura Bates, founder of the Everyday Sexism Project, commented that we are “facing a worldwide crisis of violence against women,” in reaction to the killing spree by Elliott Rodgers in California last month. Many women die every day, around the world, because of FGM, because of imposed social barriers, because of domestic violence – stepping back, we can see how an interest in fashion is not an issue that should be prioritised in the feminist agenda.

Union President will not be charged

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Police and the Crown Prosecution Service will be taking no further action in relation to the accusations of rape and attempted rape made against Oxford Union President Ben Sullivan. This means that Sullivan will not be charged.

Sullivan was arrested on May 7th in relation to allegations made by two undergraduate students, and was bailed without charge until today, 18th June.

A Thames Valley Police spokesperson said, “No further action was taken against the 21-year-old man from Oxford arrested on suspicion of rape and attempted rape.”

A spokesperson for the CPS stated, “Following an investigation by Thames Valley Police, we have decided that there is insufficient evidence to prosecute a 21-year-old man from Oxford who was arrested following a complaint of rape and a complaint of attempted rape made by two women. We will be writing to the complainants to explain our decision in more detail.”

The Union released a statement on Wednesday commenting, “The Union can confirm that the President, Ben Sullivan, was informed by his lawyers at 1550 today that Thames Valley Police would not be pursuing any further action against him.

As far as the Society is concerned, this is the end of the matter. We would like to thank Mr. Sullivan for his work as President under the most difficult of circumstances and wish him well for the future.”

Sullivan has remained in his position as President despite calls for his resignation and avoided facing a vote of No Confidence after members in the chamber voted to not vote on the motion by a margin of 254-101.

 

 

 

Cherwell Festival Guide II- Reading and Leeds

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Reading and Leeds aspire to a swagger they have never quite achieved. Whilst Glastonbury increasingly comes across like a once-hip uncle desperately trying to stay relevant, Reading/Leeds have all the rock-and-roll attitude of a 17-year-old rebel  trying to pick up girls in his mum’s Vauxhall Corsa without getting hair-gel on her seat covers. Catering neither to the heavy rock market, the mainstream pop-rock market, the experimental rock market, Reading/Leeds always feel faintly pointless.

Location ★★☆☆☆

As the name suggests, these festivals are held in Reading and Leeds, which is a shame. At least they’re both quite convenient on the motorway.

Headliners ★★☆☆☆

The Arctic Monkeys are still OK, probably, but in your heart of hearts you’ll know that seeing them now will never compare to seeing them around the time that Favourite Worst Nightmare came out. Quite why anyone bothers booking the execrable Blink-182 in 2014 is a complete mystery, but the ever-reliable Queens of the Stone Age will ensure that the Friday night, at least, is alive with their timeless riff-lead racket. Macklemore is playing too, but never mind.

Mid-card ★☆☆☆☆

Pusha T’s sparse raps about coke and death are remorseless and brilliant. We Are Scientists are presumablyproducing the same irreverent post-punk racket they were in 2007, the last time anyone checked. And there’s always a chance that Jake Bugg might be struck by lightning before August. But these are the only real highlights. Acts like Paramore and Enter Shikari rely on the devoted support of an ever-dwindling fanbase, and have little to offer that isn’t overwrought and passé. The likes of Courteeners and Warpaint do not even have the benefit of screaming 15-year-old fangirls to mask the sound of their wallpaper rock music. As increasingly seems to happen at rock festivals, the festival organisers have turned to dance music in a half-hearted attempt to stay relevant, to but to no avail. From the pointless unpleasantness of Borgore to the turgid deep house of Ben Pearce, there is nothing on offer here not available in far more abundance elsewhere.

Hidden gems  ★★☆☆☆

As always there are one or two highlights at the bottom of the pile. These include Gesaffelstein playing murkily abrasive techno, the endlessly inventive noise-pop of The Pains Of Being Pure at Heart, and the uncompromising grime assault of Newham Generals. Unfortunately they are drowned by a pile of slush, from the mopey garage-rock of Drenge to the whiney metalcore of Crossfaith (imagine being in a band that not only aspired to sound like Slipknot, but also failed to do so). One of these two stars is earned by La Dispute, the post-hardcore experimentalists who make screamo with far more intellect, nous and technical ingenuity than half the rest of the bill put together.

USPs ★☆☆☆☆

When a festival proudly announces as a WORLD EXCLUSIVE that My Chemical Romance frontman Gerard Way is performing his first ever solo show, it’s time to slowly back towards the exit without making any sudden movements.

Should I go? ★★☆☆☆

It could be worse: they’re not T4 on the Beach by any stretch of the imagination. Osfest, the leading music festival in my home county of Shropshire, was last year headlined by JLS, James Arthur, The Enemy and The Pigeon Detectives. At Reading/Leeds, there are a few of decent acts buried amongst the crap. But it hardly seems worth the effort of rooting through reams of clapped-out guitar bands to unearth these nuggets, especially when you’ll be surrounded by 16-year-old knobheads who remind you all too uncomfortably of your slightly younger self.

Cherwell Festival Guide I – Bestival

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Bestival is the late-summer festival on the Isle of Wight with a vaguely hippy leaning, tempered by a light smattering of yummy mummies. Fancy dress is theoretically optional, but in practice this year’s ‘Desert Island Disco’ theme will be enforced with military rigour. Rob Da Bank oversees an eclectic weekend of music in a gorgeous setting, striking a near-perfect balance between DJs and live acts.

Location ★★★★☆

The Isle of Wight is a complete pain in the arse to get to. But once you’re there, it’s almost as painful to leave. As sunsoaked as you can get in September without having to learn the Spanish for “I think Jessie Ware just did a wee in my sangria”.

Headliners ★★★☆☆

Hip-hop fans whose senses are not wholly stupefied by G-Funk rhythms and a surfeit of marijuana will surely all agree that Bestival have gone one up on last year’s Snoop Dogg set by securing Outkast. Andre 3000 and Big Boi purvey a brand of southern-fried, jazz-inflected hip-hop which is mesmerisingly complex. The same cannot be said for the instantly forgettable Chase and Status. Chic and Nile Rodgers aspire to nothing more exciting than Chase and Status do, but where the drum and bass duo’s repertoire grows stale in about 30 seconds, the disco stalwarts still sound as fresh as they did in 1978.

Mid-card ★★★★★

Absolutely stacked. Last year’s album of Daft Punk reworks from Darkside mean that Nicholas Jaar’s darkly funky side project is as close as you’ll get to seeing the helmeted electro duo on British soil this summer. It’s always worth checking in on Skream’s evolution from dubstep poster-boy to mad disco scientist, as it is on the tuneful electro-jazz sketches of Bonobo: both are sure-fire festival highlights. The same can be said of Sven Vath, renowned for drawing mammoth 30-hour sets of gorgeous ambient techno from the battered confines of his SL-1200 turntables. Major Lazer, making their solitary UK festival appearance,are everything Chase and Status want to be but aren’t, while Busta Rhymes is utterly daft but utterly brilliant.

Hidden gems ★★★★☆

Elijah and Skilliam’s blog/record label/club night ‘Butterz’ catalysed the recent explosion in instrumental grime, producing endless reams of bass music that is uncompromising but never unthinking. (Don’t be surprised to hear unannounced live PAs from JME and Skepta, also appearing under their own steam alongside Logan Sama.) tUnE-yArDs knock up drum-loops on the spot that lesser indietronica acts can only dream of in the studio, while Public Service Broadcasting do something similar but more exploratory, adding a fantastically eclectic palette of vocal samples to the mix. The scratch genius DJ Yoda includes visuals to his own even weirder cut-and-stick array, and the glossy electro clattering of Sinjin Hawke is just as full of surprises.  Black Country rockers God Damn snort derisively at all of this, and play their guitars really really loud, pitching themselves somewhere between Black Sabbath and At The Drive-In.

USPs ★★★☆☆

The bonus features at Bestival are by no means limited to ‘Breastival’, a yurt solely dedicated to breast-feeding mothers. Sink The Pink is the most outrageously camp piss-up you’ll find anywhere on the festival circuit this year, with the obvious exception of the feather-boa-clad Scottee who will be overseeing a palace full of cabaret and weirdness. There is always a risk inherent in booking Shit-Faced Shakespeare, who perform the bard’s oeuvre in the desperately inebriated condition their name suggests, but if they keep it together then they could be the funniest thing on the bill- apart, perhaps, from the surreal slapstick stylings of comedy duo Twisted Loaf.

Should I go? ★★★★★

Yep. There are better headline options, but festivals are never defined by the names at the top of the card. Under Rob Da Bank’s curation, Bestival has consistently produced lineups stuffed with next year’s breakout acts and the headliners of 2020, and this year looks to be no exception. Perhaps most importantly, Bestival manages to maintain an alternative atmosphere and cater to niche musical tastes without veering into the cringey posturing that increasingly typifies hippy wankathons like Latitude or End of the Road. Great music with nice people in a beautiful place.