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Debate: Can student activism change the world?

Lucie Kinchen, Climate Change student activist

“The time for non-violent activism is now”

Throughout history, non-violent direct action has got results. Without people willing to take action, we would not have many rights which we now take for granted. For instance, as a woman I would not have the right to vote, and racial discrimination would still be enshrined in US law. From Gandhi to Emmeline Pankhurst, people throughout the world have recognised that when governments fail or refuse to act to tackle injustices, it is left to citizens to do something about it. To effect radical and positive social change, individuals need to be empowered to take action.
Direct participation in UK democracy is limited to a vote in the general election every five years or the opportunity to lobby your MP. When these processes cannot deliver on the most important issues the need for action becomes clear. Some call for an ‘exhaustion of the legal channels’, but one could always write one more letter or sign one more petition. The efficacy of mass demonstrations is questionable – one million people marched against the war in Iraq in 2005 only to be ignored. More direct action is needed.
According to the Global Humanitarian Forum, 300,000 people every year die as a direct result of climate change. This number is set to increase, and if we continue emitting carbon dioxide at the current rates we are looking at 250,000,000 climate refugees – displaced from their own countries by famine, droughts, flooding, and wars over resources – by the middle of this century. Our government has recognised this need for change and makes positive noises accordingly: the UK was pioneering in having the first Climate Change Act (2008) to attempt to prevent runaway climate change. But these legally binding targets – to reduce carbon emissions by 80% by 2050 and by at least a third in the next 11 years – are nothing without the actions to fulfil them, and these actions are lacking.
Twenty years ago, Margaret Thatcher said that it would be “irresponsible” not to act on climate change and yet in that time not nearly enough has been done. Even leaders, such as Al Gore, stress that the time for action is now.
Our protest at Didcot power station last week was part of an ever-growing movement of people willing to take non-violent direct action to tackle the root causes of climate change. We need a mass movement, but it needs to be a movement composed of people willing to do more than just switch their lightbulbs off or only boiling the right amount of water in their kettles. We need active social change.

Marius Ostrowski, PPE Magdalen

“The illusion of acting replaces critical rationality”

One of the joys of pure liberal democracy is its steadfast adherence to freedom of speech, allowing anyone to voice any view, however controversial, without fear of suppression. And wherever there is a view to be voiced, an issue to be protested, or an event to be condemned, it is a reasonably safe bet that there will be a gaggle of students there to throw their weight behind it.
Such omnipresent idealism, while very much the norm at universities, is a source of resigned irritation to pretty much anyone who isn’t a student. The students see themselves as the lone defenders of their faith, locked in an uphill struggle against The Man. To the public, they’re a bunch of loud-mouthed, immature layabouts, spoilt brats for whom ‘idealism’ has become warped into weird guilt-trips of liberal self-flagellation, rebelling against the very institutions that made them students in the first place: their private education, their investment banker father, their BUPA health insurance. Student activism is seen by the wider population as thinly-veiled NIMBYist hypocrisy, worse than champagne socialism or krypto-authoritarian ‘liberal paternalism’.
While much of this image stems from negative reactions of inherently socially conservative institutions like the media, Church, state and civil service, there is an underlying problem with student activism that must bear much of the blame: its inherent lack of critical reflection and self-evaluation. Pure activism requires a degree of absolute conviction in one’s cause. Alternative views are targeted and demonised, with the worrying illiberal, anti-democratic aim that they be ultimately suppressed.
The fine line between merely supporting a cause and becoming active on its behalf is defined by one’s openness to alternative points of view – once that line is crossed, it becomes very easy to be consumed by a cause to such an extent that the illusion of acting replaces the critical rationality or emotive reasoning that brought one to the cause in the first place.
Activism is an ironic intellectually-passive modus operandi – one is wholly dependent on the ideologues in the cause’s elite for instructions on what to achieve next and how to achieve it. A healthy dose of sceptical cynicism is pretty much the only antidote, which is what most people think student activists don’t have. Until this view is reconciled with those that the students represent, student activism will remain more of a hindrance than a help to the causes it sides with.

 

OCA’s commitment to reform is in doubt

Cherwell has argued consistently since the racism story broke last term that the Conservative Association needs to demonstrate real change, that the real scandal has always been an anachronistic culture amongst it’s membership, and that token gestures are not enough to merit acceptance.

The national Conservative Party, clearly, thought otherwise. Apparently, Conservative Future, to which OCA is now attached, believed that the society was committed to reform. However, events since their affiliation have called into question the authenticity of the Association’s professed desire to change.

There is a widespread suspicion that OCA, having used the national Party as a crutch to regain credibility, will revert to type at the next convenient opportunity. You only have to look at the mutterings of their membership to see why.

‘What more is a society than the sum of its members?’

If OCA is a society committed to modernising, why has its leadership been so reluctant to put constitutional change to its members? One could hardly be blamed for thinking that it might be because members weren’t thought to be sympathetic to moving into the bright new ‘Conservative Future’.

If we needed any more evidence, Cherwell this week exposes that a group of Association members, including Presidential hopefuls and other society notables, have formed both online and presumably off, specifically outlining their ambitions to return OCA to its ‘former glory.’

As a society, the commitment among OCA’s membership to reform is in serious doubt. Moreover, the sanctions against them seem to have been ineffective, given their indirect presence at Fresher’s fair courtesy of ‘brother’ conservative society, the Bow group. What more is a society than the sum of its membership? All this serves to indicate is that, yet again, an outdated, outmoded society is unaccountably rumbling forward into further obsolescence as a political entity.

 

Oxford bishops pose for climate change

In an unusual campaign to raise awareness about climate change, giant photographs of Oxford’s bishops with “Copenhagen” written on their foreheads have been projected onto famous UK landmarks.

The images are being used as part of a Christian Union campaign to persuade the UN to act on climate change.

‘Mass Visual Trespass’ invites members of the public to send in their own text, photo and video messages which are projected onto famous landmarks, including the Houses of Parliament and E.ON’s Ironbridge power plant. This is done in anticipation of the climate change talks taking place in Copenhagen in December.

Oxford photographer Tom Weller, who photographed the bishops, explained the concept behind the photos, “You don’t expect to see bishops with writing on their foreheads. The idea was that each would be a simple portrait shot, but used together as a series they would have a real impact.”

 

140 mln year old spider web found

The oldest known spider web in the world has been found preserved in amber deposits on the East Sussex coast.

Oxford palaeontologist Professor Martin Brasier is currently analysing the 140 million year old fossils, which were spun by a spider closely resembling the common garden spider of today.

Reacting to this, one third year Oxford biologist said it was “a great demonstration of how advances in science help us better understand the past.”

Brasier expects this will just be one of many discoveries included in his wider project, explaining that “we have even more exciting things to report in the near future.”

 

Local march to ‘Reclaim the Night’

The ‘Reclaim the Night’ campaign will march this Friday at 6.30pm from the East Oxford Community Centre to St Michael’s at the Northgate Church to raise awareness of violence against women, and to take a stand for those who do not feel safe going out alone at night.

“Young people continue to receive messages that violence against women and the harassment and coercion of women is acceptable”, said Hannah Clare, joint-co-ordinator of the Oxford Sexual Abuse and Rape Crisis Centre, arguing “attitudes need to change”.

Emily Middleton, President of Oxford University Amnesty International, said that the organisation “strongly supports” the march. “As Amnesty has highlighted, at least one out of every three women has been beaten, coerced into sex, or otherwise abused in her lifetime; anything we can do to raise awareness of this fact is very welcome.”

There was a rise in reported rapes of nearly 20% in Oxfordshire between 2007/8 and 2008/9, but only 6.5% of reports resulted in conviction, according to police reports.

 

Teddy Triumphs!

The efforts of the JCR presidents on behalf of Nathan Roberts, ex Queen’s JCR President, to get him reinstated in the role, have been vindicated by the success of one small bear.

The teddy bear, put up for election for JCR President by Roberts yesterday, was victorious with 51% of first preference votes.

Roberts had been forced by the SCR to resign his position after achieving a 2:2 equivalent mark in prelims.

Stefan Baskerville, OUSU President, 30 JCR Presidents and students of Queen’s college criticised the decision of the SCR and urged that they reconsider their decision.

However, the SCR refused to allow Roberts the opportunity to appeal. With the triumph of Roberts’ teddy bear, the student body have defied the decision in a victory for JCR autonomy.

All await a response from the College authorities.

 

For The Love Of Film

Ben Williams and Laurence Dodds are back with a new mean soundtrack to discuss An Education and Disney-Pixar’s Up. They also take a look ahead to 2012 and get very enthusiastic about trailer of the new Cohen Brothers’ film A Serious Man.

Going Nutts

The political storm that has followed the sacking of Professor David Nutt seems set to intensify at present. What is lacking is a sensible middle ground perspective.

For those who (quite sensibly) rely exclusively on Cherwell for their news, the government’s chief policy adviser on drugs was sacked by Home Secretary Alan Johnson, after he spoke out criticising government drugs policy. In his lecture, he described cannabis as being less harmful than cigarettes and alcohol. He has previously suggested that ecstasy was less dangerous than horse riding.

Since losing his job, two members of the committee which Professor Nutt chaired have also resigned, and many others seem set to follow suit. Now the chief scientific adviser to the government has, diplomatically, suggested that he agrees with Nutt’s view on drugs, though he refrained from criticising Johnson for sacking him.

What we have here, is a divide between scientists and politicians, and it is quite plain that both are being unreasonable.

On one hand, we saw in the debate held in the commons, that politicians seem to have a certain degree of contempt for scientific expertise. One MP commented, “scientists should be on tap, not on top”. This view is disastrously unhelpful.

So too was it particularly stupid for politicians to assert that independent advisers have some sort of duty to avoid criticising government policy. Is that not the exact point of an independent adviser? To provide criticism, expertise and feedback on government decisions? A scientific adviser is not subject to the same sort of collective responsibility that cabinet ministers are, and the Home Secretary seems to have forgotten this.

Yet not everything said was totally without merit. As the Home Secretary argued, Nutt had gone public in criticising Government policy without informing his political bosses. Clearly, there were issues with the working relationship, and despite the fact that I would argue Johnson should probably listen to the expert advice, a breakdown of trust between the two seems a legitimate reason to seek someone else to do the job.

Even the chief scientist who shares Nutt’s views, John Beddington, points out that it would be difficult to see how the two could go on in such a situation.

However, we have to ask the question as to why Nutt acted as he did. There is a widespread, and seemingly accurate, perception, that the committee of which he was chair was, in effect, a rubber stamp for decisions that were in reality made for political reasons. Members of the committee itself have been raising such concerns.

The problem here is that, rather than being up front about the basis of drugs policy, which is that in reality the government wants to appear tough on drugs, the Home Secretary seems to be attempting to claim that policy is scientifically informed, whilst simultaneously ignoring the scientists.

Certainly, we can’t expect Johnson to admit he is merely politically motivated, but he could at least frame his decision based on a moral objection to drug taking, or some other point than the literal harm which the drug causes, because the evidence seems to be fairly clearly set against him.

Instead, he is somewhat ludicrously attempting to contradict scientific experts with anecdotal stories about his constituency, which, while emotive, are clearly not sufficient to inform drugs policy for the nation.

So, what is the conclusion? Simple – David Nutt could have handled the situation better, and because he didn’t he has lost his job. He has undermined an obvious opportunity to influence outdated and unhelpful drugs regulations. However, if the delivery of his message was off, the content was still bang on, and Alan Johnson should have listened to what he was being told a long time ago.

 

Interview: Rich Fulcher

For anyone who has watched the Mighty Boosh, talking to Rich Fulcher on the phone is a surreal experience. On the show, he plays a variety of characters, including, but not limited to, salacious gigolo-soliciting middle-aged women, green-skinned polo-bemonacled cockneys, and decrepit girdle-bound jazz fanatics. He’s best known as Bob Fossil, an overweight, sexually and mentally deranged zoo-keeper cum club-promoter, who exclusively wears skin-tight blue polyester.

Fulcher’s characters have been described as a “watered down version of himself”, so when I pick up the phone to call, anything seems possible. I’m half expecting to hear an elongated “hellloooo” à la Eleanor when he picks up.

“Is that Rich?” I ask. “This is he,” he replies, and we’re away. Rich has just written a book, in the character of Fossil, called “Tiny Acts of Rebellion“, which is, straightforwardly, a guide to minor acts of rebellious nature. The obvious question, as with virtually everything he does, is “Why?!”

The response is of mixed persuasiveness. “Edgar Allen Poe said there is an imp inside all of us. It’s more of an impish quality that we need to enact, because if we don’t, we turn into that Michael Douglas character in Falling Down. We just go nuts all at once.”

“I’m saving the world one fake vomit at a time.”

I’m tempted to suggest that not everyone is quite as close to the brink as Rich, but as I hold my tongue he continues:

“We can’t topple governments on a daily basis. Not all of us, we’re not all Ghandi. But we can be the last person to clap at a concert. I think it’s beneficial for society, so we don’t have looting in the streets. I’m saving the world one fake vomit at a time.”
The credo seems a little ad hoc, but I’ll buy it from a person who is unhinged enough to operate on a sliding scale from the collapse of Indian colonialism to rude clapping.

Does Rich have any favourite acts of civil disobedience? “I like to go have a transaction in a store like, say, Boots… let’s just say.” One gets the impression he isn’t just saying. “I finish, I get my change, and I walk away. Then I come right back and say, “by the way, I just farted.” I like to do that. They’re quite shocked by that. I like to go to storekeepers and say, “May I help you?” They don’t quite know what to do with that.”

The book is full of ideas like these. A quick glance reveals that it rather amusingly operates on a ratings system of one to four fingers, evenly distributed over two hands so as to ensure continuity of profanity.

“In the 13th century syphilitic squids ruled the earth.”

Fulcher also has a few rebellious suggestions for students: “Sometimes you never know if a professor has been reading your paper. Throw something totally random into the middle of a sentence, like, “In the 13th century syphilitic squids ruled the earth. Also, giving people the underbird – flipping people off when they can’t see you.”

Then he gets excited—”Oh! Greeting someone with a limp, well lotioned hand. That always works. Say you’re at a cocktail party and you’re meeting the faculty, just let your hand go totally limp.” And also lotion it? “If you care to.” At this point, I’m feeling quite relieved to be interviewing Rich by phone.

Bob Fossil, for those who don’t know him, is to say the least a visual character. To fans, something would be missing without the not-quite-tantalising flash of flesh provided by his six-sizes-too-small polyster button down shirt. How exactly does Fulcher translate his most famous character into prose?

His first answer is a despairing, “I can’t!” Then, perhaps remembering that he is promoting the book, he rethinks: “No, I have a great illustrator – Mr Bingo. And of course Dave Brown – Bollo – does the design layout. So I sent them words, and they made them into a niiice thiiing! [sic]

“It’s very difficult to find the Fossil outfit. That’s my rationale for no one doing it.”

While we’re talking visuals, I can’t help but ask where he buys his shirts. “You’ve gotta hunt these things down. If you go to a Boosh show, you’ll find everyone is dressed as Howard, or Vince, or Bollo. It’s very difficult to find the Fossil outfit. That’s my rationale for no one doing it. That colour is not known to humans.” Nothing to do with it revealing the wearers nipples? “That might also be something to do with it. But the polyster blend is really difficult to get hold of.” What are you wearing right now? (This is the first and last time I will ask this question on the phone.) “I’m in Jeans! In dungarees! A lot of people might find that disappointing. And a black shirt.” He says the last bit seductively. “It’s my little incognito outfit.”

Book aside, Fulcher is best known for the Boosh TV show, in which he stars alongside Noel Fielding and Julian Barrat. Getting to this point was less than straightforward – all appearances to the contrary, as a kid in Chicago, Rich always wanted to be a lawyer. So much so that he has actually passed the bar, a snippet of information which dramatically reduces my faith in the American legal system.

While at law school in Virginia, which he describes as “tremendously boring”, Rich signed up to a comedy class in Chicago. “It had trained Bill Murray, John Candy and John Bellushi… I keep mentioning the fat guys in comedy, but it was a spawning ground.” Turning to Rich’s other spawning ground, I ask him what his parents thought of his career change. It transpires that, at least until recently, they had no idea. “I’m writing a screenplay about it right now. It’s called, ‘Mom, I’m not a Lawyer.'”

“We started out with a weird scientific premise, like Czechoslovakia can be mailed

Parental deception underway, Rich began his comedic career. Starting out in America, Fulcher toured internationally, eventually reaching the Edinburgh festival. “We improvised a university lecture. Basically, we started out with a weird scientific premise, like ‘Czechoslovakia can be mailed’, and all taught from the perspective of a Professor of something chosen by the audience. We got gynaecology a lot.” The show was a success, and Fulcher returned to the festival twice more.

Having grown roots in the UK, Fulcher met Fielding and Barret while filming sketch show Unnatural Acts, which was of dubious popularity. “Not many people have seen it,” he muses. “I think six people have seen it.” In a rare moment, Rich had found some people who could tolerate working with him for (what has now been) a decade, so he didn’t pass up the opportunity.

The rest is history – live acts, then a radio show. After a successful pilot, the Boosh finally hit the beeb’s televisual airwaves in 2004. There hasn’t been any new material since the third series aired some time ago, so I’m intrigued to hear Rich’s future plans.

“There are plans – there are so many plans, that’s the problem! It’s figuring out what to do next – there’s the film plan, the fourth series plan, the US tour plan…”
I hesitate for a second. The film plan?
“Yeah, that’s one of the options for the Boosh right now. It needs to get written and all of that”, he adds, casually. 

“So you can promise me that there will definitely be a Boosh movie?”

“Definitely. Maybe. At some point.”

The answer just about sums up Fulcher, who, as Milton would definitely not have put it, is at all times a siege of contraries.


 

 

 

 

 

Spooked by TV?

Spooks returns to our screens next week, but its creator is returning to Oxford. The man behind the show, Stephen Garrett, has just been appointed Oxford University’s News International Visiting Professor of Broadcast Media. Having read his undergraduate degree at Merton College, he is now Executive Chairman of Kudos Film & Television Ltd, one of Britain’s premier television production companies, which, in addition to Spooks, produces Hustle and Life on Mars.

Law didn’t hold much fascination for Garrett at Oxford. ‘I think the degree’s called jurisprudence, which just kind of emphasises how detached it was from the real world. The aspiration for a career in law lasted about half a term and I realised that I didn’t like lawyers terribly much. The terrifying thing about law is that the people you study with are the people you’re going to be stuck with for the rest of your life, so the prospect seemed doubly grim.’ Instead, he filled his time working for and editing Isis, Oxford’s independent student magazine.

‘It was something I always wanted to do. At Freshers Fair I think I just accosted the Isis people and said I wanted to write. I started writing film reviews and got in that way, did some photography and writing features, became features editor and then editor.’ Garrett didn’t actually engage in any drama or film whilst at university – although clearly you couldn’t exactly pick up a camera and shoot for Film Cuppers in the same way that we can today. ‘No not at all, I didn’t do any drama or direction while I was at Oxford. I wrote about film, thought about film, but didn’t actually do it.’

His first experience of the TV industry was trying to get his first job. The standard route was to apply to the BBC, where Garrett actually failed to get in. ‘I got as far as an interview there, and there were three very grey men talking to me, and one of them was completely silent for about 20 minutes. And then he turned to me and looked up from his crossword or whatever he was doing, and said: ‘Hmm, you want to make films, don’t you?’ and with a kind of puppyish excitement I said yes. ‘Ahh,’ he said, and I realised I was dead. So I didn’t get into the BBC. I then wrote to the others – there were then a number of ITV companies around – so I wrote to some of them and ended up with them pretty much straight after leaving Oxford. I had four weeks off and then moved up to Manchester to work for Granada, where I started in local news. It was the late 70s and it was a really interesting time to be there, incredibly vibrant.’ Garrett’s enthusiasm about the industry has clearly endured throughout his career – his excitement when talking about the early days is palpable.

In his lectures, Garrett will address TV drama, which has formed the backbone of his career, although originally he had more ambitions of more Hollywood-esque proportions. ‘If I’m being honest, my aspiration when leaving Oxford was to work in the movies, and to work as a director. And I suppose around my mid-twenties I became much more excited by the possibilities of TV drama, and recognised that if I had skills they were probably as a producer rather than as a director.

‘The world is full of mediocre directors and I didn’t really want to join their ranks. Film is pretty much an impossible dream for most people. There are people languishing around Soho who call themselves producers who’ve literally never made a film and never will.

‘What’s great about television is it’s immediate, it really happens and even if it’s relatively unsuccessful it’s still watched by a lot of people. When you can make successful returning series as I’ve been lucky enough to do with Spooks, Ashes to Ashes, Hustle and Life on Mars, which will routinely be watched by six million people each week, you just feel you’re doing something worthwhile because you’re entertaining a lot of people. Television just seems to connect with the world better than a lot of film. That said, would I give my eye teeth to produce a staggeringly successful movie-sure-and we’re still trying!’

‘Pat yourself on the back for going to a university where they don’t do media studies’

On the subject of media studies degrees­ – which Oxford doesn’t offer, Garrett has mixed feelings. He will be attached to the English Faculty, despite his title of Professor of Broadcast Media. ‘I actually think the best people who work in film and television are those who come to it with a bunch of other ideas and stimuli from other areas. I think there’s something slightly solipsistic about studying media, particularly on an undergraduate basis. You know the expression ‘pop will eat itself’-I think the same is true of TV and film. If that’s all you know about, then what have you got to say about the world?’ I’m actually all for people studying completely random things and then coming into film and television because their brains will be excited about other stuff. I mean, would we turn down someone who did media if they seem interesting-no. But we’ve got a very eclectic bunch.’

‘Don’t worry about not studying media studies – pat yourself on the back for going to a university where they don’t do media studies,’ Garrett advises. ‘I think you just want someone who’s engaged with the world. You cannot believe the number of bland CVs I get, where no creative effort has been put into the presentation of a relatively useful past. And then you just want to see that someone’s already interested in the world. If someone’s got involved in student journalism or radio or tried to make their own short film or directed plays. If people come to you straight out of uni and they don’t seem to have made any attempt, during term time or during the vacations, to do something that might add value to their experience, you have to feel that they’re being slightly cynical in applying to you and not really that committed.’

When asked what work he is most proud of in his own career, Garrett struggles to pin down a specific production. ‘If I’d rubbed a magic lamp while I was at Oxford, and the genie had asked me for a wish, I probably would have said that if I could make one successful film or TV series in my lifetime I’d be satisfied. In a way, it all started with Spooks which of all of our shows, was the one that was my idea, my title and then a whole group of people came on board to make it as fabulous and successful as it now is. Growing a business and bringing a group of wonderful people together was extraordinarily fulfilling and not something I set out to do.’

Kudos originally pitched Spooks to Channel 4, ITV and BBC, who all said no. ‘ITV memorably said, ‘Well with the end of the Cold War, there aren’t really enemies – who cares about spies?” Garrett explains wryly. ‘We’d done quite a bit of research for storylines, and about half-way down our list was a guy called Osama bin Laden and the fact that he’d tried to blow up the World Trade Center in 1994 – so he was on our list but not on the CIA’s. And anyway, eventually it coincided with a change of team at the BBC, so we re-pitched it and got it. So it almost didn’t happen. That’s true of almost everything we’ve done actually. Life on Mars was rejected for almost seven years. Things that in hindsight seem like no-brainers don’t seem like no-brainers at the time. There was no tradition of spy dramas. Weirdly, 24 was simultaneously being developed in the States as the show Alias. So there was something in the ether as these spy dramas all bubbled to the surface around the same time.’

‘Osama bin Laden was on our list, but not on the CIA’s’

Clearly the events of September 11th 2001 had great repercussions for a show about terrorists and spies that was in production. ‘Yes, as with 24, we were in production when 9.11 happened. We were initially writing a pre-9.11 show with a very different sense of who the enemies might be, and suddenly had to at very short notice recalibrate the show for a changed world. We thought at the time that the show would be a disaster because the last thing audiences would want would be a reminder of how scary the world has become. Oddly the very opposite is true; people seemed to take comfort in reality (albeit a very heightened version) thrust down their throats week in week out, when Spooks launched. I think it oddly helped make it as successful as it became, rather than hindrance.’

MI5, the real life organization that Spooks is based on, was initially helpful in the research process for the production. ‘Very uncharacteristically, when Spooks launched, MI5 leaked their approval to the press, which doubled their number of applicants. And obviously post 9.11 they needed to recruit. But then about 6 weeks later they recanted, because they said although they were getting more applicants, they were all the wrong kind of applicants, full of people who thought they could breeze around Britain in Armani suits saving the planet. Our amiable relationship faded away.’

Garrett’s favourite aspects of his job from day to day involve the dynamic, creative process of writing – although he’s clear that that’s not where his own skills lie.

‘When you’re exposed to as I am, day in day out, in some cases genius writers, you realise what your own limitations might be. But actually sitting in a room with a great writer, there’s probably nothing quite as thrilling as that. It’s watching imagination happen, literally before your eyes, is thrilling. Seeing a great idea at the start as a germ and watching that take fruit. It’s literally at it’s best, it’s the creative process in flower. There are times when that gets bogged down in the actual legal complexity of making anything. But when you can find those moments of pure creativity (other people’s not mine!) that’s very exciting.’