Saturday 18th April 2026
Blog Page 1431

Milestones: Feed the world

0

In 1984, Bob Geldof and Midge Ure co-wrote ‘Do They Know It’s Christmas’, a massive hit single that raised £8m for charity, remained the all-time best-selling UK single for thirteen years, and established music as a means for raising money for charity, spawning Live Aid and the later incarnations of Band Aid. Its famous chorus “feed the world” has become iconic in the struggle against Third World poverty. 

However, it is George Harrison’s 1971 single, ‘Bangla Desh’, that is widely considered to be the first true charity single. But it wasn’t even The Other Beatle who first had the idea of using music to raise money for a good cause. In 1742, Handel held a charity concert in Ireland at which he first presented his Messiah. All the money made went towards prisoners’ debt relief, the Mercer’s Hospital, and the Charitable Infirmary. 

Despite these precursors, ‘Do They Know It’s Christmas’ and the subsequent Live Aid concert organized by Mr Geldof himself remain one of the most iconic moments in musical, and cultural charity history. The list of artists who made it to the studio to record the song on November 25th 1984 is quite staggering: Duran Duran, Spandau Ballet, George Michael, Sting, Bono, Phil Collins, the list goes on. A number of artists also recorded messages for the B-side of the single, including David Bowie, who said, “It’s Christmas 1984, and there are more starving folk on our planet than ever before.” 

The song comes under a lot of criticism, often over its wording, which creates an implicit divide between the affluent West and the starving Ethiopians — “do they know?” — but the lyrics are to some extent aware of this. Bono chimes in at one point with an ironic “well tonight thank God it’s them, instead of you”. It is impossible to get away from the song being a case of rich musicians singing to affluent Westerners, but the self-awareness present throughout is often missed, and, in any case, it is the effect that matters. 

It’s not just the approximate total of £50m raised by the song itself and the concert following it; it’s the US follow-up involving Bruce Springsteen, Michael Jackson, Stevie Wonder and others, it’s the huge rise in awareness as a result of popular culture taking up the cause of the starving majority and it’s the mass of charity records and charity concerts that it has spawned. Yes, it seems crass and yes, it’s all sickeningly self-congratulatory, but these aspects are part of the reason that this sort of thing works — the 2004 song ‘Grief Never Grows Old’, released in aid of the Indian Ocean tsunami was an appalling piece of crap, but I still bloody bought it. 

‘Do They Know It’s Christmas’ has a remarkable legacy, especially for such a bad song, and we would do well to think about the good it did before we criticize its intelligence or its sensitivity. 

Loading the Canon: Peanuts

0

Charles Schulz’s Peanuts comic strip has transcended its medium and spawned a global enterprise. At the height of its success it was featured in over 2,600 newspapers, remaining relevant to generations of fans through the timeless themes addressed by so many of its beloved characters. Snoopy, Linus, Lucy, Peppermint Pattie and Charlie Brown have risen above their immediate context of a strife-ridden, post- war America and offer timeless, thought provoking entertainment for millions of fans.

Starting life in the 1950s, Peanuts is a pioneering work of comic strip art. Previously the medium was defined by either slapstick comedy or puns. Schulz did away with these conventions, utilising minimalist art and the use of blank, empty spaces to create an eye-catching work, equally attractive in black and white, and later, bright and simple colours. Stylistically the strips are superb, with an astonishing range of emotions possible on the children’s seemingly simple faces. The grief endured by Charlie Brown after his team’s inevitable defeat, the quizzical appearance of Rerun and Lucy’s perpetual fury are artistically engaging, and this feature alone would distinguish the work.

However, it is the content that truly sets these strips apart. Within four panels Schulz can evoke strong feelings of pathos without undermining the strip’s humour. Perhaps understandably from a cartoonist who believed his relative unhappiness lent the strip its distinctive appeal, Peanuts features the subjects of depression, dislike, race relations, Vietnam and narcolepsy. Today such humour is commonplace whereas in the 1960s and ‘70s it was positively groundbreaking.

The combination of minimalist art and economical language is what makes this strip truly outstanding and worthy of comparison with other literary forms. While other comic strips like Garfield have achieved comparative success, they cannot escape Peanuts’ shadow or surpass their humour. Peanuts is unique. Featuring perhaps the widest range of characters of any cartoon, bar The Simpsons, which regularly references Schulz’s work, Peanuts is a testament to its originator’s creativeness and natural wit that over almost half a century the characters stayed funny and relevant.

Interview: Ben Macintyre

0

Ben Macintyre has become an authority on spies, an expert at crafting together the material into gripping stories, which, if made up, would certainly be accused of being implausible. His latest, A Spy Among Friends, follows the story of Kim Philby, one of the ‘Cambridge Five’, and the greatest double agent ever seen, whose memory still overshadows the secret services.

I meet Ben after a talk at the Oxford Literary Festival, which packed Christ Church hall. He’s a natural story teller, and in the hour long lecture took us through Philby’s life with such skill and enthusiasm that the characters come to life in his words.

Afterwards, we grab a table in the tea room off the side of the hall, and I admit to having forgotten pen and paper, upon which he pulls both from his pocket and hands them to me. A long time correspondent at the Times, he claims to have fallen victim to this himself many a time.

Macintyre writes about the Cambridge spies, but, he tells me, there was an Oxford spy ring – of course, it wasn’t really up to much, he jokes; Macintyre is himself a Cambridge man. But its recruiters were the same Soviet agents that won over the Cambridge lot, so, he reassures me, there was no Russian bias to the other place!

Macintyre has always been interested in spies – he was himself ‘tapped-up’ at Cambridge, recruited for the secret service. Apparently it went no further than the interview, when, he says, they realised pretty quickly that he wasn’t spy material.

What is it about spies that so attracts us, I wonder, and particularly captures Macintyre? “I think spying is one of those subjects that’s a great backdrop for all the things that we all think are important, like loyalty, love, betrayal, drama, adventure, war…I mean, the actually process of spying is quite interesting, but it’s the kind of emotions and the human, moral issues that it throws up that really get us”.

“It’s the sort of things you’d quite like to write about in a novel, but because it’s all true, you know, you don’t have to make anything up’. Certainly, the spies of Macintyre’s books are almost too good to be true. Eddie Chapman (Agent ‘Zigzag’), was a sort of crook turned double agent; ‘he’s a dreadful man, but incredibly good fun, a wicked womanizer and shocking figure, but incredibly good fun to write about”.

Agent Zigzag was a crook, but he was ultimately on our side, winning the war. Ben’s latest, about Kim Philby, is different – ‘this is the darkest of them. This is about a dense, brutal, intimate betrayal between two people, one of whom thought they were the closest friends there could possibly be, so it has a kind of psychological brutality to it’.

Has Philby been as much fun to write about? A figure who ruthlessly handed absolutely everything over to the KGB, responsible for possibly thousands of deaths. Absolutely! He offers “much more opportunity to get right deep inside the psychology of men who to us seem strangely of another world – this kind of clubby, male friendship, where they sat around all day talking about cricket”. A world where men had come through the war together and felt a deep, inherent belief in each other.

To this day, it is the charm of people like Philby that stands out – he was above suspicion, he was ‘one of us’, the ‘right sort of chap’. “If he’d walked into a room you’d have thought “my God, the lights have all gone on”, only he was wicked, I mean, a really bad man, but such fun, and so funny! He had an old world charm – to us there’s something creepy about that sort of charm now”.

Inevitably one thinks of Bond, how much is real about the charming womaniser? Macintyre has written a sort of biography of Bond and Fleming, so I ask how this relates to his real-life spy, Kim Philby. “The Bond thing makes him invisible to us, to other Bonds, you can’t see him, because he’s perfect. His education, charm, manners, his looks even, made him invisible.’ He was so much the Bond that no one could have guessed at his betrayal – it’s telling that his only vetting for the secret service was a word from the head of MI5;”I know his people”. Compare this to Stalin’s ‘nobody is above suspicion’ and perhaps we can see why the Soviet intelligence managed to infiltrate the British and American so well.”

Philby was invisible in his day – now he’s the very stereotype of a spy. Who is the modern day Philby, the modern invisible man? ‘Now the invisible spy is a young Muslim woman from Bradford – she’s the perfect recruit for MI5 because she can penetrate Al-Qaeda cells and the like, but she’s also the person that Al-Qaeda are after.’

The parallels are clear; “they’re all fishing in the same pond, as they were in 1930s Cambridge. MI5 is full of young Asian women – and it still haunts them today, the fear that, already in the system, are people like Philby, ‘clean skins’ in the trade term, who have got in because they look right.”

 

 

Full speech: Union Librarian before walkout

0

Good evening ladies and gentlemen and welcome to first week here at the Oxford Union.

Before I begin, I would like to apologise to our guests tonight, for I meant none of you any disrespect by not attending dinner. I do sincerely hope you leave tonight with fond memories of our society.

It’s customary for me at this stage to announce any upcoming events or perhaps even make a joke, however, tonight I will do no such thing. Tonight, I wish to say something a bit more than that.

I joined this society, because I believe in free speech and proper debate. With that in mind, many of you might be aware that earlier this week the Union’s committee voted to spending the society’s money to pay for the President’s personal legal fees. In response, over 30 members and I attempted to move that discussion and vote to you here tonight, so that you may properly queston the reasoning for such a decision.

Yesterday, I thought my attempts to have a free and open discussion about this were blocked and I was told that we ‘should not be airing our dirty laundry in public’. This kind of a response is not fitting for a society which supposedly upholds the principle of free speech. It makes us seem cowardly and it looks like we are avoiding answering the difficult questions in public. If we had nothing to worry about then why should it ever matter where such a discussion takes place.

In light of these actions and following a persistent campaign against me for ever questioning him, I have suffered repeated and personal attacks.

Therefore, tonight ladies and gentlemen I refuse to sit next to a President who believes such actions are acceptable. I refuse to sit next to a President who does not believe in freedom of speech. And I refuse to sit next to a President who has lied to members and tried to cover it all up with your money.

It fills me with great regret to have to make this choice and I sincerely apologise to you all and especially to our guests tonight who do not deserve any of this. I cannot, in all good conscience, continue to sit here tonight and remain silent in the face of a President who shows such distain for the society that he has pledged to serve.

Once again, I am truly sorry.

Review: History Boys

0

It’s not often that you go to a student production and forget that it’s not professional. And yet as I watched the Oxford Playhouse’s production of “History Boys” I found myself thinking that the group of schoolboys and schoolmasters on stage were professional actors, if not the characters themselves. It’s hardly surprising that this cast boasts the crème de la crème of Oxford’s thespy talent when you learn that over 100 boys auditioned for the eleven male parts.

Alan Bennett’s play, set in 1980s Sheffield, tells the story of a group of Oxbridge hopefuls undergoing an application process which involves fewer UCAS forms and more gay propositions than most nowadays.

The play’s unlikely hero is Hector, an enigmatic teacher who believes exams to be the ‘enemy of education’. He is a source of profound inspiration to the boys, but has rather too strong a penchant for cupping their balls on his motorbike rides home. Benedict Morrison is flawless, portraying both Hector’s endearing and repellent aspects.

Hector’s younger counterpart, Urwin, is brought to life by Harley Viveash, who also manages to convey the nuances of his character’s complex personality through his witty rapport with the boys, who unfailingly end their interpolations with a condescending ‘sir’.

The boys, Hector’s ‘ignorant little tarts’, are not only brilliant as an ensemble but also individually. Luke Rollason (Posner), Tommy Siman (Dakin) and Nathan Ellis (Scripps) all provide strong performances in their lead roles. But even the smaller roles are delivered expertly.

A special mention must go to Frazer Hembrow who makes a superbly convincing Rudge, a particularly ignorant little tart, who gets into Christchurch by merit of the fact that he is ‘clearly what the college rugby team needs’. I think we all know someone like that.

The play is punctuated by Ellis’ musical interludes on the piano, which unfortunately sometimes drown out the voices of his co-stars. At the end the boys all come together to give a touching a capella rendition of ‘Bye Bye Blackbird’ with some excellent harmonies. This cast is certainly not short of talent.

What the 2006 film fails to convey at times is Bennett’s wonderful and distinctive humour. The play, however, is brilliantly comic. As Posner reads out the definition of ‘otiose’ from the dictionary, a perfectly timed ball of crumpled paper hits his head.

The play pivots from uproarious highs – the boys simulating a scene at a brothel as part of their French lesson – to poignant lows – Hector breaking down in heart-wrenching sobs in front of his pupils. The director, James Lorenz paces the play brilliantly to show the balance between humour and pathos and to demonstrate the ups and downs in the ‘long nothingness of life’.

If you can, grab a ticket to Saturday’s matinée, the only performance not yet sold out, because this play is a first week must-see!

 

 

Union Librarian walks out of debate

0

After a week of turmoil in the Oxford Union, Kostas Chryssanthopoulos, the Union Librarian, walked out of the Thursday debate following an impassioned speech in which he declared that he refused to “sit next to a President who does not believe in freedom of speech”.

The Librarian’s intervention comes after a week in which the Oxford Union has seen itself embroiled in controversy as the Union President sought to use the society’s money to cover his legal expenses after a defamatory article was published by student website The Tab. The decision, which was passed on Monday, was then challenged by a Special Adjournment Motion proposed by Chryssanthopoulos and signed by 39 other members.

Following the proposal of this motion, an extraordinary Standing Committee meeting was called to withdraw the decision to cover the President’s legal fees, which was passed by 11 votes to 3. However, a number of members remained dissatisfied that the issue was not to be debated at the open debate on Thursday.

The Librarian’s intervention followed the customary opening speeches by the President, Ben Sullivan, and the Secretary, Lisa Wehden, which are usually reserved for private business to do with the society. However, the Librarian then launched into a two-minute speech in protest against the Sullivan, in which he claimed that, “I refuse to sit next to a President who does not believe in freedom of speech. And I refuse to sit next to a President who has lied to members and tried to cover it all up with our money”.

“I cannot in all good conscience continue to sit here tonight and remain silent in the face of a President who shows such disdain for the society he has pledged to serve”.

Chryssanthopoulos claimed that his attempts to have a “free and open discussion” were “blocked”, adding that “If we had nothing to worry about then why should it ever matter where such a discussion takes place”.

Following his speech, Chryssanthopoulos walked out of the debating chamber to strong applause, leaving the Librarian’s seat vacant.

Charles Malton, the Union Treasurer, invited members who wished to direct questions to the President to do so after the main debate had finished in their own speeches. The debate, which proceeded as normal, asked the house to debate the motion “Promiscuity is a virtue, not a vice”.

In his following speech, Malton said, “I know that as a committee we voted at the start of term to organise expenditure to protect the reputation of the union, there were libellous claims made in a newspaper article which had nothing to do with ‘the banter squadron’ as you may have heard it reported in The Tab, it was far more serious, and damaging, and false.

“As a committee we made the decision that it was damaging to the union to allow that to happen, that those false claims about things that went on at meetings should be put right, because those kinds of falsity should not be allowed to be published [to a wide audience] and that’s why I, along with many others voted to pay the legal fees, to defend the union, not to defend Ben Sullivan, but to defend the union. They [the lawyers] were employed not in a personal capacity to defend Ben Sullivan, they were employed by this organisation, to protect its reputation against things which were incredibly damaging, incredibly serious, and incredibly untrue.”

The full text of Kostas Chryssanthopoulos’ speech is available here

Wadham fail to declare war on Trinity

0

A motion to declare war on Trinity was proposed to the Wadham SU at its inaugural meeting. It called for a siege engine to “forcibly break down” Trinity’s gates, annex its lawn and fine Wadhamites inviting Trinitarians to College, among other state of war initiatives.

Though Trinity is the historic rival of Balliol, Wadham SU’s Officer Report noted that the feud has “died down somewhat.”

Joe Miles, Wadham’s SU officer and initiator of the war motion, concurred that, “I didn’t think Balliol was doing enough.”

Moreover, Trinity’s recent expansion, which the Officer Report clarified as, “flaunting its obnoxiously large lawn in close proximity to the Wadham grounds,” has raised eyebrows among some of Wadham’s SU officers. As Miles noted, “I have long warned of the threat posed by Trinity to our way of life and our heritage, and I could not stand by and do nothing.”

The war motion, however, failed to pass through Wadham’s SU committee.

Anya Metzer, President of Wadham’s SU, stated that, “most of the SU felt that our time could be better spent on other projects and really by-and-large Trinity do not pose any immediate threat to the security of Wadham College.”

Reflecting on the motion’s defeat, Miles stated, “Wadham has opted not to take a military stance, and I have since accepted I was wrong to initiate hostilities since diplomacy would be a much more preferable option.”

He went on, “I would be interested in speaking to the chair of Trinity’s JCR and seeing if we can resolve our differences amicably.”

Meanwhile, news of Wadham’s war motion was met with extreme skepticism at Trinity. Kyran Schmidt, Trinity JCR’s Publicity and Campaign officer, remarked, “Wadham are a bunch of dorks.”

Similarly, an undergraduate from Trinity stated, “Wadhamites are an inspiration for birth control.”

Proposals for new Westgate centre released

0

The Westgate Alliance has released plans for the re-development of the Westgate Centre, which will gain 100 new shops, including a large John Lewis store. The project is expected to cost 400 million pounds and be completed by 2017.

Apart from shops the new Centre will also have a cinema, an underground car park and a roof top terrace. The expansion was first proposed in 1988 but it has suffered from delays for a variety of reasons.

Public opinion appears to be largely in favour of the project. A public consultation has shown that a majority of respondents support the proposal, as has an ongoing poll by the Oxford Mail.

There has however been some opposition by the Oxford Architectural and Historical Society concerning the impact of the development on city views.

The society commented that, “Buildings should preserve and enhance historic environment by opening up townscape, not concealing it.”

A second year Merton historian and member of the society has also added, “The more modern aspects of the building seem slightly out of touch with the rest of the city.”

The Westgate Alliance has emphasised that the development will fit into its surroundings. The development manager Sara Fuge stated that “all our architects have done a lot of research into the buildings around Oxford and they have taken a lot of cues from that.”

Meanwhile first year Georgiana Devlin said, “I don’t care about the design of the building as long as Primark and Poundland are still there.” Neither shop has yet announced whether it intends to operate in the new site.

The new Westgate will have over 72,000 square metres of new retail space and is projected to create 3,400 new jobs.

University Chancellor criticised for neglecting BBC

0

BBC Trust Chairman and Oxford University Chancellor Lord Chris Patten has been accused of being “distracted from serving licence-payers properly” in a letter from the BBC Radio Forum.

The letter, sent to culture secretary Sajid Javid, urges that the “grave failings” by the BBC under Patten are not repeated, asking that the appointment of his successor, due to begin work in May 2015, be “as transparent as possible so that the best candidate for the job is picked.”

The BBC Radio Forum, a national message board for licence fee payers, represents 4,000 supporters who include BBC radio producers, the TaxPayers’ Alliance and MediaWatch-UK. The letter was written on behalf of “thousands of listeners who have petitioned the BBC about various management failures in recent years.”

According to the letter, Patten has “proved himself to be a particularly poor BBC Trust chairman in terms of his main duty, which is representing the interests of licence fee-payers.

“He has been a dreadful advertisement for the BBC due to his astonishingly patronising approach to anyone who has ever questioned him on any matter relating to the BBC.”

Patten’s tenure as BBC Trust Chair has been frequently characterised, to borrow the words of Peter Oborne, by a “lack of grip” and an “evasion of responsibility”.

In particular, the letter referred to his role in the controversy surrounding the Pollard Report which looked into the Jimmy Savile affair in 2012. Patten refused to allow the report to be changed, even though Nick Pollard, who chaired the £3m inquiry, admitted its exclusion was “a mistake”.

However, in the letter, BBC Radio Forum spokesperson Tamsin Vincent suggested that the failures of his tenure were down to “outside interests” which have “distracted Lord Patten from serving licence payers properly.”
Alongside his unpaid position as Chancellor of Oxford University, a role he has held since 2003, Patten also has five other paid jobs.

The Forum’s letter asked that the government do “all that [they] can to insist that Lord Patten’s successor is required to do the job on a full-time basis. Lord Patten claims to devote ‘3 to 4 days per week’ to the BBC, for which he is paid £110,000.”

However, Oxford students have been quick to defend the time commitments of their Chancellor. Recognising Patten as a “very eminent figure in British public life who masterminded John Major’s 1992 election campaign”, first year Jesus historian Joel Nelson told Cherwell: “I find it unsurprising that a man as distinguished as Chris Patten should be extremely busy.

“Harold Macmillan was Oxford chancellor, and he must have had the same, if not more on his plate than Patten.” Exeter’s Phil Bell also claims to having “spoken to him once at a barbecue” and says “he was very friendly”, evidence that the Chancellor still makes time for social occasions. Both Patten and the BBC Trust refused to comment on the letter.

Vice Chancellor second highest paid in UK

0

It has emerged that Professor Andrew Hamilton, Vice-Chancellor of Oxford University, is the second highest paid university boss in the country.
In the year 2012-2013, the Vice-Chancellor received a pay-package of £434,000 – including pension – which is a 2.36 per cent increase on his 2011-12 salary.

This news has sparked concern amongst those who are currently campaigning for higher wages for all of Oxford University’s academic staff.

While Hamilton’s 2012-2013 pay increase of 2.36% was nearly in line with the inflation rate of the time (which was recorded at 2.9% in July 2013), academics were offered a far smaller wage increase.

The President of the University and College Union in Oxford, Terry Hoad, who campaigns for higher wages for academics and helped organise two academic strikes last year, pointed out this discrepancy. Talking to Cherwell, he said, “The University and College Union is about to consider whether to accept a pay offer which would see a 1% increase for 2012-13 and 2% for 2013-14. That offer represents a further significant cut in the real-terms value of our members’ pay, losses which have been suffered annually for a long time.”

He continued, “It is therefore galling that the already high salaries of vice-chancellors, including our own in Oxford – salaries that are many times higher than those of most other university staff – are increasing by very large amounts. It is not that redistributing the Vice-Chancellor’s pay increase among those other staff members would give them significant increases, but more that we are not seeing much sense of collegiality and even-handedness.”

“Vice-Chancellors have demanding jobs, but all university staff share responsibility for the very important work of sustaining the teaching, learning, and research for which Oxford has such a distinguished record. The Oxford Magazine has looked to the Vice-Chancellor to take a lead in work to ensure ‘our well-being into the future as a world-class university founded on academic and democratic values’. Those values should surely include the principle of fair rewards for all those on whom that well-being depends.”

However, the University of Oxford has said that the Vice-Chancellor’s salary is simply a reflection of the university’s wealth and global standing.
A spokesperson for the university stated, “According to last year’s Times Higher World University Rankings, Oxford is the number one university in the UK and number two in the world. It is consistently ranked as one of the two best universities in the UK and among the handful of best universities in the world. Its research output is vast, it has an almost billion-pound-a-year turnover, not including the colleges and the Oxford University Press, and it has great institutional complexity. The Vice-Chancellor’s salary reflects that.”

This view is not necessarily shared by Oxford students. A member of the Oxford Activist Network, Xavier Cohen, said he thought the example of the Vice-Chancellor’s pay was indicative of what he termed the ‘marketization of education’.

He told Cherwell, “A democratically unaccountable and unelected technocrat takes charge and power away from the members of our university, when we have not asked them to, and frames this power in terms of a burdensome bureaucratic responsibility that they deserve tremendous remuneration for.”

“The VC’s pay and power effectively takes pay and power away from the members of our institution, and to fight this means fighting the anti-democratic neoliberal rationality that it comes from.”

Other students appear firmly in agreement with Cohen’s point. Katharine Baxter, Keble student and student activist in last year’s academic strikes, said, “In a year when striking staff have, effectively, been fined for participation in unionised industrial action it is unacceptable that Oxford Vice-Chancellor Andrew Hamilton is the second highest paid VC in the country.”

An Oxford NUS delegate Nathan Akehurst added, “Vice-Chancellors’ salaries have risen by 8% in the last years whilst lecturers have faced the longest sustained pay cut since the Second World War. Pay distribution in HE (and in society in general) is unfair, which is why NUS voted to campaign for managers to be paid a maximum of five times the lowest-paid worker’s salary.”

Despite receiving a pay-package which is just under three times larger than David Cameron’s salary of £142,500, Hamilton’s salary still falls short of that of the new director of the London School of Economics, Craig Calhoun.

According to The Times Higher Education, Calhoun received £466,000 in 2012-2013, making him the highest paid university boss in the UK.