Saturday 26th July 2025
Blog Page 1381

Exeter Library temporarily loses 24 hour privileges

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Exeter College Library has temporarily revoked its 24-hour opening privileges after “an accumulation of unacceptable breaches of the Library rules”. 

In an email sent out to all junior members on Tuesday, the Fellow Librarian, Fara Dabhoiwala, informed students that the Library would only be open during staffed, week-day hours for the remainder of the week because of breaches of the Library rules.

In the email she stated that: “In recent weeks there has been an accumulation of unacceptable breaches of the Library rules, and disrespect of the Library’s staff.

“In accordance with College rules, I am therefore temporarily withdrawing the privilege of 24-hour opening.

“For the remainder of this week, the Library will be open during normal, staffed, week-day hours, i.e. 9.00 a.m. until 4.30 p.m. It will be closed after 4.30 p.m. on Wednesday, Thursday, and Friday. It will also remain closed on Saturday and Sunday.”

The 24-hour opening privilege will be reinstated on Monday 31st March, however, the College have warned that if there are any further incidents of eating, drinking, or inappropriate behaviour, it will be withdrawn again.

The Librarian went on to say, “I am well aware that not everyone breaks the rules; and also that it may be a serious hardship to some students if the Library has to be closed again out of hours during Trinity Term. But unstaffed out-of-hours opening can only work if the junior members of the College collectively take responsibility for treating the Library and its staff with respect.”

The College Rector, Frances Cairncross, commented, “Students working for exams are, as always, able to borrow books and to study in their rooms.” 

 

Printers and Presses

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The one fresher’s fair mailing list I could never quite bring myself to unsubscribe from was the Society of Bibliophiles. It’s not just the fact that, with no auto-unsubscribe it would involve the slight embarrassment of actually emailing someone to tell them I’m not interested in the stuff they keep sending me. It’s also that, when it comes down to it, I am a bit of a bibliophile.

So when I found myself in Oxford this vac with not much work, and an email popped up inviting me to bibliophiles term-card printing event, using the Bod’s historic presses, I set aside a year and a half’s precedent of ignoring it, and dropped by.

The presses are kept in a large room in, or rather, behind, the Story Museum, a place I’d never noticed, halfway along Pembroke Street. What a fantastic space! It’s like walking, not quite back in time, but into a world you didn’t think existed, certainly not in central Oxford. A world of letterpress and inks, beautiful cast iron contraptions and ancient wooden ones, and, of course, the master printer himself.

There are five of us there to finish printing the term-cards; my first ever experience of the bibliophiles, I’m not sure whether this turnout is typical. Either way, no one seems perturbed. One side of the term cards is left to do, and the type-block, called the forme, is set in the press, ready for action. The block is made up of individual pieces, known in the trade as ‘sorts’, each one a letter, painstakingly put together in a frame, spaced with blanks, and screwed tight. Because it reads backwards it’s apparently notoriously difficult, when setting the type, to remember that what looks like a ‘b’ is actually a ‘d’; the expression “mind your p’s and q’s” originates from the printing trade. This is not the only idiom to arise from printing; it is essential to have enough ‘sorts’ to finish a page of text, thus ‘to be out of sorts’.

We share out the work; two of us roll red and black ink into the block, another fits the paper onto a hinged board, and another brings  the paper down onto the inked block, rolls it under the press, and pulls it tight for a few seconds with a large wooden lever. The result is stunning – a perfect print, in strong red and black, ready to be cut, folded and sent out. It occurs to me how incredibly patient Paul, the master printer is – to watch five people clumsily muddle around with something that takes seven years in apprenticeship to learn (yes, seven), must be incredibly frustrating.

The process takes a couple of hours, and we get through sixty cards. It is a real labour of love on the part of the bibliophiles. But the result is, without getting too pseudy, a work of art. The slight indentation of the paper, the even slighter wonkyness of the odd letter, the crisp, yet not always perfect line, make the bibliophile’s term card unbeatably beautiful. I suppose one could compare it to an old brick house and a new one – the slight imperfections lend a certain character to the old, in contrast with the perfectly aligned, dead looking new. This is the difference – hand printed type ‘lives’, leaps off the page, and captures you, in a sense that digital printing, in its sterile perfection, can never hope to do.

Apparently the presses are now known as the Bodleian Hand-Printing Workshop – if an opportunity arises to go and try your hand at printing (classes are run for the English faculty in Michaelmas, apparently), I cannot recommend it enough.

 

#nomakeupselfie: "It’s about women, not about makeup"

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“Sometimes, it’s about women, not about makeup.”

So reads the title of Jeanne Marie’s JustGiving page alongside a photo of her bruised and battered face. Like thousands of others, Jeanne has shared a photo of herself wearing no makeup and with it has urged people to donate to a charity; unlike others, Jeanne sports a broken nose, a black eye and other injuries after asking a man to stop groping her. The page had raised over £15,000 for Oxford Sexual Abuse and Rape Crisis Centre (OSARCC) at the time of writing.

The #nomakeupselfie trend has been criticised by many, myself included, for its perception of bare-faced women as remarkable — instead of something totally normal and mundane. It has since spawned a long list of parodies, ranging from the (usually male) #makeupselfie to the charming #cockinasock picture trend, which supports testicular cancer awareness. The spinoff that particularly sticks in my mind is a picture of one woman’s double mastectomy scars after her battle with cancer. Her caption? “Here’s my no makeup selfie.”  Like the Page 3 partnered CoppaFeel campaign, this approach once again trivialises cancer and the effect it has on people.

The campaign was obviously successful and has raised over £8 million for Cancer Research. No one could argue that this was anything but positive — but they could certainly argue about the way in which the money was raised. Wearing makeup is, or at least should be, a choice — so why should it be compared to thing we sponsor for charity, like wearing fancy dress to work? By doing this, it infers that a woman daring to show her face without makeup is an act so brave that it should merit donations to charity.

Ironically, the original #nomakeupselfie began as an act of solidarity- people would post the pictures in order to combat perfectionist beauty standards which lead to the criticism of actress Kim Novak’s appearance. Later on, a young woman from Staffordshire decided to take advantage of the trend for cancer awareness, inspired by the battles of many people she knew against the disease. Tags for breast cancer and general cancer awareness were added, raising an astounding amount of money, but distancing the trend from its original goal at the same time.

Ultimately though, the trend is just as Jeanne states: not about makeup, but women. This statement rings true not just for her picture, but for the original aim of the campaign. In the beginning, the photos were not just about makeup, but about the skewed way in which we perceive women’s looks. We are given an impression by the media and people’s attitudes that women should look perfect at every given time, which isn’t just limited to makeup: we must also be the right size, wear the right clothes, and remember to always smile.

Smile. That’s that Jeanne was told to do by the same man who beat her for asking to be left alone. Women around the world are being told every day to look perfect to match up to the standards of everybody else. The #nomakeupselfie at least defies these expectations to some extent, even if the way in which is does so is more than a little flawed. But honestly, I much prefer Jeanne’s take on the trend—and I will be donating my money to OSARCC instead of to Cancer Research.

I wish that Jeanne did not have to go through this. I wish we didn’t need a rape crisis centre in this day and age, and I wish that she didn’t need to issue the following statement. But at the end of the day, she does- and we need to listen to it.

“no, we do not have to wear makeup 
no, we do not have to smile 
and, most importantly,
no, we do NOT have to be touched.”

 

Readers can donate to Oxford Sexual Abuse and Rape Crisis Centre via Jeanne’s JustGiving page at http://www.justgiving.com/jeanne-marie.

Man arrested over Plush attack

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An 18-year old man from the Edgware area of London has been arrested after the assault of Teddy Hall student Jeanne Marie Ryan in Plush Lounge last week.

Her attack received widespread coverage on social media after she posted a #nomakeupselfie showing the cuts and bruises that she had received.

According to Ryan’s report, the suspect groped her while she was dancing, before punching her in the face when she resisted. She further reports that he knocked her to the ground, before hitting her a further 6 times when she stood back up.

In an interview with Cosmopolitan magazine, she said, “He seemed really angry that he hadn’t knocked me out straightaway.

“I was bleeding profusely and as he walked off, I was yelling at someone to stop him from getting away but he just walked out of the club.

“We had chosen to go there because it’s an LGBT club and we just wanted to dance with no hassle. Everyone who goes there thinks of it as a safe space – it’s great for dancing and not being bothered by guys.”

Since the attack, Ryan has set up a JustGiving page to raise money for the Oxford Seuxal Abuse & Rape Crisis Centre. At the time of writing, the page had received 2,059 donations and raised almost £15,000.

The suspect was arrested at 2am on Saturday. He has now been bailed, and is due to appear at St. Aldate’s police station on 1 April.

Plush Lounge commented, “We are delighted to hear that a suspect has been apprehended, and we will continue to do everything we can to assist the authorities in the hope that justice will be swift and sure.”

The police statment reads:

“An 18-year-old man has been arrested and bailed in connection with a sexual assault at an Oxford nightclub.

The man was arrested on suspicion of sexual assault in connection with the incident at the Plush Lounge in Park End Street, at around 2am on Saturday (22/3).

The man, who is from the Edgeware area of London, has been bailed to appear back at St Aldates police station on 1 April.”

Tutor Jeffrey Ketland ‘terminated’ after harassment case

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Dr Jeffrey Ketland, a Pembroke Philosophy tutor who, according to an inquest in February, sent ‘crazed and rambling’ emails to BPhil student Charlotte Coursier last year, who committed suicide after breaking up with her boyfriend, has been ‘terminated’ from Oxford, according to a statement posted on behalf of Ketland on philosophy blog Leiter Reports (http://leiterreports.typepad.com).

In the statement, Ketland criticises the way Oxford handled the situation, writing, “As of mid April 2014, I am terminated from Oxford. The reasons stated amount to this: that I told a student to stay away from me and then responded to her refusal to do so; that I pointed out to a witness at Oxford her harassment of me while it was happening; and that I complained to Oxford of false allegations being made against me.”

The statement in full reads as follows:

“I knew Ms Charlotte Coursier, formerly Ms Charlotte Marklew, since 2008 at the University of Edinburgh. In June 2011, on graduation, she emailed me, “you are still the person who saved my life and my degree!”. I applied to Oxford in 2011, she in 2012. During her time in Oxford, concerns about her welfare were reported to the Faculty, but, as far I as know, were ignored. Following her suicide in June 2013 after her boyfriend ended their relationship, Oxford conducted an inquiry into her death which concluded in October 2013. At that time the University told my College that my involvement in the matter was a minor affair, and the Coroner’s office had provided repeated assurances (until a week before the inquest) that my name would not be mentioned.

However, behind the scenes a group of graduate students, including some of the signatories of the Open Letter of 5 March 2014 had been campaigning the University to have my contact with students suspended and me fired. My supervisions were reassigned, my seminars were postponed and then reassigned to my College, with the lead author of the Open Letter boasting about this on Facebook. My wife complained to a College Principal about the distress and intimidation she felt her family were being subjected to.

From late 2013, Oxford proceeded with a prosecution, involving failures of due process and proportionality, despite the support I received from my College and several members of the Faculty. The prosecution ignored my evidence, detailed email documentation, a police incident note concerning an assault against me, application records, and eleven witness statements, covering the period November 2008 up to the present. As of mid April 2014, I am terminated from Oxford. The reasons stated amount to this: that I told a student to stay away from me and then responded to her refusal to do so; that I pointed out to a witness at Oxford her harassment of me while it was happening; and that I complained to Oxford of false allegations being made against me. 

For the time being, I do not intend to comment further on the case.”

The University and Pembroke College declined to comment.

 

 

Derby, not Forest, threaten a return to the big time

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The East Midlands derby is perhaps one of the lesser known of the great football rivalries. Although geographic proximity gives rise to the rivalry (the two clubs are separated by 15 miles), this has grown more intense in recent history. In 1972, Derby were crowned league champions for the first time in their history under the guise of Brian Clough. Just eight years later, Clough would take local rivals Nottingham Forest to successive European Cup titles. Commentators have suggested the rivalry owes as much to who owns Clough’s heart. Since 2007, Derby and Nottingham Forest have contested the Brian Clough Trophy.
 
Since Clough, a number of figures have crossed the divide of the A52 (Brian Clough Way), which has added fuel to the fire of animosity in recent seasons. In 2009, Kris Commons completed a 3-2 comeback to provide Derby’s first away win in 30 years against his former club. The infamous Robbie Savage rubbed salt into the wounds by waving a black and white scarf in the post-match celebrations. The following season, Forest striker Nathan Tyson possessed Savage-like antics after a Forest victory, celebrating with the corner flag directly in front of the Derby away contingent. A 25-man brawl ensued, one of many in the current period, which has seen five red cards in six meetings. (Note, Tyson signed for Derby the following season).
 
Managerial appointments have enriched the intensity further. Nigel Clough, son of Brian, and legendary Forest striker (second highest goalscorer in their history) became manager of Derby in 2009 to the dismay of Forest supporters. One of his first victories would be the 3-2 away win at The City Ground. Clough – who once refused to even mention ‘the club up the A52’, – was accused of ‘kneeing’ the Forest manager in a scuffle and was eventually sacked earlier this season – after Derby lost away at, you’ve guessed it, Forest.
 
The newest ex-Nottingham Forest manager Billy Davies guided Derby to the Premier League in 2007 and certain comments in recent years have made him somewhat ‘loathed’ or even hated by Derby supporters. Forest came into the fixture with no wins in seven and play-off aspirations looking ever slimmer. Derby, buoyed under by the recent appointment of Steve McClaren (guess what, a former Forest manager) had seen their hopes of automatic promotion slip with no wins in four. Hence, this was a derby which had major implications in the race for a Premiership spot.
 
Live on Sky, Forest had barely arrived at Derby’s iPro Stadium (formerly Pride Park) before falling to an early goal by Craig Bryson after just 5 minutes. Despite gaining significant possession, Forest failed to produce any clear-cut chances. Derby then produced two well-worked goals in quick succession to go 3-0 up at half time and make the game all but safe.
 
After the interval, Derby continued with the pressure, which the visitors failed to cope with. Johnny Russell rifled in a spectacular 25-yard strike, whilst Bryson slotted home a late penalty to equal the record 5-0 victory set back in 1898 and claim the first league hat-trick scored by a Derby player against Forest since Steve Bloomer in the same fixture.
 
Forest manager Billy Davies was dismissed from his second spell with the club on Monday following the defeat – part of a new trend, given Nigel Clough’s sacking earlier this season after the corresponding fixture. Derby supporters have reclaimed local pride and bragging rights, not to mention the Brian Clough trophy. There were no red cards, but Monday morning will have seen red-faced and ‘sheepish’ Forest supporters facing the ‘office banter’ from Derby-supporting colleagues. I wonder what Brian Clough would make of all of this…. Famously he once said, “If a chairman sacks the manager he initially appointed, he should go as well.”

The Gods are in us: Kate Tempest

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I probably found her the way most things are found i.e. through the Youtube recommendation box. I likely typed in something crap, say ‘inspirational poetry,’ which would’ve taken me on one of those epic Youtube journeys. Using my bare wits, I’d calculate if videos were worthy of their eduroam buffering time, steering my way between the Charybdis of 30 second ads and Scylla’s lyric videos (composed entirely in comic-sans) all whilst avoiding the Siren call of the oh-so appetizing thumbnail which, inevitably, turns out to be the same image doing a 2001-powerpoint-turn for ten minutes. It was probably after this that I came across Kate Tempest performing one of her poems. Her signature style is to meld the old myths with the modern (and she does it far better than I ever could).

Following the mandatory Youtube binge I found her magnum opus, Brand New Ancients. It is the tale of two families, with the simple message that we are still as godly and great as the heroes of old. Among the myriad awards received for Brand New Ancients, Tempest won the Ted Hughes Poetry Award for innovation in 2013. So after finding that the show was sold out over the christmas vac, I visited the Royal Court’s bookshop to pick up a print copy of the poem, hoping that it would work as a surrogate for the live performance. But, as I did so, the bespectacled screenplay-typing cashier immediately emerged from his reams of knitwear. He minimized Jane’s monologue to give his own soliloquy on just how great Tempest was live, that the text doesn’t do it justice, and that I should see it on tour (all in the time it took me to type in my pin). But he was right.

Despite the awards for poetry, Brand New Ancients is made for performance.  Having read it, it is a great poem. Yet although I read it with Kate’s cadences, with her accent, I found it frustrating when the page didn’t fetch me the full voice which I knew was there. The text is more like a play than a poem: a monologue tailored to Tempest’s unique skills. Her voice works as a Rosetta Stone to unlock the full poetic power of the piece. It gives her poetry a sense of transience and individuality, an effect that only enhances its message. Fortunately the work is gradually being filmed bit by bit (bit.ly/1bBdPOf) so Brand New Ancient’s poetic legacy will endure in all its multifaceted glory.

I did finally see her in a shiver-inducing sold-out performance at the North Wall.  Accompanied by a mini four-piece orchestra, there’s a real sense of the power of the old forms of oral story-telling. At times the tale was comic, then sentimental, with intermingled scenes – from attempted rape to waking lovers – all sketched in a few lines or a knowing shrug of the shoulders. When Tempest took (seemingly unneeded) moments of breath from her speaking/rapping/rhyming, she allowed the musicians to breath another layer of life into the story. The music, the pace and even the lighting fetched those twists, turns and rib-wrenching emotions that are just not in the text. Again, this is not a critique but an endorsement of just how much it is work to be seen in the flesh. Tempest is at the top of her craft, Brand New Ancients is a wonderful experience, and I suggest that you catch the production (touring the UK for the next year) whilst you still can. 

Assaulted student raises over £2k for Rape Crisis Centre

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Teddy Hall graduate student Jeanne Ryan has started a fundraising page for the Oxford Sexual Abuse and Rape Crisis Centre on popular internet site ‘JustGiving’ to protest against sexual violence after being physically assaulted for refusing unwanted sexual advances in an Oxford nightclub.

At the time of writing her JustGiving page has raised £2,513.54 from 328 donations. The campaign, she explains on the page, was motivated by “rage” at her treatment, which she also describes. “For telling a guy in a club who groped me that it is completely inappropriate to touch a woman without her consent, I was beaten. He told me to “Smile!”, too. “

Ryan’s drive to raise money and awareness of the issue is being publicised through Facebook, where her ‘#nomakeupselfie’ picture, which shows the painful extent of the facial injuries she suffered – including a broken nose, has been shared multiple times. 

Along with her photo, Ryan posted a statement clarifying her intentions, saying “I am sorry cancer research, but my â€ª#‎nomakeupselfie‬ is for a different cause”

She goes on to explain that, “I’m trying to channel my rage into something constructive, so i’m raising money for the Oxford Sexual Abuse and Rape Crisis Centre (OSARCC)”. 

Exeter third year Simi Nijher shared the picture, and told Cherwell, “In the midst of the viral #nomakeup selfie craze, which has caused widespread controversy around whether women should be considered ‘brave’ for appearing bare-faced in public, this alarming case and image reinvigorates the discussion by deviating from the playful selfies that are otherwise filling our newsfeeds.”

She added that, “Cancer research is a wonderful cause and the craze has successfully raised an incredible amount, but the visceral appearance of a beaten girl advocating help for other sufferers of sexual harassment and abuse ultimately forces us to compare a vacuous action with a substantial one. Of course this will not become the new trend, nor would it be healthy if it were to become one, however the real bravery of this girl to instigate a positive movement from such an abhorrent experience made me want to share her plight far more than I was motivated to snap my face in the bathroom mirror.”

Jeanne Ryan’s fundraising page can be found here. Cherwell’s Michaelmas 2013 investigation into sexual violence is online too. 

Student politician accused of sexual assault

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An unnamed Oxford student politician has been accused of sexually assaulting at least two people following the publication of an OUSU pamphlet last Autumn.

The pamphlet, quoted this week by The Times, contains anonymous accounts from male and female students which describe both sexual assaults the students have experienced, and also a “culture of silence” which prevented them from reporting said experiences.

An anonymous female undergraduate, speaking to The Times, claimed that a ‘student politician’ sexually assaulted her last year. After meeting in a nightclub, he apparently persuaded her to accompany him to his room and then forced himself on her several times, despite her resistance.

The anonymous student explained, “It was one of the more naïve thoughts I’ve ever had, but my thought process was basically: ‘He goes to Oxford, so it must be OK. People from Oxford are fine.”

She had not gone to the police or university authorities as she was afraid that they would think that, “nothing had actually happened”. 

This student says that similar allegations were then made by another student, but that they had been “shamed” into withdrawing their accusation.  

She told The Times(article behind paywall), “[The alleged attacker] was telling everyone involved that she was a slut, that she was crazy, that she was trying to cover up that she had slept with him.

“It scared me, both in the general sense that I felt guilty that I wasn’t doing more against it, but also in the more personal sense that if I had said anything then no one would have believed me. 

The allegations in the pamphlet represent a wider problem within the university in relation to attitudes towards sexual assault.

A Cherwell investigation undertaken in Michaelmas 2013 into sexual violence within the university found that, “Of 107 Oxford students asked, 83% stated that they were unsure or did not know about any options at the University should you wish to report any kind of sexual assault. Only 17% of people said they knew the support available for students who survive sexual assault.” 

Sarah Pine, OUSU’s Vice-President for Women, told The Times, “The overriding response is that those in positions of responsibility mediated by the university have had some victim-blaming views.

“When some students have tried to pursue complaints, some colleges have responded very badly – for example, referring students to alcohol awareness courses if they were assaulted when they were drunk.”

The pamphlet quoted is part of OUSU’s ‘It Happens Here’ campaign against sexual harassment within the university. According to OUSU’s website it is, “…a campaign raising awareness of sexual abuse and violence happening here in Oxford and in our University. We educate, we advocate, and we reach out, so here is where we begin to end sexual abuse and violence.”

Students can also read and share anonymous “survivor stories” which are posted on the campaign’s tumblr page. The page says that, “Sexual violence can happen anywhere. It can happen to anyone. And it is happening here to students at the University of Oxford. 

“But far too many survivors of sexual violence are silenced. They may never tell their stories or have someone listen. So this is a place for people who have experienced sexual violence while at Oxford to share what they have gone through.” 

A spokesperson for the university commented, “Oxford has always taken complaints of harassment very seriously. It has a policy and procedures in place to help students make complaints in all such cases, including sexual harassment and assault.

“While the OUSU publication is now out of date, the university’s culture has always been one of offering comfort and support to victims. We are committed to continually educating our staff and students on how best to offer relevant and sensitive support, working closely with OUSU on this.”