Thursday 2nd April 2026
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Blake suspect fraud arrest

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Thames Valley Police are appealing for information after a 20-year-old man was arrested in relation to fraud.

A statement from Oxford’s Criminal Investigations Department said, “A 20-year-old male has been arrested on suspicion of committing fraud by false representation in relation to the booking of James Blake for an event at Backroom at the Bully on the 12th Feb 2011, he has been released on Police Bail while further information is obtained.

“Anyone who bought tickets for this event after seeing the posters or flyers naming James Blake and felt they did not get what they paid for then please contact [email protected] with subject ‘BM3762470/11’.”

The issue came to light after Cherwell received information to suggest that the dubstep artist was never booked for club night “Meditate”.

 

"Missing" Brookes student found

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An Oxford Brookes student who had been reported to Thames Valley Police as missing resurfaced on Sunday evening, after it emerged that he had been writing his dissertation for the past three weeks. </p>

 The fourth year history student from Oxford Brookes, Andrew Stout, had not been seen since Thursday night, 3rd February, at the nightclub Camera, on St Ebbe’s Street. His  phone had been inactive since 8th February.</p>

As well as alerting the police, a Facebook campaign was launched to find Stout, urging the public to report  news of the missing finalist, and posters were circulated around Oxford town centre by concerned family members and friends. </p>

However, the mystery of Stout’s whereabouts was solved when he contacted the Thames Valley police directly on Sunday. According to a press report “When [the student] became aware that he had been declared missing he made contact with Thames Valley Police by telephone.” </p>

Stout  was asked to come in to the police station and confirm his identity which he did at 5pm on Sunday.</p>

The 22-year-old student said that “this has all been down to a small misunderstanding”. He has issued a statement of apology on Facebook. </p>

Family members had contacted the police last week to alert them that the student was missing. </p>

Thames Valley police issued an appeal on Friday, 25th February for information about the student’s whereabouts, saying, “[The student] is in his final year of study at Oxford Brookes and has not attended University since the start of term.”</p>

Sgt David Whittle said, “We are concerned for his welfare as this behaviour is very out of character.”</p>

  A friend of Stout commented, “We all believe that this kind of drama could have only happened to him! He is that sort of person.” </p>

Friends expressed their “relief” that Stout had been found on the Facebook group, after one friend posted that he had just received a “very out of the blue message” from the student. 

New visas to cost Oxford £74m

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Tighter regulations for international students could cost the UK billions of pounds, with “dire consequences” for British universities, a report has found.
It has been warned that proposed changes to the student visa system aimed at cutting immigration would be “a hostile act against Britain’s universities”.
The new system would also have a knock-on effect on Oxford’s universities and numerous language colleges, costing the local economy a potential £74 million.
A spokesperson from the University warned that cutting students’ rights to stay in the UK and work after their degrees would have a “dramatic negative effect on the UK’s higher education system and research base.
Currently 40 per cent of Oxford’s University’s postgraduate students are from countries outside the EU. 
“Having students from all over the world means Oxford has the very best minds tackling UK and global challenges,” said the spokesman.
“Closing the post-study work route would deny the UK of some of the best young researchers and those with significant entrepreneurial talent that UK universities have spent several years training.
“The proposals could cause long-term damage not only to the UK’s world-class higher education sector, but to Britain’s science and research base.”
Abhishek Bhattacharyya is a senior status student studying for a BA in English at Christ Church who came to Oxford from the University of Delhi. He said, “I think the new regulations proposed are frankly terrible.
“By limiting the possibilities for foreign students working while studying, or repaying student loans with a job here after, while simultaneously cutting university funding, the system looks designed to attract only rich international students, not good ones.
“This is bound to encourage the best students to apply elsewhere, where they have to worry less about their finances, and can think about their academic work.”
Steve Hirschhorn, principal of Eckersley Oxford, an English language college in the city, said, “The damage has already been done, to a large extent. Students are going elsewhere. Why would you come here if you are going to be treated like a criminal?”

Fashion Week under fire

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Oxford Fashion Week 2011 kicked off on Monday amidst complaints from models and the production team.

One team member, who wished to remain anonymous, described how she had suggested partnering OFW with eating disorder charity BEAT, but was told that it would be too much effort” to ensure that none of the models had problems of this kind. 

A model in OFW 2009 told Cherwell, I was exploited…because at the time I was quite seriously ill. I think a number of the other girls involved were. Looking back, there’s no way [the organisers] could not have realised.”

However, many models involved in OFW were positive about their experiences. Model Becky Knott said, “I’ve found it really well organised, and we’ve been treated well”.

In what has been seen as an effort to combat negative images of the fashion industry OFW is linked with Models for Diversity. One model said, “There’s no discrimination. They made an effort to include people of all different sizes.”

OFW’s Press Officer Alyx Barker commented, “After watching the lingerie show I was really pleased with the range of models used. It was great to see some normal sized models looking fantastic and healthy.”

However some dissatisfied volunteers even have gone so far as to quit OFW altogether. One described the experience as “massively stressful”, and explained that she had been spending up to seven hours a day on OFW, even though producer and founder Carl Anglim knew the time pressures already facing students. 

When contacted by Cherwell, Anglim refused to comment.

In an email to the OFW team, Anglim said, “Oxford Fashion Week demands a limitless amount of time from each of you. I promise you that those who have used this opportunity to test themselves will be reaping the long term benefits.”

Ticket prices have also been criticised. The Couture Show this year cost £30 per person and prices have been similarly high since OFW’s conception. However, the 2009 annual return for Oxford Fashion Limited, the company which runs OFW, and of which Anglim is a director, shows a net loss of £7,670.

Anglim reportedly told a member of the production team that he didn’t expect to break even this year either. One OFW team member said that scheduling it at the same time as Paris Fashion Week had led to a number of logistical problems. 

“The champagne is still in Champagne,” she added.

Another volunteer told Cherwell, “OFW has been over-sold to partners. Despite attempts to make OFW open…budget restraints mean that basic marketing activities cannot take place.”

He did add, having seen the Couture Show, that “Despite these issues the team have put together something really special. I was astounded at the level of production.”

Sponsors of OFW were also positive about their involvement. Richard Rosser, of B4 Business Magazine, said that they were proud to be a media sponsor. He said, “What they’ve delivered has been absolutely fantastic. They did what they promised and more.”

Anglim told Vogue.com in February, “Oxford is a fantastic city and it is madness that there was no major fashion festival before we created Oxford Fashion Week in 2009.”

Access scheme wins acclaim

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With cuts to higher education imminent, OUSU’s ‘Target Schools,’ has enabled 200 state school students to spend a day shadowing Oxford students. Participating pupils also attended workshops held across a two-week period.
The scheme aimed to challenge enduring perceptions about Oxford stereotypes, and to debunk myths. The campaign slogan was, “It’s about where you’re going, not where you’re from”. Students involved shadowed current undergraduates, sat in on tutorials, and learnt more about the application process.
An overwhelming majority stated that as a result of the scheme, they were much more likely to apply to Oxford. One state school pupil said, “My student was great and I had a brilliant day – it was way better than Cambridge!”
Becca Tibbs from Wadham College, Shadowing Co-ordinator for the scheme, described it as a “great success”. She said, “It’s been fantastic to speak to so many students who have left feeling much more positive and informed about Oxbridge applications.
“From my own experience and from speaking to school students, spending time with a real undergraduate is the only way to truly debunk the myths surrounding Oxbridge.”
A spokesperson for the University said, “Last year the collegiate University as a whole, including OUSU, ran over 1,500 outreach events. Target Schools events are a vital part of that activity, which aims to encourage everyone with the academic potential to consider Oxford.”

BNC find formal hall dis-grace-ful

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Brasenose JCR passed an amended motion on Sunday changing the tradition of grace at formal hall, noting that several members of the JCR deemed the tradition of reading grace in Latin “inappropriate”.

Daniel Garrett and Ned Goodwin’s original motion proposed to “instruct college that it does not wish to participate in the reading of grace before formal and to request that grace not be read aloud before meals in hall. 

“Until such a time as college enacts this motion, members of the JCR should be welcome to remain seated during grace.”

The motion was proposed “in order to convey the dissatisfaction of some members of the JCR concerning the institutionalised denominational atmosphere instantiated by, among other things, the saying of grace before certain meals.”

The amended motion which was eventually passed allows students to “sit down during grace with the support of the JCR, with no ramifications, but grace would still be read as usual.”

Garrett commented, “While those who are religious are, of course, entitled to say grace for themselves, the imposition of religious service onto other members of the college community is not in keeping with a non-denominational atmosphere.”

Garrett reported that the original motion only received support from approximately one third of the JCR, “but the subsection was passed fairly comprehensively.”

He said, “This is not a witch hunt against the traditional aspects of the University. 

“We appreciate that Oxford is one of the world’s oldest universities and that maintaining traditions is an integral part of what makes it unique and outstanding.

“During the recent history of the University, its members have managed to distance themselves from a shady past of non-academic elitism and exclusivity and we see no reason not to carry on this tradition of tolerance.”

According to the minutes of the JCR meeting, some students  pointed out that standing up during grace was a matter of “politeness” and “respect”.

Those who spoke against the motion said, “There is something powerful about going through the same things as past members of the University have done. It is something to distinguish us by.”

Garrett emphasised “the duty of all to nurture an environment of free thinking and open criticism”, claiming, “we put forward our motion as we believe that any non-secular affiliation elevates one class of ideas above others.”

A number of colleges including Balliol, St Catherine’s, St Hilda’s and New College begin their formal halls with “Benedictus benedicat”, which loosely translates as “Let him who has been blessed, give blessing”.

The movement against the reading of grace is not entirely unprecedented. However, research undertaken by Cherwell suggested that most undergraduate colleges continued the tradition of reading grace in Latin. 

Grace is read at Regent’s Park in English because of its strong affiliation with the Baptist church, and at Kellogg College in Welsh.

Wadham is the only college at which there is no grace, owing to the fact they do not have regular formal hall, according to one student.

 

College aids Christchurch

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The Dean of Christ Church has offered support to its counterpart in New Zealand by launching an appeal for financial aid after a 6.3 magnitude earthquake hit the city last Tuesday.
Christ Church Cathedral in Christchurch, New Zealand, was founded in the mid-19th Century by members of Christ Church, Oxford who named it after their old college.
The College Dean, Reverend Christopher Lewis, launched the funding campaign, with last weekend’s service collections going towards the appeal.
He said, “We are praying in the cathedral.  There is a book of condolence there which people are signing.  A collection is being made to send out to Christchurch: currently standing at about £6,000.”
He added that the link between the college and city is still very much alive and important today.
“The connection is also a contemporary one, through choir exchanges between the cathedrals, and a graduate student scholarship for someone from the University of Canterbury in Christchurch.”
The Cathedral itself was severely damaged in the quake, with much of the building collapsed in on itself and the spire toppled and lying in pieces.
However, amongst the ruins a morsel of hope was discovered. Under the fallen statue of the leader of the first settlers, John Robert Godley, were found two time-capsules containing artefacts described as “musty, but intact”.
The statue of Godley, an alumnus of Christ Church College, stood in the main square in Christchurch.
Isabella Beechey, a third year languages student at Christ Church, said, “Christ Church is very proud of its ties with the city and it is great to see the college helping to raise funds for the relief appeal.
“Hopefully it will go some way towards helping the inhabitants to rebuild their lives.”
On Tuesday the official death toll stood at 159, with police expecting this to rise further once all the bodies have been recovered from collapsed buildings and identified.
New Zealand Prime Minister John Key said this week that the rebuilding of Christchurch would be “a 15-year job”.

Union embraces Scientology

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Scientology has found its way into the Oxford Union.

The collected works of L Ron Hubbard, the founder of the Church of Scientology, are currently sitting outside the office of President James Langman.

Hubbard was an author who specialised in pulp fiction before creating the Church of Scientology. The celebrity-endorsed religion teaches that people are immortal alien spiritual beings who have forgotten their true nature.

Ten boxes of papers, books and CDs containing the works of the founder are now in the Union’s possession after being donated by the late Publicity Director of the Church’s British wing, David Gaiman.

Gaiman was scheduled to speak at the Union, planning to donate the works then, but passed away unexpectedly in March 2009.

Gaiman’s secretary then proceeded to offer the works to the Union as had been intended.

The Union said they “would be delighted to accept these materials he intended us to have”.

So far however, the collection has remained untouched. The President told The Telegraph that he had not even “got around to opening them yet”.

When questioned by Cherwell about the future of the donation, Langman stated that, along with the Librarian, he would be examining the contents of the collection during the Easter holidays, in order to determine “how we might catalogue it and make it available to members”.

It is unclear why Gaiman chose to donate the works to the Union, though it follows on from previous attempts by the Church to associate itself with the University.

The personality test commonly associated with Scientology is usually referred to as the ‘Oxford Capacity Analysis’, despite having no formal connection with either the city or the University.

The test is a crucial aspect of Scientological recruitment, as well as being used to monitor the development of Church members.

When contacted, the Church provided no comment as to why Gaiman chose the Union to receive the collection, but did state that it would be worth mentioning how L Ron Hubbard features in the Guinness Book of Records as the most published author, the most translated author and the author with most audio books.

Gaiman was a prominent member of the British wing of Scientology, having worked his way up  from the ‘Guardian’s Office’, or public relations and intelligence bureau, to eventually head the British Church. 

The Theology Faculty provided no response to the Union’s acquisition of the Scientology texts when approached by Cherwell.

 

Lost students find way back home

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Nearly 150 students took part in Oxford Lost 2011 this weekend, being dumped in different mystery locations and forced to find their own way back. The event is set to raise £14,000 for Shelter, a new record for the University. </p>

147 students took part in the RAG event last Saturday, doubling the number of participants from last year. Lost was open to students from both Oxford University and Oxford Brookes. </p>

Having been divided and taken to three secret locations of Bournemouth, Portsmouth and Sandbanks, contestants competed in a race to hitch their way back to OUSU. </p>

One team, The Banter Basement, came back via London and managed to fit in some casual sightseeing, visiting Buckingham Palace, Trafalgar Square and Big Ben.</p>

Others took a detour to enjoy a seaside day out.</p>

Dressed in extravagant costumes ranging from Pacman to Flowerpot Man, the teams found some bystanders went to great lengths to help them out.</p>

One contestant said to Oxford RAG that one of the people who gave them a lift “really restored my faith in humankind.”</p>

“She was originally just driving home to Ringwood, but first took us to Salisbury and then to Newbury, even though her family laughed and said she was crazy to take three university kids that far. She even stopped at a garage so we could stock up on food and drinks.”</p>

Others adopted the bargaining approach to try and make their way home. Thorne Ryan and Yasmin Dunkley, from team Lost and Found, said that during their journey “we were spoken to by a man who wanted our picture by his van (which was also his office) and Yaz said he could have a picture if he gave us a lift. So we all ended up getting a lift about 15 miles to some motorway services.”</p>

Thorne said, “It gave me a real sense of satisfaction: after 30mins of waiting by a roadside, it’s amazing so be in a vehicle and travelling even 5 miles – you really start to appreciate cars and the people who were charitable enough to let you into theirs.”</p>

This year’s winners were Olivia Baddeley and Lara Attarzadeh. Styling themselves as Team Badarzadeh, they made it back to OUSU in an impressive three hours and ten minutes, hitching the last leg of their journey in a black cab.</p>

Caroline Wedmore, Oxford RAG Secretary and organiser of Lost, said “we are really pleased with how the event went. Fundraising wise, our participants have done a fantastic job.”</p>

The amount of money raised means that the current RAG executive has very nearly reached the ambitious target it set for itself of £100,000 a marked increase from the £69,000 raised last academic year.</p>

Never Let Me Go: Responses

Cherwell writers Matt Isard and Jacob Williamson respond to our initial Never Let Me Go review (http://www.cherwell.org/content/11443).

Matt Isard on Never Let Me Go
 
Production companies 20th Century Fox, DNA and Film4 have recently taken on the difficult task of adapting a popular and highly acclaimed novel. This is always a challenge, but when your source material is Kazuo Ishiguro’s Never Let Me Go – named one of the twenty greatest novels of the decade by The Telegraph – the task is made even harder. However, with the help of some great young British talent and a team clearly passionate about the story, director Mark Romanek has managed to pull it off.
 
The film, like the book, is broken up into three acts, each one set at different times at the end of the 20th Century on an alternate timeline; before you make any wrong assumptions this not a sci-fi movie with space ships and chrome, but a sci-fi fable set in the English countryside. The science-fiction that is a crucial part of the story is simply used as a metaphor for the message the film is trying to put across. The first part takes place in Hailsham boarding school where we meet the three central characters, Kathy, Ruth and Tommy, as children; played by Isobel Meikle-Small, Charlie Rowe and Ella Purnell, who carry the film for the first third. All three are incredibly engaging and each give phenomenally mature performances. In the second two parts the adult cast of Carey Mulligan, Andrew Garfield and Keira Knightley are used as the more grown-up dynamics of duty, jealousy, love and despair are brought in and they move nearer to their ‘completion’.

Ultimately the story deals with the issue of growing up and realising how fleeting life truly is. It seems we only have a second or two with the ones we love before it is all over. With watches and clocks in almost every scene the audience are constantly reminded how short life can be, especially for the poor students from Hailsham. This message is also made more tragic by having us watch young people grappling with ideas that they would not normally be expected to confront before they are 80-years old. Don’t go into the film expecting a rom-com, but this bleak drama is touching.

In order to work, the film relies on the love triangle that forms between Kathy, Ruth and Tommy so it was a great move to get such remarkable young British actors involved. Both Garfield and Mulligan show that they are worthy of the term ‘rising star’. Garfield’s performance has great passion and one of his scenes later on in the film will break your heart and send shivers up your spine. Mulligan gives a much more reserved performance that perfectly fits with her character Kathy who on the surface may seem to accept her fate, but is struggling against it just as the others are. The two have an endearing, understated chemistry that makes their relationship seem real and believable. Knightley is also exceptional as Ruth, the girl initially gets in the way of the love between Kathy and Tommy. With Never Let Me Go she adds to her range of literary roles by this time playing the unlikeable character and it is greatly to her credit that she can make the audience sympathise and pity Ruth by the end.

Not only are the actors beautiful to watch but the scenery surrounding them is equally stunning. With the film being shot all over England, Romanek captures some beautiful images of the countryside such as Holkham Beach and Clevedon Pier. To give the film an extra feel of strangeness the visual palette was made completely devoid of primary colours, leaving behind only muted browns, greens and blues. The purpose of this was clearly to add to the atmosphere, but it also makes the visuals very dreary. Although the fate of the characters is not explained right away there are enough clues for most to guess what will happen and this predictability, along with the slow pace of the film and subdued colour palette, might bore some viewers and prevent them from grasping the overall meaning that Romanek is trying to put across. However, these elements are also what makes the movie effective. It tugs subtly at our emotions and the fact that Romanek avoids using obvious tear jerking motifs or crowd pleasers is to his credit.

The film sticks very closely to both the original message and dialogue of Ishiguro’s book. For some people, it will not strike the right chord, but for others it will be a delightful and haunting watch. Thanks to the superb acting of the leads and the layered source material, the experience will stick with you long after the film has ended.

Jacob Williamson on Never Let Me Go

Never Let Me Go is a film shamelessly conscious of its own melodrama, but it is justified in amplifying the tragedy of its subject matter seemingly out of proportion. One quick listen to the soundtrack and the contemplative voiceovers makes it clear that this intends to be highly serious stuff and it succeeds on so many levels. The cast is worthy of a shower of praise which has not yet been forthcoming: Carey Mulligan is magical. She’s Britain’s next Kate Winslet, ample proof of which can be found here with no doubt more to come in two of her forthcoming projects: Sam Mendes’s adaptation of On Chesil Beach and Baz Luhrmann’s The Great Gatsby. Garfield is also impressive, providing here a stunning contrast with his performance as Eduardo Saverin in The Social Network. And Keira Knightley. For so long she has failed to impress me, but here she has finally found a role seemingly made for her.

I feel obliged to share the premise, if only because of its profundity: with the rise of cloning technology, Britain apparently has a solution to its shortage of organ donors and this consists in creating ‘people’, realistically intended to be machines, who will grow up to give away their hearts and lungs before duly dying in their twenties. All three of our main characters are such objects of manipulation. And yet they are, despite social intentions, not mindless robots. No amount of genetic engineering can apparently strip away the human propensity to be artistic, to feel and to love. One can sense the sources of drama immediately: the sheltered upbringing that makes them unsure of their nature, the knowledge of their fate and the internal battle between trained passivity and frustrated resistance. Above all, dramatic momentum arises from their troublesome emotions, which they were never supposed to feel.

All of this reaches its peak in the film’s final scenes: rumours have abounded that donors could seek ‘deferments’, being allowed to live for a few years past their prime if they have happened to fall in love. Tommy and Kathy (Garfield and Mulligan) desperately attempt to take advantage of the provision, but its mythical nature soon becomes apparent. He can show his old schoolmasters as much artwork as he wishes as proof of a soul, this won’t change the demands of the overpowering, invisible ‘general public’.

Britain looks perfect here. Quiet and picturesque. Equally marvellous is the screenplay, which is hardly noticeable, but one soon realises that this is its chief virtue: so easily could this slip into fantastical, unbelievable soppiness that the subtle credibility of the dialogue shows just how carefully it has been written. Only the final lines from Kathy stand out but their level of reflection is perfect and delivered by Mulligan with the impression of absolute sincerity.

I’m unsure how this one has slipped under the radar this Awards Season. It is not game-changing but as a piece of compelling stylised drama, Never Let Me Go is easily up there with Blue Valentine as film of the year.