Friday 25th July 2025
Blog Page 1384

Satirical blog intensifies ‘I, Too, Am Oxford’ controversy

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A new Tumblr account purporting to be, “A concise description of what’s wrong with “We Are All Oxford” has added to the controversy surrounding the “I, Too, Am Oxford” compaign.

“We Are All Awful”, published earlier today, posts pictures from “We Are All Oxford” alongside captions that mock the original content.

In one post, a “troll” face is superimposed onto that of a woman holding the sign, “We enjoyed celebrating diversity at the OUSU International Fair”, alongisde the caption, “This white person who ‘enjoys’ celebrating ‘diversity’”.

Other features, including the fact that one person appears twice in We Are All Oxford, holding a different sign in each picture, are also mocked.

“We Are All Oxford” was published earlier this week by Alexandra Jaye Wilson in protest on what it considered an unfair representation of the treatment of race in the university by the “I, Too, Am Oxford” campaign.

She commented, “We are appalled that someone has reduced the efforts of our response to a patronising and immature parody blog. We have emphasised repeatedly that we have no intention to undermine the original campaign as it raises very important issues about people’s prejudices and misguided perceptions, which need to be challenged!

It seems as though the social media reaction is claiming that we are saying that racism does not exist, which is not the case at all. We are not naive and we are horrified that people think we are trying to suggest that these negative experiences do not matter, as many of us have faced them ourselves.

In addition to this, there has been a lot of criticism about white people featuring in the campaign. We think it is extremely important that everyone has an opportunity to express their opinion and people who are white should not feel that they are excluded from this discussion. For clarification some of the white people pictured are not White British and are in fact ethnic minorities.

The whiteboard comments were individual to each person and related to their personal experience of Oxford’s inclusivity. This of course leads to a wider discussion of access for all types of minorities at Oxford.

We are simply painting a more balanced picture of the university and highlighting to people that it is ignorant individuals, and not the University of Oxford, that expresses these views.

We all stand by our response and really hope that people will take the time to read the explanation at the beginning of our Tumblr page as we feel this accurately expresses our intentions.

Chiara Giovanni, who was involved in the “I, Too, Am Oxford” campaign, said, “While I thoguht it was funny, well-timed and aptly named, I think a quick explanation of why WAAO is silencing, hurtful and belittling to the PoC who took part in the original project would have been useful. It’s a shame tha this isn’t immediately obvious but clearly it’s necessary to explain that (a) parrotting access expenditure does not equate to dedicated combatting of institutional racism while students are here and (b) white people telling the PoC who participated that they, in effect, should sit downa nd stop worrying because everything’s dine and ‘diversity’ is being celebrated.”

“Some of the comments were irrelevant, but I do think that the fact this exists, along with the huge backlash to WAAO on Tiwtter at #wearealloxford demosntrates how hurtful and insulting this project is, and how it’s actually having a terrible impact on the University’s image (the opposite than intended!), which ought to be taken very seriously.”

Many have reacted negatively to “We Are All Oxford” on Twitter. One tweet reads, “Oxford University outreach spend: £5.6 million. Oxford University annual endowment: £3.8 billion #wearealloxford”. Another reads, “#wearealloxford is exactly why #ITooAmOxford is needed. I cannot believe that @ousunews thought it was a good idea. Really sad.”

However, others have defended the campaign. A recent tweet reads, “#wearealloxford has been woefully misunderstood. Its ONLY argument is that the original campaign is unrepresentative. Not denying it.”

‘I, Too, Am Oxford’ attracts controversy over access

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Critical responses to the now-viral, ‘I, Too, Am Oxford’ campaign have triggered controversy across the university.

The Tumblr campaign, in which BME Oxford students are pictured holding whiteboards quoting racial prejudice which they have experienced, was inspired by the similar, ‘I, Too, Am Harvard’ campaign.

Comments include, “All the post-colonial and other critical theories you study does NOT entitle you to speak for me or over me,” and, “No, I’m not on a scholarship from Africa”.

The blog has received widespread media attention, and was covered by Buzzfeed, the Guardian, the Huffington Post and New Statesman.

The initiative has attracted criticism within Oxford for failing to represent fairly the treatment of race within the university. Luke Buckley, a graduate student at Wadham, challenged the campaign on the Facebook group “Skin Deep”, an Oxford student forum for the discussion of race issues. 

He told Cherwell, “In soliciting views from ‘people of colour’ the campaign scores a tragic own goal insofar as it reinforces the idea that there is something essential or unique about being of a particular skin colour. Furthermore, it necessarily proposes that having a certain skin colour entitles you to rights that are denied to other people on this basis. This is rank hypocrisy.” 

He added, “More gravely, it reinforces the very phenomena that it tries to ameliorate. It necessarily implies that there is something common to the condition of “being of colour” which ironically excludes not only people who aren’t “of colour”  but also those who are “of colour” but who don’t identify with a similar set of experiences or perhaps feel uncomfortable with the divisive terminology. 

“Oppression functions upon precisely this principle: the exclusion of people on the basis of an arbitrary characteristic from meaningful participation in the demos. To suggest a common voice is to suggest a yoke to which all must submit or be excluded. Surely the point should be to move beyond these sanctimonious and self serving campaigns which presuppose and thereby reproduce the very division they try to move beyond —to forgo the squalid comfort of identity and forge the possibility of relations that transcend it.”

An alternative Tumblr blog, ‘We Are All Oxford’ has since been set up. The introduction to the blog states, “We, as a mixed group of students from the University of Oxford, believe that Oxford has been misrepresented in the media following the ‘I, Too, Am Oxford’ Campaign. We are concerned that the negative portrayal of an ethnic minority student’s experience at the university will discourage prospective ethnic minority students from applying.”

Similar in format to ‘I, Too, Am Oxford’, the students pictured hold signs describing their positive experiences, including, “Half of my year of PPE at Univ are ETHNIC MINORITIES!” and, “We spend £5.6 million on outreach each year”.

‘We Are All Oxford’ does stress that it is not working against the earlier campaign, with its tumblr page also stressing that, “We would like to emphasise that we do not aim to undermine the original campaign and we are not working against them. We acknowledge that racism exists at the University of Oxford and it needs to be challenged, but we believe that the university is working hard to tackle these prejudices and misguided perceptions.”

Some students have opted to be involved in both campaigns, one even using ‘We Are All Oxford’ to explain that, “My statement was not meant to represent my entire experience, but to highlight some issues. My overall experience is very positive.”

Members of the ‘I, Too, Am Oxford’ Facebook group have defended the initial campaign. Risham Nadeem said, “It’s amazing how positive the response has been to the photos we’ve released. Having said this, the fact that there are some people who are undermining the project and claiming that racism isn’t a problem in Oxford is upsetting. You can’t look at these photos and think there isn’t a problem with the way students of colour are treated.This photo series highlights why, in this day and age, we still need to talk about race.”

Amy Bickersteth, also a member of the group, said, “Firstly, I think it’s important to acknowledge the students and general readers who understand and appreciate the premise of the project, and its result. I can’t help but feel disappointed, however, in comments that belittle the project by arguing that the incidents cited on the blog are “petty” or “exaggerated”, that everyone suffers from prejudice and so BME students can’t “complain”, or that prejudice exists everywhere, and so Oxford students in particular do not have the right to say anything.”

Students contacted from outside the campaign have expressed mixed reactions. Elle Tait, a first-year lawyer, said, “While it’s good to encourage discussion and an image campaign can have a very striking impact, it’s prone to be taken out of context and people can draw extreme conclusions that they wouldn’t do from speaking to the people in the pictures.”

Samuel Kim, a first-year medic, said, “One of the biggest race-related problems facing Oxford is access. I’m worried that this campaign could reinforce negative stereotypes and discourage BME students from applying.

Correction: The original article mistakedly cited Luke Buckley as the initiator of the “We are all Oxford” blog. We apologise for the mistake and for any discomfort caused. 

St Hilda’s elect first ever male Principal

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St Hilda’s has recently elected its first ever male Principal, sparking controversy amongst former and present students. 

The college, which was all-female until 2008, has elected Sir Gordon Duff, an Oxford graduate and Lord Florey professor in Molecular Medicine at the University of Sheffield, to serve as the eleventh Principal.

In an email sent to students to announce his election, it was stated that, “He is married to Lady Duff, an alumna of St Hilda’s college.”

This resulted in some twitter posts from students and alumni disappointed that the once all-female college has chosen to elect a male Principal, as well as the implication that his marriage to an alumna justifies his election. 

Helena Dollimore, a History and Politics student and former OULC co-chair, tweeted, “Pretty disappointed that my college, which was all women until 2008, has just appointed a male president. We’ve got enough of them in world.”

Wadham SU President, Anya Metzer, tweeted in response, “possible unfortunate implication that as soon as a man is eligible he is preferable”.

However the biggest reaction against the appointment has come from college alumni.

Ruth Hunt, CEO of Stonewall and former JCR president at St. Hilda’s, tweeted, “I can’t help but feel a little disappointed that the new principal of St Hilda’s is a man. Such important role models for me when I was 18.”

She also referred to the appointment as the “End of an era” and wrote that, “the reference to his wife in the release just epitomises how they have completely missed the point. Which is more disappointing”.

Val McDermid, a writer and broadcaster who attended St Hilda’s before it became mixed, also tweeted about the reference to his wife in the press release, “His wife knows our little ways, so it’ll all be ok. Yeah, right. Mary Bennett must be birling in her grave.”

Historically, five Oxford colleges were established as all-female institutions. These were Somerville, St Anne’s, Lady Margaret Hall, St Hughs, and St Hilda’s. Of these, St. Hilda’s was the last to go mixed and accept male members, and today still retains a majority of female fellows.  

The Vice-Principals Dr Katherine Clarke and Dr Selina Todd, who chaired the election process said that, “Sir Gordon Duff’s record of leadership and academic achievement and his outstanding contributions to public policy make him the ideal candidate to lead St Hilda’s as we approach our 125th anniversary in 2018.”

The college’s Equal Opportunity Policy, which can be found on its website, states that, “Subject to statutory provisions, no applicant or member of staff will be treated less favourably than another because of his or her sex, marital status, sexual orientation, racial group, or disability.”

Dr Todd further commented, “We are very proud of our history as a college that have pioneered equality of access to higher education.”

 

 

 

 

 

English Faculty amends course after student pressure

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The English Faculty have revised provisions for the new course only days after it was initially announced in the face of widespread student objections.

Current second years are the first year to study the new English course, but after students complained that the balloting system for ‘Paper 6’ options didn’t fully account for their choices the Faculty have announced a restructuring.

Under the previous system students would complete a ‘Special Author’ paper in Michaelmas of third year, choosing from a list of up to thirty different canonical authors selected by the faculty. The course has now been changed so that students study a centrally taught ‘Special Topic’ instead, with a similarly extensive list of options available.

However, students expressed discontent at the way these options were balloted for. In previous years, college tutors would find staff to teach students the ‘Special Author’ paper on an ad hoc basis, with a large number of students being taught one-on-one or in small tutorial groups. The new system, as it was originally proposed, asked students to list five ‘Special Topics’ that they were willing to study, one of which they would be allocated.

The Faculty originally declined to let students indicate which of the five topics they were most interested in, or rank their choices in any preferential order. An email from Kate Gear, the Faculty’s academic officer, said, “It’s clear from the majority of correspondents that students and tutors both understand that popular options may be oversubscribed, but they still want an opportunity to indicate options in order of preference.”

Thw incident has been resolved by introducing a preferencing system where students rate five options which are then balloted accordingly. Despite this resolution there have been some wider concerns expressed over the nature of the course change. Students are worried that the new system has been designed to reduce the amount of time students spend with tutors. Special Topics will be taught in seminar-style classes rather than tutorials, an arrangement that has upset some.

Matthew Main, a second year at New College, commented, “It is a real kick in the teeth: it consists of five one-hour classes (which are essentially taught as sign-up lectures, as far as anyone can tell) and two quarter-of-an-hour ‘tutorials’/consultations, replacing five one-on-one tutorials. Another aspect which seems to have been overlooked is that tutors are now both setting, teaching, and examining papers which cater entirely to their own professional/academic interests, or more troublingly ‘tastes’: this raises some very obvious concerns about whether the courses really will reward forthright thinking and research or whether they really represent the students being asked to further research already being undertaken by the professors in charge of each course.”

Tiffany Stern, Chair of Examiners for the old system and fellow of University College, responded to these criticisms, “The idea was to allow faculty members to teach courses of their own choice, tied in with their research. Hitherto we have largely taught as ‘GPs’ rather than as specialists (tutes are seldom what we’re working on). Paper 6 was to allow us, and our students, to be involved in research as it happens… The Faculty and College ‘stint’ (the hours per week that post holders teach) remains unchanged.”

The introduction of the Special Topic paper comes alongside broader changes to the course. As well as some final exams being replaced by coursework, students will now study one fewer paper than in previous years.

Current third years will sit an exam on Shakespeare, and four period papers that cover the years 1100-1830 with an additional commentary paper on assigned Middle English texts. Under the new system, students will be examined on Shakespeare via a portfolio of coursework and the commentary paper has been discontinued entirely. Current third years also submitted a portfolio of work in Trinity of second year that focused on English language rather than literature, an aspect of the course that is now entirely absent from Finals.

Overall, English students will now sit only four three-hour exams in their final year, all on topics that they studied in second year. One finalist commented, “The new system as it stands serves to minimise the work-load, intentionally or otherwise, of English students and the staff that teach them. It’s frustrating that I will earn the same degree as someone graduating a year later despite the fact I will have sat seventeen hours of exams to the twelve they will sit whilst their coursework is essentially the same. It’s not like English degrees are exceptionally hard work anyway!”

Magdalen Commemoration Ball cancelled

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Magdalen has cancelled its historic Commemoration Ball, planned for June 2015, after the Governing Body received too few student applications for the Ball Committee.

This afternoon, Magdalen JCR and MCR presidents sent out mass-emails announcing the ball’s cancellation.

According to reports, the Magdalen Governing Body cancelled the ball due to insufficient student applications for the Ball Committee by the time of the deadline.

Both the JCR and MCR presidents today proposed a two-week extension of the Ball Committee application deadline after encouraging more students to participate and negotiating with college administrators. However, the Magdalen college Governing Body did not accept these proposals and went ahead with cancelling the event.

In an email to the JCR mailing list, Magdalen JCR President Fabian Apel told students that “the selection panel received an insufficient number of applications at the closing of the original deadline. After encouraging some more people to apply, the senior members of the panel were still unsatisfied with the low number of applications.

“The MCR President and myself asked the Governing Body to extend the deadline until the beginning of next term, a proposal which did not find the support of either the Deans of Arts or the Home Bursar. Unfortunately, we did not manage to convince Governing Body of the merits of our case.”

The Magdalen Home Bursar could not be reached for comment when contacted this afternoon.

Magdalen holds a white tie commemoration ball once every three years according to a traditional cycle shared with Christ Church and New. Even amongst Oxford events, the Magdalen Ball is considered particularly prestigious and was recently voted a Times Social Event of the Year. Previous acts at Magdalen’s Commemoration Ball include the Rolling Stones, Pharrell, and Feeder.

An anonymous Magdalen student told Cherwell, “I’m really disappointed by this decision, especially when it seems as though it could just be rectified by getting more people involved. I personally didn’t hear anything about a committee being organised and would’ve joined if it meant guaranteeing a Ball for everyone. As a fresher, I’ll now be missing out on experiencing my own college ball even after hearing a lot about it before coming to Oxford.”

2015 will be the first time in over two decades that Magdalen has not held a triennial ball. The possibility of a smaller 2015 event or a 2016 Commemoration Ball will be discussed at upcoming Magdalen JCR and MCR meetings.

Exeter win football cuppers in the dying moments

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Exeter 2 – 1 St. Catz

After one of the most acrimonious build-ups to a JCR football match in recent memory, this year’s Cuppers final was always likely to be a battle, and on possibly the sunniest day of the year so far, Exeter and St. Catz played out a tense, cagey, and occasionally bad-tempered game. In the end, a couple of moments of class from the Exeter boys proved decisive, and the Turl Street side came from behind to complete a 2-1 win in the dying moments. 

Catz started far the better, looking assured in possession and largely ensuring that Exeter’s danger men were kept away from the penalty area. As the half wore on Exeter threatened occasionally from set-pieces and saw a gilt-edged chance go begging when a long shot clipped the post only for the attacker to miss the rebound. However, Catz’ speed on the break was ominous, and Exeter keeper Jack O’Mahoney was integral in keeping the scores level.

The Exeter ‘keeper’s run of clean sheets in this year’s competition was not to last though, as a driving run down the right-hand side saw Catz beat the Exeter offside-trap and take the lead, with striker Lee Sandquist finishing stylishly at the near post. Coming close to the end of the first half, the goal threatened to knock the stuffing out of the Exeter side, but a vociferous crowd continued to keep spirits up.

The break saw a penguin run around the pitch’s running track, but more importantly perhaps, Exeter brought on Blues captain Jack Fletcher in midfield in an attempt to take more control of the ball. Upon the resumption, both sides looked dangerous, but Catz were unable to add to their lead and similarly, Exeter looked unable to really trouble Joe Kidd in the Catz goal.

A series of set-pieces changed all that though, with a few off-target headers making the goalkeeper think, and then, with around fifteen minutes of normal time to go, Mike Essman hammered a stunning 25 yard free-kick into the corner of the net, and all was to play for.

For all the world, the game looked set to go to extra-time, but Exeter substitute George Bustin popped up in the right place and at the right time to fire home a winner with what was practically the last kick of the game. One half of the Iffley Road stand went wild, the other looked despondent.

This was a last hurrah for much of the Exeter team that has been there and thereabouts in JCR football over recent years, with five or six players finishing their JCR careers in style, although some impressive performances from freshers Bustin, Will David, and Luke Maxfield bode well. On the other side of the fence though, Catz may have lost, but during the match and their cup-run as a whole, Ed Steele’s boys from Manor Road have showed enough to suggest that they should be considered amongst the JCR football heavyweights in the coming years.

 

Profile: Ricky Gervais

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Ricky Gervais has never been one to shy away from debate. A five minute scroll through his Twitter account will, after working your way through innumerable selfies taken in the bath, reveal a clear attitude to issues of hunting, conservation and religion. It’s safe to say he hasn’t exactly kept his atheist world-view a secret over the years: lest we forget, @rickygervais is followed by around 5.6 million people.

Woe particularly betides anyone who disagrees with him. His proclivity for ripping apart the ill-thought-through tweets of such people is impressive, making it almost scary to broach such subjects. If he can do that in 140 characters, what damage could he do with less pressing restrictions?

Fortunately, though, Gervais is not the student journalist destroyer I had preconceived. In fact, he is happy to consider such matters, responding with sensitivity to his privileged position as someone whose views are easily and constantly accessible when I ask whether he sees himself as an activist.“I guess so.But if I am now, then I always was. It’s just that when I was at school or working in an office my comments weren’t beamed into 6 million mobile phones or picked up by the press.”

Coming across as someone aware and comfortable with his fame, Gervais uses his platform to voice opinions he has always had. I couldn’t go on now without mentioning religion more specifically, the chief catalyst for
his controversial rants. For him, it’s a case of being fair.“I’m trying to level the playing field a bit, I guess. On Twitter, you’re probably not going to convert anyone either way, and I don’t particularly want to.”

How does he go about this levelling process? “I say things that I believe to be true in every walk of life, as I believe that is not only my right but the right thing to do. My “message” is probably to those who are already atheist but feel that there is something wrong with them. I want them to be as proud of not believing in any god as those are who believe in one of the 3000 gods so far on offer.”

Regardless of personal opinion, Gervais must be viewed as someone who has considered things carefully, someone who knows where he stands. He is pensive and thoughtful, and I wonder if this is a reflection of his philosophy degree from UCL.

Comedy doesn’t jump out immediately as a subsequent career choice but he is quick to reconcile the two, establishing a connection that makes sense as soon as he mentions it. “I think something that philosophy has in common with constructing a joke from an observation is analysis. They both need to deal in truth to some extent. Comedy is always, at some level, undermining a societal norm so you have to know what the norm is to undermine it in a funny way, a way that makes a connection. It’s rather like Les Dawson playing the pianobadly: you have to know what it’s meant to sound like to find the wrong notes funny.”

Perhaps it is this attention to the very basis of comedy that has allowed his career to take him where it has. Few comedians can boast the utter ubiquity that Gervais has achieved: aside from the obvious TV and film appearances, he has written books, assisted in launching the careers of Stephen Merchant and Karl Pilkington, and won Golden Globes, Emmys and BAFTAs. Is it even possible to have highlights amongst such success?

“I remember winning that first Golden Globe for best comedy performance in The Office with great affection. I guess because it was my first real foray into America. Being invited on to Sesame Street or The Simpsons maybe?Hosting The Golden Globes was pretty amazing too.”

The move from Britain to America strikes me as particularly important. Few would think of Ricky Gervais without first thinking of David Brent, of the seminal anthem ‘Free Love Freeway’, and of Brent’s Comic Relief moves that changed the contemporary dance scene forever.

And yet, some might argue that it was Steve Carell’s American remake that cemented the programme’s prominence in TV comedy history, giving it a voice amongst the masses on the other side of the Atlantic. I remark that Ricky has previously described a feeling that The American Office was not ‘his’ but he is unsentimental about losing something so close to his comedic identity. 

“I always knew that was the deal and I think that was the secret to its success. Initially, they asked me to play the lead character again and I didn’t see the point. I believed that my version of the show connected in
Britain because of the realism and the attention to detail. I had worked in a real office for 10 years and tried to put all my observations, unfiltered, on screen. The remake had to be made byAmericans for Americans.”

That’s not to say that he feels completely removed from the newer version’s inception, taking pains to remind me of his input. “To be honest, my involvement setting the whole thing up was a lot more than any other remake I’d ever heard of and I like to think that helped. However if you give permission for your work to be remade,you can’t be too precious. I look at it like doing a cover version of a song. If you record a Bowie song, he doesn’t keep turning up to the studio saying “I used sax there, not guitar.” He just receives his intellectual copyright money, like I do. Kerching!”

Are these the wordsof a man who has turned ‘Hollywood’? A one-time comedian who has moved on to larger things, and larger sums of money? Not at all: it’s evident from the way Gervais talks about his work that this is not the case. He seems almost star-struck when speaking of his time on the set of the Muppets sequel. 

“It was a joy. I had to keep remembering that there were human beings in the room to talk to as well. I found myself ignoring them and literally having normal conversations with my felt chums. It gave a whole new meaning to the phrase ‘talk to the hand.’”

It’s irresistible at such a moment to ask the question quite obviously on everyone’s lips: what is everyone’s favourite green frog like behind the camera? Gervais is succinct.“Kermit is a gentleman.” Very much as I had expected.

Evidently, even Ricky Gervais can be struck by moments of awe at the places his career has taken him. And frankly, who wouldn’t be proud of having appeared on screen with Kermit the Frog, Homer Simpson, and David Bowie? Whilst it would be conceivable that appearing in such high profile productions would propel him away from his comedy roots, he is keen to underline his grounded nature when I point out the contrast between Hollywood megastar and British comedian. 

“There is a huge contrast yes, but in those Hollywood type of films I’m usually hired to provide abit of “me” as opposed to becoming a completely different person, à la Daniel Day Lewis.”

Obviously, we won’t be seeing the new method-acting Gervais, immersing himself in roles of American presidents or ruthless oil tycoons any time in the near future. He is still the inventor of David Brent, Flanimals and the bath-selfie, and that’s unlikely to change. “I usually take fun roles where I can ad lib: to all extents and purposes I am still Ricky Gervais, British Comedian.” The title suits him.

Cambridge crews heavier as Boat Race weigh-in takes place

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Monday saw the much-awaited anticipated weigh-in of the 18 men and 18 women who will battle out upon the River Thames this spring. For rowers at both Oxford and Cambridge, today has marked the beginning of the run-in to yet another Varsity Boat Race.

To begin with the women, who race first, the Oxford boat, although outweighed by their Catabrian counterparts, is a mix of fresh talent and old hands:

Bow: Elizabeth Fenje – 58.6kg
2: Alice Carrington-Windo – 67.2kg
3: Maxie Scheske – 64.8kg
4: Nadine Graedel Iberg – 72.6kg
5: Anastasia Chitty – 69.4kg
6: Lauren Kedar – 75.4kg
7: Amber De Vere – 72kg
Stroke: Laura Savarese – 73.6kg
Cox: Erin Wysocki-Jones – 49.6kg

Weighing on average 4kg less than the Cambridge boat, the Dark Blue eight should be up for the challenge on the Thames at Henley come March 30th, and will be hoping for a relatively calm river.

The Cambridge crew’s statistics were as follows:

Bow: Caroline Reid – 64.4kg
2: Kate Ashley – 75kg
3: Holly Game -74.6kg
4: Isabella Vyvyan – 87.2kg
5: Catherine Foot – 71kg
6: Melissa Wilson – 77kg
7: Claire Watkins – 72.6
Stroke: Emily Day – 64kg
Cox: Esther Momcilovic – 52.4kg

OUWBC go into this race hoping to retain the title they wrenched from the Tabs last April.

As for the men, this year’s way in saw Oxford President and former Canadian Olympic medalist again weigh-in as the heaviest member of either crew – at an intimidating 108.2kg. At the other end of the scale, New Zealand Olympian Storm Uru is the lightest, tipping the scales at just over 80kg. Similarly to the women, the Oxford men are conceding weight to the Cambridge rowers, although it is only 2.6kg in this case.

The make-up of the Oxford crew is thus:

 

Bow: Storm Uru – 80.4kg
2: Chris Fairweather – 85.4kg
3: Karl Hudspith -91kg
4: Thomas Swartz – 81.2kg
5: Malcolm Howard – 108.2kg
6: Michael DiSanto – 89.2kg
7: Sam O'Connor – 88.8kg
Stroke: Constantine Louloudis – 93.6kg
Cox: Laurence Harvey – 54.8kg

Meanwhile, Cambridge will field a boat looking like this:

Bow: Michael Thorp – 88kg
2: Luke Juckett – 84.2kg
3: Ivo Dawkins – 89.2kg
4: Steve Dudek – 101kg
5: Helge Gruetjen – 99.6kg
6: Matthew Jackson – 94.4kg
7: Joshua Hooper – 92kg
Stroke: Henry Hoffstot – 89.6kg
Cox: Ian Middleton – 53.6kg



The life-saving little black dress

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So the other day it was my friend’s birthday and cocktails were on the cards. After a manic day of essay writing, book borrowing and laptop malfunctioning (‘404 error’ anyone?) at least here was something to look forward to. But then a feeling of dread came upon me. Yes, dread. This was an occasion. A birthday. My best friend’s birthday.  ‘WHAT ON EARTH DO I WEAR?’ With half an hour to go, I plunged into my wardrobe, heart beating, desperately searching for something, anything that would be suitable… But I needn’t have worried. Because there it was, winking at me. That other best friend, initials L.B.D.

Ah yes, the Little Black Dress. Flattering, versatile, and most importantly, dependable. It’ll never let you down like that cream playsuit that turns out to be see-through, or that boob tube top that just won’t stay up, no matter how much tape you use. Since coming to fame in the 1920’s, women around the world have sworn by this wardrobe staple and it’s not hard to see why.

Unlike the recent craze in ice-cream pastels (which is already melting away, no pun intended) the colour black is always in. Since when is it not? Each year we are told ‘X is the new black’ but doesn’t this very comparison in itself prove that black is so, well, timeless? It has become the failsafe standard to set your watch by. Furthermore, no matter what your shape or size, a black dress is bound to flatter. And it’ll hide a multitude of sins. Yes, I will have my cake and eat it. Thirdly, you can have some ‘experimental fun’ when wearing a black dress (don’t worry, I mean that in a purely fashion sense). Pink shoes? Why not? The rainbow necklace that you hardly wear because it never seems to go with anything? Now’s your chance. The black dress is like a blank canvas: you can accessorize your heart out.

But for me, the LBD is so great because it’s as versatile as you can get. Meeting your mum for coffee? Dress it down with a knitted cardi, tights and boots. Wearing it out? Go wild with glitz. Of course, it’s important to own an LBD that’s perfect for you. But when it comes to this little beauty, it’s far harder to go wrong than it is right.

And so, feeling somewhat pleased – and a lot less stressed – I slipped on my dress before meeting the others at the cocktail bar. It proved to be a lovely night out and my friend had an amazing birthday. 

LBD, I owe you one.  

The Rise of the Designer Vagina

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Last November, the X Factor judge and TV personality Sharon Osbourne caused quite a stir by revealing the latest in her long string of cosmetic surgeries. Deviating from the Botox injections, skin peels, tummy tucks and rhinoplasties favoured by her peers, Mrs Osbourne instead chose to undergo an altogether more intimate procedure: labiaplasty, or vulval reconstructive surgery. This case highlights a startling trend in modern medicine – the inexorable rise of cosmetic genital surgery.

The number of labiaplasties performed on the NHS has increased fivefold in the past decade, with more than 2,000 taking place in 2010. Far more procedures are thought to be performed each year in the private sector. Most reconstructive vulval surgery is undertaken to address long-term problems such as discomfort during sex or exercise and hygiene issues. Nonetheless, there is growing concern amongst practitioners that crushing social pressures and perverse expectations of “normality” are driving young girls to request surgery on aesthetic grounds alone. Many doctors and social commentators have now broken silence on this issue, declaring that the rise of the designer vagina may reflect an unhealthy negative bias amongst women towards their genitalia, fuelled by an internet porn boom and emerging fads such as “vaginal steaming” and the infamous “vajazzle”.

The burgeoning status of this issue has led the Royal College of Obstetricians and Gynaecologists (RCOG) to publish a paper clarifying best practice guidelines for doctors and surgeons in this field. Perhaps the most striking point raised by the authors was the fact that cosmetic genital surgery is ultimately performed blind; the evidence for the efficacy of labiaplasty and its long-term consequences is scant at best. Women concerned by the appearance of their genitalia may therefore be electing to go under the knife despite the medical professionʼs profound ignorance of likely post-operative outcomes.

The report provided by RCOG also recommends that labiaplasty should not be offered as an NHS service in the absence of legitimate medical grounds for intervention. The authors instead advocate psychiatric treatment for patients with significant concerns about the appearance of their genitalia. This may go some way towards addressing the problem, but several concerns remain, not least the risk that patients might simply be shunted into private healthcare, exposing themselves up to an utterly opaque and poorly regulated industry. Ultimately, if we are to truly understand the rise of the designer vagina at home and abroad, we must first ask uncomfortable and probing questions about the central involvement of society. Could our fascination with internet pornography, and our bizarre obsession with achieving “normality”, be driving young girls to request risky, life-changing surgery?

Would you ever get a labiaplasty? Join the debate at bangscience.org