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Build-up to Summer Eights

How did you get into rowing in the first place?
Well, I was lured into it in Freshers Week like everybody else thinking it was the thing to do. Unsuccessful at the rowing part, a number of the crew suggested I try coxing instead as I’m of quite a small, light build. I was reluctant at first – it always seemed like quite an intimidating position that required lots of shouting and aggression, and I didn’t think it would be for me. I gave it a go though and soon found that it actually came quite naturally.

And what’s your rowing record so far?
I started in my first term at Oxford and have been coxing for about one and a half years now. My first appearance was for the M3s in Torpids, followed by W2s in Summer Eights. This year I worked with W2s for Torpids and have been training with W1s since then, and I’ll be rowing with them in the coming week. Having got headship in Torpids last term the team have good potential even if we don’t have any Blues to boost the team.

How would you describe your role as a cox?
In training, the important thing is to just be really patient with the boat. On race day it’s a completely different matter though. I find that it’s not so much about being aggressive as trying to motivate the team. You’ve just got to get yourself and the team involved. When i first started as a novice I found it awkward yelling at people who knew so much more about rowing than I did but you’ve got to get used to it. Now I feel totally comfortable and the team are some of my closest friends.

Do you feel you’re an equal part of the team compared to the others?
Coxes don’t keep the same hours as the rowers, so we’re a bit cut off in a way. I do a maximum of 5 outings a week whereas some of them do close on 8, so the intensity of training isn’t quite the same. Nor do we do all the erg and fitness sessions, or the carb-loading dinner sittings. Having said that, when we’re all sitting in the boat there’s definitely a sense that we’re all in it together. One unit.

Would you count coxing as being a real sport?
In terms of physical exertion, obviously it can’t be judged on the same scale as rowing itself. Even without pulling an oar however, I still feel exhausted and shaky from all the shouting and nervous energy used up. The sense of competitive sportsmanship is there in full strength, perhaps even more so for the cox, who directs most of the tactical manoeuvring of the race. The pressure of sitting in the boat in silence at the beginning of the race waiting for the signal is terrible for everyone, rower and cox alike.

And what would you say has been your worst coxing experience ever so far?
Torpids this year had a memorable moment when we caught a crab in the middle of a race and the boat behind slammed into us with all four blades. Even more galling for me, though, was last year’s Summer Eights: having bumped on each of the first 3 days, on the final day the boat ahead managed to bump out moments before we caught them in the final stretch, meaning that we just missed out on getting blades. It’s always gutting not to get the final result when you’ve worked so hard!

 

LMH strike while the iron is hot

Last Sunday on the tropical terrain of Iffley astro, anyone who wasn’t too busy getting burnt would have been able to witness the delights of the University Mixed Hockey Cuppers Finals. Silky skills, sweat and supporters were all out in full force as LMH and Anne Somers (St Anne’s/Somerville) battled it out for the highly sought-after title of Cuppers Champions.

If any onlooker had cared to predict the result from the warm-up, the prize would undoubtedly have gone to Anne Somers, who were looking motivated and rehearsed next to a distinctly casual LMH side. Not surprising perhaps coming from a college who has never entered a team into the competition before and only squeezed in their entry application less than 24 hours before the deadline. Just goes to show how sometimes it pays off to back the underdog.

As umpires Will Alderton and returning OUHC legend David Cresswell blew the starting whistle, Anne Somers took the initiative with Toby Burton making some good early runs to put pressure on the LMH defence line. A goal-line save from reliable defender Jonathan Monk saved LMH from early humiliation but the threat was by no means over yet. Blues player Becci Carpenter of St Anne’s steamed into the attack fearless of the male weight around her, forcing Monk to show his more gentlemanly side at tackling as she darted in front of him to collect the ball.

Gritty stick skills from Nick Randall set up the first goal for Anne Somers as Martin Sykes punished the ball into the corner of the goal with a powerful slap.

Anne Somers continued to fight for consolidation of their lead but it was not to be. Frustrated to have let one slip by and spurred on by forceful words from LMH Blues Cuppers secretary Mark Kinder on the sideline, LMH rose like a sleeping lion as Lucy Pares dribbled past defence on the left wing to finish off the second-phase with a sneaky push past GK Watson’s right foot.

With 1-1 at half-time the seemingly equally matched sides returned to the arid pitch with all to play for. Once again it was Anne Somers who came out with the early goal as Sykes buried another past the keeper. With three unsuccessful short corners successfully defended, James Geake felt it was time to spice up the game with a glory run down the middle, outrunning and outplaying as he streaked past in a whirl of colourful socks, setting up the pitch for LMH to score their second goal.

The pace heated up as the sun continued to scorch the supporters, and moments later LMH repeated their central sprint to take the lead. Anne Somers suffered a disallowed goal for a questionable foot in the D and as time ticked away their attempts became more frantic. LMH were having none of it though, and a final jazzy scoop from Roy Wheeler brought the match to close at 4-2. All credit to the side that offhandedly knocked out defending champions Teddy Hall in their opening match to bring the title home on their very first solo appearance in the tournament.

 

Gliding through generations

I’m not going to lie. I’m not a rower. I’ll also hasten to add that there’s a reason for this: whilst I play sport, I don’t think I could keep up the incredible endurance, strength, balance and discipline to dedicate myself to it like so many of our peers here do. My views towards rowing may have been misconstrued in the past, but I do have a lot of admiration for boaties, even though one can’t deny the fact that they do seem to enjoy talking about it rather a lot.

Rowing has been an Oxford tradition for the last 200 or so years, originating as a recreation that combined exercise and ‘amusement’ (in those days, competition was rife and a reward, simply be it pride, was always at stake). Summer Eights can be dated to 1815, where two crews from Brasenose and Jesus decided to challenge each other to a race on returning from an outing. Brasenose won the encounter and were thus denoted the first ‘Head of the River’.

Oxford presided in the first Oxford-Cambridge boat race in 1829, however their subsequent defeats in the next two encounters triggered the formation of the ‘Oxford University Boat Club’, a more structured system that gave college rowing a permanent body. The competition developed; rules were drawn up, boats were modified, colleges began to invest in boathouses and CUBC event donated 100 guineas to the construction of the Oxford University boathouse, completed in 1882. I’d like to interpret this as a stroke of humanity rather than charity, but either way it was of great benefit to us and I won’t complain.

The introduction of women’s crews came in 1927 when only 5 women’s colleges existed at Oxford. St Hilda’s didn’t fail to impress, however, pushing out an impressive performance at Eights in 1969 where they ‘rowed over’ and competed with the men’s crews in Division VIII. Rowing at Oxford began to accelerate as more colleges opened their doors to women, and by 1976 a women’s division had been made, enabling them to properly compete in Summer Eights.

Apart from being a longstanding tradition and the oldest intercollegiate sport in Europe, rowing at Oxford is constrained by, not surprisingly, its medium: the river. The Isis is narrow, meaning that crews must have a staggered start, and must aim to ‘bump’ the crew ahead of them in order to be granted the right to overtake. A bump can occur either by the boats making direct contact, or by the cox conceding its inevitability by raising an arm. Both boats involved must drop out of the race and exchange positions on the following day. The leading eight aims to ‘row over’, (finish the race without being bumped). In my view, bumping adds the excitement to rowing. It can have a serious psychological effect too: crews that successfully bump are exuberant while their prey is listless, and this can play into their subsequent success in the competition. Good crews are looking to bump every day, and the ultimate goal is finishing ‘Head of the River’ at the top of Division I.

So perhaps I can understand why rowers talk about their sport so much. It eats up a large proportion of their life, demanding time, mental strength and focus, and this can only be attained by unwavering dedication. There’s also probably a slight nagging desire to justify swanning around in lycra all day, and for that I can’t blame them.

Why Sonia Sotomayer was a strong pick

Obama has chosen Sonia Sotomayer to replace David Souter on the Supreme Court. It was, I think, an excellent pick.

First, the pick dovetails well with the President’s core governing philosophy, without giving in to his opponents. He could have gone much more to the left of Sotomayer — she is probably describable as a liberal judge, but she’s not extreme (she was, we should note, appointed to the District Court for the Southern District of New York by President George H. W. Bush). In other words, the strong liberal wing of Obama’s support is moderately pleased, but in choosing Sotomayer he’s less likely to lose the middle ground. That’s important. He wants (as probably any first-term President would) to have his nominee confirmed by a large margin. He wants to appear unlike a partisan hack. Probably he’s done the right thing here.

Second — and interrelatedly — this is virtuoso politics. Electorally speaking, this could have a startling effect. Hispanics are the fastest-growing group in the US electorate. Bush won in 2000 and 2004 at least in part because, as a former governor of Texas, he had a good relationship with Hispanic American voters. The Hispanic vote swung strongly towards Obama this cycle. By being the first President to nominate a Hispanic (and of course a Hispanic woman), he will certainly encourage long-term Hispanic support for the Democrats. And because Sotomayer seems so well-qualified — at least in terms of her academic record and judicial experience — the Republicans will have a hard job fighting the nomination without seeming, to some at least, as anti-Hispanic. Obama has pushed them into a corner — the Republicans are in a spot where, at best, they will still likely lose much of the Hispanic vote for the next few election cycles.

So now begins a lengthy confirmation process which both sides must play extremely carefully. The nominee, and the White House, must do two things at all times. First, keep touting Sotomayer’s record and personal history, in precisely the way they did in yesterday’s announcement in the East Room, and in this release. The confirmation hearings in the Senate will be nationally televised, likely on the main networks, which means the nominee is as much talking to the public as to the Senate judiciary committee. And the public will fall for her personal story. It is rags-to-riches, it is success-against-the-odds, it’s precisely the sort of thing which will sell her as a person. Second, be honest. Don’t try to obfuscate, or to hide stuff. It will get found out if it’s there. I very much doubt there is any ‘dirt’ on Sotomayer, but any questions about her legal history should be answered honestly, or at least with the willingness, when asked about any controversial statements, to simply admit you were “wrong”. The public, I think, finds honesty refreshing.

The Republicans must absolutely not do what the likes of Limbaugh and Fox News, and even Huckabee and Romney, have done thus far. The first two examples there are clearly “nutcase kneejerk stupid moderate-alienating responses” (as I believe is the technical jargon). The second two — the responses from Huckabee and Romney — are problematic in much the same way: in their attempt to get out a message fast, they only look like shouty partisans who have not reflected, have not researched, have just come up with a bog-standard, ill-conceived talking point.

If Republicans really want to stop her (and I’m not sure that in the final calculation they will want to), they can only do it by a smart, legalistic, substantive approach concentrating on her past rulings and not her personality. They cannot make baseless statements devoid of measured reference to facts (at least not this soon after the announcement) without seeming like obvious partisan hacks, which will be suicidal against the first Hispanic nominee who is the pick of a very popular President.

Here’s the rub: I think she’ll be nominated, and handily, unless something altogether unexpected comes up.

The Insect Play

The Insect Play opens in the woods where a drunken tramp sleeps on the ground. Butterflies flit near him. His slumber is interrupted by a lepidopterist who is collecting butterflies for his scientific collection, but naughty tramp scares them away. The scientist buzzes off and the tramp then launches into a spiel bemoaning singleton life.

Somewhere in amongst the invertebrates and undesirables is a play about 1920s Czechoslovakia. The butterflies represent the feel-good flappers of the younger 20s generation. The Trinity Players capture their intelligence well, and Sam Losey’s flirtatious waspishness is noteworthy. Felix (Andrew Smith), the lepidopter poet who makes up for his lacking experience with eager Romantic masochism, is equally proficient.

Michael Hanbury-Williams delights as the paternally over-protective head of the family, while Emma Carrington-Brook’s Mrs. Cricket is his pleasingly neurotic wife, a cliché paralleled effectively by Hannah Cox, who, after much method-acting, is convincing as a comic dung-beetle in search of her pile. The ant scene, however, still bugs me a bit: the actors’ line-pacing certainly needs polishing to match the flow of the earlier butterfly scenes. But aside from this flaw, the scene’s depiction of a communist ant army – with rich Russian accents – is a comic and enjoyable episode.

Alex Gilmore, as the chief inventor of the Russian ant-army, deserves recognition for the unsettling aura of menace he brings to the part. Harry Richards should be picked out too, playing the lone human, and central character, of the tramp. His sardonic and gently inebriated lines focus the play, providing the philosophical framework through which the audience can see not simply novel insect characters but the antenna’d avatars of human stereotypes. The empathy he builds up with the audience is also important in preventingThe Insect Play from lapsing into some kind of critical human dissection. Though the brothers Capeks’ message can sometimes come across as superficial, you get the feeling that they want you to enjoy life, whatever your social situation or personal take upon it.

The cast is promising, the play is interesting and overall it should be a good show. If enjoyment of life is indeed one of the conclusions to be drawn from this satire, I’m certainly buzzing in anticipation to see this production of The Insect Play on Trinity’s pleasant, insecticided lawns. 

 

Cameron’s on the case

Guess what! You can stop losing sleep over the state of politics in Britain. All those nights of waking up in cold sweats over the declining authority of parliament are over. David Cameron has the answer – “New Politics.” The old ways of centralisation, bureaucracy and red tape will be swept away in a tsunami of Compassionate Conservatism.

In a (very) long article in the Guardian, Mr Lovable Potato-face himself sets out his plans for a new Britain, where only a “massive, sweeping, radical redistribution of power” can save us from the eternal evils of the state. To his credit, Mr Cameron has once again demonstrated his razor-sharp political instinct. Publishing his plans exclusively in the Guardian reaches into Labour’s heartland, while pointing out an area where he and Polly Toynbee (the Guardian’s left-wing crusader) agree will help assuage the fears of millions of liberal leftists – people who can’t deny a tugging attraction to Cameron yet wonder if they can really bring themselves to commit the mortal sin of voting Conservative.

Even if the government were not quite so tired and disgraced, such political astuteness from Cameron would win him the next election. Contrast with Number Ten’s frankly unbelievably poor handling of the Ghurka fiasco. Exactly who was it who thought that battling those brave, venerable defenders of our great nation was a good idea? Brown’s formidable jowls quiver at the prospect of an election, and rightly so.

An encouraging sign in Cameron’s article is that finally we are getting some tangible policy promises, rather than vague statements of intent. For instance the number of MPs will be cut by 10%. Fair enough. There aren’t enough seats for them in the Commons when they all show up together anyway. This reform will avoid antagonising many a creaking, arthritic knee, if achieving little else.

One of the most radical proposals is to introduce fixed term parliaments, removing the power to call an election from the prime minister. This is the most effective weapon in the PM’s arsenal – the political A-bomb with which he can dangle the prospect of unemployment in front of every MP in Parliament. It would be politically stupid (if constitutionally clever) to strip the PM of this power, and Mr Squidgy has a state-of-the-art political radar. That’s why, compared to the other absolute promises, this proposal merits only “serious consideration” – a classic get-out phrase for all unrealistic yet popular ideas.

Life would be so much more fun if Cameron were more like Anthony Steen MP, who claims voters are only really angry about MPs expenses because they’re jealous of his “very very large house.” Alas, the slickness of Cameron’s media machine almost compares to the one that brought Blair to power many moons ago. It will win the Conservatives the election, after which I’ve a suspicion we’ll all sit twiddling our thumbs, waiting in vain for the joyous age of the “New Politics” to begin.

The Party’s Just Getting Started

The Green Party clearly assume they have an image problem. “Think you know us? Think again” is the slogan with which they are campaigning for the European parliamentary elections on June 4th. Can the Green Party mould their single issue voice into a broad-based political platform that appeals to mainstream voters? Their leader, Dr Caroline Lucas, thinks they can, and no one is better placed than her to make it happen.

I met Dr Lucas after the launch of their South-East campaign for the upcoming poll. The event had all the ceremony and media coverage one would expect, but was attended by barely a dozen people who weren’t press or party officials. She seemed undaunted; perhaps because she recognised that for many there in person her speech would be like a sermon to the converted, Dr Lucas spoke straight at the television camera. She has an easy confidence and a clear grasp of what she is trying to convey. It is this clarity of vision that she thinks is essential to the prospects of the Green Party: it was the “urgency of getting our message across as effectively as possible” that motivated the party’s constitutional shift to a leadership system in 2008.

The position of Principal Speaker that the Greens used until last year was meant to be a symbolic rejection of the top-down models that the major parties in Parliament used, but the move away from it, says Dr Lucas, was “a very pragmatic decision”. When I ask her whether this pragmatism was in fact a capitulation to the media agenda that shapes the political culture she evades the implicit criticism, insisting that the public like to have “a person they can recognise and associate with those ideas” – I take that as a politician’s ‘yes’. They have clearly embraced that personality culture judging by the prominence of Dr Lucas’ friendly visage on the campaign leaflets that have poured through my letter box in the last week. She is as fresh-faced as David Cameron, her short-cropped hair strikes an effortlessly modern look, and, uniquely amongst current party leaders, she’s a woman.

 I am interested in whether Dr Lucas sees gender as an important dimension of politics, in particular regarding the under-representation of women in the House of Commons. She immediately fleshes out the context of the problem: the image of “grey-suited men in Westminster” and the “Punch-and-Judy politics” of their parliamentary exchanges just “isn’t very attractive to women”. She is insistent that the Greens “try to do politics differently”, but this brings us back to the tension between principle and pragmatism that surrounded the leadership issue. I press Dr Lucas on how her party is “more women-friendly” as she claims it is and she outlines on the one hand the support that they offer their female candidates in balancing the demands of a family and a political career, but she also makes reference to the “culture” within the party that, in contrast to the Lib-Lab-Con model, is about accountability and accessibility.

As a woman, she aims to offer “an inspirational type of leadership” in contrast to the “clunking fist of Gordon Brown or the spin of David Cameron”, rejecting an “authoritarian” style of managing her party. I wonder whether this noble approach (including the mandatory re-election of the leader every two years) is only possible because the party has no seats in the Commons, no need for whips, no backbenchers to cajole – in fact, little hope of getting these things either.

  Unsurprisingly, Dr Lucas resists the conclusion that the Greens are bereft of prospects in the British Parliament; although she is herself an MEP, a position elected by a system of proportional representation in stark contrast to first-past-the-post. Even within the Westminster system, she passionately believes, there are a “handful” of seats that are within reach of electing a Green MP, listing constituencies to substantiate her claim. So, what are the Green Party’s ambitions for the next general election, which may only be months away? One million votes.

She is clearly in favour of state-sponsorship for all parties to level the playing field of funding campaigns, but beyond that she insists that we must “massively rejuvenate our entire parliamentary system”. In her eyes the recent scandal of MPs expenses only adds to the chronic failings of the culture and institutions of British politics, which – when it is not riling them up – switches ordinary people off. She is animated when she insists that “politics has to be something much broader, much more vibrant, much more alive”.

Surely the European Union invokes at least as much anger and apathy though, I suggest. She doesn’t disagree, but insists that this is a product of a “eurosceptic” media and a political elite who refuse to acknowledge that, for instance, on the environment 80 per cent of our legislation originates in Brussels.

As a campaigner on environmental issues she believes it is often possible to have “more influence in Europe” than if she were a backbencher in London, an admission that will not prevent her seeking her own seat in the Commons as Green Party candidate for Brighton Pavilion at the next election. It is with this in mind that I interpret her central European Parliament campaign policy of 1 million ‘green-collar’ jobs in Britain as part of a Green New Deal, reconstituting Roosevelt’s Keynesian revolution for today’s economic as well as environmental crisis.

Dr Lucas may be a great champion of Europe and a dedicated MEP, but she recognises that the Greens will need to offer the voting public bread-and-butter issues with a tangible impact if they are going to make headway in domestic politics. What will prove fascinating to observe over coming years is whether the pragmatic desire for political influence that has recently fired the Green Party under Dr Lucas will inevitably compromise the values and integrity which give them a small but respected niche in our polarized political landscape. If it does not, maybe Caroline will have succeeded in her quest to “redefine what politics is”.

Europe At The Polls

What is the European Parliament?

The European Parliament (EP) is the only directly elected institution in the European Union. The first direct elections were held in 1979, and Members of the European Parliament (MEPs) are elected at five-year intervals. Together with the Council, the EP forms part of the legislative branch of the EU. Whereas the Council represents the interests of national governments, the Parliament is meant to represent European citizens.
The EP is organized similarly to a national parliament  with 7 Euro parties with distinct policy platforms. The 785 MEPs  sit together with their party group, rather than with their national delegation. The largest group in the EP is currently the centre-right European People’s Party (EPP), which includes the British Conservatives. The second largest group is the Party of European Socialists (PES), where the British Labour Party belongs.

What does it do?

The main task of the EP, like a national parliament,is to pass legislation and to exercise democratic control over the other EU institutions. With each revision of the EU Treaties, the European Parliament has been granted additional powers. Today it is a genuine co-legislator in the European Union. That is, it is responsible for legislation, together with the Council, in most policy areas.Around 50% of UK legislation with a significant economic impact has its origins in EU legislation, and the EP thus has considerable influence on politics and economics in this country. One example of recent EP activities is legislation forcing mobile phone operators to lower their prices. It has also passed rules aiming to reduce CO2 emissions by 20% within a decade. Unlike national parliaments, the EP does not directly decide the composition of the EU executive, although it has veto over the appointment of the European Commission. It also does not have legislative initiative, as most national EU parliaments do.

What could these elections change?

The Euro elections will decide the composition of the European Parliament, thus the policy direction. Some of the key policy issues that the next Parliament will deal with include designing a framework of financial regulation, deciding on regulation to combat climate change, and coordinating common management of immigration flows to/within the EU.
The European Parliament also plays an important role in deciding the future of European integration, including future enlargement of the Union to include Croatia, Macedonia and Turkey.
If the centre-right European People’s Party remains in power, then the current Commission President, Jose Manuel Barroso, is also likely to be reappointed for a second term. If, however, the Socialist group wins a larger share of the seats, they may force the Council to appoint another candidate with a more leftist policy agendasuch as fingerprints and face recognition data or an iris pattern scan.

How will they affect British politics?

The Labour Party looks set to do badly in the Euro elections. This may trigger renewed calls for Brown’s resignation within the Labour Party. The Conservatives will use this as another opportunity to call for an immediate general election, which they are likely to win, maybe even by a landslide.
In general, it will be parties on the fringes of British politics that reap the benefits from the recent furor over MP expenses. In particular, the UK Independence Party will do well. The British National Party is likely to win its first European seat. If the Conservative Party loses seats to UKIP and BNP, the party leadership may be tempted to adopt a more hard-line position on issues concerning the EU, immigration and law and order. David Cameron has already pledged that his party will leave the centrist EPP after the election and establish a new party group of Eurosceptic European Conservatives in the EP.

Do people vote for their European candidate, or is it really a reaction to their national government?

Elections to the European Parliament are generally described as ‘second-order’ elections. That is, they are elections of less importance than general elections, and thus characterized by low turnout and lacklustre campaign. They often constitute a plebiscite on the national government’s performance, where vote choice is primarily decided by domestic political concerns rather than European politics.
This is particularly the case in Britain, where the political parties make few attempts to campaign on European issues and voters are uninformed about the European politics.  In other European countries, there is a more rigorous debate on European issues, and voters are more likely to vote on the basis of concerns relevant to the European Union.
Turnout levels also vary considerably between member states. In the 2004 Euro elections, less than 20% of the electorate voted in Slovakia and Slovenia,whereas 82% voted in Malta and 73% in Italy. The participation rate in Britain at 38% was below the EU average of 46%.

tick…tick…Boom

On the opening night of his Broadway hit RENT, the struggling artist Jonathan Larson died. After his death multiple versions of the scenes and songs his earlier work tick…tick…Boom were found and reconfigured as a three-actor musical by playwright David Auburn and orchestrator/ arranger Stephen Oremus.

Influenced by his mentor, Stephen Sondheim, tick…tick…Boom expands the single monologue concept. tick…tick…Boom is a rock-monologue describing Larson’s dejection at the failure of Superbia, his rock re-telling of 1984.
It is John (Hansel Tan) who brings the greatest strength to this production, pulling out vast energy both through his words and through his intense physicality. As he sees the success of his friends, he manages to get some wit out of rather weak words: ‘the seat is heated’ (of the car), ‘there’s a view of the 59th street bridge’. By the end of the first song, it is clear that this will be a production of the protagonist – the others are pushed to the periphery.

Edward Blagrove and Bonnie Hurst are, nevertheless, strong also. In a moment of a witty parody of an office Hurst is at her strongest and her dramatic quality comes through: it’s a shame that her songs bore me, partly through the fact that Larson can’t really draw out the dynamism of Sondheim and partly through the clichéd words: ‘it was only me and you’, ‘we’ve replaced care with illusion’. Blagrove with his strength, both of body and of mouth, makes the perfect foil for Tan.

Perhaps, Larson does sometimes get somewhere towards impressing us with originality, but it’s a shame that this only ever seems to give Tan opportunities. It’s autobiographical but it’s maybe too much of a Cartesian biography: others don’t get a look in. Thus, the scene when John walks, alone, through Times Square, considering how he doesn’t want to sell out to Broadway, ‘the Parnassus for the musical theatre world’, is perhaps one of the strongest, reflecting his conflicting desires of fame, but artistic integrity, against his fears for his adequacy.

Staged in a black box with the subtle and sophisticated lighting of Allan Ramsey, the focus will purely be on the actors. This will be great for Tan’s talent and it should be positive for the others. But I’m still concerned that only Tan is able to draw enough out of a work that maybe doesn’t give very much.
This is the last Oxford production by Amy Cooke-Hodgson and Stephen Wiggins, who founded Maple Giant Theatre. Despite the risks of this production, Oxford will surely miss their cutting edge productions, concerts and cabaret evenings!

three stars out of five

Revelations force Poetry Professor resignation

Ruth Padel, the first female Professor of Poetry at the University of Oxford, has resigned after holding the post for only a week.

The resignation follows the damaging relevation that she had sent e-mails to two national newspapers, associating her with a smear campaign against Derek Walcott, a Nobel laureate and her main rival in the race. In the e-mails, Padel mentions allegations of sexual harassment in Walcott’s history.

The discovery of these e-mails has led many to suspect Padel’s involvement with the campaign. Many academics who initially supported Padel called for her to step down. Lord Bragg, a Labour peer described her behaviour as “disgraceful.”

“She should now stand down from the post,” he added. “A shame, but there it is.”

Padel had maintained, in the past, that she played no part in the smear campaign.

“It’s terrible, because it had nothing to do with me,” she said in an earlier interview with Cherwell.

In an official statement released on Monday, however, Padel acknowledged that she had sent the e-mails. She denied engaging in the smear campaign, as she had only passed on information that was already in the public domain.

“I acted in complete good faith, and would have been happy to lose to Derek,” she said, “but I can see that people might interpret my actions otherwise.”

The e-mails to two journalists were sent in early April, and made references to events in Walcott’s past. Padel wrote in them, “Some [of my] supporters add that what he does for students can be found in a book called The Lecherous Professor, reporting one of his two recorded cases of sexual harassment and that Obama is rumoured to have turned him down for his inauguration poem because of the sexual record. But I don’t think that’s fair.”

Shortly after, John Walsh, a close friend of Padel, detailed and criticised Walcott’s alleged behaviour in an article in The Independent. Within the next few days, between 50 and 100 academics were sent anonymous letters containing an excerpt from the book The Lecherous Professor.

As the campaign escalated, Derek Walcott pulled out from the race. He cited “low tactics” and “low and degrading attempt at character assassination” as the reason for his withdrawal.

Ruth Padel defended the e-mails sent to journalists. She said, “I was contacted by an Oxford student, who believed Mr Walcott’s relations with female students at universities was relevant to her university’s election of a professor.

“Because her concern seemed to be a part of the whole picture, I communicated it to two journalists. I would not have done so had I known of the anonymous mailing, or of any journalist intending to highlight this issue on its own.”

Eloise Stonborough, the secretary of the Oxford University Poetry Society, was glad that Oxford will have another chance to elect a person for the post. She said, “I am sorry that the election came to this but given the circumstances I believe that Ruth Padel has taken the honourable course of action in resigning. I am glad that we now have an opportunity to learn from the mistakes made during this campaign and to conduct the new election in a manner fitting to the important position of the professor of poetry.

“I look forward to finding out more about the potential future candidates for the post”, she added.

The University has said that a new election for the position will be held.