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Blog Page 2009

University’s commercial sector bucks national trend

Across the country the number of spin-off companies founded on the back of University research has fallen to the lowest on record, but Oxford’s commercial arm remains stable.

ISIS innovation, the branch of Oxford University which works to protect and commercialise new research and inventions, brought £2.9 m to the University last year, up from £2.4m in 2008.

Many universities have seen the income from company creation based on research fall dramatically. Nationally, in the past few years, an average of 210 spin-off companies were created each year by universities on the back of leading academic research. This figure is predicted to have fallen to a mere 50 new companies created in 2009.

But ISIS Innovation has not faced such testing times.The number of spin-offs created by ISIS in 2009 remained stable at 3.

Of the three spin-offs, two were invested in by overseas clients. In the Daily Telegraph, Tom Hockaday, Managing Director of ISIS innovation, insisted that “there’s no shortage of money in the world. It’s just where it is. We got new investments from Hong Kong and the Middle East. It’s different and noteworthy and … a reflection of things locally.”

When asked by Cherwell if the lack of capital would pressure academics into hastily publishing findings in journals, he replied that it “is not a main motivation for researcher’s behaviours. University researchers are quite rightly focussed on their research and teaching activities; in the main commercialisation activities come a distant third in their priorities, and there is no harm in that.”

ISIS innovation was founded in 1997 and since then has negotiated, on average, one spin-off every two months. The combined value of these companies now stands at £2 billion.

 

Behind the scenes: The Ten for 2010

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Each week, we’ll be updating the website with photos from our latest shoots along with advice and links to many of the items featured. Yet with a shoot yet to be printed, we thought we’d start the new year with a countdown of the top ten ‘trends’ forecasted for 2010. Agree or disagree, they are all hitting the high street this Spring, but the question is – how long will they last?

1. Feathers
As the winter chills begin to wane, a lighter alternative to fur has been hitting the High Street in all shapes and forms. From feather jackets to Topshop’s Ostrich skirt, feathers have become the new way to accessorize this Spring – check out Fearne Cotton’s cape on the Top of the Pop’s Christmas edition.
Feather Bag, Topshop, £55

2. Barbour
Barbour has always held the position as a luxury sporting brand, supplying many a royal with its outdoor clothing. However in the last 5 years, new direction and improved marketing from Lord James Percy’s involvement has led Barbour to modernize parts of its collection and aim itself at a younger audience. Their wax jackets and quilted coats are proving to be a must-have amongst the stylish; with Glastonbury’s 40th anniversary this Summer, expect the Barbour to be adding itself to the Hunter-welly-wearing brand conscious backpack. 

Find online at www.outdoorandcountry.co.uk

3. Pastels
Embrace Spring this year with pastels and nudes that retain a feminine touch. Lace, still the fabric of the moment, is no longer restrained to black and navy – instead pinks, creams and whites offer the chance to invest in a trend that will carry from the opaque tights of January to the bare legs of June.
Pink Lace Dress, New Look, £30

4. Sail away
The oceans continuously inspire fashion and clothing, but forget the all-and-out navy trend of 2007 (anchor prints and sailor-inspired jackets anyone?) and think more yachts, the Riviera and sailing in St. Tropez. Tailored blazers and shorts mixed with the silk scarves and flimsy fabrics. Pastels mixed with sharp blues and turquoises will freshen up any wardrobe come summer.
Blazer, Topshop, £65

5. Stripes and polka dots
Fashion has always had a love affair with stripes and spots – just walk into any High Street store right now and you’ll be spot at least 5 different takes on the blue and white striped jumper. The key to this Spring’s trend is classic and subtle: from Topshop’s black and white dotted playsuit to Summer’s swimwear collections, keep the palette simple – blues, blacks, greys, whites and creams are the colours of understated glamour.
Polka Dot Body, Dorothy Perkins, £16

6.Fringing
Fringing is one of those trends that keeps coming back, but never really makes an impact. The problem with fringing is that you can either get it very very right, or look like a saloon girl from a bad Western. Always keep to one item of fringing per outf

it and if it’s not an accessory, make sure it’s all over fringing – one line of fringing does little for the item or the wearer, it’s the all-over effect that you want. For dresses and skirts, keep the silhouette simple with long layers. For jackets, make sure any arm fringe is no longer than 3 inches of your arm.
Dip dye Fringed Tunic, Topshop, £55

7. Structured court
The ballet pump has seemed to have gone from strength to strength in the fashion stakes each year, with continual redesigns of bows, ankle straps, studs and sequins – or at least, until the winter weather sets in. But this year’s introduction of the brogue at an affordable price, meant that for most, feet did not have to be constantly wrapped up in b

oots every day to avoid being wet. But as we move into Spring, the structured court and the kitten heel provide a new alternative to the flat. Ditch the £5 pumps of Primark, and give your feet some proper support this Spring – a new way of, quite literally, growing up.
Court shoes, £55, Topshop

8. Statement T-Shirts
The slogan t-shirts of Katharine Hamnett provided great inspiration for the ‘shout-out’ t-shirts of 2007/2008, with some persisting into 2009. But now is the time of the statement t-shirt – a retro expression of our childhood. Classic T.V shows such as Top of the Pops and Saved By The Bell , icons and brands such as the Sugar Puff monster and Paddington Bear and even travel destinations from Paris to London have been immortalised in material form.
Grab yours from www.truffleshuffle.co.uk T-shirt, £25

9. Socks
Once again, one of those trends that never really fully make it – will 2010 be the year of the sock? Burberry’s Prorsum collection heavily featured black socks in 2009, but this year’s Spring/Summer collection has gone a few shades lighter and is dominated by beige. Three tips to getting it right: stick to high ankle socks for a flattering look (no knee/thigh highs), always wear with heels and keep the sock-shoe colour combination complimentary – clashing bright colours Ugly Betty style is not a good idea. The final question is, to open-toes or to close toe? We personally think open is the only way to go.

10. The power dress
Where would 2009 have been without Hervé Legér? Furthermore, how would the celebrities have coped without Mouret’s Galaxy dress or Victoria Beckham’s Carmontelle dress? However late 2009 has also seen the rise in popularity of Preen’s power dress – with fans from Amy Wine

house to Rihanna, the oh-so-very tight dress has taken bodycon and structure, mixed them together and formed what only can be beheld as a ridiculously flattering dress for any shape and any style – oh yes, power to the women. Sadly with a price tag of around £700, we will be waiting for the High Street copies that will hopefully to follow in 2010.

Top 10: Marketing Managers

If you’ve ever wondered why some plays in Oxford are sold out, while others have a pathetic scattering of mums, hangers-on and bewildered elderly academics in place of an audience, you’re not alone.

What makes it all the more perplexing is that the size of the audience doesn’t always reflect the quality of the show. Sometimes critical turkeys triumph at the box office while their superior competitors miss out.

The secret behind this mysterious phenomenon involves a group of people as powerful as they are recondite: Oxford’s marketing managers. Expert at selling anything from Shakespeare to Shaffer, they will flood you with Facebook messages, deluge the town with posters and do almost everything else to persuade you to buy a ticket.

We’ve picked out ten of the best:

1. Adam Hadley

(Graduate)\"Adam

A legend in the world of Oxford drama, Adam Hadley took marketing to previously unseen heights last year with Don Carlos. To quote one commentator at the time, Hadley ‘flyered the moon.’ People who hadn’t been inside a theatre for ten years found themselves asking what all the fuss was about. One of his more innovative ideas was to team up with the Big Bang restaurant to offer a £5 meal with every Carlos ticket. Although Adam graduated last year, he still found time this Michaelmas to market and co-produce Krishna Omkar’s operatic hit, The Marriage of Figaro.

2. Alessia de Quincey
(Christ Church)
\"Alessia

The brains behind the West Side Story campaign, which saw a student show completely sell out the Oxford Playhouse for the first time in living memory. Alessia had made the transition to marketing from a fruitful stint as producer for directors Max Hoehn and Will Maynard. Her marketing gimmicks stunned Oxford, ranging from flash mobs on Cornmarket to the introduction of an alcoholic cocktail specially invented for the production.

3. Heidi Stancliffe

(St Anne’s)\"Heidi

As marketing manager for The Odyssey, Heidi has got people talking about the play even before the actors start rehearsing. A ballerina in her spare time, she made a stratospheric rise through the marketing ranks this year after a string of successes. First she was part of an innovative marketing strategy for Decadence, then single-handedly managed a campaign that helped As You Like It to take over £4000 at the box office.

4. Rebecca Threlfall (Keble)

An experienced hand who ran the marketing campaign for The Madness of George III at the Oxford Playhouse, making a profit against the odds. Also the outgoing president of Keble’s influential Martin Esslin drama society.

5. Matthew Waksman (Somerville)

A multi-skilled individual who’s tried his hand at directing as well as marketing. At the moment he’s managing to market two huge shows simultaneously, working on The Magic Toyshop at the Playhouse and Equus at the OFS. 

6. Daniel Rolle (Wadham)

Working at the moment on The Invention of Love at the Oxford Playhouse, Daniel Rolle has done more than just cover the traditional marketing areas. He’s forged links with the playwright himself, Tom Stoppard, gaining his support and an exclusive interview – coming soon to the pages of Cherwell.

7. Laura Williams (Jesus)

Laura is primarily a producer, but handles her own marketing better than many who do it exclusively. She’s run a successful tour of The Bacchae which spanned the continents, going from Oxford to California. One of her most exiting marketing techniques is the provision of free workshops for local schools.

8. Yasmin Mitha (LMH)

Yasmin, also involved in last year’s Playhouse show Don Carlos, managed the singular feat of selling out Merton’s Garden Show, Love’s Labour’s Lost. Garden shows never sell out, as a rule, but so successful was Yasmin’s campaign that extra seats had to be added as the punters kept coming.

9. Will Bland (St. Hugh’s)

Will started marketing as soon as he arrived in Oxford, working on his college’s Cuppers entry followed by a production of Alan Ayckbourn’s Confusions that sparked stars of the Oxford stage such as Martha May, Ed Baranski and Andrew Wilkinson.

10.Chris Thursten (Graduate)

A highly respected actor during his time at Oxford, Chris has diversified recently into producing and marketing. He is most remarkable for his web-based approach: his productions are immediately distinguishable by their professional-standard websites.

Swot: Shop – A| Wear

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Describing itself as “a high street brand with a boutique heart” on its website awear.com, A| Wear is quickly becoming a highly featured and coveted “find” for fashionistas looking to find style outside the normal shops. Whilst in recent year’s online versions of stores such as topshop.com and solely online fashion sites (dare we mention the phenomenon that is ASOS?) have proven to be valuable assets for those looking for style and efficiency without the queuing, there has been an steady regeneration of the High Street with various boutiques opening up, such a mButterfly and Goldstone to name a few with Oxford branches, that now provide shoppers with a larger and often more unique range of clothing away from High Street chains. However A| Wear is now offering the best of both worlds, and magazines such as Grazia and OK! have taken note.

According to its website, A| Wear began in the early 70’s as part of Ga

len Weston’s retail empire that stretched from Canada to the UK and Ireland. Yet in May 2007, a buyout was completed that has led to 25 stores in the Republic of Ireland, 2

in Northern Ireland and 3 in England of solely the A| Wear brand. The lack of physical presence in the English market has given many trend-spotters an edge; with stores located only in Leicester, Bristol and Stoke-on-Trent, the relative anonymity amongst UK shoppers have left the knowledgeable few with something every fashionistas craves: uniqueness.

A moment though: a shop can only be as good as its collections, it’s style and it’s suitability to the market. However just by looking through A| Wear‘s last season’s Twilight Inspired collection, it certainly is ticking the boxes. Our top three, including the sold-out Layer Tulle Skirt (£20), the Waterfall Leather Jacket (£100) and Jacquard Bow Dress (£25), scream immortal fashion that will be romancing us for much longer then the next couple of new moons.

Furthermore, their new collections for Spring 2010, Barely There and Perfect Parisienne, offer key pieces such as the Pink Petal Shift Dress (£40) and the Pinstripe Tunic (£16) that will take you from the cold depths of Winter to the brighter side of Spring. Although some parts of its range are still in need of work, (we are yet to be convinced by a long-line animal print hoodies, sorry!), A| Wear is certainly on the rise; just hit their As Seen In section to see their popularity. It’s mission statement is to “continuously giving the A| Wear girl something to fall in love with”, for us at Cherwell Fashion, it certainly does so – but as it’s fan base grows over the next year (which we predict it will do), will it cope with the demand? If not, and you get bored of us, there’s still a rather good blog.

Oxford students in court over defaced Canadian flag

Two Oxford students were due in Westminster Magistrate’s Court today charged with causing criminal damage against the Canadian High Commission in London.
 
Jake Colman, from St Peter’s College, and Daniel Whitely, from University College along with another Oxford resident on 15th of December cut loose the Canadian flag from the Canadian High Commission. It was then defaced with crude oil while unfurling a banner reading “Shut Down the Tar Sands”.
 
The protesters stated that the action was in response to the actions of the Canadian government at the Copenhagen International Climate Summit. They accused Canadian Prime Minister Stephen Harper of acting in an obstructive manner in order to protect Canada’s Tar 
Sands Industry. Tar Sands in Alberta, Canada is criticised by protesters for high levels of pollution.
 
One protester stated after the action, “This is just the beginning of a UK-based direct action campaign to stop Canadian Tar Sands.”

 

Protesters deface the Canadian flag on 15th of December.

The thinking man’s politician?

Two years ago James Purnell may not have been a household name but he was touted by many commentators to have a steady political rise ahead of him. He has the fresh-faced likeability that many attributed to Tony Blair in his early days and some do to David Cameron today. He also seemed to have well thought-out values and intellectual firepower that he was able to turn first on the Department for Culture, Media and Sport, and then the Department for Work and Pensions. Then came the night of the 2009 European and local elections when he resigned from Cabinet just moments after the polls had closed on what was expected to be a disastrous set of results for Labour. He quickly became recognisable as an emblem of Gordon Brown’s crumbling political authority in the same week that saw the departure of Jacqui Smith, Hazel Blears, John Hutton, and Caroline Flint, with a serious concern that Brown would be left with a ‘skeleton crew’ of over-promoted loyalists. Purnell’s letter of resignation pulled no punches when it told Gordon, “I now believe your continued l

eadership makes a Conservative victory more, not less likely,” and it was evidently the opening salvo in a bid to oust the Prime Minister.

Nonetheless, the attempted ejection (by no means the first of Brown’s premiership) failed, and James Purnell has adjusted to life as a backbencher rather well. When questioned by members of the Oxford University Labour Club, the MP for Stalybridge and Hyde insists he is “pleased to be out of frontline politics for a while”, and does not seem to be saying it through gritted teeth. He famously spent his first weekend out of the Cabinet alphabetizing his bookshelves, a task no doubt neglected amid the bustle of government but also a chance to reassess and revisit, and importantly to reengage with the ideas behind politics. Since June, Purnell has cast himself in the role of the ‘ideas-man’ of progressive politics, netting a high-profile role at the Blairite think tank Demos, where he is tasked with envisioning the future of Left politics. And he has rediscovered a great thinker: Amartya Sen. The work of the Indian-born Nobel laureate can be shoe-horned nicely into the New Labour rhetoric in which James Purnell is fluent: empowerment and capabilities replace the classical liberal emphasis on negative freedom in society and markets.

“If you look at David Cameron’s speeches, Gordon Brown’s speeches, Tony Blair’s speeches, they are about how you can translate ideas into reality”

But isn’t this all the kind of abstract theorizing that he should have got out of his system studying PPE at Balliol in the 1980s? Isn’t government too messy, too ‘real’ for this to be practical? On the contrary, Purnell insists, in politics “if you don’t make the effort to work out what your ideas are then you’re going to make a lot of mistakes”, because the media and interest groups make “modern politics so pressurized” that a grasp of what you want to do has to guide what you actually do. Interestingly, he also defends the importance of ideas to current politicians; “if you look at David Cameron’s speeches, Gordon Brown’s speeches, Tony Blair’s speeches, they are about how you can translate ideas into reality” and at its best that is the role of politics, taking an idea from the abstract to the concrete. This is an upbeat assessment, given that so many of the decisions our political leaders seem to make appear cynical and media-driven, the big-ticket speeches may contain ideas but really serve only as mood music for pragmatic government. “I think it can be hard, definitely” he concedes, but that is not, for him, a reason to think it is dispensable.

“What I think electoral reform requires you to do is to move from a politics which is mostly about opposition to one that also has a larger element of consensus-building”

I am interested to know whether James Purnell thinks the significance of big ideas in politics could be increased, suggesting that a more proportional electoral system may make a contribution. His response is cagier than I had expected from a declared proponent of electoral reform; greater proportionality, he admits, “creates the space for [discussion of ideas], because it creates more voices”, but if done badly there is the risk that you would “never have a government that can implement those ideas because you disperse the powers so far that no one can get anything done”. These are common responses to PR campaigners, but how does he thinks we can square the circle? He responds in generalities, enthusing that “what I think electoral reform requires you to do is to move from a politics which is mostly about opposition to one that also has a larger element of consensus-building”, but then goes on to suggest that on environmental issues, for instance, Britain already has a greater degree of consensus than France or Italy, with their more proportional systems. In this way, Purnell is very New Labour in his ambivalence towards constitutional reform, not sure where to lay his priorities while refusing to endorse the status quo.

In contrast to this wavering, he offers a raft of detail on how Parliament could function better: primaries for prospective candidates, more ability for the House to initiate legislation, elected select committee Chairs and increased powers for committees. He does not acknowledge the abysmal record of this government in circumventing and diluting the authority of the House of Commons, with its seizure of control over parliamentary time, its huge majorities and uncompromising whipping, and its exercise of the Royal Prerogative. He comes dangerously close to sounding platitudinous when he says, “I think taking democracy as discussion is actually really important”, but his rhetoric at least points in the right direction – it just happens to be the opposite direction to the one in which British politics has been moving for the last quarter-century.

“Then I performed at Edinburgh and I had to admit to myself I wasn’t very good, so I decided to give that up”

James Purnell may yet return to the front bench, not least in a Shadow Cabinet after the next general election, when Gordon Brown will have to stand aside for a new generation of Labour politicians. Then it is likely that Purnell’s strong track record as a Secretary of State will bode well for another prominent role. When I ask which Cabinet role he would like in the future he shies away from an answer, perhaps not wishing to tempt fate. Instead, Purnell revisits his enthusiasm for the roles he has held in the past few years. As the head of the Department for Culture, Media and Sport (DCMS) he was clearly at home with the arts scene; he confesses with embarrassment that when he came up to university he actually wanted to be an actor, quickly adding, “then I performed at Edinburgh and I had to admit to myself I wasn’t very good, so I decided to give that up”. He has maintained links with the theatre, serving on the board of the Young Vic in London. DCMS was thus a chance to influence an area of society that he had a deep-seated passion for, and he was evidently well-liked and respected in the role.

“New Labour always had the part of the story that was about aspiration and climbing the skills ladder…but we mustn’t forget about the protection part as well”

His interest in the Department for Work and Pensions (DWP) to which he was promoted in January 2008, may not have been so personal but is married to a keen sense of responsibility for the handling of the government’s largest budget. “You’re spending more money each year than the whole income of Portugal,” he says, almost excitedly, “and how well or badly you spend it makes a massive difference to millions and millions of people.” The DWP has been central to the New Labour agenda on tackling unemployment and welfare dependency, and during his time there Purnell was seen as continuing the Blairite line of encouraging transition from benefits to work with judicious use of the stick as well as the carrot. However, during a recession the line between the workshy and the unlucky is increasingly blurred, and Purnell sounds a note of caution on the efforts of the last decade, “New Labour always had the part of the story that was about aspiration and climbing the skills ladder…but we mustn’t forget about the protection part as well”. Some people suffer unemployment because of the vagaries of macroeconomic forces, others because the 21st century economy no longer requires workers with 1970s skill-profiles; he is heavily influenced by Amartya Sen in his new emphasis on people’s substantive freedom to operate in the labour market, their capabilities.

And yet, for all that decentralisation and grass-roots empowerment are the new rhetorical currency of all three parties, Purnell speaks frankly about the role of the state; we cannot escape the fact that “the bread-and-butter of government is running big machines” and we need to run them as well as we can. He may have spent much of his political career looking at ways to increase choice and contestability in public services, but he seems more willing to offer the state and market simultaneously as solutions to the problems people face, rather than lumping for Old Labour statism or New Labour’s faith in markets. It is difficult to shed scepticism of this have-your-cake-and-eat-it mentality, perhaps we will have to see how the Left’s new ideas-man can reconcile such tensions in a future Labour administration.

Eye Candy: Meet Your New Fashion Team

“Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.”

Coco Chanel

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Each week, we will be bringing you the best in Oxford street fashion. From the casuals strolling to lectures to the all-out glam of formal halls and dinners, the team will be out and about capturing those trends that students are actually wearing. But for now, or at least until term starts, let us introduce ourselves and our fashion mantras. (However if you do see us, camera tow, be prepared to stop and be harassed – SMILE!)

Joanna Wilkin, St. Peter’s College
There is no point in fashion if it is not fun. As Oscar Wilde famously put it “fashion is a form of ugliness so intolerable that we have to alter it every six months”. Fashion is quick-paced and unforgiving (velour tracksuits and gypsy skirts?!). Yet, like other girls this term, I see fashion as individualism, a chance for creativity and a moment of expression – it is about findi

ng your style. From milit

ary boots to floral tights, my Dad’s shrunken jumper or a customized sequin dress (because you looked awful in it in the first place!), fashion should be embraced and always enjoyed.

Giela Abd, St. Peter’s College
If I ever want something, it is probably something you can wear, walk in or carry on your shoulder. My lecture notes are filled with doodles of shoes and dresses and my definition of a perfect break from work is a quick hop to Zara or French Connection. Obsessed? Maybe. But clothes can be art after all, and I am an aficionado. The last few seasons have been all about leather for me. In the summer – leather with florals, later – leather with fur and knits. Or combined with lace for a perfect party outfit. Feathers are on the horizon too (although this trend has yet to convince me).

Sally Rushton, Pembroke College
I love the fact that fashion can be so many things: a multi-billion dollar industry, an elaborate art form, a medium of self-expression. It is inescapable and you are only young once so if you want to wear a ludicrously impractical yet fabulous feather jacket then go for it!

Sarah Hourahane, Mansfield College
A well-considered outfit can make you feel great – it can be the icing on the cake in an interview or on a night out; it gives you that bit of extra confidence. Yet it is also something to have fun with. Making costumes and dressing up for bops/fancy dress (see my Halloween attempt at Tim Burton’s Corpse Bride) – anyone can be creative with their wardrobe!

Annabel Barratt, St. John’s College
Aged about 8, I had my earliest fashion epiphany. I hyperactively raided my mum’s wardrobe and created my first piece of haute couture. Belting several yards of bubble wrap around me, I created a body-con masterpiece. Hopefully I’ve come a little further since then, but my excitement for all things fashion related remains the same. I’m a bit of a fashion magpie, with anything sparkly or sequined posing a serious threat to my planned budget for the week, but during the day I have an equal appreciation for jersey basics or a well-cut blazer.

Also, check out our new Fashion blogs starting this term, SWOT: SHOP, a weekly review of shops and their collections accessible to Oxford Students beginning with the new online boutique, A| Wear, and BEHIND THE SCENES, a sneak peek behind each fashion shoot and links to some of the featured items.

Guide to Christmas telly

So, you’ve picked the last scraps off the turkey, the Christmas compilation CD has been discarded for another year, and your sorry excuse for a tree is once more thrown onto the compost heap. But do not despair: Cherwell can help you keep that festive feeling by giving you the low-down on the Christmas telly. What better way to ease yourself into the New Year than catching up with the programmes you missed because you fell asleep at 6pm after the ninth glass of mulled wine?

I can’t claim to be a massive fan of Dr. Who. In fact, I had never watched an episode until last week and I had no idea what was going on most of the time. A far as I can gather, a weird and hungry bloke called The Master wanted to turn everyone on earth, and some time lords, into versions of himself. The Doctor didn’t think this was a great idea, so chased him around for a while and eventually, with the help of an old man and some green spiky people, managed to track him down. We all knew this was Tennant’s last episode, and it was actually quite moving as sci-fi goes. Apparently the tears during his regeneration were real. My brother enjoyed it though, and I will defer to his knowledge in this (one) area.

The ladies of Cranford returned to our screens this year for more p

olite conversation, village gossip and pre-watershed romance. The book on which the series is based is arguably not Gaskell’s finest work, lacking North and South‘s passion and any sort of smouldering love interest. But still, it’s one to watch with the parents; it will certainly make you smile, and Judi Dench is eminently watchable as the sweet Miss Matty. If, however, you are yearning for a costume-drama heartthrob: stick to the Pride and Prejudice box set.

Day of the Triffids is scary. That is all I have to say on the matter. The majority of the population is blinded, and then the man-eating plants are let loose. Obviously one of the few people left with his sight just happens to be a Triffid specialist, and it is his job to find a solution to the plants-taking-over-the-world problem. Fortunately there is also a love interest in the shape of Joely Richardson, and a nasty baddie, played by the excellent Eddie Izzard. Completely unbelievable, painfully predictable in parts, but definitely worth watching.

The season’s comedic offerings deserve particular mention; with Christmas specials galore, we were dished up a veritable selection box of mirth. One not to miss was the Christmas episode of Outnumbered. Hugh Dennis and Claire Skinner are always superb, but the kids in this series are incredible. In this episode Dennis is tasked with preparing the dinner, while Skinner goes to collect her dad from the care home where he lives. Highlights include Karen’s biting critique of everything from goat-based charity presents – “so, it’s not a present for me: it’s a present for the sub-Saharans” – to A Christmas Carol – “would we let Hitler off if he bought everyone a goose?”. Ben’s melting plastic dinosaur and the increasingly bizarre game of charades are classic moments, mainly because we can all remember something quite similar happening at home. Pure comedy genius.

The two-part

Gavin and Stacey special is unmissable, mainly because it signifies the timely yet peaceful death of one of our favourite sitcoms of recent times. In the first episode, the Shipmans and the Wests head to the beach, where Smithy gets stuck in his rubber ring, Dave departs to find some gas and Doris is predictably pervy. In the second, and final, episode Nessa prepares for her nuptials with Dave of Dave’s Coaches. Look out for guest appearances from John Prescott and Noel from Hear’say. The writing by Ruth Jones and James Corden is as charming and quick as ever, and Rob Brydon is excellent as the lovely, oblivious, Uncle Bryn. Go and buy the box sets.

If staying in with your stale mince pies and the dwindling box of celebrations is not exciting enough, perhaps you fancy a trip to the cinema? Nativity, starring the lovely Martin Freeman, was this year’s family-friendly festive release. Freeman is a primary school teacher directing the dreaded Christmas Nativity, with his loveable but clueless teaching assistant Mr. Poppy on hand to help with/ruin everything. This is, however, a nativity with a difference: not only do the residents of Coventry think that Hollywood will be coming to watch, but Freeman has to convince his ex-girlfriend to save the day. Oh, and the nativity is a musical. Cue cute kids auditioning, heart-warming sing-alongs and decreasing believability. In one baffling scene, a mother watches her child (playing the angel Gabriel) being lowered from the cathedral’s spire, screams, and then cheerfully joins in with the singing. Hey, it’s Christmas, who cares if these things don’t really happen?

Democracy: the best policy?

As we enter a new year (indeed a new decade), we leave with the saccharine drone of this year’s X factor winner at number one and arrive into the run up to arguably, the most important general election in our lifetime. An odd link, one might think. However, following Simon Cowell’s announcement that, after a stunning set of viewing figures for this year’s X factor final, he plans to launch a “Political X factor” in the run up to this year’s election, I began to consider how the seemingly vacuous, yet lucrative, concept of voting on so-called “talent shows” compares to voting in a governmental election.

Simon Cowell is a man who represents the rise in the manufactured, guaranteed-number-one-selling, populist pop phenomena that so many people abhor. Many fade into obscurity within half a year, whilst the infuriating resilience of The Cheeky Girls is countered by the fact that at least the show which discovered them brought us Girls Aloud, and the delightful Cheryl Cole. However, I do not want to digress into the various musical merits of the products of such shows.

“hordes of housewives braved the icy pavements to prevent Joe “Me mam’s me best friend” McElderry’s toothy grin becoming a forced loser’s smile”

Whether by coincidence, or not, the rise of these shows coincided with the beginnings of iTunes era. As a generation grew up expecting to be able to have music free, the genius of these shows was, in effect, to make people pay twice for it. First voting your preferred artist to the top, and then buy

ing their lacklustre ballad afterwards. For those who felt that they knew about “real music”, the dominance of these acts in the music charts was a complete travesty, but if anything, the rise of the protest single campaigns (Jeff Buckley, Rage against the Machine) has helped even more, as hordes of housewives (albeit futilely) braved the icy pavements to prevent Joe “Me mam’s me best friend” McElderry’s toothy grin becoming a forced loser’s smile.

As the past decade came to its end, various “charts of the decade” came out, and of the top ten singles of the decade, five came from talent show winners/runners up (holding the esteemed company of Bob the Builder and “Is this the way to Amarillo?”). Indeed, even for someone such as myself who has the iTunes collection of a 14 year old girl, the top 100 singles of the decade made depressing listening, with the Crazy Frog , the Ketchup Song and Afroman all making an appearance. Voting in an election is one thing, but voting in a television competition, or “voting” in these charts (by buying a single) requires one to pay. People bought the Crazy Frog single, in fact over half a million copies were sold. Let us hope it was one rich idiot, as if it were the case that 550,000 people bought one copy each, then they could easily be a group of people that could swing an election (2% of the 2005 voting electorate).

“our government is being chosen by people who thought “Can we fix it? (Yes, we can!)” was the tenth most worthwhile song to purchase this past decade”

This is where the idea of Cowell’s “political X factor” seems like a terrifying prospect; because it reminds us that it is the might of the public that decides the way forward for the country. We delight in the fact that we have universal suffrage for adults, we condemn unfair elections and we deride China’s single party system (a government, who incidentally restricted voting in television shows in case the populous got “a taste for democracy”) and yet in these “other elections” where people are given the power to choose, whether by telephone voting or buying singles, we ridicule the results.

The emergence of television voting and novelty singles makes the reality of democracy clear, our government is being chosen by a group of people who thought “Can we fix it? (Yes, we can!)” was the tenth most worthwhile song to purchase this past decade. If we had to decide on the best song of the 2000s, surely the method that most resembled a democratic model such as most purchased would be the way forward. Then, the result would be Will Young’s “Evergreen”, yet I am sure the hordes of supposed musical experts would vehemently disagree. But if this is a flawed measure, why is a similar method seen as best system for choosing a government?

“there is something taboo about suggesting that those who are more informed should have the power to choose government”

Of course, we hope that it is a small bunch of people voting/buying repeatedly, however most often this is not the case. Whilst the measures we accept for what really is the best song or best film tend to revolve around the decision of a panel of impartial experts, there is something taboo about suggesting that those who are more informed (more intelligent?) should have the power to choose government. Few, it seems, would back the reintroduction of the extra vote for graduates of major universities (the Oxford and Cambridge constituencies were abolished in 1950), whilst in the US, even the introduction of “the save” in American Idol, a device by which judges could, once a season, save an act from elimination, was branded “evil” and “undemocratic”. But could our discontentment with such populist results be a further point against the argument that democracy is the best policy?

As it stands, I most certainly wouldn’t be up for an electoral reform that saw voting rights only given to those of a certain IQ, or some similar measure, but with Bhutan (only marginally avoiding “authoritarian regime” on Democracy Index) and Brunei (an absolute monarchy) both in the top ten of a recent University of Leicester study of the happiest countries in the world, maybe democracy is not always the answer, and at least, one hopes, not Simon Cowell’s version of it.

Keeping those 2010 resolutions

As reported in Cherwell recently, the Tesco Bank survey showed that only 10% of Britons managed to keep their last New Year’s resolution beyond January. Even fewer make it all the way through the year with their resolution intact. Before coming up to Oxford I had never felt the need to make a New Year’s resolution. This certainly changed after the excessive consumption in my first term as a fresher at Hertford in 2005, and I knew something had to give.

Football and good food were too important to sacrifice and increasing my attendance at the gym seemed to be too much effort, so I decided to give up what is both the student’s best friend and the ultimate nemesis – alcohol. Perhaps I had subconsciously been influenced by the philosopher Bertrand Russell, who once said ‘to be without some of things you want is an indispensable part of happiness.’

To begin with, it was easy to stick to the resolution. When in Hertford bar it was far from difficult avoiding the dubious temptations of the Dark Pango. Formal hall was certainly less enjoyable without regular glasses of red wine, but it was also a great deal cheaper, both on the bank balance and on the liver. As the weeks went on though, social pressures made it increasingly difficult to decline the alcohol with which Oxford is awash. For one thing, it soon became tiresome explaining to people why I was ordering virgin cocktails rather than my usual pint of ale.

So, despite my initial enthusiasm, and the five weeks of effort I had put in, my will-power eventually failed me and during the second bop of Hilary term my New Year’s resolution was no more. I had barely made it beyond January!

If I had nursed any lingering embarrassment about this apparent weakness of will, it would soon have evaporated when I read those findings in the recent Tesco Bank survey. It seems that I am not alone in needing a little bit of support to keep my annual promises.

According to the survey, four in ten of us will make a New Year’s resolution for 2010. Many resolutions will look to improve our health or our finances. If you have already made your resolution, you will almost certainly still be full of the vigour and confidence that mark the early stages. You may have dragged yourself out of bed to the gym first thing in the morning, or you may have declined that second helping of dinner from your overly-generous mother. This is an excellent start and you deserve to feel proud but, once you are back at college, you might find the going slightly tougher. Early morning trips to the gym are much less appealing after an all-nighter, whether of the working hard or playing hard variety!

There are four simple measures you can take to strengthen your commitment to your New Year’s resolution:

1)Restrict yourself to one simple, attainable goal. When January comes around, many people make the common mistake of setting a number of different goals. While each goal might be very worthy, it is hard enough to successfully keep one resolution. Choose the goal you most want to achieve, make it your New Year’s resolution and try to achieve it before moving on to other ambitions.

2)Tell your friends and family. Letting other people know will help when you are with them, as friends can remind you of your New Year’s resolution. While some friends may initially make some jokes and jibes at your expense, if you are determined to see your resolution through most will support you and almost certainly end up admiring you.

3)Make your resolution public. While publishing all manner of personal information in public forums is now the norm because of Facebook, Myspace and Twitter, there is much to be said for letting the world know about your New Year’s resolution. If nothing else, it will make you more reluctant to quit, and deleting the resolution from your profile page or wall will feel like cheating.

4)Use the internet. There are a number of websites out there designed specifically to help you make and keep promises. If you want to put your money where your mouth is, you could try the American website, stickk, which allows you to wager money that you will see your resolution through. If you and a group of friends want to make the same resolution, then pledgebank might be worth a look. Alternatively, if you just want to make your resolution public, tell a few of your friends about it, and receive weekly reminders, then digipromise might be the place for you.

If you are still wavering about making a New Year’s resolution, it might be worth remembering the wise words of the German poet von Goethe, who said, ‘We can always redeem the man who aspires and tries.’ Or if 18th century poetry isn’t your thing, a similar message was conveyed by the former Canadian ice hockey player, Wayne Gretsky, when he said, ‘you miss 100% of the shots you don’t take.’

So what was my New Year’s resolution this year? While giving up the gym seemed to be too much effort in 2006, my expanding waistline and reducing stamina suggest that the effort might be worth it after all. Go to DigiPromise to check my progress and make your own New Year’s resolution for 2010.

Good luck!