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Very long life for Very Short Introductions

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Oxford University Press are set to release the 300th Very Short Introduction title in January 2012.

The series, which first began publishing in 1995, is described by OUP as making “challenging topics highly readable” and covers a vast range of subjects in all areas. One of the main features of the series is the fact that the books are written by authors at the top of their field, who condense their knowledge into a small and easily digestible volume.

The series’ website encourages readers to ascertain the “gaps in your knowledge” in order to identify those titles you should consider.

Unsurprisingly, the VSI series has proved popular with students, offering an easy in to an unfamiliar subject. Third year historian Emily Gill described the books as “great” and said she found them a “really useful” source for approaching a new module.

Also set for release in 2012 is the Very Short Introduction app. The app will be free and it is hoped will introduce the series to new readers. Its content will include summaries of all titles along with a sample chapter of each, as well as questions written by the authors to encourage and direct readers’ thoughts on the topics covered by the series, and “Meet the Author” videos.

The 300th title will be “Film”. To date, the most popular titles are those on Buddhism, Globalization, and Literary Theory.

Oxford remembers Christopher Hitchens

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Christopher Hitchens, literary critic, journalist and polemicist died from oesophageal cancer on Thursday 15th December, aged 62, sparking a widespread outpouring of grief and mourning.

The author, particularly well known in later years for his bestseller God is not Great (2007), often starkly divided opinion. However, his death united many critics in praising both his intellectual vigour and his courage in facing death.

Born in 1949, he matriculated at Balliol College in 1967, graduating in 1970 with a third-class degree in PPE. One contemporary of his, Richard Heller (Balliol PPE 1966), remembered a Balliol JCR that was “shared at night between politics and poker”. As a poker player Heller often ignored the political section “which tended to be dreary and derivative as various Marxist sects asserted their unique right to provide a vanguard leadership to the revolution in Oxford University”.

However, “one voice from the political section could make the poker players look up from their cards”, that of the young Chris Hitchens (as he styled himself then), “he was ironic, he was funny, he could mock himself as well as his opponents”. Even though they belonged to the two separate sections of the late night Balliol JCR, Heller was “glad that I witnessed the early training of the finest polemic writer since Orwell“.

Hitchens was certainly a memorable figure, as Balliol Master Sir Drummond Bone, who was a member of the MCR while Hitchens was in the JCR, can confirm. He told Cherwell that despite the separation “I knew who he was even then – who didn’t?”

Hitchens also managed to maintain a strong relationship with Balliol in his later years, through the ‘Pathfinders’ scheme, in which ex-finalists travel around America, liaising with a network of old Balliolites. Although he had given up hosting the students a few years ago, he remained ever-committed and personable.

Greig Lamont, who left Balliol in June 2011, had asked Hitchens for assistance in relation to some potential work in Iraq, “I emailed from the west coast, out of the blue, whilst he was laid up in Washington post-op. He replied within hours with nothing but help, suggestions and a list of people I should get in contact with”. Lamont also felt “greatly touched by the warmth (he always ended his emails ‘fraternally’ or ‘love Hitch’) with which he greeted a stranger’s request for help and advice”.

Current students also mourned his loss. Jonathan Scott a 3rd year Balliol student, praised him as an intellectually inspiring individual “partly because he’s obviously very clever, and had an incredible turn of phrase, but mostly because nothing was sacred to him”. He also pointed to Hitchens’ intellectual consistency, especially regarding his decision to support the Iraq war, often seen as a turning point for many of his former friends on the left. He stated that “in hindsight, he can perhaps be accused of errors of fact or of prediction, but probably not inconsistency of principle”.

Anirudh Mathur, a first year PPE student, also agreed on the issue of Iraq, saying it was “important to distinguish that he was one of the most vocal critics of how the war was actually carried out, even if he was a liberal interventionist”.

Hitchens was diagnosed with cancer in June 2010, announcing it publicly in a piece for Vanity Fair entitled ’Topic of Cancer’. His approach to death was much the same as his approach to life, referring to the cancer as “something so predictable and banal that it bores even me”. Hitchens died at a cancer hospice in Houston, Texas and leaves behind his wife, three children, many friends and countless admirers.

Britain on the edge

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Britain woke up last Friday weaker and more isolated, after Prime Minister David Cameron vetoed new European Union treaty changes at a meeting billed “the summit to save the Euro”.

When later defending his actions in Parliament, Cameron claimed he went to Brussels with one objective, “to protect Britain’s national interest”. But that is exactly what he has failed to do. Cameron has undermined British power within the European Union, granting France their long-standing wish of a Europe with them in the cockpit and Britain on the side-lines. Speaking to Reuters, one senior EU official said, “This is not just a long-standing desire, but a long-standing goal of French politics… because in the French tradition Britain never really belonged to the European Union, dating back to De Gaulle’. Sarkozy now has the opportunity to guide France towards a smaller, more integrated Europe run by a Franco-German alliance. This gives French tendencies towards trade protectionism and state intervention in industry greater clout, at Britain’s expense.

This veto also has diplomatic ramifications beyond European borders. The Anglo-American relationship is built in part on our influence in Europe and our ability to act as a bridge between Washington and Berlin and Paris. It seems unlikely Obama will be enthusiastic to continue a privileged relationship with Britain over Europe when Britain is on the periphery. Similarly, William Hague’s strategy of pursuing diplomatic ties with the rising BRIC nations also partly relies on our sway in the single market, which is of importance to the rising industries of these nations.

Not only has Cameron united Europe against him, but he has also failed to win a veto over EU financial services legislation, leading many in the City to question whether their interests have in fact been protected at all. Britain may also now struggle to get support to oppose financial regulations when they come to a vote of the full council. All financial regulations are subject to qualified majority voting, which means that countries must build alliances to oppose a decision – something Britain may now find it difficult to accomplish. 

But the City not only needs Britain to be able to influence European policy, it also needs it to endorse the European project. In a letter to the Financial Times, Tom Brown, senior credit executive at Norddeutsche Landesbank, said the City would be “finished” were it not in a single market with freedom of movement of capital and people. It is not only the single market which is of great importance to the City, but the survival and health of the Euro which is vital to our prosperity. The breakup of the Euro would be so catastrophic for the British economy that the Bank of England says it is unable to even model the scenario. Martin Wolf, chief economics commentator at the Financial Times, has previously estimated that between 20% and 30% of European GDP could be lost should such a catastrophe occur. Britain’s primary concern in these deeply uncertain times must be to protect the Euro and yet the use of the veto did nothing but further destabilize the European economic climate.  

What is becoming clear is that this veto was not the action of a prime minister acting in the national interest, but one acting on far more narrow political interests. For the German and French leaders, it was politically impossible to provide special treaty exemptions for the industry that caused the financial crisis in the first place, so how has it become acceptable in the UK? Admittedly, the financial services industry in Britain is the largest in Europe and accounts for 7.5% of GDP, while a recent survey by PricewaterhouseCoopers commissioned by the City of London Corporation shows that Britain’s financial services firms contributed 12% of all government tax revenue in the 12 months through March. But as Will Hutton pointed out in his Sunday piece for the Observer, only a small portion of the industry was threatened by the treaty. This proportion includes much of the casino dimension of the City, whose actions were most to blame for the financial crisis. It is therefore worrying to consider Cameron’s actions in light of last week’s Financial Times investigation, which revealed that the Conservative party received over £14m from hedge funds in the past 10 years, with donations shooting up since the financial crisis began to hit. 

But the truth is that though Cameron is acting in the interests of a minority, he is supported by a majority, both in his party and the public at large. A poll for the Mail on Sunday found 62% of respondents support Cameron’s move, with only 19% saying he was wrong. The latest Ipsos Mori poll found the Conservatives to have overtaken Labour for the first time this year, as Cameron enjoys a bounce from his use of the veto. And yet such opinions are unsurprising when polls reveal how misinformed much of the British public is over Europe, with Britons on average estimating Britain loses out by 19% in EU contributions. In reality, we contribute only 0.12% more than we receive back in tangible benefits. The unquantifiable benefits are much larger. 

Cameron’s veto was a diplomatic failure that gained us nothing and damaged British interests at home and abroad.  As the Eurozone crisis rapidly evolves, it remains to be seen whether the damage can be undone. Just this week, France was threatened with a downgrade of its AAA credit rating and a war of words ensued between Paris and London. In such volatile economic conditions, it is perhaps the hardest it has ever been to predict long term political outcomes.


Wish Want Wear

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This time of year is for socialising and everyone wants to look their best. Buying dresses can be expensive, but there is another way. Renting your dress can be the easiest way to look great in designer, make sure no one else is going to be sporting the same outfit as you, and most importantly, save a bit of cash. So whether you have a Christmas party to attend or a New Year bash to tear up, or are even already panicking about dresses for balls coming up in Hilary and Trinity, companies like Wish Want Wear can be a great option.

 

 

As featured in the Keble ball shoot in Cherwell at the end of Michaelmas 2011, Wish Want Wear is a designer dress rental company set up by three women, fed up of forking out their student budgets on their clothes’ obsession, who decided to provide an affordable option for girls to wear stunning dresses by designers they could not usually afford to buy. They have a selection of new season dresses from brands such as Temperley London, Halston Heritage, sass&bide and Catherine Malandrino – so you never have to be seen wearing the same dress twice.

 

 

Choosing a dress on a budget is always a dilemma. Finding elegant full length dresses from high street chains is tricky but guaranteeing that no one else will have found the same dress is impossible. Furthermore, the dresses on sale often cost anywhere between £100 and £200, a vast amount to spend on a student budget, particularly given that no girl wants to wear the same dress to the same event 3 years running.

 

 

WWW deliver the dress direct to your door and you can select an alternative size for free, so if one doesn’t fit you won’t be left without an outfit for your event. After wearing, all you need to do is slip the dress back in the prepaid package and take it down to the post office. WWW even take care of the dry cleaning for you.

 

 

WWW lent the Cherwell dresses for the Keble Ball fashion shoot and this Hilary WWW stylists will be coming up to Oxford with a selection of dresses in various sizes from the site to try on at our “Dress Clinics”, free of charge. If you then decide to rent a WWW dress Keble Ball guests will receive an exclusive discount, making your dream dress even more affordable.

 

 

To get you started, here’s a Christmas present: you can get 10% off all rentals using the discount code KIRAUDANGELCAM3SD05, until your ball discount arrives!

 

 

Wish Want Wear is running a new “Angels” initiative at universities across the country. Angels act as student representatives for the company on campus, organising events and promoting WWW to fellow students. They also get invaluable access to internships at WWW, and for every customer they bring they receive credit, effectively giving them free access to WWW’s incredible online wardrobe.

If you would like to find out more about becoming a WWW angel, apply online at www.wishwantwear.com/angels, or contact one of the two current Oxford angels: [email protected] or [email protected].

We are currently organising a number of events for Hilary Term 2012, including the official Wish Want Wear Oxford launch, and would love to hear from you!

 

Stocking Fillers on a Shoestring

 

Hand Food and The Daily Smooth Miniatures by Soap and Glory, £2.35 each

 

 

http://www.soapandglory.com/products/travel/minis

 

 

These Soap and Glory miniatures cost £2.35 each and are part of a range of mini products, so there are plenty of options to mix and match for under £5. We chose Hand Food hand cream and The Daily Smooth body butter, and were impressed by them both. Hand Food absorbs quickly into the skin, leaving it smooth and soft, so it’s perfect if your hands are suffering from the cold winter weather. It also smells gorgeous thanks to a combination of shea butter, macadamia oil and marshmallow. The Daily Smooth also has a fantastic scent, which we’re putting down to the rosehip seed oil and cocoa butter in the ingredients. Like Hand Food, The Daily Smooth feels very rich and is easily absorbed, so it leaves your skin feeling nourished rather than sticky or greasy.

 

 

 

Model’s Own Nail Polish in Magenta Pearl, £5

 

 

http://www.modelsownit.com/nails/nail-polish/all-nail-polishes.html

 

 

Two coats of this shimmering combination of deep pink and purple is enough to create a beautifully shining colour for your nails. It has just the right amount of sparkle to give you a festive look for the holiday season, and the jewel colour is surprisingly versatile, helping to brighten up most winter outfits. Use a good base coat and top coat with this polish to make it extra long-lasting and glossy.

 

 

 

Spiced Vanilla Lip Balm by The Body Shop, £4

 

 

http://www.thebodyshop.co.uk/_en/_gb/catalog/product.aspx?ParentCatCode=C_Christmas&CatCode=C_Christmas_SpicedVanilla&prdcode=89315m

 

 

The wonderfully rich scent of this lip balm is reminiscent of Christmas markets and the festive season. It feels nourishing on the lips, so is great for use over the colder months and is a very handy staple to keep in your bag. Apply it as needed throughout the day to stop lips from becoming dry and to give them a subtle colourless sheen which also looks pretty when gently dabbed on over a matte lipstick.

 

 

 

Glam’Eyes Quad eye shadow in 19 Sun Safari by Rimmel, £4.99

 

 

http://www.boots.com/en/Rimmel-GlamEyes-Quad-eye-shadow_1189565/

 

 

Bring a bit of winter sun into your Christmas holidays with this sparkly eyeshadow palette. A steal at its current offer price of £4.99 at Boots, the Glam’Eyes range comes in a variety of colour combinations with recommendations based on eye colour. We think this is a really good idea – buying make-up as gifts can be hard since everyone has such different colourings, but now all you need to know is the colour of the recipient’s eyes and you’re set! We think that Sun Safari’s shiny golds and browns would suit anyone – it’s perfect for a pretty yet natural look for Christmas day.

 

 

 

The Jilted Elf Shower Jelly by Lush, £3.95

 

 

https://www.lush.co.uk/product/5697/Jilted-Elf–Shower-Gel-100g

 

 

What could be more festive than bright green shower jelly? Many things, perhaps, but for those uninitiated in the world of Lush this will make a fun and unusual present. A multipurpose gift (it can be used as a shampoo as well as a shower gel), its wibbly wobble makes showers a joy. The Jilted Elf’s scent isn’t for everyone and is hard to describe – it’s made up of cinnamon leaf oil, grapefruit oil, ginger oil and vodka! Give it a try: if you like what you smell this could be the ideal stocking filler. After all, what could be better than some alcohol-based indulgence without the hangover?

 

A post-card from Spain

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Moschino is definitely a name with resonance, but the Italian fashion house has outdone itself with their upcoming spring/summer collection. The post-Hispanic statement they are proposing is flamboyant, edgy and some might say eccentric.

In their autumn/winter 2011-2012 collection, Moschino reinforced the concept of feminine emancipation by creatively redesigning some very masculine pieces and cuts (blazers, trench coats and even a full tuxedo) to fit the hourglass figure. For their irnext season they are taking this same idea even further, focussing on a more specific and extravagant concept.

Their main source of inspiration is a Spanish classic, the torero costume. They have broken it down and rebuilt it for the 21st century women. Spaniards call it ‘traje de luces’, or suit of lights, and that is exactly what Moschino has done. ‘La chaquetilla’ the short jacket, with shoulder reinforcements is intrinsic to the look. The cut is straight and firm, the jacket having a high waist and shortened sleeves. The level of detail is extraordinary, including very fine embroidery and beading; this is placed over a white shirt, and accessorised with big black silk ribbons around the neck. To keep it feminine, the bottom is either a pair of high-waisted, tight, black trousers or an incredibly short skirt showing the same level of detail. This look can be copied on the high street with boxy jackets, frilly shirts, or even ribbon and bow details. Already flowing blouses with bow detail can be found on the high street in stores such as the suitably Hispanic Zara.

When Moschino were not reinventing the bull-fighting costume, they were inspired by traditional Spanish dresses, taking in ‘gitano’ influences. Here we have floral models, with even leather tassels, frills. Thus the dresses in this collection are very feminine, passionate and essentially Spanish. Channel the free-spirited and very feminine flamenco dancer.

Moschino has chosen a strong and suitably noble palette for this collection, basing their creations either on a monochromatic base with golden details, or a bright yellow base with black embroidery. The accessories in use are bright and bold with stacked bracelets and huge jangling gold earrings, a very affordable way to get to terms with this trend.

Overall the whole collection seems like a postcard from Spain; as powerful as the matadors, and as energetic as a flamenco dancer. Spring for Moschino is bright, detailed, and glamorous to its golden core. It is passionately Spanish.

 

Review: Amy Winehouse – Lioness: Hidden Treasures

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Why do all the good ones go before their time? Amy Winehouse, a beautiful voice and a musical tour de force, shall be dearly missed. This short life saw a troubled superstar that fought hard against her addictions to drugs and to alcohol, that all ended in tragedy on July 23rd. Winehouse’s death from alcohol poisoning, makes her, like Kurt Cobain or Jimi Hendrix, a member of the 27 club.

 

Winehouse’s music is widely acclaimed as being poignant and emotionally raw. Lioness: Hidden Treasures, her posthumous album, compiled by long-time musical collaborators Salaam Remi and Mark Ronson, is no exception. This is the follow-up to 2007’s Back to Black, the multi-Grammy winning, multi-platinum international powerhouse. Some of the proceeds from this posthumous album will go to the Amy Winehouse Foundation set up in her name by her father Mitch to help youth orientated charities around the world.

 

The twelve tracks of the album are essentially an assortment of alternate takes of existing classics, previously unreleased tracks in addition to several new compositions by Winehouse. The album begins on a happy, coherent note, ‘We’ll have everything/We’ll share the joy falling in love can bring.’ This is Winehouse’s reggae-tinged jaunty, sassy rendition of Ruby & the Romantic’s 1963 classic ‘Our Day Will Come’ recorded in 2002, right at the start of Winehouse’s music career. The track is bursting with romanticism and hope.

 

The album also features a bracing attempt at Carole King’s ‘Will You Still Love Me Tomorrow’. I felt that the militant drumbeats in Winehouse’s version are rather out of place, and somewhat mar the track. Winehouse’s previous version of this track is featured in Bridget Jones Diary: The Edge of Reason, and is to my mind subtler. The Zutons’ ‘Valerie’ is another reworked track: this incarnation is delightfully playful and perhaps even better than the original. Alternate renditions of ‘Tears Dry’ and ‘Wake Up Alone’ also make it onto the album: the former set as a ballad, while the latter is significantly more pared back than the original. This allows her powerful vocals to shine, accompanied only by the acoustic guitar and laid-back beats. Winehouse’s last ever recording was made with iconic crooner Tony Bennett on a version of ‘Body & Soul’. This is a more traditional piece that works very well.

 

Other standout tracks include ‘Halftime’ and ‘Like Smoke,’ both new compositions. ‘Halftime’ is exquisite, a languid, 70s sounding track that oozes soul.  In contrast, ‘Like Smoke’ features Nas’ succinct raps that complements Winehouse’s brutally honest lyricism ‘I never wanted you to be my man/ I just wanted some company.’
The heart-breaking album ends with her impassioned cover of the legendary Donny Hathaway’s  ‘A Song For You.’ Winehouse’s emotional version of this classic tune is heart-wrenching and haunting.

 

This compilation album is yet more proof of Winehouse’s tremendous talent and what immense potential she could have achieved. Fans of Winehouse will no doubt miss this girl’s unique vocals and her gift for songwriting. However, this final album may provide some slight consolation, only a few months after we said goodbye to this sublime singer/songwriter.  Let’s be frank, her legacy will continue to live on.  

 

Cherwell pays tribute to Christopher Hitchens

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As news arrived early on Friday morning of the untimely end of Christopher Hitchens, commentators, friends and admirers rushed forward at an extraordinary pace to offer their tributes and memories. While their quality (and levels of affection) vary, what does not is the huge admiration and respect that this great journalist inspired in everyone he encountered. The sheer volume of personal anecdotes and essays that have flooded the internet reflects this. Hitchens had an astounding ability to express his mind so clearly that upon reading him – and especially upon meeting him – you couldn’t help but feel you knew him intimately. 

Though frequently described as a ‘public intellectual’, he was as far as one can imagine from the superficial or pompous implications of such a term. As thousands of words pour out from across the world in tribute, it is becoming increasingly clear that here was a man of great generosity, encouraging and engaging with everyone around him, regardless of their status or lack thereof. He relished people almost as much as he relished the page. 

Personally, I met him only once, to interview him for Cherwell in May 2010. As with every other story circulating from the people who knew him, he was unfailingly polite, engaged and attentive. This level of courtesy and engagement was made all the more impressive by the fact that the interview itself was an impromptu affair conducted in the back of a taxi, the result of a nervously garbled request from me at his book-signing the night before. As his flight-time approached, he casually predicted several events that at the time seemed highly unlikely, including Ed Miliband’s ascent to the Labour leadership and Sarah Palin’s withdrawal from the presidential race. He was, as ever, dazzlingly interesting (his memoir relates his mother’s assertion that the “one unforgivable sin is to be boring”), despite what I thought, from looking at him, that he must have had a heavy night. 

In fact, this was mere weeks before his diagnosis, and though I had no awareness of the malignant cells silently attacking him from within somewhere between his shoulders and his chin, it was impossible not to notice that he didn’t look well. He certainly looked far worse than a man who’d only recently turned sixty. He smoked one cigarette just before entering the taxi, and immediately lit up several more upon exiting; I told him that I thought he had quit, but he merely shrugged and said, “I have.”

As the taxi travelled quickly out of Oxford, we were soon surrounded by traditional looking countryside, and it doesn’t seem too sentimental to recall the Hitch observing this English greenery with affection. I asked if, being an American citizen now, he returned to these parts much, and he left a pause while still looking out at the fields. “Not as often as I’d like.” Of course, neither of us knew that I was accompanying him in his final moments on British soil. After we arrived at Heathrow, he topped up his nicotine levels and invited me to accompany him as far as security would allow, and the conversation was only stopped by airport officialdom. There was no reason to think that it might not continue on his next visit to his country of birth – a visit that, of course, never happened. 

Following his cancer diagnosis, I emailed him to express my sympathies and send him the finished article, and (as seems to be the case with everyone who contacted him) he sent a prompt reply: 

“I was just beginning to suspect that I might be unwell on that trip, though I had no idea how much danger I was in. You are very generous to describe my conduct as courageous: I don’t have many options and the exit marked cowardice doesn’t seem very clearly-marked in any case, even should I wish to take it. I think the word courage is to be reserved for people who guard polling-places for women in Afghanistan, say, rather than those who come to see what they already knew, which is that the word inevitable means what it says.

“That said, I have some brilliant and resourceful physicians who have given me good reason to hang on, and also made the whole misery a lot less fucking boring than it might otherwise have been.”

Regardless of what he might have thought, courage is undoubtedly the best word for the Hitch, as his brother Peter wrote on Friday: “Courage is deliberately taking a known risk, sometimes physical, sometimes to your livelihood, because you think it is too important not to. My brother possessed this virtue to the very end, and if I often disagreed with the purposes for which he used it, I never doubted the quality or ceased to admire it.”

Finally, amongst all the tributes that have poured out this weekend, it is necessary to correct what I believe to be certain falsehoods: he was not a contrarian; he never gave an opinion on subjects he knew little about (such as climate change, or healthcare), advising me, “where you’re not sure what you’re talking about, you’re well advised to shut the fuck up”; and, despite Nick Clegg’s fawning tribute to him, the Deputy Prime Minister may be disappointed to learn that, as an intern for Hitchens, he made little impression: “I don’t remember him very well. I remember better Eddy Miliband [also an intern at The Nation].”

The rest, I leave to those who really knew him; the tributes of Ian McEwan, James Fenton and Christopher Buckley are particularly impressive, and reflect the admiration and deep affection that he inspired in all he met. Hitchens was an intellectual titan, but also a kind and honourable man. His flame was brighter than most, and was extinguished all too soon.


Santa among the Victorians

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Charles Dickens’ is A Christmas Carol that continues to resound to this day. The Victorian Dickens may well have given us the Ghosts of Christmas Present and Future, but our Christmas culture is one completely and continuously haunted by the presence of the past. 2011 might have brought us a John Lewis advert that made more middle-aged mothers melt to their knees in weepy warmth than any card, present or display of selfless love than their actual child could ever give, and a Christmastide return by Kate Bush, that makes one want to burst back onto those wiley, windy moors again (albeit in the cosy comfort of a Santa Claus hat and snow boots), but our contemporary Christmas culture is one almost entirely constructed by Victorian artistry – more specifically, by Victorian literature.

Believe it or not,  it was upright, stalwart social polemicist Charles Dickens who taught us that Christmas should be spent slobbing out with the family. The pre-Victorian Christmas was one of waning popularity, having been disdained and banned during the puritanical Commonwealth as a Catholic indulgence, and understood ever since as a collective spiritual observance, rather than  as a familial feast.  Dickens was inspired by fellow nineteenth-century author Washington Irving’s own revival of the American Christmastide tradition after its rebuke as a trapping of English Imperialism, through his Christmas writings in “The Sketch Book of Geoffrey Crayon”, which describe the harmonious warm-hearted English Christmas festivities Irving experienced while staying at Aston Hall, Birmingham. It was Dickens’ images of the rosy-cheeked Fezziwig’s parties, the resplendent, indulgent Ghost of Christmas Present and the close-knit Cratchits that popularised the image of Christmas as a celebration of the home, as much as any religious rite.  Perhaps it is the perfect example of Dickensian irony, then – or else simply Christmassy karma – that today our homes are haunted by the unmercifully unending train of adaptations of this yuletide tale – from the muppets version, to the Barbie version, to the version in which each part is played by a different breed of dog.

The indulgent idea of Santa Claus as a man of material worth, with his primary function as toy-dispenser, is another creation of the nineteenth century literati. Whilst the ideas of Father Christmas as a personification of “Christmas spirit”, and St Nicholas as Christmastide spiritual presence had originated centuries before, it wasn’t until Clement Clarke Moore’s 1823 poem “A Visit from St. Nicholas” that these two were amalgamated into a more lucrative figure. The famous poem, known more commonly as “The night before Christmas”, establishes Santa as “chubby and plump, a right jolly old elf,” and for the first time acknowledges how he brings “a sleigh full of toys” with which to fill “stockings.” Moore also gives us the image of “a miniature sleigh, and eight tiny rein-deer” that “mount to the sky” with the infamous roll-call; ‘Now! Dasher, now! Dancer, now! Prancer and Vixen, / ‘On! Comet, on! Cupid, on! Donder and Blitzen”. To add another layer or literary elaboration, this idea of a magical sleigh had been pulled from a preceding poem, “Old Sancteclaus”, an anonymous work featuring in the 1821 work, “A New-year’s present, to the little ones from five to twelve”.

Victorian poets even thought to establish Santa’s other half. Mrs Claus was invented by James Rees, in his 1849 work, “Mysteries of City Life; or, Leaves from the World’s Book”, and popularised by Katherine Lee Bates’ poem of 1889, “Goody  Santa Claus on a Sleigh Ride.” Bates introduces the figure of “Goody Claus” – a character, who demands of her glorified husband, “Why should you have all the glory of the joyous Christmas story, / And poor little Goody Santa Claus have nothing but the work?”

It’s not only in the secular sphere that Victorian writers continue to haunt our cultural consciousness either – even church carol services are underscored with a distinctly Victorian pen. Carol collections began to be printed in the early nineteenth century, such as Davies Gilbert‘s Some Ancient Christmas Carols (1822), William B. Sandys‘s Selection of Christmas Carols, Ancient and Modern (1833), and Thomas K. Hervey‘s The Book of Christmas (1837). The ever-popular yet oddly eerie and melancholy “In the Bleak Midwinter” comes from everybody’s favourite maudlin Victorian, Christina Rossetti.

So whilst it may be a common, and increasingly popular notion that Christmas, year on year, becomes more materialistic, more and more skewed from its origins, we must remember that we are in fact following centuries-old stipulations for the perfect Christmas, adhering to a textual tradition before which there was hardly any sense of celebration at all. If these complainers wish to take on the wisdom and words of Dickens, I wish them the best of luck, but I think I may be too busy indulging in the brand new transformers-themed adaptation of “A Christmas Carol” to contest. 

Varsity Ski Trip 2011

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Varsity ski trip 2011 was an overwhelming success, including world-class acts, exciting competitions and (finally!) some good snow. Listen to what the students themselves had to say about it during the week.