Tuesday, May 20, 2025
Blog Page 1517

Freshers ‘black up’ at St Hugh’s

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Two St Hugh’s students caused controversy after ‘blacking up’ at a bop last Saturday.

The bop theme was ‘Song Titles’, and the students – both freshers – arrived dressed as ‘Ni**as in Paris’, after the Kanye West and Jay-Z song. Their costumes included ‘blacked up’ faces and signs around their necks saying ‘In Paris’.

The bop took place on Saturday 20th April. Cherwell understands that after another student advised them to remove the outfits, one did so, while the other remained in costume.

One of the students told Cherwell, “I would like to express my sincere regret for my actions. In hindsight I see that what I did was wholly unacceptable and a terrible misjudgment on my part. My intention was never to offend and I am deeply sorry for the upset caused.”

The other student also apologised, stating, “I am extremely sorry for my actions. I realise now that it was completely inappropriate and I had no intention of being derogatory or offensive.

“I did not consider the consequences of my actions and I thoroughly regret any offence caused. As soon as it was expressed that my actions were inappropriate I proceeded to remove the face paint.”

St Hugh’s JCR are carrying out an inquiry into the incident. Thomas Pope, JCR President, told Cherwell, “St Hugh’s JCR condemns racism in all its forms.”
Pope described the costume choice as arrising from “a severe lack of judgement”.

Several students criticised the costumes. Melvin Mezue, President of Oxford Africa Society, opined to Cherwell that he didn’t, “find [the costumes] offensive personally.” Nevertheless, he continued, “While I do not think this was motivated by hatred…I do worry about the lack of cultural sensitivity and emotional maturity displayed here.

“Our experience is that such acts are not uncommon around the university; it is likely a product of the way students are taught to imagine other cultures – as foreign objects and topics for consumption.”

Mezue said that the university intake needed to “properly reflect the contemporary cosmopolitan era” and that he “feared we can continue to expect this kind of behaviour.”

Oxford University rejected criticism of Oxford’s alleged lack of diversity. A spokesperson stated, “The University strongly condemns any form of racism, or any action – whatever the intent – which is potentially detrimental to good race relations.

“The University’s aim is to provide an inclusive environment which promotes equality and values diversity, and we believe that the overwhelming majority of students and staff share this aim and these values.”

The spokesperson continued, “We refute in the strongest terms the allegation that Oxford students are ‘taught to imagine other cultures as foreign objects and topics for consumption’. Oxford has a global reputation for its advancement of the understanding of other cultures.

“It is also one of the most international universities in the world, with staff and students coming from over 140 countries.”

The incident comes after Oxford University was accused of “institutional bias” by Labour MP David Lammy in February. Lammy’s comments responded to a Guardian investigation which reported that ethnic minority applicants were less likely to recieve an offer.

The Guardian found that in 2010-2011, 25.7% of white applicants received an Oxford offer, compared with 17.2% of students from ethnic minorities.

David Cameron has also previously criticised Oxford’s admissions records. In 2011, he branded the university “disgraceful” for apparently admitting only one black candidate. The University responded by branding the allegation “incorrect and highly misleading.”

Katie Colliver, OUSU VP for Welfare ands Equal Opportunity, said that the two students “should consider attending OUSU’s Equality and Diversity Training”, which is run termly.She condemned the choice of costumes, stating, “‘Blacking up’ for a bop is incredibly culturally insensitive.”

One St Hugh’s student, who wished to remain anonymous, said that he “knows both people involved” and defended them as “not racists, not even in the slightest — they are just very young and very immature.

“Obviously had they thought at length and with sensitivity then they would not have dressed as they did.”

Nathalie Cooper, a second year History student, opined, “What I find most upsetting is that [one of the students] was told it was insulting so she knowingly caused offence – she can’t claim what she did was out of ignorance”.

JCR motion throne out

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A motion was proposed at Balliol this week to buy the Iron Throne featured in the HBO TV series “Game of Thrones”.

The “Motion of Thrones” was originally put forward by Angus Hawkins and Josh Jones. The two JCR committee members’ motion argued that the JCR needed the throne because “Balliol College JCR currently lacks authority in the realm of Westeros” and “an Iron Throne can be purchased for only USD $30,000, with free delivery.”

However, after intense discussion, the motion was defeated due to concerns over the effect it would have on the JCR’s finances.

Hawkins told Cherwell, “Frankly, I’m shocked that it didn’t pass. I’m inclined to blame my co-sponsor Josh Jones, who betrayed me at the last minute and voted against the motion, in much the same way that the Mad King was betrayed by the Kingslayer, Jaimie Lannister. I subsequently removed his right hand in retribution.”

However, Jones argued in response “As important as I think it is for the JCR to own the Iron Throne, I will only ever pay the Iron price. As such, buying it using JCR funds would be against my Ironborn beliefs.”
The motion also sought to increase the power of Balliol’s JCR President, Alex Bartram.

In the wording of the motion, Bartam is referred to as “Alex of House Bartram, the first of his name”. Hawkins and Jones suggested “that strong Presidential authority is essential to orderly GMs” and that “The Iron Throne confers such authority.”

They further stated in the motion that Bartram was a far superior contender to the Iron Throne than Joffrey Baratheon.

There were mixed responses to the motion within Balliol’s JCR. Rebecca Hannon, a Balliol Game of Thrones fan, opined, “Although I would have loved to have seen the soughtafter Iron Throne of Westeros residing in Balliol, it was a lot of money so I can see why it wasn’t to be.”

The motion also contained a clause whereby a seven inch replica of the throne, costing £34.99 would be bought instead, if the JCR thought the life size throne too expensive. It was suggested by Hawkins and Jones that a smaller model “confers much the same advantages”.

However Richard May, a committee member of the JCR told Cherwell, “The motion said that the committee could buy the 7 inch replica instead if they judged the $30k one too expensive, but someone pointed out that it would be unconstitutional for the committee to overrule the JCR like that, so if it passed we’d HAVE to buy the $30k one.”

At the time of print $30, 000 is equal to just under £20,000.
Despite the expense many of the students supported the motion.

Richard further opined, “Half of us thought it would be hilarious, and the treasurer supported it too. But enough people were boring and sensible to kill it.”

Although the throne featured in the series is meant to be made out of swords, the replica version is made out of fiberglass. The HBO website boasts that it is seven feet tall and that “calling it ‘impressive’ in an understatement”.

The GM motion also said, “Winter is coming” and “Where are my dragons”.

Haven’t they Don well?

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I arrived to interview Don Broco before their sold-out headline slot at the O2 Academy last Wednesday to find fangirls already sitting on the pavement. Since the release of the band’s hook-heavy debut, the album and their live reputation have added to their gathering momentum, which was easily seen in the line starting to snake down Cowley Road. The band were running fashionably late, of course, so I hid at the back of soundcheck and waited.

I spoke, ensconced in the maze of corridors that is backstage at the O2, with the lead singer, Rob Damiani. The tour has seen them headlining in places that they came to in support of other bands not long ago and Damiani seemed almost surprised by their rise, describing it as ‘amazing’ when you consider that they ‘were putting on (their) own shows a few years ago and would turn up just hoping there’d be a few people to play to’. This is partially due to the success of the album, from which the fifth and final single ‘Whole Truth’ will be released on April 22nd. The single also has a ‘Club Sex’ remix which is a name the band used to play under for two or three shows when they first started- it was discarded for fear they’d be ‘pigeonholed’, which is fair enough when you consider that the name apparently sprang from a ‘lads holiday in Kavos’.

It would be unfair to dismiss Don Broco as just being ‘laddish’- although the content of many of their songs and videos could be said to fit that description. Throughout the interview Damiani came across as someone who felt that the band shouldn’t be tied down to one style or genre- when asked who he’d like to collaborate with, he named Diplo; when asked who he’d like to see down at the front of one of their shows he said ‘George Clooney looking dapper’. This particularly came through when asked about lyrics- in particular on ‘Back in the Day’, which was written during the riots- and whether he could envisage any more politically-minded songs. Here he strongly declared that ‘I like to not give myself any limitations when it comes to our music’ although he also described himself as not ‘particularly politically-minded’ and this comes across in most things the band do. They’re no concerned with labels- they’re confident in themselves and their ability.

What can we expect next from the band? Apparently work on a second album is underway, although there’s nothing more than ‘a few demos’- at this point we were interrupted by a very cute puppy which was duly cooed over in a perhaps slightly-less-than-rock fashion by both of us, stunting any talk about a possible album. Don Broco’s next single ‘Whole Truth’ is out on Monday April 22nd and their debut album ‘Possibilities’ is out now. The band are heading out to Europe to support We Are The Ocean and they’re thinking about ‘one or two’ big UK festivals but ‘can’t say anything’ yet… I, for one, will definitely be keeping an eye out.

Styles stays a-Float

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This is a time where New York City, not-withstanding the throwback attempts of the pro-era crew, is losing it’s rap identity. But Styles P’s latest album Float seems to have evaded the recent emerging trends, primarily by shunning the usual checklist of hip-hop’s current A-list producers and rap tropes. He helps himself by not pandering to the domineering Southern ‘Trap’ style increasingly etching its way into the fabric of many New York rappers such as French Montana and A$AP Rocky.

Given this, Styles P attempts to pay hom- age to the New York boom bap style of the 80s with ‘Take it Back’, though the Maytals sampling feels out of place in the middle of a rather gritty, underground-sounding record. Nonetheless, Float is stripped to the bare bones with fellow LOX member Scram Jones producing every song. This allows for a conceptual constant and common sound largely lost in many contemporary rap albums.

Fans of a time when rappers sought to illustrate the trials and tribulations of an overworked drug baron will find solace in the early parts of the album with tracks such as ‘Manson Murder’ and ‘Bodies in the Base- ment’. By ‘Red-Eye’ Styles, however, takes a well-earned vacation from all his stress, lavishing in ‘Audemars and Oyster Perpetuals’. On ‘Reckless’, Styles takes time to assure us “I’m a criminal rappin’” and, given that this is his eleventh musical project, it appears these bois- terous claims are the ones that fans have found consistent comfort in. Styles P’s astute lyrical talent does remain on show throughout the album, beckoning through Jones’ simplistic but thuggish, head-nodding productions. This, complemented by brief appearances from old accomplices such as Jadakiss and Wu-Tang’s Raekwon, make in total for a very inoffensive but listenable work.

Download: Take it Back

Listen here

We’re sick of Steve!

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Seasick Steve is back with his sixth offering, Hubcap Music, which, he explains on a handwritten press release complete with coffee stain, is titled due to his latest hand-made musical creation, a guitar made out of two hubcaps and a garden hoe. His oth- er instruments include the infamous “three string tri-wonder” and the “Mississippi stomp box” which were both featured on his break- through performance of ‘Dog House’ during Later with Jools Hooland in 2007. From here, Steve was catapulted to late-life fame with “I started out with nothing and I still got most of it left…” -a characteristically wry understatement; he’s worked on Hubcap with John Paul Jones of Led Zeppelin, as well as Jack White.

The album maintains Steve’s down-to-earth vibe commencing with ‘Down on the Farm’, complete with tractor and some classic pow- er-blues which can’t help to put a smile on the face of even those in the Cherwell offices, whether ironic or not. The influence of Jones can be felt with some memorable and well- delivered bass lines, especially on this open- ing track, complemented by Dan Magnusson’s stick-work, who’s affectionately described as “still banging on the drums and still banging down the wine”.

The problem with Hubcap centres around two main, and key, aspects of the album’s conception and production. First and foremost, it is simply far too produced and, even though Steve claims to have recorded the album from “old fashioned tape to vinyl” tracks, just sound too well worked out for a true blues record. It is almost like a cheesy 80s synth interpretation of blues rather than the true product. Steve seems to have fallen into the Mumford & Sons trap, whether pres- surized by record company bosses or not, of finding a formula and sticking to it. The only problem is that we’ve all heard it before.

Download: ‘Over You’ Released April 29th

 

Tiddlywinks strikes again

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The tiddlywinks varsity match will take place on 4th May at Exeter College.  The Oxford team consists of about half a dozen students, who hope to sustain the tradition of claiming quarter blues for their achievement.
 
The team have been training hard: they practise most evenings and often continue until dawn.  One member, Sonia Morland, divulged how “years of hard work have gone into this…undoubtedly the most prestigious Varsity competition.”
 
Other team members were also keen to share their excitement with Cherwell.  Joe Price labelled the sport as “the activity this year for which I give a flying flick.”  His sentiments were echoed by Kostas Chryssanthopoulos, who commented, “We are all keen to use our magic fingers to get those winks to sing.”
 
Anticipation is certainly in the air; Crawford Jamieson said, “There is a general feeling within the team, and around Oxford, that this is the Varsity event of the millennium.”
 
Other Oxford students, however, proved more sceptical. Nieaogeumh Burns, an Irish student, said, “I don’t even know what Tiddlywinks is, and I don’t care to know”.  
 
Indeed, Tiddlywinks no longer enjoys the high profile on the university sporting scene that it once did.  The official Oxford University Tiddlywinks Society, formed in 1958, has since been disbanded; their award of quarter blues is not recognised by the blues committee.
 
“Tiddlywinks, it sounds like… It sounds…” trailed off Izabela Karasinska-Stanley, a first year student at New College.  It was with a note of bitterness that one student said, “It’s not a sport that anybody plays in state schools.”
The stakes are high: Oxford has only won the Tiddlywinks Varsity cup four times.  The last Varsity match in 2011 saw a 99-13 Cambridge victory, after which the Oxford president was forced by the rest of the team to resign.  
The Cambridge University Tiddlywinks Club manifesto even states how its purpose is “to put the willies up Oxford University Tiddlywinks Society, should it exist, at least once a year.”
 
Cherwell wish the Oxford Tiddlywinks team the best of luck next Saturday, and remind them that, in the words of Muhammed Ali, “Champions are made from something they have deep inside them – a desire, a dream, a vision.”

Wales of despair from Torfaen MP

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The Welsh government’s Oxbridge Ambassador said this week that greater ambition was needed from teachers and students to combat declining Welsh admission rates at Oxford and Cambridge. 
 
Paul Murphy, former Welsh Secretary, was appointed as Oxbridge Ambassador for Wales after talks with the Welsh Minister for Education Leighton Andrews last month. 
 
Murphy made the comments in relation to statistics published in a report by his office which show that just 75 of the 424 Welsh students who applied to Oxford in 2011 were successful, compared with 84 out of 397 applications in 2007. 
 
Murphy said to the BBC earlier this week, “I’m sure there are lots of youngsters who would like to go but don’t know how to go about it. It’s getting rid of the fear of the perceived elitism when they go there. Unless we up the pressure on schools and colleges in Wales to do this, then it’s not going to do anything about it.”
 
Murphy, who studied History at Oriel College, has in the past said that students from the south Wales valleys are five-times less likely to apply to Oxford or Cambridge than students in some of the more affluent English counties. In a letter to the South Wales Argus published on Sunday, Murphy wrote, “As a working class boy from the valleys who was given the enormous opportunity to study at Oxford, this concerns me greatly.”
 
Murphy suggested Welsh admission rates have fallen dramatically because several “challenges” which needed to be overcome. Another report published by his office placed some of the blame on the Welsh Baccalaureate (WBQ), stating, “Discussions with admissions tutors raised concerns with the Welsh Baccalaureate (WBQ).” Oxbridge expect prospective students to have studied three subjects at A-level but many Welsh students taking the WBQ will only do two. Speaking to WalesOnline, Owen Hathway, policy officer for NUT Wales denied claims that Welsh teachers lack Oxbridge ambition, stating, “It is certainly not a case of lack of ambition from their teachers holding them back.” Oxbridge have recently made attempts to reach out to Welsh students and held a joint conference last year in Swansea which attracted more than 1,000 pupils. 
 
Jesus has traditionally been regarded as Oxford’s “Welsh College”, with more than 15 per cent of current undergrads coming from Welsh schools. One third-year student told Cherwell, “The statistics are pretty clear but I have no doubt that the Welsh student community in Oxford will remain strong in spite of this decline.”

"Subtext of racism" in universities

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A new report has found “a definite underlying subtext of racism” in British universities, according to its author, Dr Kalwant Bhopal, reader in education at the University of Southampton.

The paper, due to be published June, found that an overwhelming number of academics considered race to be the biggest barrier to career progression.

She said, “Speaking 20 years since the murder of Stephen Lawrence I am surprised at how little progress has been made. There are signs of improvement, but we are progressing in small steps.”

She continued: “The statistics show that most ethnic minority academics are concentrated in post-1992 universities. But the problem of racism is widespread; it is not only confined to Russell Group or elite universities”.

Of the 65 individuals surveyed, only two had reported that they considered gender a greater barrier than race to career progression, both of whom were from a mixed race background. It is thought that only one university in Britain – Liverpool Hope – has a Chancellor from an ethnic minority group.

However, Bhopal said that her research had found that ethnic minority academics not only felt excluded from career progression, but discriminated against through more subtle means. She said that many of those surveyed reported that the body language or lack of eye contact of their colleagues had left them feeling excluded.

“One of the individuals I interviewed recounted that some people were surprised to find that she was black after speaking over the phone”, she said. “Such forms of racism are very hard to prove”.

A spokesperson for Oxford university told Cherwell, “We do recognize that black and other minority groups are under-represented at most academic levels. However, this is also true across most leading universities, higher education in general and in many other sectors

“The overall proportion of Oxford University academic staff declaring themselves as black and minority ethnic is 6.3%, which compares with national figures for academic staff of 6.7%. 7% of the UK labour force identify themselves as BME”.

In 2005, an internal Oxford report found serious failings in attracting minority candidates to administrative positions at Oxford, and recommended immediate action.

However, Dapo Akande, a lecturer at St Peter’s College of African ethnicity, told Cherwell “I have worked in several universities in the UK and the US and have found each of them to be pleasant environments to work in. I would not say that race or racial discrimination has been a barrier to career progression in my case.”

In recent months the university has undertaken a comprehensive audit of ethnic minority staff. The university also said that it reviews its Race Equality Policy on an annual basis, and has sufficient measures in place to ensure the wellbeing of its staff.

Ibaad Aleem, a British-Pakistani student studying at Hertford College commented: “I wouldn’t think anyone would find race a deterrent from academia in the modern world”. He added: “Personally I don’t really think about the race of the people around me”.

Opportunity bursary delay

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Students who receive the Oxford Opportunity Bursary will have to wait an extra week to receive their payment for this term.
 
In an email, receivers of the bursary were told that the instalment due to be made in 2nd week will now only be made in 3rd week.
 
The bursary offers non-repayable support to Oxford Undergraduates from lower income households, usually UK nationals. It is paid, on a sliding scale, to undergraduates with a household income under £25k.
 
The highest amount offered is £3,225 a year, meaning some students could be short by over £1000.
 
A University spokesperson told Cherwell that the delay is “the result of an error in ensuring the correct amount of time was allocated for the Student Loans Company to process students’ attendance and release bursary payments, and has resulted because of changes to the process by which the SLC activates students’ bursary payments.
 
 “The University apologises profusely for its part in the delay to the payments and has contacted all colleges to request that students are given leeway in paying college battels and other charges that might be affected by the late payment of bursaries.”
 
The University also stressed to Cherwell that students with concerns about their immediate financial situation should “get in touch with the Student Financial Support team or their college bursary office for further guidance.”
   
One receiver of the Oxford Opportunity Bursary, Ryan Widdows, a 2nd year historian at St Anne’s, asked “What about the monetary wellbeing of those of us who have too much of a thirst for reckless gambling and drinking? We can’t survive that week.”
 
Another receipient of the bursary told Cherwell, “When I got the email telling me that my bursary would be over a week late, I was really pissed off. The euphimistic way which the University described its obvious cock-up as ‘an unforeseeable technical error’ really grated. 
 
“It seems they don’t realise that this is actually a significant amount of money and will actually affect students.”