Thursday 9th April 2026
Blog Page 1405

Milestones: Isaac Levitan

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An autumnal grove of birch trees with slender white trunks and speckled orange leaves is interrupted by a meandering grey river, which softly reflects the hues of the bright sky above. Such is the effusive evocation of the Russian countryside in Isaak Levitan’s painting, Golden Autumn. Levitan, gave birth to a form of painting, known as the ‘landscape of mood’. ‘Landscape of mood’ spiritualizes the form and state of nature, using it as an expression of the human condition. Levitan’s landscapes are fleeting representations of a forest clearing, a cottage, a river, a country path, haystacks. 

Hushed, almost melancholic contemplations of pastoral settings were his characteristic style. With only a couple of exceptions in his prolific life work, Levitan did not depict urban landscapes, and his paintings are normally devoid of human presence. Despite few humans appear in these works, his paintings invariably reflect the prism of humanity and are often referred to as ‘psychological’ or ‘philosophical’. 

Some also have political undercurrents. In one of his most famous pieces, Vladimirka, he paints the road down which people who had been exiled made their way to the distant Siberia. It is a lonely and deserted track seemingly leading nowhere and the pale grey of the sky conveys the dejection and desolation of the scene. Though only a depiction of a landscape, this painting was a controversial indictment of the government’s decision to send political prisoners down this godforsaken path. Levitan’s method was often not dissimilar to that of the Impressionists, but while their emphasis was on the optical, his was on the naturalistic. The works created toward the end of his life reflect his influence by the emerging Modernist movement. For example, the painting Stormy Day, which portrays a green slope leading up to a cluster of cottages, overshadowed by a menacing grey cloud, shows his departure from strictly realist depictions toward more abstract and emotive expression. In many ways, Levitan’s work is the visual counterpart to Chekhov’s literary compositions. 

There are hints of Levitan in Chekhov’s snapshots of quotidian existence and his elegies to the Russian countryside, most notably in his short stories. Both of these artists have a simple understated style, which nevertheless conveys great emotional depth. 

Levitan’s life was a series of tragedies: his mother died when he was fifteen and two years later he was orphaned. 

As Jews they were confined to living in the Pale of Settlement, Levitan himself exiled from Moscow because he was an “unbaptized Jew”. He died at the age of thirty-nine of a severe heart-related disease. Some critics believe these misfortunes had an impact on Levitan’s evolution as an artist. The restricted environs of the Pale meant that he often depicted vast expanses and epic panoramas. Towards the end of his short life, his works increasingly contained light, a sign of his internal peace and tranquillity. 

Top 3… Climbs

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Touching the Void (1998)

Joe Simpson

Joe Simpson’s 1988 book describes his and Simon Yates’ ascent of the Siula Grande. The most famous part of the book describes the moment when Simpson slipped off an ice cliff and broke his right leg. Yates was forced to cut the rope, sending Simpson plummeting into the darkness. Having survived the fall, Simpson was then forced to climb down further into the crevasse in order to escape. In 2003, a successful documentary was made of the same name.

Everest (2013)

Public Service Broadcasting

An eclectic mix of instruments, electronic influences and audio samples from old public service broadcasts make up all of PSB’s music. This song is littered with samples of people talking about climbing in clipped British accents, including a guest appearance from George Mallory asking, “Why should a man climb Everest? Because it is there.” Coldly grandiose, the instrumentation on this track combines brilliantly to form a vision of the magnificent Peak 15, the highest mountain in the world.

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The Dark Knight Rises (2012)

Christopher Nolan’s conclusion to his epic Batman trilogy has been called out for its plot-holes. But one cannot deny that The Dark Knight Rises is, if nothing else, an incredible spectacle. Memorably, Bruce Wayne finds himself imprisoned in a Very Deep Pit, and must climb out, something only ever achieved once by his nemesis, Bane. His attempts to climb the wall of the pit are deeply affecting. Each time he misses the crucial final leap, we feel his pain as the harness nearly breaks his back.

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Green and pleasant lands

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If you think of a ‘stereotypical’ painting, the first thing that comes to mind is probably a lush countryside scene – probably the sort of picture we all loved drawing as children. And even if this were not the case, it cannot be denied that landscape, whether of a natural scene or an urban setting, has always constituted the starting point for the production of art. 

Over the centuries, painters have approached the subject in all sorts of ways. I had the chance to reflect on art’s figurative conception of landscape when I went to the Italian exhibition ‘Verso Monet’ (‘Towards Monet’) over Easter. In the exhibition, the paintings were organized chronologically, to give the visitor a clear, albeit schematic, idea of the evolution of the role of landscape in painting. Such divisions are the very sort of thing that annoy a historian, and inevitably raise doubt and debate. However, as artificial as it may be, such classification is precisely what allows us to chart the general trend of depiction of landscape over the centuries. 

Let us start our (quick) tour with the 17th century. Back then, the typical scene was intimately related to mythology. Paintings like those by Claude Lorrain, for instance, generally derive their subject from the Classical tradition, set in a fascinating landscape. Interestingly enough, on occasion the painter tends to give more importance to the background than to the characters, who sometimes seem too small to be significant. It looks like at this stage landscape is already influencing and charming artists, who end up neglecting the mythological tale and its human characters in order to focus on nature. However, the landscape is stereotyped and somewhat detached from reality. 

In the 18th century, with the Enlightenment and the triumph of science, the most important artistic movement was Vedutism, namely the depiction of urban scenes (‘vedute’), painted in the fi nest detail. One of the most famous examples of this artistic trend is Canaletto, a Venetian painter who specialized in ‘vedute’ of his birthplace. The main aspect of his art is realism, and the goal to render the landscape as close to reality as possible. In order to do so, he uses the ‘camera obscura’, an optical device that projects an image onto a screen. In this way, Canaletto was able to produce painting that (quite literally) mirrored reality.

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In the 19th century, Romanticism started to spread in Europe, and with it a completely different conception of landscape. The world of interiority acquires more and more importance and, accordingly, landscape is perceived not so much as a place to investigate scientifically, but as a source of emotions of all kinds. The tempests of Turner, for instance, focus on the terrifying and shocking aspects of nature: the aim of his paintings is to instil awe and fear. On the other hand, if we consider an example taken from poetry, we see that nature can produce completely different emotions. The daffodils of Wordsworth, for instance, give him bliss and happiness; the feeling of joy is also to be found in the beautiful landscape to which the daffodils belong: “beside the lake, beneath the trees”, “stretched in never-ending line along the margin of a bay”.

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A significant revolution was brought about in the later 19th century by Impressionism. To put it rather simply, Monet changes the way we see and experience landscape. He is interested in the impression of the moment, and his brush-strokes are directed at capturing the light, the atmosphere, the sensations he is feeling right at the time he is painting. 

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Monet’s aim was to portray his own impressions arising from nature, but paradoxically, he paints indoors. The famous concept of painting ‘en plein air’ is in fact a lie: impressionist painters would make a rapid sketch of the landscape, specifying the colours and shadows they wanted to include, and then go to their studios to put everything on a canvas. The whole process makes a lot of sense: if one stayed outdoors to finish one’s painting, one wouldn’t be able to capture the magic of the moment. Monet is interested in what nature can give him in a unique instance. The importance of conveying the ‘impression of the moment’ adds a reflection on time to two-dimensional figurative art. Going beyond mythology, realism, and emotions, it constitutes one of the greatest innovations in the history of art. 

So what are the rules then?

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Across the University, rules and regulations bite students when they least expect it. This is C+’s run through of some of the major laws which govern our student lives.

At New College, “The Dean may impose penalties which may include the recovery of the cost of repairs to College property; discretionary fines of up to £390 per offence; and the giving of compensatory assistance to College Staff. The Dean may also deprive Junior Members of the opportunity to reside in College.” New College is also staunch about one fact, that, “Financial hardship is not grounds for appeal against the imposition of a disciplinary fine.”

Magdalen takes care to remind students of the fact that they can withdraw college residence from students. “Junior members are reminded that living in College premises is a privilege which can be removed with immediate effect as a consequence of uncivilised and/or anti-social activity.”

At Teddy Hall, the College makes clear that any rules they do impose are for the students’ own good. “We aim to enforce only such regulations as are necessary to keep the College a secure, safe and pleasant environment in which all its members may live and study without undue disturbance. The Dean prefers to do this informally in the first instance, relying on your goodwill, but some formal regulations are desirable, firstly to inform you in more detail of the sorts of behaviour which do cause concern, and secondly to act as a reference point for stronger disciplinary action if this becomes necessary. ”

Christ Church’s rules explain exactly how much power the arbiters of law have. “The Junior Censor is empowered to levy fines up to £500 and to limit the use of College facilities including the deprivation of rooms in College. If, on investigation, the Junior Censor considers that a case might warrant the imposition of a more serious sanction (the levying of a fine in excess of £500), rustication (temporary suspension) or sending down (permanent expulsion) the matter will be referred by the Junior Censor in writing to a Disciplinary Panel.”

Elsewhere, Exeter College reminds its students that they are, well, students. A section of its ‘Red Book’ of regulations states, “The College is, first and foremost, an academic institution concerned with higher learning. All College members are expected to conduct themselves in a manner that is commensurate with this, and is respectful of the role and reputation of the College in the wider University and City communities. The Sub-Rector, Junior Dean and Assistant Junior Dean may apply fines, rustication and/or other sanctions on those bringing the College into disrepute by their conduct either inside or outside of College.”

What about the University’s central regulations then? The first item on the University’s ‘Code of Discipline’ is telling. “No member of the University shall in a university context intentionally or recklessly disrupt or attempt to disrupt teaching or study or research or the administrative, sporting, social, cultural, or other activities of the University.” Luckily for C+ though, no-one can “disrupt freedom of speech” either.

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(The bigger the word, the more frequent it’s occurrence in our survey of 213 students.) 

Fines: Where does the money go?

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Money taken in fines is redistributed in varying ways in different colleges.

Some, such as Exeter, put the money recouped towards student hardship funds. Wadham, Mansfield, Pembroke, St. Hugh’s, and Harris Manchester all also put fined money towards student support – although with each college there is often a small amount of money set aside for administration costs.

Exeter, for example, feel that, “£30 is deemed as a reasonable administration charge for having to continually chase students to pay their battels.”
Other colleges, such as Merton, donate the proceeds of fines towards JCR nominated charities – an approach mirrored by the University’s Proctors who vote at the end of each academic year on a charity to donate to. Often the charity chosen has a connection to students.

Colleges such as St. Hilda’s and New put money towards “general academic purposes”.

Largely, fines for overdue library fines or other library indiscretions are reinvested into library infrastructure.

For example, all of the £7,728 and £4,462 raised through Library fines by Exeter and New Colleges respectively is streamed directly back to the two college’s libraries to assist with library purchases.

The Universiy’s policy on reinvesting library fines is similar, fines remain “within the libraries but is not directly allocated to any particular purpose.”

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JCR Reps are split over fines

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Experience of fining varies hugely between colleges. Whilst most issue monetary fines, others prefer to punish students by non-financial methods. There is also much discrepancy between colleges in how often fines are imposed, their value, and what behaviour is deemed punishable. Students on the wrong side of this have expressed their resentment to C+.

A few colleges do not exact financial fines. Balliol JCR President, Dan Turner, told C+ that, “The punishment regime in Balliol generally is very soft and liberal. Rule-breaking would be treated more as a pastoral issue than a punitive one. People don’t really get fined, and the worst punishment you could expect would be a ban from the bar.”

In contrast, colleges such as University College only issue financial fines. JCR President Abigail Reeves commented, “Fines, if issued, are financial… Community service is not issued as a punishment, but if individuals create too much mess they are strongly encouraged to clean up after themselves. The main form of punishment is being sent to see the Dean, discipline issues rarely go further than this.”

Keble is a college where fines were in the news last Michaelmas after a crackdown on “Keble Blinds” drinks. However, JCR President Tomas Ford told C+ that “the Dean will often make the first fine delayed, so you only pay it if you do actually re-offend”, and noted no recent controversies about Keble’s policy.

Whilst many individual respondents to the C+ survey were critical towards their college’s fining policy, JCR representatives contacted by C+ did not note any particular controversies or larger problems with the college’s stance. Although one individual at New College labelled its attitude to fining “ridiculous”, New College JCR President Kath Nicholls commented, “The JCR on the whole doesn’t seem to have particularly strong opinions either way on the subject of fines. No-one has approached me to suggest I look into the fines system at New College… A fairly small number of students receive fines, and I believe that the College would waive a fine if the student were in any kind of financial difficulty.”

Fabian Apel, Magdalen JCR President, said, “I am not aware of any recent controversies; it is rare that people feel that they have been treated unfairly, although there have been occasional cases of people feeling their fines were too high.”

Abigail Reeves, the University College JCR President, suggested the introduction of “some form of cap, to ensure that people can’t be caught off guard and also to make sure individuals are given the opportunity to speak to college about the reasonableness of the fine issued”.

As such, JCR Reps are split over the effectiveness of fining, and the debate will continue, although it appears that the University will not change their policy any time soon.

"No student really considers drinking a crime"

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This article forms part of this week’s C+ investigation.

In Michaelmas term, I was fined a small amount of money by my college for a drink related incident. I vaguely understood my college’s point of view, even if I didn’t agree with it. The sum of money was reasonable, even if I couldn’t afford it. I coughed up the money, even if not quite on time. Fine (quite literally). What annoyed me, however, was the way in which I was treated.

There is something decidedly demeaning about standing outside the office door of a middle-aged man with the epithet ‘Dean’, alongside a few other 19 to 21 year olds.

With each of us dressed in a bizarre mis-matched outfit reflective of our respective essay-crises – for me dungarees – and formal gown, sheepishly waiting to be called inside in order to let the dean, the human embodiment of the abstract ‘rules’ which govern our day-to-day lives, give us a good telling-off for a crime that no student really considers a crime.

I was reminded of the time when, as a five-year-old, I’d been taken to the office of my primary school’s draconian headmaster to be berated for doing poorly in a spelling test. Even as a five-year-old, I had felt the same sense of acute injustice (what, really, is the difference between ‘wee’ and ‘we’ – they sound the same) that I felt as a nineteen-year-old.

Had nothing changed in fourteen years? Was I really the same repulsively irresponsible shit at nineteen as I’d been at five? I didn’t think so. I could vote, I hadn’t added a superfluous ‘e’ to the first-person plural for at least ten years, and as far as I was concerned I drank entirely responsibly.
The truth is, we’d been outrageous enough to hold a party; even more outrageously, we’d invited some freshers.

Now, I know what you’re thinking – this was some hideous, Black Cygnets-style invite whereby we’d only invited the most attractive freshers, or forced them to play ridiculous drinking games, or simply tied them down and waterboarded them with vodka. That’s not quite what happened.
You see, every fresher in college was invited to a party that night. Those who wanted to come came. Those who did not didn’t. Those who wanted to consume alcohol consumed alcohol. Those who did not were supplied with juice and coca-cola (admittedly, the latter could well have wreaked havoc with their teeth – college, I apologise for ever having doubted you).

These were subject welcome drinks. They have been held in my college for time immemorial and never before been objectionable. On the night my subject group and I held our drinks, at least half a dozen other welcome drinks events were taking place. And yet we were the only group to be fined that night, the reason being that this chap, ‘Dean’, had decided to pop up and investigate our staircase first.

If we’d been one flight along, or even a few minutes tardier in our alcohol consumption, we would not have been punished. The fact is, we were used as scapegoats – as a warning to others. It made me feel like I was in a boarding school. It made me feel like a five year old again.

So college, if you decide to fine a group of consenting adults for consuming alcohol in future, oblige me in two things: firstly, ensure that they’re actually consuming alcohol, rather than the unfortunate-tasting bile known as Tesco own-brand lager. (Reports that it is simply horse urine are exaggerated, but only just.)

Secondly, don’t be so bloody judgmental. Many, many teenagers drink alcohol, and doing so at university should not be met with any kind of sanction. The majority of students do it, and the majority of students are involved in the sort of ‘party’ I was fined for on a regular basis.

Investigation: Fines and punishment in Oxford

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C+’s exploration of where money from fines is spent is here, whilst an anoymous student explains what it’s like to be on the wrong end of an unfair fine here, Jessica Hao speaks to various JCR Reps about the issue here, and we take a close look at some of the rule-books which govern our student lives here

A C+ investigation into the use of fines and other punishments by the University of Oxford and its constituent colleges has discovered that over the past three academic years, some colleges have fined their student bodies more than £10,000.

C+ can also reveal that there have been only three cases of students being banned from University property in the past three years, and that, “In two cases, the student was suspended because they were under Police investigation for possible criminal behaviour towards another member of the University. In the other case, the student was suspended because they were suspected of financial dishonesty towards the University.”

The central University authorities have taken £7,040 in non-library fines over the last three years. The University has also made an eye-opening £165,688 in Bodleian Library fines over the two academic years 2011-2012 and 2012-2013.

A C+ survey has also shown that, based on over 200 respondents, 31% of Oxford students have been subject to financial punishment from either their college or the University, with offences ranging from late submission of room inventory forms to trashing and illegal filesharing all causing monetary pain.

The colleges that have fined their students the most over the past three academic years are Exeter and St. Hugh’s. The former has recouped £19,156, £7,728 of which is made up of library fines. Exeter’s primary issues, however, seem to be late payment of battels, with over £10,000 of their overall fines traceable to delayed student payments. St. Hugh’s have obtained £16,497 of their students’ money in fines over the same period, although notably, the St. Margaret’s Road college only began to charge fines in relation to their library in 2011.

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St. Hilda’s too have made over £10,000 from student indiscipline, with a total of £12,792 being taken in fines.

Notably, at Pembroke, forgetting to sign a guest into the college is subject to a £40 fine, although the College note, “Students can sign-in guests in person at the lodge or by e-mail”. Pembroke also operate a system of suspended fining, where “urinating in public or on College grounds” was subject to a £80 suspended penalty, whilst “tampering with fire-safety equipment” garnered a £250 punishment with an additional £250 suspended.

In recent years at Wadham, offences have included breaches of “noise and party regulations” amounting to £210 across seven separate infractions and “fire safety regulations” amounting to £100; “misuse of domestic facilities” which garnered a £30 fine; and a £20 fine for “damage to property”. Wadham are, however, one of several colleges not to charge fines for overdue library books.

Graduate colleges Linacre and St. Cross both reported £250 worth of fines levied by Oxford University Computer Services for responding to cease and desist letters for file-sharing.

Several colleges do not use fines as a decanal sanction at all, with St. Anne’s, Worcester, Jesus, and Nuffield all preferring to use other systems such as community service around college. A Worcester undergraduate related this to the pleasant state of the college’s grounds, saying, “Worcester doesn’t really do fines, the Dean prefers to give out ‘community service’ style gardening tasks. It’s why the main quad lawn is so good.”

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Several respondents agreed with this idea, arguing, “Fines are often extortionate and there are much fairer punishments which do not favour those with more financial stability such as community service” and “Fines disadvantage some pupils more than others, and are thus not a fair punishment, particularly when a blanket fine is given to a group.”

On the other hand, another anonymous respondent felt outrage over fines was misplaced, saying that, “Fines should be stricter. Any claims that students cannot afford them are generally wrong considering how much ‘poor’ students spend on alcohol.”

An Oxford University spokesperson defended the use of fines by the University, saying, “A fine is one possible penalty in cases of misconduct. Penalties are only imposed after a disciplinary investigation and a disciplinary hearing and may include an order to pay compensation to any person or body suffering injury, damage or loss as a result of the misconduct. The disciplinary procedures include provision for appeals procedures.”

Graphics have been updated in light of new information received after Cherwell went to print, whilst Exeter College would like us to note that the figure for Exeter College is made up of ‘Administration Fees’ in response to late payment of battels, and the College do not consider this a disciplinary sanction. 

The Campaign: Skin Deep

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Skin Deep is an online Oxford based race forum. It was created with the intention of giving matters surrounding race a platform. On the forum, people are welcome to discuss issues of race, racial representation and racial identity. It is a space in which we can explore why race is important and why racial equality is paramount, whilst challenging how race is represented in literature, the media, business, and education.

The forum is open to anyone and it is the equal responsibility of every member to share and encourage a conversation that educates cand informs people to recognise the value of heritage, taste, style, racial sensibilities, stories, traditions, imaginations and cultures and their contribution to society and civilization as a whole.

The forum was initially set up to encourage conversation amongst Oxford students, as this is where we felt the gap in a racial discourse to be most prevalent. However, it seems to have grown beyond that, especially since the ‘I, too, am Oxford,’ campaign, which was inspired by an ‘I, too, am Harvard’ article that was shared on the forum.

There seems to be a desire to transform our University towards becoming the most inclusive environment possible, something that the ‘I, Too, Am’ movements as well as other forms of race resistance within and outside of the University have called for.

There is a lot of room for change in the representation of race in the curriculum, the student and staff bodies. In an attempt to move the discourse further, a conference is taking place at Lady Margaret Hall as a follow up to the ‘I, too, am Oxford’ campaign, entitled ‘BME conference: Dissidence in an Era of Diversity’. This feautres panels focusing on activism in the age of new media, diversity in the academy and multiculturalism in the media. The conference is meant to be a place where students can explore solutions for Black and Minority Ethnic (BME) issues and hear from people who are attempting to tackle these issues in a more active manner.

Again, the organizers welcome everyone to join in – the more perspectives the better. These are the kind of conversations that should be encouraged and Skin Deep seems to have been a good way of circulating these ideas and initiatives, as well as cultivating a safe space for people who may in the past have been uncomfortable talking about issues of race.

Very few pieces on Skin Deep, if any, have been written by Oxford students or any of the members themselves. What we think would be even more engaging would be to explore what we, as members of Skin Deep, think about race, sharing lived experiences, ideas and theories. In response to this, we are creating a ‘zine’ this term, and have put a call for submissions for writers, artists, photographers, designers, creative types, anyone interested in continuing this open conversation about race and racial identity.

The online forum tends to maintain itself, and I am sure it will continue to do so in the future. The zine, however, will take a lot more work, but hopefully the result will encourage people to get involved with it as a long term project that can continue the discourse on race in Oxford.

#BringBackOurGirls: Is digital activism effective?

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On the 14th of April, at least 300 female students were abducted from a boarding school in Chibok, a rural town in the state of Borno in north-east Nigeria, by a group commonly referred to as Boko Haram. This is a fundamentalist Islamic group – the name ‘Boko Haram’ roughly translates as, ‘Western education is forbidden’ in the local language of Hausa – which violently promotes a version of Islam where it is forbidden for Muslims to take part in any activity that is associated with Western society, including secular education, participation in elections or wearing Western dress such as shirts and trousers.

It is thought that the group took the girls, who were a mixture of Christians and Muslims, into the remote and inaccessible Sambisa forest which borders Niger, Chad and Cameroon, although this hasn’t been confi rmed. They have subsequently released a video showing around 130 of the girls in full-length hijabs, and another threatening to sell the girls as ’slaves’. It is still not known for certain where the girls were being held, although it seems that around 50 were able to escape on the initial journey. The Nigerian government did not comment publicly until the 4th of May, two weeks after the kidnappings, and President Goodluck Jonathan took almost 20 days to offi cially promise to find the girls.

The government silence following the events in Chibok fuelled a great deal of confusion and growing public anger. Several sources gave conflicting reports of the number of students taken, with numbers ranging from 100 to more than 300, whilst the Nigerian military back-pedalled on the reported rescues and claimed that, whilst they had not actually rescued any of the girls, their original report had not been intended to “deceive the public”. As media out- lets rushed to cover the story, people across Nigeria protested against the apparent government indifference to the situation and took to social media to express their anger and distress. On the 22 April Ibrahim M Abdullahi (a lawyer in the Nigerian capital of Abuja) sent the first tweet featuring the hashtag #BringBackOurGirls. By 7 May this hashtag had been tweeted 1 million times, reaching its daily peak three days later where it was tweeted 434,910 times in 24 hours. High profile political figures such as Michelle Obama, David Cameron and Pope Francis have joined the campaign, along with large numbers of celebrities.

As #BringBackOurGirls exploded across the internet, so too did scrutiny of just how effective such ‘digital activism’ can be in tackling real world issues. It has been two years since “Kony 2012” – the viral video that called for the arrest of LRA militia leader and war criminal Joseph Kony – a campaign that is perhaps most notable for the huge contrast between the global buzz it created and the subsequent lack of
any discernible results. Similar concerns have been voiced about the current campaign, particularly by conservative commentators who believe that outrage on social media has little offline currency and serves mainly as a balm for the conscience of the West. At the height of the movement Republican Senator John McCain stated that, “Tweets and hashtags are appreciated. They may make people feel better but they do not liberate prisoners”, whilst his onetime running mate Sarah Palin posted, “I kinda-sorta doubt a tweet will intimidate the kidnappers much.” The backlash was perhaps not helped by a picture posted on Instagram by model Irina Shayk – where the girlfriend of footballer Cristiano Ronaldo poses topless with a sign featuring the hashtag – which has been heavily criticised for attempting to seek personal publicity from the crisis. Can ‘hashtag activism’ actually be a useful form of protest? Is the West just tweeting while the rest of the world burns?

It would be ungenerous to argue that the #BringBackOurGirls campaign has had no effect at all, particularly when the events that followed the abduction are viewed in the context of terrorism in Nigeria over the last decade. Boko Haram has killed over 2000 people since 2009 and is by far the most long-lived of any terrorist group in Nigeria, operating since 2002. Violence against schools in the North-East of the country by the group are commonplace (it is believed that one of the reasons why so many students were at the Chibok school was that many other schools in the region had been forced to close), for example in March another school attack saw 29 male students killed. Such incidents are frequently ignored by the Nigerian government and the terrorism of Boko Haram is often subsequently unnoticed by the international community. Now, however, global attention has pushed the Nigerian government into unprecedented levels of action which has included accepting foreign assistance – a subject Nigeria is notoriously prickly about. The UK, US, France, China and Israel have all now sent counter-terrorism teams to Abuja, undoubtedly in response to international pub- lic pressure. There is also hope that the negotiations between the Nigerian government and Boko Haram might soon come to fruition. In the last week, reports have appeared stating that the group is willing to conduct a gradual release of hostages in return for the freeing of Boko Haram prisoners in Nigerian jails. This appears to be a significant concession from the original demand for the group’s top commanders to be released.

It seems, therefore, that hashtag diplomacy does have some uses. However, if the allegations that it is chiefly an exercise in allowing the West to feel good about itself are to be dismissed, then complacency over small victories must not be allowed to set in. It may have done some good but a week after its peak, #BringBackOurGirls is already disappearing from social media (it was only featured in around 40,000 tweets on May 19, less than 1/10 of its highest level) and the Nigerian schoolgirls have not, as yet, been brought back.