Saturday, May 10, 2025
Blog Page 1331

The Campaign: Fashion Relief

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Fashion Relief, like many great Oxford innovations, was borne of an essay crisis. Sarah Fan and I, now two of the charity’s trustees, had just been involved with organizing the Northern Lights Fashion Show, which had seen great success.The thought that occurred to us was, what if student fashion was used for charity on a grand scale, even on a national scale? Thus the idea for Fashion Relief was born.

The Fashion Relief Committee recognizes that fashion as it currently stands is a very flawed industry. Fashion as a lifestyle is seen as vapid and meaningless, while the fashion industry is a colossal money-making machine plagued by a devotion to promoting extremes of unhealthy body size and image, as well as extortion of cheap labour. The link between the inherently flawed culture of fashion and charity is difficult for many to comprehend.

But student fashion can be a powerful force for good. The St Andrews Charity Fashion Show raised £28,000 this year alone. Fashion Relief, despite being a month-old charity, has representatives in around 10 universities across the UK, all at the ready to launch their own unique charity fashion shows on the same night in November. These fashion shows will follow the example set by Comic Relief and Sport Relief in trying to bring thousands of students together on one night for the same cause, and under the same banner.

Not only do we believe that this raft of fashion shows will become a source of fundraising for charities who desperately need the support, but we also believe that Fashion Relief can become a platform to challenge the status quo of the fashion industry itself. Sizeism and the mental and physical health issues that go with it are serious issues within the current fashion community, which is why Fashion Relief will enforce a minimum BMI requirement for its models across the UK.

The poverty caused by Western clothing companies exploting cheap labour in the developing world is an issue that has been raised time and time again. Fashion Relief is looking into UK-based charities that are tackling this cause head-on, encouraging businesses to trade ethically, and exhorting customers to care about what they wear on their backs.

As a fledgling charity, of course we’ve encountered setbacks. But with a 30-strong committee in Oxford alone, and many enthusiastic advocates across the country, we believe that Fashion Relief can become a real force for good. Shifting fashion from something negative to something worthwhile is actually achievable if we put our minds to the task. Showing that students care, that students can put their organizational skills to good use, is vital for making this change.

In the coming months we face some daunting challenges. Our website is in the works and our team busy preparing a national strategy as well as finding leads in other universities. But Fashion Relief is gaining momentum, so watch this space.

To find out more and get the latest updates from Fashion Relief, like our page on Facebook.

Oxford undecided about NUS affiliation vote

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Over 30 per cent of Oxford students are unaware that OUSU is holding a referendum on affiliation with the National Union of Students this week, while nearly 60 per cent of those who are aware are unsure whether to vote ‘yes’ or ‘no’, and another 15 per cent have decided they will not vote at all, a Cherwell straw poll has shown.
 
Cherwell News surveyed 112 students in the vicinity of Radcliffe Square this afternoon. Voting for the referendum opened at 8am this morning, and will close at 6pm on Wednesday evening.
 
Cherwell’s results also revealed that of those aware that the referendum was taking place, approximately 23 per cent intend to vote ‘yes’ to re-affiliation with the NUS, while less than 3 per cent expect to vote ‘no’.
 
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The large number of undecided and non-voters indicate that although the turnout seems likely to be poor, the ‘no’ campaign will have to attract a significant number of undecided voters in order to prevail.
 
However, commenting on the results, ‘no’ campaign leader Jack J Matthews remarked, “These results clearly show how the NUS has no meaningful relationship with students in Oxford. What I fear most however, is watching the NUS ride back in on a wave of apathy. If you feel the NUS does not represent you, then stand up, make your voice heard, and vote no”.
 
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Likewise, OUSU President and ‘yes’ campaign leader Tom Rutland told Cherwell, “We’re speaking to as many students as we can this week about the benefits of NUS affiliation. Whether it’s the £500,000 in access funds they saved for Oxford students alone this year, the NUS Extra discount that students can take advantage of even in the year after disaffiliation, or the support they provide for our liberation campaigns for LGBT, BME, disabled and women students, it’s clear that we’re better off in NUS.”
 
A second-year physicist, who has decided not to vote in the referendum, explained, “I simply know nothing about it, and therefore I don’t feel the need to vote, or even that I have the right to vote. I don’t blame OUSU or anyone else, I blame myself for not showing an interest”.
 
Explaining her stance, Hertford Medic Yunfei Yang, who has not yet decided how to vote, observed, “In terms of reasoning I don’t have a profound reason to vote either way. There seem to be pros and cons to both sides, but I expect that I will have made up my mind by Wednesday”.
 
OUSU Council decided to call a referendum last term, after the defeat of a motion to hold a Special Council, to which JCRs would have sent delegates to vote on their behalf. Proponents of a Special Council had argued that given historically-low OUSU referendum turnouts, it would have been more democratic for the debate to take place in common rooms. However, OUSU Council decided that because opting for a Special Council would exclude members of disaffiliated JCRs from voting, holding an all-student referendum was the preferable option.

Review: Bad Neighbours

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★★☆☆☆

Two Stars

Despite superficial differences in character, one could quite plausibly argue that Seth Rogen has played the same role in almost every film he has starred in. Even in the shockingly dull Paul, in which he voices a foul-mouthed extra-terrestrial, his dreary adolescent humour is no different to that found in The 40-Year-Old Virgin, or the otherwise hilarious Superbad. This Is The End is yet another example of this. Clearly, somebody once told him that he was a funny guy and he has clung to the same brand of witless smut that earned him this accolade.

In Bad Neighbours, he tries to pass himself off as an adult, struggling to cope with the responsibility of a newborn daughter, yet you would not trust his feckless Mac Radner with a pet rock. He and his wife Kelly (Rose Byrne) are finding their feet as parents when a fraternity moves in next door and wreaks havoc with their tame suburban life.  At first, Mac and Kelly enjoy the frat boys’ booze-guzzling, dope-smoking activities, relishing the chance to revisit all that they have grown too old for. As the fraternity’s incessant loud music and ceaseless partying continue, however, they ultimately decide to destroy it, with the help of their friends Jimmy (Ike Barinholtz) and Paula (Carla Gallo).

Zac Efron co-stars as the fraternity’s charming president Teddy, whose good looks and seemingly sweet disposition are instantly magnetic. On reflection, the film missed a trick in focussing on Rogen instead of Efron. Efron’s character, although lacking in any sophistication or originality, is at least believable, whereas Rogen, in a vague attempt at implying internal conflict, lacks any convincing depth and just appears childishly unscrupulous.

Dave Franco and Christopher Mintz-Plasse are regrettably under-employed, the latter barely featuring in any memorable capacity. Byrne is completely uninteresting as Kelly,  Barinholtz and Gallo are similarly unmemorable and a short cameo from Lisa Kudrow is painfully unfunny. In truth, Efron’s Teddy is the only character even remotely watchable; his endearing good-nature and enviable – there’s no other word for it – coolness are even compelling at times.

There are funny moments; a confrontation at a ‘Robert De Niro Party’ is brilliantly executed (‘Are you talking to me?’ asks Teddy, as Taxi Driver De Niro) and Craig Roberts (who starred in the brilliant Submarine) has an entertaining role as a timid fraternity pledge, but such moments are all too scarce for a big-budget comedy like this. Far more common is the unimaginative dross essential to most Seth Rogen comedies, packed with enough meaningless swearwords to trick you into thinking it funny. Some scenes, one in which Mac is forced to milk his own wife’s breasts for example, are genuinely nauseating.

The film’s premise is funny enough; the relationship between responsible adult missing his riotous youth and popular frat president living a life of hedonistic pleasure has obvious promise and in fairness, the opening half an hour is moderately entertaining as the two meet each other. But, as the plot slides out of view, lost in a dense fog of unfunny penis jokes, the film begins to border on unwatchable.

Sainsbury’s in Cowley removes ‘slave mannequin’

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An Oxford branch of Sainsbury’s has caused controversy on Twitter after advertising what appeared to be ‘slave fashion’ in connection with the DVD release of Oscar-winning film 12 Years a Slave.

Twitter user and Eurosport web editor Reda Maher (@Reda_Eurosport) said: “There’s so much wrong with this I don’t know where to start. What were Sainsbury’s thinking!?”

Placed at the front of the store, the advertisement featured a stand of 12 Years a Slave DVDs and a mannequin wearing clothes identical to those worn in the film by Solomon Northup, the protagonist. The outfit even comes with a twig in the pocket.

The mannequin wore a tag round its neck with a price tag on it, though it did not appear as if the clothes themselves were actually for sale.

Somerville student Andrew McLean commented: “the clothing of a slave on a mannequin suggests an image to be bought and emulated as fashion.

“But on the other hand it will just have been a handy human-shaped thing to put the clothes on. Clearly unintentional, but it accidentally sidesteps much of the issue at hand and makes it commercial”.

Meanwhile, Worcester student Oliver Davies remarked that the move was “probably not malicious, but hugely inappopriate and doesn’t really show an understanding of what the film’s about”.

Steve McQueen’s 2013 film about slavery tells the true story of Solomon Northup, a New York State-born free African American man who was kidnapped in Washington, D.C. in 1841 and sold into slavery. He worked as a slave for twelve years before he was eventually released.

The film serves as an uncomfortable reminder of slavery to the Western world, and its success has brought slavery in its current form into the public eye and even into Westminster, where the government is currently drafting a Modern Slavery bill.

Management at the Heyford Hill store declined to comment when asked, as did several staff members.

Sainsbury’s released this statement: “We can only apologise.  It’s been taken down from the Heyford Hill store and clearly should never have gone up in the first place”, but refused to answer further questions.

T20 Varsity Cricket: the summer’s biggest sport in Oxford

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Oxford University Cricket Club’s Varsity campaign gets underway on Friday May 23 at The Parks as the Dark Blues take on Cambridge in the Twenty20 fixture, the first of three encounters during the 2014 season. Oxford will be hoping to build on a strong 2013 season, which included dominant wins in the one-day and four-day fixtures. Oxford hold the Twenty20 trophy having won in 2012, the last time the match was held at the Parks, with last year’s Twenty20 fixture abandoned due to rain after Cambridge set an imposing 153 from 15 overs.

The Oxford team’s early season has placed an emphasis on the shortest format of the game, with the team’s pre-season trip to Edinburgh including fixtures against Fettes College and a strong East of Scotland Highlanders side. A comfortable win against Fettes was backed up by a determined performance against a Highlanders side boasting international talent, with the Blues ultimately falling short of the target of 157. Last Friday also saw the Parks play host to The Army and the Harlequins, a team comprising former Oxford Blues, as skipper Gus Kennedy sought to finalise his final squad for the Varsity Twenty20 match. Against The Army, Ferraby and Jones combined well in a 72 run partnership with the bat, while New Zealander Haines (2-12) starred with the ball, ensuring a 30 run victory for the Blues. Faced with a myriad of familiar faces against the Harlequins, Oxford once again performed strongly. Batting first, Kennedy and Chadwick recovered the Blues innings following the loss of early wickets, before strong hitting and innovative batting by the duo ensured Oxford set a challenging score for the Harlequins to chase. Despite a strong start by the Harlequins, miserly middle overs bowling by the Blues stalled the Harlequins chase, with Oxford eventually recording a comfortable victory. Wins against both teams should provide ideal preparation for the clash against Cambridge on Friday.

Pace duo Abidine Sakande and Jonny Marsden offer perhaps the most exciting prospect for the Blues come Friday. First year Sakande, who represented England Under-19s last June against Bangladesh and is affiliated with Sussex C.C.C, has impressed in his initial period at Oxford, bowling quickly with sharp bounce for the Oxford MCCU, as well as in his limited appearances for the Blues this season. Derbyshire’s Marsden will be looking to back up last season’s efforts with ball, having missed the rain affected Twenty20 last year. The pair will offer a tough challenge for the Cambridge top order. They will no doubt be well supported by the talented Sam Cato, with his useful off-spin bowling and the energy he offers in the field important for the Blues.

With the bat, skipper Gus Kennedy has started the season well with runs in the early season and will be looking to take this form into the T20 fixture. Having played varsity cricket for both the Cambridge and Oxford Blues, notably scoring a match wining 43 in the Lords one day fixture for Oxford last season, Kennedy will be a pivotal part of the Dark Blues top six. Alongside Kennedy, fourth year St. John’s engineer, Ben Jeffery’s aggressive batting and clean striking is well suited to the T20 format. LMH batsman Matt Winter will also slot into the middle order. Winter has scored well in his first year involved in the MCCU programme, and contributed with 51 in last year’s four-day win. He will no doubt be an important player in all three formats this summer. Nicholas Ferraby is a new addition to the squad, however brings with him years of cricketing experience having represented Leicestershire in domestic one-day cricket and having played for many years in the Home Counties Premier League. The talented all-rounder will hope to start his Varsity career well, with contributions with the bat, and through his wily ability with the ball. Such talent makes Oxford well placed to retain the Twenty20 trophy.

The Twenty20 fixture is sure to be fast paced, and is perhaps the most popular form of Varsity cricket for avid fans and casual viewers alike, with the match likely to attract a large crowd. Pinks balls, coloured clothing, music and other entertainment are all likely to add to the atmosphere and enjoyment of the occasion. Local food outlets Mission Burrito and George and Delilah’s ice cream will both be offering their products throughout the day. Ales and lagers will also be provided by north Oxford pub the Rose & Crown, Vincent’s club Oxford will be serving Pimm’s and their notorious Pinkies, whilst Mission Burrito will be serving frozen margaritas.

The men’s match begins at 3.30pm and is preceded by the women’s team, hoping to win their fourth successive Twenty20 Varsity, beginning at 12.00pm.

Entrance to the Parks for both matches is free of charge.

Interview: Malcolm Rifkind

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Last summer, Edward Snowden revealed that the scale of GCHQ (Government Communications Headquarters) surveillance was beyond what anyone had previously imagined. His leaked documents demonstrate that the UK’s Tempora programme had the most comprehensive access to internet communications and metadata of any Five Eyes country (an intelligence alliance comprised of the US, the UK, Australia, Canada and New Zealand), as well as handling around 600m ‘telephone events’ a day by 2012. The widespread outrage at the biggest intelligence leak in a generation pressured an embarrassed government into scrutinizing the largely unchecked, extensive powers of the intelligence agencies. 

A defensive William Hague asserted in the wake of the allegations that ‘legal framework is strong, ministerial oversight is strong. GCHQ staff conduct themselves with the highest levels of integrity and legal compliance’. Sir Malcolm Rifkind, Conservative MP for Kensington, is in charge of the governmental processes of oversight, as chair of the government’s Intelligence and Security Committee. The Committee has been criticized by some for its public vindication of GCHQ’s methods: a more comprehensive review is ongoing, but a preliminary report stated confidently that “GCHQ has not circumvented or attempted to circumvent UK law”.

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Sir Malcolm describes the current focus of the ISC (Intelligence and Security Committee); “what we call our privacy and security review, looking at the whole balance you should have in a free society between privacy of the citizen… and how you balance that with what we also want: to avoid being blown up by terrorists. Most people realize you have to have a slight balance. It’s rather like having CCTV cameras in the high street. Its an intrusion, but its one we can live with.”

The ‘war on terror’ , an umbrella term which has definitively shaped the course of 21st century international relations, has been similarly fundamental in expanding the remit of intelligence agencies. He goes on to argue for the legitimacy of GCHQ on the grounds that, “most terrorists are not foreigners, but people born and bred here. So we’re trying to get the needles from the haystack. And that’s not easy, it’s a big challenge.”

I would agree with Rifkind that “people want to feel they’re protected from terrorist and criminal activity”; however, the continued confidence in GCHQ relies upon key public figures such as Rifkind creating a culture of fear centred around terrorism, or, in the words of a former member of the Bush administration, “sustained hysteria”. As a result of this, “[the public] understand that the intelligence agencies have to have tools to do the job.”

The Intelligence and Security Committee is an important means of salvaging the credibility of GCHQ by reassuring the public that the intelligence agencies are subject to oversight and regulation, and are accountable in the case of illegal practises: “The committee I’m part of can go to M16, M15, GCHQ, look at their files. If they act outside of an Act of Parliament, they would be committing a crime.”

The claim for effective and impartial oversight sits uneasily with George Howarth’s (Labour MP and member of the ISC) admission in parliament that GCHQ’s usage of the US Prism programme was only seriously investigated after it was exposed in The Guardian. Given that in a speech given later at Wadham, Rifkind asserts that he is “strongly of the view that more public debate about intelligence and the role of our Intelligence Agencies is vital in Britain”, I ask him whether he thinks that there would have been any such debate without Snowden’s revelations, and, further, (if Snowden did not hold GCHQ and NSA to the scrutiny that the ISC did not). His answer categorically condemns Snowden: “In a modern democracy, you want to share everything with the public that can be properly shared. When you’re dealing with intelligence agencies there’s obviously a big area that can’t be shared. You cannot give information to the British public without it being available to the terrorists. He downloaded over 1 million top secret documents. He couldn’t possibly have read more than a tiny number of them; because of his background he could only have understood some of them, but he handed them all over to the press. Now that’s not whistleblowing, that is a political act. He was in a position of trust and I believe that was a very foolish, stupid and idiotic thing to do.”

When I try again to press him on whether he thinks there was any value in raising consciousness about the extent of surveillance, it is clear that he believes it would have been better if the general public remained ignorant: “We must accept that in our modern democracy, intelligence agencies must sometimes have the right to read people’s emails or listen to people’s telephone calls. The intelligence agencies were doing things that people didn’t know about, but I would have been very worried if that hadn’t been the case.” 

The ISC’s capacity for oversight does however rely upon the strength of current legislation; surveillance activity may comply with the law, but acts such as the Regulation of Investigatory Powers Act and the Justice and Security Act have been widely criticized.The right to read people’s emails or record telephone calls falls under the legal category of interception: as Sir Malcolm rightly points out to me, a warrant for listening to telephone calls must be approved by a secretary of state. However, the collection of metadata or communications data (i.e recording the time, length of transmission and location, but not the content, of communications) can be authorized by a number of authorities, including HMRC, the FSA, and local police forces, which Rifkind claims does require “proper authority, just not from the secretary of state. Collection of such data is entirely necessary; without it, you could not deal with modern criminals.” 

Rifkind also asserts that “collection of communications data is limited”. A recent report by Justice, a human rights organization, found that, in total, there have been close to three million decisions taken by public bodies under RIPA (Regulation of Investigatory Powers Act) in the last decade. Of the decisions we do know about, fewer than 5,000 (about 0.16 per cent) were approved by a judge. Similarly, in the last decade, the main complaints body under RIPA, the Investigatory Powers Tribunal, has upheld just 10 out of 1,100 complaints.

Nobody would deny that surveillance is a necessary activity for law enforcement and national security. But it is dangerous to normalize intrusive intelligence gathering on such an immense scale. Questions of privacy and individual freedoms raised by Sir Malcolm’s off-hand remark “I’m a private citizen. I don’t want my emails being intercepted unless there’s a damn good reason for it,” are immediately overwritten; “Ultimately, I don’t mind if it helps catch terrorists.”

Preview: She Stoops To Conquer

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There are few things more quintessentially “Oxford” than watching a group of students perform a garden play on one of Christ Church’s sumptuous lawns. So if you’re in search of this kind of evening’s entertainment – and it’s worth having at least once during your time at Oxford – I highly recommend this year’s Christ Church Cathedral Garden Comedy: Oliver Goldsmith’s She Stoops To Conquer.

She Stoops To Conquer has all the makings of a classic restoration comedy: deception, class politics, mistaken identity and jewel theft, all neatly ending with multiples marriages. Young man-about-town Marlow (Markian Mysko von Schultze is tricked into thinking that the home of his potential betrothed, Kate Hardcastle (Morag Davies) is actually an innkeepers. Meanwhile Mrs Hardcastle (Zoë Hare) wants Tony (Jamie Heredge) to marry Constance (Fatime Al-Kassab) who wants to marry Hastings (Tom Waterhouse).

The cast seem very strong. Hare is very comical as the meddling Mrs Hardcastle. Von Schultze, too, acts with humorous derision towards Mr Hardcastle (Titus Crook), when he believes him to be a lowly innkeeper. Testament to Crook’s acting skill is the fact that during the rehearsal when he forgot the occasional line and had to consult his script, he did so in character.

Director, Lily Slater, has made the decision to update Goldsmith’s Georgian drama to the 1930s, in order to make the play more accessible, without ridding it of its “fabulous costumes”. And indeed, the costumes are wonderful. Excited by arrival of their costumes earlier that day, the male members of the cast donned their velvet jackets, coordinated cravats and paisley waistcoats for their rehearsal.

The costumes are integral to the plot of the play. Marlow and Hastings, as London dandies, take a great deal of pride in their flamboyant attire, with good reason. On the other hand, Mrs Hardcastle, though she endlessly gushes about her love of metropolitan fashion, herself is decked out in a garish and unfashionable frock. Kate’s plain dress becomes the source of a great deal of misunderstanding when Marlow mistakes her for a barmaid.

All of the colours of the costumes, along with the peach-coloured fabric hanging at the back of the set are supposed to bring out the hues of Christ Church gardens, and in particular the large crimson tree, which overshadows the stage. And to complete the Oxford-garden-play experience, during the interval Christ Church bar will be serving drinks– Pimm’s and bellinis – which replicate those in the bar scene of the play.

 

 

Houmous Girl – 4th week Trinity

Her eyes were like twin pools of infinity. The buttons on her quirky dungarees were burnished by the cool light of a freezer crammed to the brim with fi shfi ngers. The own-brand Weetabix she held in her delicate, slender fi ngers gleamed with a transcendental lustre. Rower Lad’s honest heart swelled with love.

“H-hi! How are you?” he asked hesitantly. The rapier-sharp wit he exhibited when playing FIFA 14 after a few turbo shandies with the boys was nowhere to be found. Only the other day he had called someone a cockmuncher after they’d beat him on penalties! Yet another example of his classic banter.

That was the sort of doltishly homophobic humour you just couldn’t teach. You either had it or you didn’t, and normally Rower Lad had it in buckets. But now, confronted with this vision in kooky floral-print tights, all his charm had deserted him.

“Not bad,” replied Houmous Girl, slightly too enthusiastically.

Her chirpy demeanour belied the sudden flutter of kooky floralprint butterflies in her belly. Seen anew, and shorn of the putrescent odour of WKD which had accompanied their brief and saliva-filled tryst, she had to admit he was a pretty handsome bloke. She mentally compared Rower Lad’s oaken biceps to the limp Pepperami which drooped from the baggy sleeves of Obnoxiously Opinionated Guy’s t-shirt. In this contest of course there was only ever going to be one winner.

“You’re Rower Lad, right?” she asked. “Me? Yes! How are you?” he replied.

“I think you already asked that,” pointed out Houmous Girl. They both considered this suggestion for a while. It seemed pretty hard to ignore. Rower Lad gazed at her forlornly.

It was like seeing a sad little puppy gazing wistfully out through the dark eyes of a 16-stone, bevvy legend. Houmous Girl knew she was going to have to take the initiative. Thankfully, three years of intense study of gender theory had taught her that it was probably basically fine for a girl to ask a guy if he fancied a drink.

Rower Lad turned to leave, his heart dropping through the ketchup-stained linoleum. 

“Why don’t you ask me on a date?” Houmous Girl asked with a smile.