Oxford's oldest student newspaper

Independent since 1920

Blog Page 2101

On the road to nowhere

Richard Yates’ seminal 1961 novel on the failed dreams of post-war America, Revolutionary Road, was one of the most quietly influential works of the 20th century. It became a secret handshake amongst contemporary writers and its influence is still apparent from the likes of Nick Hornby to Sebastian Faulks.
Yet this new adaptation seems to have failed to capture what it is that made the original material such an influential work. One cannot imagine that Sam Mendes’ film will hold the same longevity in the canon of twenty-first century filmmaking that the novel has experienced in the literary world.

The film represents the fight of ideals and individuality against the white picket fenced suburbia of Middle America. It follows the lives of two young idealists, Frank and April Wheeler, who are fighting the hold of their middle-class suppression. It is basically an episode of Desperate Housewives as written by John Steinbeck. Something in this film however doesn’t quite work. In spite of some Oscar-beckoning performances – expect more tears from Kate Winslet – this is at times a turgid film with little offered us in way of emotional or comic release.

In spite of this however, the highlight of the film is the deft touch of Michael Shannon as John Givings, the son of Frank and April’s Estate agent. Shannon plays a mentally ill mathematician who, in his rejection of the stifling social norms of Middle America, offers us the only character who generally sees what it is that surrounds him. He is a funny yet deeply tragic character, branded as mad for his comprehension of the truth, he is the outsider that we, the viewer, cling on to.

Beyond Givings, there is little here to relate to. DiCaprio and Winslet’s Frank and April are characters simply too frustrating to be believed, they are ‘tortured’ characters from an overused mould. The performances might be commendable but they are working with dry raw materials. A heavy-handed script is the principal offender.

For Sam Mendes, besides the obvious discomfort of watching his wife having sex with another man, this seems an uncomfortable return to subject matter he has covered before, and with far greater success. There are echoes of the brilliant American Beauty in this film, and yet the expedition into suburban America that worked so well with Kevin Spacey seems to have failed here. Spacey’s Lester is a funny and dysfunctional anti-hero who splits modern American suburbia down the middle. The Wheelers follow this same pattern but with reduced success. Spacey’s suburban rebel is a character we love in spite of the fact that he is distinctly un-loveable, whereas the Wheelers should be loveable and simply are not.

The scripting and the characters are too slow: watching great swathes of this film is akin to falling into a giant vat of UHU glue with little hope of struggling out. Even the temptation of eating your way out, afforded by the sweetness of Michael Shannon’s performance, cannot quite counteract the sheer size of the vat. Excuse the extended metaphor.

The suburban rebellion theme has been explored countless times through many mediums, and frequently to much greater effect, revealing far more beguilling truths than can be evinced here. Revolutionary Road is not even this director’s best treatment of this subject matter, with the aforementioned American Beauty remaining the far superior picture. Perhaps it’s a theme close to Mendes’s heart, which would suggest Winslet may be wise not to settle down into cosy home-life just yet.

Despite its solid performances and brief flashes of brilliance it all comes across as a wholly unnecessary effort, for both filmmaker and audience.

Bruce Springsteen – Working on a dream

The success of Working on a Dream is guaranteed by the continued support of the generation, now ageing, that Bruce Springsteen defined a couple of decades ago. It would be some feat to achieve being adopted so wholeheartedly by another generation of fans, especially given the jealous grip with which that first generation guards its memory of ‘The Boss’. There is a sense that, as much as Springsteen tries, he belongs to the poorly-dressed youth of the early 1980s.

Still, if Springsteen aims at being as relevant as he was back in the days of Born to Run, he could hardly do better than rec-ording an album like this, at a time like this. Springsteen was an active supporter of the Barack Obama presidential campaign, and this album is redolent of the dogged optimism that defined America’s 44th President’s road to power. This is not a political album, but the association of this music with Obama’s campaign and the hope he represents could not seem more appropriate.

Relevant or otherwise, Springsteen should be recognised as producing some of his finest work here. In spite of a depressingly awful title, it is an impressive collection of songs from a man who knows his market, and aims to please without shifting from his well-carved niche. His delivery is alternately triumphant, desperate, or downtrodden. All three facets are powerful, the former being the most familiar to fans of his most famous work, while the latter is the most resonant here. The finest moments on the album are characterised by the desperate-sounding Springsteen, and ‘The Wrestler’ in particular is excellent. The album is reasonably varied, and where there is a weak track it is generally succeeded by something better.

He hasn’t changed much, but he still has the power to move you and this album frequently makes this evident.

Franz Ferdinand – Tonight: Franz Ferdinand

Three albums and four years into a stuttering pop music career, it’s time for Franz Ferdinand to make like the Archduke, and start a world war. Tonight… should explode, or at least threaten to.

But this album isn’t the aural fulmination one would expect. It slouches, smacked-out on a sofa with the other little scrotes who couldn’t finish a sentence, let alone art school. Franz Ferdinand stomp around, if only for a chorus, on most of the tracks on here: they rip off the Specials; they shuffle like the Stones; most likely brown-sounding you into electro-funk oblivion.

That is until ‘Bite Hard’, the least ‘interesting’ but most fulfilling track on the album. The Franz Ferdinand of 2004 return, not tripping over themselves to make sure there’s a rousing chorus and a rousing verse, happy just to bring out a comical synth and produce a modern companion piece to the Benny Hill theme tune. This revelatory passage is short-lived, however, as the very next track, ‘What She Came For’, engages in a souless dance-off with Death From Above 1979. Yawn.

But I like it. Five-stars-like-it (although I can only give it four due to the credit crunch). The best Franz Ferdinand is earnest and personable Franz Ferdinand, and there are just enough moments on the album to satisfy this. ‘Lucid Dreams’ manages to sound almost exactly like any track of their last two efforts and yet somehow retain a modicum of freshness.

But they want to be a dance band, and they do it hard, fast and dirty. Like all great bands, they leave you with the promise of an even greater day, and album closer ‘Katherine Kiss Me’, suggests a time in the future when we will all be conscripted for the next great war of the pop music age – a day when I will be dancing on the rooftops of Glasgow and Franz Ferdinand will be the soundtrack.

OUSU careers handbook criticised

OUSU’s lavishly-produced careers guide has been slammed by students as useless for job-hunting.

The Oxford and Cambridge Careers Guide brought in almost £40,000 of profit for the Student Union thanks to sponsorship deals, but failed to include the police service under its A-Z section.

The guide’s introduction boasts that it is “the comprehensive guide to finding a career.” However, it only features companies who have paid for advertising.

Melvin Chen, a Mansfield student who has published his own careers guide, said that OUSU’s handbook was “not really a guide.”

He added, “it’s useless unless you know what you want to do and then you wouldn’t need it… It’s a waste of money and a waste of paper.”

The “Not the 9-to-5” job category features only the British Horseracing Association, and only Lloyds TSB makes it into “Diversity and Inclusion” section. The Masonic Lodge has a full colour double spread, but neither the NHS nor the Army are featured.

University Chancellor Chris Patten described the book as “an excellent handbook… what luxury – fit for the coffee table,” according to OUSU’s material for prospective sponsors. But students have claimed that the guide puts style over substance.

A physics student hoping for a career in consulting also criticised the guide, “it’s awful. This is actually useless if you want a career. They tell you absolutely nothing about the job, it’s just a plug for the company.”

He added, “it’s all style, no substance.”

Another fourth year said, “careers are a huge part of our lives.” She said the emphasis on sponsored companies was “a bit silly. It’s meant to be a guide for us, but it doesn’t reflect that.”

She added, “it’s got a chair on every page. So it would be quite good for home furnishing except it doesn’t tell you where they’re from.”

Director of the Oxford Careers Service, Jonathan Black, said, “we guard our independence fiercely, which is why I wouldn’t put my name on this guide.”

He added, “we don’t support it, but it can be useful, as long as students recognise that its selective.” The careers service encourages any publications that encourage students to think about their future.

 

Clarendon sit-in students claim victory

The Bodleian sit-in protest has been hailed a victory by student demonstrators, even though University authorities have refused to confirm their agreement to demands made during the sit-in.

Nearly 100 students occupied the Bodleian’s Clarendon Building last week in protest at Israeli actions in Gaza. They called on Oxford University to “release a statement in support of the rights of Palestinians” as well as divestment from arms suppliers to Israel. They also demanded 5 fully-funded scholarships to Palestinian students.

University Vice-Chancellor John Hood criticised the student occupation of the Clarendon building in a letter released on Wednesday. He said the Bodleian barricade “caused disruption and inconvenience to fellow students and other members of the University” and added, “unlawful action of this kind cannot be condoned.” He also did not condemn Israel’s actions.

The Senior Proctor also avoided expressing outright disapproval of Israeli actions in his response to the demands. He, however, promised to raise in Council the concerns regarding possible University investments in arms manufacturers. He also said it was regrettable that “many civilian casualties occurred in educational establishments.”

He stated, “the occupation of University property or facilities, and disruption of the activities of the University are offences.” He added that sections of the criminal law may also apply to the protesters’ actions. However, he added that he was prepared to recommend a “relatively lenient course of action,” given the peaceful nature of the protest.

The Oxford Students in Solidarity with Gaza movement that occupied the building welcomed these letters, although some have accused the University of going back on agreements made during the negations last week.

Spokeswoman Amy Gilligan said, “whereas we welcome the Senior Proctor’s statement and view it as a positive step in upholding the University’s commitment to universal human rights, it is our view that the University should take a stronger stance condemning the horrendous attacks on Palestinian students and educational institutions.”

She went on to state that the group “insists that the promised steps be pursued and applied in full.”

Juliette Harkin of St Anthony’s College, one of the individuals responsible for organising the occupation, stated that the outcome was “definitely a victory on many levels,” not least for the way that it had opened dialogue on the situation in Gaza.

She commented, “to have a uni like Oxford talking about these issues and promising to take things forward – this is quite an achievement.”

In response to claims that the University should not take a political stance on the issue, she said, “we don’t need to talk about pro-Israel or pro-Palestine, we are just talking about justice.”

Other protesters expressed disappointment with the response of the proctors, with some arguing that they had failed to execute agreements made during the negotiations.

James Norrie of the Oxford Radical Forum stated, “we do feel they have fallen short of what they agreed in negotiations.”

Other groups have attacked the demonstration as a whole.

Presidents the Jewish Society, Rafi Cohen and Rachel Romain, issued a joint statement declaring, “we feel that it is a shame that parts of the student body have prioritised the pursuance of short term political goals over the pro-active alleviation of the suffering of all people.”

Some students have also spoken out against the protesters’ behaviour. A St. Antony’s student stated that the “protests are not aimed at dialogue, they’re the opposite, they’re silencing moderate in the face of extreme.”

A Christ Church first year called the actions of the protesters “the epitome of detached, academic self-righteousness.” They said, “the students don’t want to solve anything, but just want to feel good, self-righteous about our cause.”

 

Interview: Leonardo DiCaprio

In the mid-1990s, Leonardo DiCaprio cemented his place both in the hearts and on the walls of a generation of teenage girls. His portrayal of one half of the Bard’s star-crossed lovers in Romeo and Juliet, and as Jack Dawson in Titanic, alongside Kate Winslet, saw him become one of our generation’s heartthrobs. His boyish face and curtain fringe, a look I had attempted to share at the time, were the makings of a star.

So what of DiCaprio now? How has the boy actor transformed into one of Hollywood’s leading males? DiCaprio is an actor guaranteed, not only to boost box office figures, but to simultaneously garner critical acclaim. A three-time Academy Award nominated and Golden Globe winning actor, this is thus far the peak of a dizzying career. DiCaprio continued his engagement with difficult material by starring in Sam Mendes’ adaptation of Richard Yates’ 1961 novel, Revolutionary Road. It was also a return to his partnership with Kate Winslet that drew so many tears in Titanic.

It has been said countless times before, but DiCaprio is not what you expect to meet. Standing at a good six feet and well built, this isn’t the baby-faced Jack Dawson of Titanic. DiCaprio really looks the part of a Hollywood actor. No longer pretty, he is now decidedly handsome, the childishness of his face hidden now behind a beard, admittedly one of the cultivated type a la Craig David.

DiCaprio is immensely amiable, especially for a man deep into the trail of hundreds of interviewers asking the same questions. What is more, he comes across as a highly intelligent artist. His understanding of his part and the themes of the film are exemplary of a young actor, and his drive to make a very good film is deeply apparent.

Although DiCaprio admits that he never read the original novel prior to the film, as few have, Yates’ novel remains very much an undiscovered masterpiece, he said that on reading both the script and the original he realised why ‘so many people take the novel into their lives.’

The film follows, in DiCaprio’s words, the failure of a couple’s ‘individualism in a very contained world.’ In this respect, it followed a particular interest of DiCaprio’s to present the stories of individuals, and their own personal struggles, a theme he sees as overlooked in the blockbuster world of Hollywood. The film has an almost theatrical feel to it, something that DiCaprio acknowledged and relished. He talks enthusiastically of the fact that the film was shot chronologically, something that is rarely afforded by the time and financial constraints of Hollywood.

The headline puller of DiCaprio’s new venture is, of course, the return of ‘Leo and Kate’, the global phenomenon of remarkably over twelve years ago. For DiCaprio, besides the obvious trepidation of returning to old ground, the prospect of working with Winslet again seemed one of real satisfaction. DiCaprio is highly complimentary of his co-star and friend, a Golden Globe winner for this film just a week or two ago. His admiration of her commitment to her work is very evident, he notes that through her Titanic days to now she has ‘an intense work ethic, she always wants to make a great work, she has a real desire to make great films, it’s just part of her DNA.’

Although the film may see criticism for its ponderous pace, one that sees it feel even mildly turgid at times, the pairing of Leo and Kate pulls it above these considerations. This pairing is one that both actors have sought to return to ever since Titanic.

‘There were a few projects through the years, we would ring each other up with them,’ DiCaprio tells us. However, the shadow of Titanic, despite being a film that he is very proud of, loomed over the partnership. In this respect Revolutionary Road presented the perfect pairing. Leo and Kate’s dysfunctional relationship is a far sight from the brief romance and tragedy of Titanic, whilst still offering an opportunity for these two friends and highly talented actors to revisit an undeniable on-screen chemistry.

For DiCaprio, Revolutionary Road is another in a series of very serious roles. From his recent collaborations with Martin Scorcese in Gangs of New York, The Aviator and The Departed to Edward Zwick’s Blood Diamond and Ridley Scott’s Body Of Lies, Leonardo DiCaprio is an actor continually extending himself. I questioned this resolve to make difficult films and asked him when he last played a role that he found light and easy. Laughingly he said that it has been ‘hard work recently’ but on meeting such a committed actor one feels that this is what drives him. His pick for a genuinely easy-going experience comes from a little remembered Woody Allen collaboration, Celebrity in 1998. DiCaprio has for all of us Allen-ites a quintessentially Woody Allen memory. Remembering his directorial style, whilst affecting a very convincing Woody Allen inflection, he recollects the extent of Allen’s direction as being, “You can stand over there … but you don’t have to.”

It is not often that DiCaprio gives himself a break; he has to look back over ten years ago to a film that he found easy. His performances betray one of the greatest and most compelling actors of our generation. The Academy Award he has deserved since What’s Eating Gilbert Grape in 1993 may evade him still but it can’t be far off now. With his commitment and pedigree we may well be looking at the next De Niro, Pacino or even Brando here. Let us just hope that he remains the same charming man who put a smile on my face as I stepped out of the Dorchester’s revolving doors, before returning to the biting cold of a January day and the real world.

Castro, Che and Obama

If I were to ask you what you associate with Cuba, you would probably reply something along the lines of: cigars, missile crises, a certain man named Fidel Castro. Indeed, it was armed with such expectations and vaguely recalled pictures of “El Comandante” smoking an absurdly long cigar in his green military fatigues that I, with the family in tow, ventured out to Cuba for Christmas.

One of the first things I learnt about Cuba before I went was that its motto is “Patria o muerte” (Fatherland or Death). That‘s quite an intimidating introduction, yet as soon as I arrived, my expectations were confounded. Cuba’s turbulent history has made it into one of the most eclectic and culturally diverse countries in the world.

To some extent, the Cuban experience is a surreal one. Nowhere else in the world can you see traffic jams in which 1950s Classic American cars are driven side by side with rickety old Soviet Lada and Zhiguli models. Nowhere else in the world can you see such a syncretism of African and Spanish cultures in both the religious and musical spheres. Driving in to Havana is like driving onto a slightly decrepid film set. The city is divided into both old and new quarters with dusty 19th century Iberian houses being punctuated by imposing modern constructions. Ernest Hemingway, who lived here for 22 years of his life, wrote that “In terms of Beauty, only Venice and Paris surpassed Havana”.

As with many countries who adopted the socialist model, Cuba has a high literacy rate and a low rate of violent crime. There is no private ownership and you cannot sell your house since it does not technically ‘belong’ to you. Mobile phones are a luxury and you still see long queues at internet centres as locals wait to get online. However, this is not the stern-faced bureaucratic socialism of Eastern Europe. It was incredible to see how much Cubans express themselves vibrantly through dance, religion, music and art. The Buena Vista Social Club hails from Cuba and you can hear the wonderful ‘Chan Chan’ in many streets after dark. One night we stumbled across a mass outdoor fiesta. There must have been over 200 couples enthusiastically dancing to the drumbeat rhythm of the Salsa music – quite an experience for any unsuspecting witness.

Ever since Christopher Columbus crossed the Atlantic and discovered both the Americas and Cuba in 1492, the country has only truly had self-governance since the 1959 revolution. It was under colonial rule of the Spanish from 1492 to 1898 (which included an 11-month occupation by the Brits), and controlled, by proxy, by America until 1959. This was the year that a pair of young revolutionaries by the names of Fidel Castro and Ernesto “Che” Guevara swept into Havana, overthrowing the American backed Batista government. Since that day, Castro has survived over 638 assassination attempts which have included bizarre efforts by the CIA to kill him with exploding cigars, fungal-infected scuba-diving suits, and mafia-style shootings. You have to respect the man for continuing to puff away at his Cohibas.

After the Revolution, Castro expropriated private property and nationalised many industries in a move towards socialism. Some of these industries were American and, as you can imagine, the US was far from delighted by such treatment. In 1961, the US government tried to overthrow Castro by landing about 1400 military trained Cuban – American immigrants on the Bay of Pigs. However, they were defeated and captured. This spectacular failure on the part of the Americans pushed Cuban – American relations to an all time low and in 1962 the US government imposed a trade and travel ban to Cuba for all its citizens, which still is in effect today. Later that year, the Cuban government allowed the Soviet Union to put nuclear missiles pointing in the direction of their northerly neighbour causing the Cuban Missile Crisis and almost prompting World War Three.

I was reminded of Cuba’s Soviet past when I saw an enormous Russian warship which had anchored in Havana harbour on its way to do joint exercises with the Venezuelan navy. Hundreds of barely adolescent Russian sailors were walking in columns in one of the nearby squares, with many of them enjoying the delights of Cuban ice cream. A Ukrainian street vendor told me how he had been sent out to Cuba before the fall of the Soviet Union and had been left there, unable to afford a return ticket. It was a surreal encounter but a reminder of Cuba’s eastward looking past.

One thing which is noticeable more than anything else is the iconic image of Che Guevara’s face – on just about every tourist t-shirt and billboard. Even on the beach, a sunburnt Brit played volleyball with Che’s face tattooed on his not-so-muscular left peck. I am pretty sure that this is not exactly what Che envisaged when he started the revolution and I don’t think he would be too happy either knowing that his face had been adopted by the capitalist consumer culture and plays a crucial part in every gap year traveller’s wardrobe.

You may wonder why, if the Cold War is over and Cuba no longer presents a threat to American interests, the embargo still exists. Well, in Florida the Cuban-American lobby is extremely powerful. It is composed of emigrants from Cuba who oppose any sort of normalisation of relations due their hostility to the regime. The embargo detrimentally affects the lives of Cuban citizens. They can’t use dollars, they can’t export to America and the economy is being deprived of both American investment and American tourism. There are many highly educated Cubans who are forced to work as taxi drivers or vendors because of the lack of employment opportunities. Fortunately, the incoming Obama administration has made positive noises about lifting the embargo. If this is done, then the country will change beyond recognition as it boards the capitalist train.

Such changes will include a reduction in the number of wonderful 1950s classic American cars on the roads, as Cubans import newer models which they have not been allowed to do since 1959. The country will be forced to modernise and doubtless Ronald Macdonald will become a permanent Cuban citizen. Many of the crumbling 19th century houses will be demolished to make way for development and a visit to Havana will become a simple weekend trip for most Americans (it is only 90 miles from Miami). Cubans will undoubtedly benefit greatly from these changes and the strong pull which memories of the revolution exert on Cubans will weaken when the ailing figure of Fidel Castro passes away. All I can say, is that you must visit this wonderful country before it is brought out of isolation as, safely discounting North Korea in terms of tourist appeal, it is one the few socialist countries left in the world, and a beautiful, surreal and fascinating one at that.

Elite sports club to partially admit women

One of Oxford University’s most exclusive gentlemen’s clubs will finally fling its doors open to women – but only in the evenings.

Vincent’s, whose all-male members are selected for excelling in sport, has decided to open up its premises to members of the female equivalent, Atalanta, along with female sports teams. While the club will retain its strictly all-male membership policy, Atalanta members will be able to use the club in the evenings without being signed in by a Vincent’s member.

The lunch policy of the club, situated on St Edward’s Street, is unchanged and members of Atalanta’s are invited to have lunch at the club only on Saturdays.

Ellaine Gelman, President of Atalanta’s, acknowledged that it was a big step having access to Vincent’s since Atalanta’s has never had its own clubhouse.

She said, “this is an exciting time to be a member of Atalanta’s club – we have so many things in the pipeline. I think this partnership will be great for both clubs.”

She stressed that Atalanta’s and Vincent’s would remain autonomous, “Atalanta’s will remain a separate club – we are very proud of our history and our identity – much like the Vincent’s members.”

A committee member of Vincent’s commented that while the decision does nothing to reduce the exclusivity of Vincent’s, it will increase the club’s business.

He said, “from Vinnie’s point of view it increases the use of the club and it gets the girls’ equivalent of Vinnie’s more involved. The general idea is to get more people using Vinnie’s – the only difference is that girls are allowed to come up without signing in.”

Jess Barnes, ex-secretary of Atalanta’s, also warmly praised the decision, “I think it’s fantastic that Vincent’s now welcomes Atalanta’s members and female sports teams.”

She commented that this was “exactly the sort of change Atalanta’s has been looking for – such cooperation with Vincent’s club is a “brilliant development.”

She added that Atalanta’s members were very much looking forward to making the most of this new opportunity.

Atalanta’s was set up in 1992 with the aim of promoting women’s sports. Women are eligible to join if they have received a blue, half blue, or colours after competing in a Varsity match.

Vincent’s was founded in 1863 with the aim of bringing together the leading members of the University.

 

Oxford Union in financial crisis

The Oxford Union is in serious financial jeopardy following a backlog of financial mismanagement and a loss of sponsorship.

The accounts of the Oxford Union have shown that were membership or sponsorship to fall, the Society would have insufficient funds to cover its costs for a year.

A backlog of missed targets has resulted in the financial difficulties. In the year leading up to June 2007, the Society lost 18,000. Last year saw only 16,000 of the £20,000 target being raised.

In 2003, its losses totalled £100,000.
One Union spokesperson attributed the losses to “unforeseen maintenance costs”.

However, they are part of a wider problem that the Union faces in getting sponsorship to help fund its yearly expenditure, which in 2007 was over £687,000.
Several committee members have blamed the termly changeover of Treasurer for leading to a purely short-term focus to the Union finances.

Current Treasurer James Langman criticised the “lack of long-term planning on the part of past treasurers”, whilst an anonymous member of the Union has stated that treasurers have purely used the position of Treasurer as a necessary step in the career in the Union.

One committee member said of Roche, who raised less than £1,000 in sponsorship during his time in office and fell well short of the Hilary target of £8,000, that he “didn’t give two figs about the finances, he just wanted to be President”.

Union sponsorship is usually arranged by each Treasurer on a termly basis, and there is currently no on-going sponsorship that might secure the Union finances long term.

The Union’s Bursar, Lindsey Warne, admitted that the situation was not ideal, stating that “in a perfect world, sponsorship would be on-going but most has just been for a term or two”.

Langman, who has so far raised £8,150 in his term and thus exceeded the Hilary target of £8000, has nevertheless expressed fears about the Union’s long-term financial security, stating that “It is one of the things we are quite worried about”.

Warne stated that “it is harder now to find sponsors, when it has already been increasingly difficult over the last few years due to competition”.

Langman reiterated this, adding that the recession had “massively” affected this term’s drive for funding and that attracting sponsors had become “very tough”.
He stated that sponsorship this term had been secured “substantially due to personal contacts”.

He added that competition with other University societies had contributed to the difficulties, saying, “the treasurers in the future are going to have to work harder than treasurer have worked in the past few years, particularly because of the competition that we are facing with other societies. Law Soc, in particular, now attracts more sponsors.”

Due to a backlog of financial failings, the Union’s reserves would be unable to cover its costs if membership and sponsorship were both to fall significantly or if continued to lose money as in 2003.

The Union only owns about one third of its buildings, the rest being owned by the Oxford Literary and Debating Union Trust (OLDUT), a charitable organisation set up in the 1970’s to ensure that the buildings would be saved even if the Oxford Union Society went bankrupt.

OLDUT now sporadically offers grants to the society to help with its running, and in 2005, they paid for building works in the Union library.

Langman stated that the trust is essential to the financial health of the Union, stating that the this year, “there was a small surplus, but only due to a grant from OLDUT”.

However, as it is a charitable trust, OLDUT will only give the Union money for projects that coincide with its objectives, for example the upkeep of the library. They do not fund social events.

Lindsey Warne said that “we are doing everything we can to make sure that the Union doesn’t lose money again”.

Langman explained that the Union has set up an alumni scheme to get donations from ex-presidents, which he stated “should hopefully raise some money”, despite a previous bursar’s destruction of about ten year’s worth of records meaning that the society is “losing out on quite a few people”.

Langman has also had plans approved to form a business team that will operate in a similar way to that of OUSU. He plans to recruit a team of Union members who will work to raise sponsorship over the Easter holiday.

The volunteers will receive commission on any funds that they raise that exceed £20,000.

The Society has also been forced to increase its membership fees, which have risen from £168 to £178 in two years.

The Access Scheme, which is supposed to offer students receiving a full maintenance grant a reduced membership under £100, has been pushed up to £99.

Some students have expressed anger at the rise, suggesting that increased fees would deter future members.
James Maclaine, a Union member and graduate of Lady Margaret Hall college said,

“if I could start my time at Oxford again, I wouldn’t join the Union. I spent so much money on membership and I just didn’t go enough to make it worth it. I bet if membership goes up any more, fewer and fewer people will join”.

 

Animal rights activist on trial

Two firms involved in Oxford University’s animal testing laboratory withdrew from the project after an aggressive and threatening campaign by animal activists, a court heard today.

Oxford University Vice-Chancellor John Hood, speaking at the trial of animal rights activist Mel Broughton, told the jury that the then contractor Montpelier had suffered damage to “various assets of the company.” He said that members of animal rights group SPEAK were encouraged to carry out attacks and the company “felt they could no longer fulfil their obligations” as a result of the intimidation.

Broughton, who the prosecution say is the spokesperson for SPEAK, is on trial at Oxford Crown Court in connection with arson attacks to university property in 2006 and 2007.

He is charged on the two counts of conspiracy to commit arson and being in possession of an article with intent to destroy University property.

He denies both charges, relating to a fire that caused £13,000 worth of damage to Queen’s College sports pavilion in November 2006 and explosive devices discovered in the grounds of Templeton College in February 2007.

The head groundsman at Templeton College, told the court that he found the devices under an area of portacabins on the college site.

He had been informed earlier that morning by a colleague that a notice had been posted on the website Bite Back, run by the Animal Liberation Front, mentioning that an attack on the Oxford college was being planned.

He later discovered what seemed to be petrol bombs underneath the portacabins. He called the police, who summoned an army bomb disposal unit to secure the area.

The prosecution say that Broughton’s DNA was found on the incendiary devices planted in the 37 acre site and that sparklers used to construct the fuses of the device were found in the bathroom of his Northampton house.

The prosecution added that whilst they “respected his right to hold a firm opinion” on the matter of animal testing, they had “no respect for those who resort to terror and intimidation” to make their views known.

Broughton has a previous conviction for being in possession of an incendiary device to be planted in the name of animal rights.