Monday 16th February 2026
Blog Page 1953

A rehabilitation revolution

0

Britain’s ability to act as an example of democracy worldwide is startling. Indeed, we even let those charged with serious crimes vote whilst waiting for their sentence. Yet the second that a sentence is passed, even if it’s a matter of weeks, all voting rights are suspended. Those who are imprisoned under any charge and for any sentence length are refused the right to take part in Britain’s democratic system. Prisoners are separated fully from society.

In 2004 the European Court of Human Rights ruled that Britain’s blanket ban on prisoners’ voting rights was illegal. Britain’s government is currently drafting legislation to allow all those serving less than a four year sentence their voting rights whilst in jail. The system will allow eligible prisoners to vote by proxy or by postal vote in their own constituencies, extending current voting rights for inmates who are on remand or not yet sentenced. The government includes proponents of the reforms, such as Ken Clarke, current Secretary of State for Justice, who will include the reforms in a range of measures referred to as the “rehabilitation revolution”.

Even for those who don’t endorse the reforms, such as David Cameron who claimed that the idea of giving prisoners voting rights made him feel “physically ill”, the Court ruling means that there is a legal obligation to reform the system. If the government fails to reach the deadline for such reforms to be passed it in 2011 could incur a fine of £16 million.

However, former Home Secretary Jack Straw and former shadow Home Secretary, David Davis, have launched a campaign against the bill. On Wednesday 19th January, in Prime Minister’s Questions, Jack Straw referred to the extension of suffrage as “an offense to the public” whilst David Davis considered the measures to be the “wrong” thing to do. The pair has appealed to the Commons Backbench Business Committee to schedule debate on the measures sooner rather than later, hoping to enable a full debate before the legal obligation of the European Court’s decision forces through proposals.

In Britain the use of short sentences for less serious crimes shows a philosophy of retribution and deterrence, but most importantly reform. By taking away the freedoms of a prisoner, the justice system forces criminals to give back what they owe to society and attempts to warn potential criminals off committing crimes. However, it is only by education and the changing of attitudes that the prison system is able to reform criminals, whether they have short or long sentences, to become functioning members of society once released.

Voting rights for prisoners in their proposed form will give the vote to 28,000 prisoners, 6,000 of whom have been imprisoned for violent crime and around 1,700 of whom have committed sex offences. These figures have caused outcry against the measures. The internet is littered with comment screaming against the injustice of criminal suffrage; but the cost of crimes which bear sentences of four years or less is not intended to be permanent or complete removal from society, the likes of which has been the advice of arguments against the measures.

Even more intelligible opponents, who worry about the offense caused to the victims of crime, the full and fair the removal of rights through imprisonment and the importance of retribution, seem to scan over one important detail of short terms. In less than four years this person will be released into society and, although their employment possibilities and other ratings will be harmed, they will be a fully functioning member of the community. They will be able to enrol in colleges, forced to pay taxes and able to enjoy the freedoms that benefit all members of society. To reject criminals from political discussions is to reject them from the world which they are expected to join.

Granting prisoners voting rights would allow for them to become engaged in discussions about the state and citizenship. The ability for prisoners to then be able to cast their vote, and have their say in the government, will give them a stake in society once released. It’s fair to assume that if an individual had education in citizenship and the ability to vote for their government, alongside an education about the issues at stake, they would feel a greater sense of responsibility in abiding by their government’s rules rather than reoffending.

Prisoners ought to be granted suffrage. Not only is there a legal obligation to ensure that the measures are passed this year, but reform could improve society. The current system, whereby prisoners’ rights to citizenship are removed alongside their freedom on incarceration only works to marginalise prisoners once released. The view that prisoners create a subclass of people, not rational or privileged enough to have the vote only works to increase reoffending rates. By granting prisoners the vote, Britain will send out a clear message, that once a crime has been committed the perpetrator will be punished but will remain a member of the community, with a right to influence society through the practise of democracy. Suffrage for prisoners is, therefore, a route to a fairer, more democratic and more inclusive society.

Spinal Tap Revisited

0

This is Spinal Tap has been credited with significant cult status: it is 48th in Empire’s 500 films of all time and got 96% from Rotten Tomatoes, a worthy feat by any means. Despite this, This is Spinal Tap elicited mixed emotions from me.

This is Spinal Tap is a ‘mockumentary’ where advert director Marty DiBergi (real director Rob Reiner) follows fictional British rock band Spinal Tap as they tour the United States in order to promote their new album ‘Smell the Glove’. The group was originally started by childhood friends David St Hubbins (Michael Mikean) and Nigel Tufuel (Christopher Guest). They were later joined by bassist Derek Smalls (Harry Shearer), keyboard player Viv Savage (David Ruff) and an unprecedented number of drummers who all seem to die between tours. The entire band are, of course, actually actors who put on English accents and ad-lib for most of the script.

The film gives a mocking insight into the world of failing stardom, which certainly speaks to our generation if magazines such as Heat or OK! are anything to go by. It also imitates the style of fly on the wall documentaries, which again we are now more than familiar with. It is sad witnessing the gradual decline of this band’s reputation and with it their confidence in themselves; this is made even more obvious when compared with spliced in ‘archive’ footage of their best bits. This footage shows how the band once had all they wanted but have since become irrelevant, a fact they fail to realise. The movie excels at showing the band’s world and their subtle dynamics; we see how they argue and reconcile only to argue again. Orbiting the drama are other caricatures of the celebrity world, from the bumbling manager trying to keep it all together, to the interfering girlfriend that believes she should take control of everything. The band themselves also mock celebrity culture with their public strops, inane backstage requests and inflated egos: celebrities clearly haven’t changed much in the past 16 years.

All of the characters are larger than life for the sake of satire but it is here that the film’s comedy begins to fall down for me. The gags very much had the feel of other films such as Wayne’s World and Bill and Ted’s Excellent Adventure where everything that is said and done comes from left field. Maybe I am just not the target audience so I missed a lot of the genius behind it, but the jokes only made me chuckle a few times and for ‘the funniest film ever’ that is not a great score. This is disappointing as the film has a lot going for it but by the end I found I was just waiting for the final number and it all to be over.

Row ignited over Vice-Chancellor’s pay

0

Financial statements released by the University have revealed that, last year, Vice-Chancellor Professor Andrew Hamilton received a salary package worth £382,000.

The figure, which includes salary and pension, is 17% higher than what his predecessor, Dr John Hood, received in 2009.

It also emerged that a senior University administrator was paid almost £600,000, and that over 70 Oxford University employees earn a higher basic salary than the Prime Minister.

The news comes just weeks after MPs voted to raise the cap on tuition fees to a maximum of £9,000 and as universities face 40% in cuts to their government funding.

In a statement the University Press Office defended the rise, saying that “Oxford is one of the great universities of the world and makes a major contribution to the economic prosperity of the UK and the UK’s position in the world, as well as to tackling global challenges through its research.

“It must remain globally competitive and its Vice-Chancellor’s remuneration needs to reflect that.”

James Butler of the Oxford Education Campaign said that he was struck by arguments about global competitiveness.

He said, “It feeds the idea that universities should be modelled under the logic of competition. The University, in its public statements, has been committed against the marketisation of education, but this is not reflected in the way it remunerates its administrative staff.”

He added that “It’s telling that we’re paying our administrators more than those who carry out the day to day functions of education.”

An investigation by the Daily Telegraph showed that salaries of top UK university staff rose by an average of 8%.

However, not all university leaders have followed suit. Last year, the Vice-Chancellor of University College London, Professor Malcolm Grant, took a 10% cut in his salary.

He took this cut in his salary to “symbolise” the University’s “determination to come through a deep recession without sacrificing our reputation for high quality research”.

A spokesperson from Oxford University Press Office highlighted that Hamilton does not receive the highest Vice-Chancellor salary in the UK, “despite the fact that according to every national league table in 2010, Oxford was the number one university in the country”.

Some are questioning whether the increase in the salary of the Vice-Chancellor is, in fact, justified. The university topped all the UK national league tables this year and the Times and the Guardian have placed it in the number one spot consistently since 2007. Oxford also achieved its highest ever THES world ranking, joint second, back in 2007, under the previous Vice-Chancellor.

The annual financial statements also show that the Director of Oxford University Endowment Management Limited (OUEM) is the highest paid university administrator in the UK.

Sandra Robertson was paid almost £600,000 last year, though her salary comes directly from revenues generated by the OUEM.

A spokesperson pointed out that “Investing in good fund managers more than pays for itself: consider the fact that even just a one percentage point difference in investment performance can mean a difference of several million pounds every year for the University.

“Good investment management is more important than ever at a time of uncertain funding for higher education.”

Political Theory postgraduate student Alex Canfor-Dumas blasted the top level salaries as “fundamentally unjust”. He argued that “To anyone who doesn’t believe in a market free-for-all, these sums of money are absolutely outrageous. At a time when millions are seeing their real incomes fall, we risk seeing a tiny elite stretch ever further ahead, undermining the sense of solidarity that binds society together.”

However, third year PPE student Henry Curr said that, although inequality in general is a problem, the singling out of highly paid individuals is wrong. He commented, “I’m sick of these witch hunts into how much people earn. The idea that cutting one person’s salary would be enough to keep tuition fees down is ludicrous.”

Last year, Business Secretary Vince Cable and Higher Education Minister David Willetts wrote to every university and college head telling them that they expected universities to apply the same “restraint to all aspects of pay and bonuses” as their department for business, innovation and skills was applying.

Cable reflected that, “There is clearly salary escalation at the top level that bears no relation to the underlying economics of the country.”

This idea resonated with St Hilda’s student Robin Driver, who commented, “I guess I can kind of appreciate the argument that we need to be attracting the talent. But it seems a highly insensitive move at a time when students are still reeling from the increase on the fees cap”.

Philip Walker, spokesperson for the Higher Education Funding Council for England, said, ‘”It is for each university’s governing body to determine, through its remuneration committee, the pay and other benefits of its vice-chancellor or principal.

“The governing body is the employer, and so must decide – and be prepared to justify – what is appropriate in each case, taking account of all the circumstances of the institution and the individual.”

St Peter’s divided over ball ‘freak show’ plans

0

The possibility of booking a ‘freak show’ for the St Peter’s Ball has caused consternation among the College’s students.

The ball committee is divided over whether the entertainment of the so-called ‘Circus of Horrors’, which features acts including a dwarf known as ‘Demon Dan’, and ‘Mongolian Laughing Boy’, who receives shocks in an electric chair, would be appropriate for the event.

A number of students at St Peter’s were shocked to hear about the plans, and one branded them “morally questionable”.

The ball committee were quick to deny that the performance was a freak show, despite being described on the company website as “The stupendous Carnival of the Bizarre with Doctor Haze and his Freak Show”.

Stephen Dunne, one of the ball committee presidents, emphasised that the act was as yet unconfirmed and said, “They are a professional unit, for whom the members choose to work.” He conceded that “you could argue against the ethics of the act”, but that the members “do not ‘humiliate’ themselves during the show”.

Some of the acts have been seen as too “gruesome or macabre” to be featured. Roger Sibley, a representative of Carters Entertainment Limited, who help put on the shows, told Cherwell that dwarf Demon Dan’s talents include “stapling playing cards to his face” and “pulling a hoover around with a part of his body that’s not his hands”.

He commented, “That’s one for the adult audience”.

Natalie Fox, St Peter’s other ball president, said that the committee were free to choose who would perform. She explained, “We’ve decided against some of the worst ones, like this guy who can put kebab skewers through his cheeks.”

Fox admitted that, “Some people are unsure about whether they would want to watch it”.

Tegan McLeod, an English student at St Peter’s, said, “For me the idea seems voyeuristic and exploitative. It’s exhibiting human oddities for a profit.

“Though some may argue it’s a performance art, I think it’s really hard to deny that this type of show is a form of social discrimination.”
Nonetheless, the committee currently intend to go ahead and book the Dr Haze’s group for the ball.

Dunne defended the decision, saying the College would only book “people who do not self harm or who would not cause any lasting emotional damage to the audience.

“They provide a massive spectacle, a great talking point, and are something that will make the St Peter’s Ball truly different to all other balls.”

John’s porters put a stop to bop

0

St John’s College has been forced to cancel its next bop this Saturday, as porters have refused to police the event following the post-collections celebrations which got out of hand.

After significant disruption at the 0th Week bop, students at St John’s received an email from their Entz Reps last week informing them that “It appears unlikely that the next Bop will occur as scheduled”.
On Wednesday of this week, an email confirmed that they had “no option but to cancel the bop”.

The cancellation of the next bop comes after post-collections enjoyment deteriorated into raucous behaviour at the ‘Naughty Noughties’-themed event, which took place on Saturday of 0th Week.

The Entz Reps reported “disruption and aggressive behaviour”, with glass-paned fire alarms being activated three times in the early hours.
Other students tampered with fire alarms and smoke detectors in their rooms.

It was suggested that the blame could lie with students from outside the college. Members of St John’s JCR were warned that if this was the case, the person who invited the outsiders to the bop would be held responsible for their actions around college.

The porters, responsible for the prevention of danger, “were treated rudely and disrespectfully by several students as they went about doing their job” and are now unwilling to provide the coverage required for the next bop.

The Tommy White Quad, where most of the disturbances took place, is home to a large number of freshers and some second year students.

It is understood that the disruption was generated by a minority. Students have expressed their irritation and disappointment that the next bop is to be cancelled.

One student at St John’s said, “It just struck me as immature that people were messing around with important fire safety equipment and perhaps more importantly, annoying the porters who are actually a really well-liked group of people.

“Maybe the bop being cancelled, or at least the threat of it, will be enough to make people think twice before letting their drunkenness go too far in the future.”

Entertainment Reps Alex Winchester and Naomi Nettleship said that they were “disappointed to hear about the disturbances”. They said that the 4th Week bop was due to go ahead, but only on a “probationary basis”.

JCR President David Messling supported the efforts being made by the Entz Team. He said, “Our JCR Entz Officers are doing a great job in ensuring the best possible outcome”.

Lottery makeover for St Mary’s

0

The University Church of St Mary the Virgin, is to see “its biggest restoration since the late 19th century”, made possible by a £3.4 million grant awarded by the Heritage Lottery Fund.
The church, situated on the High Street and backing onto Radcliffe Square, was historically the centre of the University and is still the location of formal University Christian worship.
Revd Dr William Beaver, Associate Priest of the Church said the restoration “will be a landmark in the history of this Church and Oxford University.”
The Head of the Heritage Lottery Fund, Stuart McLeod, commented, “This inspirational and important project showcases our heritage at its very best, by providing the local community and visitors with a special look into the past.”
The church’s Vicar, Revd Canon Brian Mountford expressed his delight at the funding, adding, “It comes after long and careful consultation with local people, national bodies, and professional advisers as to what is best for this iconic Oxford building.

“In the process we have been helped to think about widening our educational outreach as well as the conservation of the fabric.”
The church, which offers panoramic views from the tallest of Oxford’s famous spires, is a major tourist attraction, with 300,000 people visiting the site last year alone.

Revd Beaver said he wants the church to become “the first stop on the tourist trial with a hologram exhibition about the history of the University, the town and the church…and restoring the church to its former glory.”

Many students are members of the church, which is also home to a choir consisting both of students and other local singers.

St Mary’s hosts University Services which this term include a choral evensong sung by the combined choirs of eleven colleges in fifth week and a university sermon by the writer Philip Pullman the following week.

The church boasts a rich historical heritage and was the centre of the University in medieval times. The Old Congregation House, built adjoining it in the early fourteenth century, served as the location for the University’s first library.

St Mary’s counts John Henry Newman, who later famously converted to Catholicism, among its former clergy and was also the site for the trial of the Oxford Martyrs in 1555 and in different circumstances, the founding of OXFAM in 1942.

Revd Beaver noted that some of the damage which has accumulated over more than seven hundred years of the present building’s history would be left as it is, saying, “We decided not to repair the bullet holes left by Cromwell’s troops on the façade of the University Church – they are too much a part of Oxford’s history!”

Merton drinker in Turf brawl

0

A first year student at Merton College pulled a bald woman’s hat off and then shouted ‘lesbian’, before being ejected from the popular Turf Tavern, according to an eye-witness account.

It later emerged that the student, who was dressed in formal attire, was part of an elite Merton drinking society called “MC Sans”, which has recently been created by Merton freshers.

A number of people witnessed the event, which has been branded by a Merton student as “immature”.

The victim of the attack has not been identified, but she was said to have been shaken after the boy attacked her. He is alleged first to have taken her hat, and when she tried to claim it back he was heard to have shouted “lesbian” before being forced to leave the popular bar.

A number of students have condemned the student’s actions, labelling his actions on the night “rude, obnoxious and aggressive.”

Tom Barnett, a fourth year Modern Languages student at Merton, said, “They were boasting about this in the college bar afterwards, but people did not find it particularly funny.

He referred to the perception, allegedly widespread at Merton, that those responsible for the incident “are a bunch of dickheads”.

He continued, “Obviously other Merton students just find it all quite distasteful.”

The Turf bar manager, Charlie, confirmed that the incident had taken place. She said, “I, along with the rest of the staff, were behind the bar at the time. As soon as it happened, they were out.”

The manager added that “most of them left very quietly after the incident.”

The drinking society has been set up to challenge pre-existing drinking societies in Merton, which have a reputation for being “more sedate than those from other colleges”, according to one second year PPEist.

However, Barnett added, “There are another couple of drinking societies at Merton, but they do not do anything like this. People in other drinking societies just think it is horrible.”

Dream Diaries: Part 1

0

When I first pitched to co-produce A Dream Play eight months ago, I could not have imagined that the project would bring together such a large team – 70 creative minds, and counting. With just three weeks to go before we move in to Oxford Playhouse, preparations are accelerating rapidly as more and more people flock to join the ‘Dream Team’.

Last term, Emma Reay, who was chosen from more than a dozen applicants, wrote a beautiful new adaption of Strindberg’s script which the cast of 21 actors and dancers have been rehearsing intensively since -1st week. One of the many special aspects of this play is the way in which so many of the performing arts are brought to bear to create a fantastic dreamscape. 1st week has seen nine actors being put through their paces in an intensive waltz workshop where flat-footed and bendy elbowed awkwardness were transformed into confident travel lines and determined crotch-to-crotch contact in a mere two hours.

Cast and crew members alike have come to terms with seeing themselves on screen this week as our two ‘making of’ trailers have been broadcast to our website (http://www.adreamplay.com/trailers). Filming for our third trailer begins this week, for which all manner of storyboards will be deployed. And our Composer and Musical Director, Oxford alumnus David Allen (Murder in the Cathedral), is putting the final touches to his original score for the production which promises to bewitch the Playhouse auditorium from the depths of its orchestra pit.

In case you thought that producing a Playhouse show is all work and no play, then take note of our two launch events: A Dream Play does Sunday Roast in fourth week and a night in association with Poptarts at Babylove in fifth. It’ll be the night of your dreams.

Review: The Thin Red Line (1964)

0

The Thin Red Line is a title that most associate with Terrence Malick’s lyrical adaptation of James Jones’ novel in 1999. However, there is certainly something to be said for Andrew Marton’s gritty version (1964), released from the archives after over fifty years.

Set amid the Allied invasion of Guadalcanal in the pacific theatre of WWII, it takes an unusually bleak view of the conflict for its time. When compared with other WWII movies of the era, such as The Longest Day – parts of which were also directed by Marton – The Thin Red Line is far more psychologically sophisticated. It goes beyond a simple veneration of valour to explore the issues of insanity behind it, and daringly implies an unnerving connection between lust and bloodlust within its hero.

In terms of realism, what this independent war movie cannot achieve in its crude and dated action sequences, it makes up for in its mental honesty. Flawed, but of value, its nihilism seems to reflect not only upon the past conflict it is ostensibly portraying but also the Vietnam War which was contemporary to the film.

Optimum Classic, DVD released January 31st 2011.

Review: Betrayal

0

It is very human to have moments where the past simultaneously merges with the present, each flashback bringing with it raptures of pleasure or pain, sometimes both – crystallising moments of passion, love, failure, anger, guilt… However, in Håkon Gundersen’s “Betrayal” these flashbacks somehow manage to seamlessly merge the gratuitous with the meretricious. This World War II film recounts true life events during the Nazi occupation of Norway through the eyes of double agent and cabaret singer Eva Karlsen, who has managed to escape and who finally decides to tell her granddaughter how she came to arrive in America about forty years after the event.

What should be an informative and thought-provoking piece about Nazi-collaborators in Norway during the Second World War quickly turns into a missed opportunity. We are told of Tor Lindblom, owner of Club Havana, who profiteers from supplying the Nazis with everything ranging from alcohol and cigarettes to cement and steel. He is in love with Eva, the aforementioned British double agent, and singer in the nightclub, who also works part-time for the Gestapo. The film tries to focus on some important issues regarding Norway’s biggest industrial company making aluminium at Herøya, and the threat of its bombing by the Allies, but this is confused and difficult to engage with. We are shown the London skyline, accompanied by a superfluous voiceover, and then thrown back into the depths of the seedy squalor of Club Havana.

Furthermore and devastatingly so, we are not allowed to form any kind of emotional attachment to these characters, no real connection with their motivations, and no investment into their personal projects – this is a piece where apathy triumphs. That choking, sickening feeling of being betrayed is merely hinted at, leaving us neither sympathetic nor outraged.

Released this month on DVD.