A half-remembered song refuses to stop plaguing this musician who feels he’s missed out on a phenomenal deal
Performed by Sean O’Reilly
A half-remembered song refuses to stop plaguing this musician who feels he’s missed out on a phenomenal deal
Performed by Sean O’Reilly
James Kingston has been elected President of the Oxford Union for Michelmas term.
Kingston, who held the position of Librarian this term and Treasurer in Michelmas 2009, gained 669 votes, beating Ash Sanga’s 521.
The Librarian’s seat will be filled next term by Will Chamberlain of Lincoln College, who was voted in with 739 votes. Secretary was won by Zara McGlone of Trinity, while the position of Treasuer-elect will go to Poppy Simister of Christchurch.
Standing Committee for Trinity Term will consist of, in order of votes, Hasan Ali, Jack Sennett, Jocky McLean, Ben Ruddle and Ben Lewy.
Emily Benn has lost her bid to chair Oxford University Labour Club next term.
The niece of former cabinet minister Hilary Benn and granddaughter of socialist icon Tony Benn, Emily is currently the Labour party candidate for East Worthing and Shoreham in the upcoming general election. She is the youngest ever prospective parliamentary candidate.
She was recently described in a Telegraph article on young female politicians as one of “Brown’s Sugars”.
But on Tuesday night the University Labour Club rejected her bid along with prospective co-chair Emma King by around two thirds of the vote at a general meeting.
In her joint manifesto, Benn described the pair as “seasoned Labour campaigners.”
After the election they told Cherwell, “We’re disappointed but OULC is in great hands.”
The co-chairs elect will now be Stephen Bush and Keiran Cunningham.
“Where do we go from here?” sings Thom Yorke anxiously on the title track: by the mid-90s Radiohead were known but largely ignored, increasingly frustrated with a fame resting almost entirely on their 1992 single ‘Creep’. The Bends is essentially the answer to Yorke’s question, taking what one critic described as “Nirvana-lite” and turning it into the Radiohead that, for all the subsequent twists and turns taken in their subsequent career, is still largely recognisable.
You only need to compare ‘Creep’ – a song about a self-described “weirdo” with nothing weird, or indeed particularly interesting, about it – with even the weakest offerings on The Bends to gauge just how much had changed. The influence of more straightforward rock and grunge is still apparent, with the occasional blatantly derivative moment like ‘High and Dry’s five-note guitar solo or the four-square introductory riff to ‘Just’. But by this time Radiohead’s sound was becoming fuller and more complex: the melodies are distinctive and often hauntingly beautiful, just as frequently underpinned by contrapuntal guitar figures or strange, shifting harmonies than more simplistic rock tropes. Songs like ‘Fake Plastic Trees’ show the beginnings of a very different approach to songwriting, with lyrics possessing the alienated tone and elusive imagery that came to define Radiohead from OK Computer onwards – all refracted through Yorke’s trademark angsty falsetto, by now a key feature.
Radiohead’s later albums would prove more structurally integrated and rein in less of the musical idiosyncrasies. Yet quite apart from containing some of their best individual songs, if nothing else The Bends remains so interesting as it shows Radiohead changing from a group of decent songwriters into one of the most influential bands of the past two decades. Its rain-streaked tone, vacillating awkwardly between anger and dejection, may seem too homogenous for those used to the more experimental Radiohead of later albums – but it is one which becomes increasingly satisfying to return to on repeated listening.
Tim Burton showed us this month just how well the story of a girl who falls head first into a tupsy-turvy world sells, so I’ll have my own stab at the theme. And mark my words, I’ve been keeping tabs on national quirks as they present themselves one after the other here in Prague, and have done well to report them home. I’ve taken snaps of the vending machines with flower bouquets and the local delicacy that consists entirely of boiled bread and a fatty, greasy sauce. I’ve complained time after time about the manic, minature dogs that seem to mutiply in their millions every time I step out of my front door, like a plague of shivering, bearded rats playing dress up in burberry coats. I’ve asked the locals why the green man only appears for a fleeting 5 seconds; and why drivers just ignore him anyway and are perfectly happy to bulldoze their way through a busy road. The response is always that native “what can you do” shrug, along with the advice to just run like hell.
Its a topsy-turvy world here indeed, and its inhabitants all appear to indulge my fantasy that I’m Alice in a Czech-speaking wonderland. Why is it that the appropriate accessory for a tram ride is a scowl, and yet the minute you smile weakly at them they will break into a grin so broad you’d half think they’d gone mad? Or when you try to order in grammatically incorrect but relatively confident Czech they become surly and impatient. Yet, when you blush and stutter in response; their mood switches instantly and they start cheerfully jabbering away about the various beers you have to try – and force their strongest, black brew on you, even if all you really wanted to drink at lunch was a cola light. And when you return home to the flat of a thousand cuckoo clocks, slump into the tiny armchair – where for once in your entire vertically challenged life you feel like you’ve outgrown the furniture – you turn on the TV and it seems like each Czech channel is competing for the “who’s presenter looks the most like Rod Steward” award.
Yes, back home, we’ve had to endure a dull and visually offensive 80s revival, where anyone with an eye for the ugliest vintage garments imaginable can pretend they’re heart belongs to a decade that has everything to do with neon and new wave and nothing to do with shoulder pads, miners strikes, and Margaret Thatcher. Over here; there’s no need for that same revival because everyone was already sporting a mullet and watching Full House. If you‘re still pining for the decade you can’t remember then come over here and wax lyrical about American fast food chains that have only recently arrived on Czech soil and are the height of cool. The Czech Republic seems to be a confusing blend of its own native, reserved yet eccentric character and the belated American influence. My rabbit wears a waistcoat with the Kentucky colonel printed on the front and the Czech flag on its back, and carries pocketwatch that points somewhere in between Baywatch and boiled bread o’clock.
Now that I’ve drawn out the Alice in Wonderland pastiche just past the point of cringe and into the realm of self disgust, I’ll let you in on a secret. This place, despite all the aforementioned oddities, doesn’t actually feel that strange to me. Maybe its because I’m fairly used to the absurd; because I have foreign relatives who go to war with their neighbours using chunks of meat as weapons, or else, drag five year old children on week-long mountain hikes and eat jellied fish. Or maybe, just maybe, its because I’ve spent two years at a university that, forget the 80s, hasn’t move on since the Middle Ages: where its students can get fined for wearing a hat that I didn’t even think existed outside cartoons of academics, where Greer’s The Female Eunuch no longer seems out-dated but is completely relevant, where a political group of students can meet to drink and discuss current affairs whilst referring to Zimbabwe as Rhodesia, where so many people come out of the woodwork, spouting ideas you wouldn’t let your dotty old gran get away with. It is a place where the class system feels more like that feudal pyramid we learnt about at school, only turned on its head (population wise), pretending to foster progressive thought. If that isn’t a topsy-turvy world, then I don’t know what is.
March 3-6 saw the return of Torpids, the annual Hilary Term rowing regatta. Who paddled their way to victory? Who got an oar in the face? Watch and find out.
And after, why not flick through our Torpids photo album?
Alice in Wonderland. What a project. An extremely popular story that in previous film adaptations has taken a children’s perspective in narrating the tale, ignoring, some purists think, the more complex undertones of the book. The Burton-Depp dream team is reunited here, nearly twenty years after their first foray together in the fabulous Edward Scissorhands, and with their track record of ‘weird films’ (Jonathan Ross’ words, not mine) this adaptation promised something spectacular.
Alice in Wonderland is for a start wrongly titled. The film blends characters and storylines from both the original book and its sequel Through the Looking Glass creating a confusing mix I thought. Characters from the latter book appear here such as Tweedle-dum and Tweedle-dee are combined with the likes of the Jabberwocky, which whilst originating from Carroll’s famous poem of the same name, was not technically a character in the books. It seemed as if Burton has selected an array of Wonderland characters in an almost random fashion to fill the screen. In any case the storyline is incredibly standardized; Burton has complied with the Hollywood formula of good versus evil, starring a willowy, dead-eyed heroine (Mia Wasikowska) whose cathartic journey gives her some backbone. If anything the plot is thin, differing from the books and Carroll’s clever intermingling of maths and philosophy.
Having said this, the film is certainly not bad; characterizations throughout are precise and reflect the director’s talent for the absurd. Although Alice is a dull and pallid heroine the rest of the cast more than make up for it. Anne Hathaway’s interpretation of the White Queen, with overtly elegant gestures and ironic take on sweetness is particularly entertaining, while Stephen Fry, dare I say it, pertains to his real life character as the Cheshire Cat. Johnny Depp creates an irresistible Mad Hatter with a Scottish accent and a collection of ridiculous mannerisms and illogical phrases. This being said, the ‘futterwacken’ – some sort of dance performed by the Hatter – was both out of place and perhaps a step too far.
Burton’s emphasis on irony and humour were key components of the film, and were enjoyable enough to distract from the rather diluted plot. An endearing scene with frog footmen at the beginning of the film is of particularly accomplished in this regard, aided by Helena Bonham-Carter’s Red Queen, whose attempts to conform to the archetypal wicked ruler bring moments of sheer comedy. The attention to detail and the beautiful camerawork served to emphasise such characters and scenes, which were only bolstered further by the 3D effects.
Whichever interpretation Burton chose was always going to have its critics. In many ways he has done justice to Carroll’s characters, but by tampering with the original storyline he has lost much of the enigmatic meaning of the original literary works, leaving the cast to carry this film.
3 STARS
In the end, the election results were pretty much as everyone had been predicting. Kinky President, despite a fairly strong ‘outsider’ campaign from Ash, Will Chamberlain Librarian, Poppy Simister Treasurer-elect, and all the candidates elected to standing seem to have an uncanny liking for Kingston over Sangha. Odd co-incidence that.
Now more interesting stuff. Thursday’s debate was one of the best since Michaelmas’s epic No-confidence debate. The motion was about whether religion should have a place in politics, which has the potential to be incredibly dry and indeed Ash and Kinky, the first two speakers, both made it so. This was slightly disappointing, because both of them can be highly impressive speakers – Kinky’s well known for his cutting and often hilarious interjections from the floor, and Ash was an excellent schools debater in his day. But both of them were playing it safe, trying not to make any gaffes before the election, but giving the strong impression that they wanted to get the thing over with so they could get out to whatever major social event was on that night, to pick up a few last-minute votes. No-one wins votes in the chamber on the night before elections, because you can pretty much guarantee that everyone there will have made up their mind already. Still, both of them gave credible, coherent speeches. Kinky argued that letting religious values into politics led to the kind of theocratic politics practised in Iran, Saudi Arabia and even the USA. ‘We’ve thankfully escaped that in Britain,’ he continued, ‘but in voting for the opposition you would be turning back the clock.’ He was rather floored by a point of information from Henry Curr, who made the very sensible point that, given most politicians do have some kind of religious values, voters should probably know about the values a politician may hold when they cast their ballot. Kinky didn’t have much of an answer.
Ash opened with some gracious praise for Kingston, telling us what a pleasure it had been to run against him (really Ash? Really?), and how wonderful it had been to run into him at every social event in the university. This raised a good laugh. He went on to argue that religion was ineluctably intertwined with politics and that it was impossible to separate them. It was a dry schools debatery-type speech, but solid nevertheless – just not that amusing.
Tom McNally, who is something in the Lib Dems, made a good stab at arguing that politics in Britain is far too religious for the country’s good. Religious was a malign force in politics because the distinctive characteristic of the religious position was that it held that ‘the things that I do should also be imposed on other people.’ Fewer than 200 MPs chose to affirm their loyalty to the Queen rather than take the standard (religious) oath when they entered Parliament, he argued, and this suggested that politicians were far more religious than the population at large. No it doesn’t, Tom, it just suggests that most MPs are hypocrites.
Labour minister Steven Timms argued that religion actually plays a strongly positive role in public life, as shown by the great anti-poverty work done by Christian charities around the world. But he was completely upstaged by Freddie O’Morgan, a last minute stand in for a politician who cancelled. O’Morgan is, as far as I can see, some kind of comedian. This sounds slightly incongruous in the context of a high-minded philosophical debate. But O’Morgan was epic. Clad in a dinner jacket, bow tie and Converse shoes, he completely upstaged everyone who had gone before. ‘The danger is, in attempting to do God, our politicians think they are doing good,’ he thundered, wandering around the chamber and occasionally stabbing his finger in the air to emphasise a point. ‘They assume that opposition to their decisions is little different to opposition to God’s work,’ he argued, pointing out that the segregationist states in the southern US thought that they were carrying out God’s will. Henry Curr popped up to offer his twenty third Point of Information of the night. ‘Stay standing and I’ll take you in a minute,’ O’Morgan told him, and the audience fairly exploded with mirth.
There were a couple of decent politicians arguing about whether the general crappiness of Iranian politics was due to religion, the Bishop of Leicester observed that the British Humanist Society has barely more members than the British Sausage Society, and the debate wrapped up with two superb speeches from the closing speakers. Ben Woolgar, a Balliol fresher who captained the winning England team at last year’s World Schools debating championship, argued that ‘justification by faith alone is incredibly damaging. Extremists can’t be argued with, because they always reply “I did it because God told me to.” Faith destroys politicians’ humility.’ This argument relied on the slightly dubious assumption that politicians possess some degree of humility in the first place, but it was well made, and Woolgar is an excellent speaker (as, to my great frustration, he has been since he was outdebating me even before he hit puberty).
Matthew Parris, who is one of the best and most intelligent columnists at the Times, simpered (he has a rather weak and effete voice that fails to match up to that formidable mind) that, although there was plainly no God and religious people were deluding themselves to think otherwise, they had ‘as much right to delusion as a feng shui practitioner, or a Liberal Democrat.’ Indeed, religion was often a wholly positive force in politics. ‘But if God actuated their lives, they should tell us. Tony Blair’s crime was not that he heard voices, but that he didn’t tell us.’ Powerful stuff, and his joke about Tom McNally, sitting opposite, was a classic: ‘Tom McNally toyed with the idea of becoming a Baptist, but changed his mind when he realised that the process of baptism by total immersion would necessitate disappearing from the public eye for fully thirty seconds.’ Laura, bring Parris back next term please. You’ll need all the decent speakers you can get if you’re going to match the really excellent series of debates that Stuart’s put on this term.
Love Music Hate Racism
The Love Music Hate Racism campaign has a simple but strong message. Without cultural diversity Britain, not to mention all countries around the world, would lose out. With the 2010 elections in front of us, the campaign is once again hoping to get as many people as possible to stand up to the BNP.
The campaign is needed to counter the increased support for the extreme right British National Party. Under threat of being taken to court for breaching equalities legislation with its membership restricted to people of “Caucasian origin”, the BNP had recently changed its membership rules so that anyone could join a group dedicated to blaming non-whites for all the ills of society.
The BNP remains a threat to multiracial harmony. The founder John Tyndall saw Hitler’s Mein Kampf as an inspirational text and there has always been a strong message of ethnic intolerance, with mixed race relationships strongly discouraged. Nick Griffin, BNP member of the European Parliament, would see me as one of “the most tragic victims of enforced multi-racism”, as he described mixed race children. Not quite how I see myself as a half Chinese, half English twenty year old Brit, but then again most of the country fortunately have the brains to disagree.
The Anti-Nazi League and Unite Against Fascism set up the Love Music Hate Racism campaign in 2002, with festivals held to raise awareness, hoping to trigger people to use their vote to keep out the BNP. We only have to look to France to see how people’s wasted votes can result in unexpected and wholly unwelcome results. In 2002 France were faced with the all too real possibility that Le Pen and his far right National Front party could be elected into office due to extremely low voter turnout. Democratic elections exist so that the opinions of a nation can be heard and acted upon, not so that the bigotry of a racist minority can flourish when the majority erroneously think that their one vote won’t make a difference.
All too often I hear people grumbling about how all political parties are the same. I appreciate that it often seems as if MPs and political leaders are increasingly camouflaging their policies until it’s hard to distinguish what exactly a Conservative, Labour or Liberal Democrat policy is but there are some clear divisions. One need only take the time to look closely at the fundamental points that they stand by, whether it be about education, health or tax in general. But even if, after looking at their policies, you still feel no particular sway one way or another, ask yourself this. Be you right wing, left wing, in between or undecided, would you want the BNP to become a growing political force in this country? Intimidation, hatred, intolerance would spread. In place of an enriching diversity, you would have cultural anorexia.
So if it takes the wonderful medium of music to help people to realise just how important using one’s vote is in the 2010 elections, then I for one will be turning up my radio and making my voice heard.
Check out one of their previous effective campaign videos:
http://www.youtube.com/watch?v=S0xf4TTZOEs
Their current, 2010 campaign video:
http://www.youtube.com/watch?v=k-ybsEtDZDE and have a look at:
For information on how to get festival tickets, visit http://lmhrfestivals.com/