Sunday, May 11, 2025
Blog Page 2143

Unpaid battels total £200,000

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Pembroke College is facing financial crisis following revelations that the college is currently owed £200,000 from unpaid battels bills.

At last week’s finance and general planning meeting, the true shortage left by late battel payments was revealed. It was decided that more punitive measures need to be put in place to draw in debts.

Despite the college rule that demands battels be paid on time, many students have managed to avoid paying their battels. Some students have admitted their backlog of payment totals thousands of pounds.

One Pembroke student commented that he had managed to avoid paying his battels for two terms, accumulating a debt of £3,500 to the college. During this period of non-payment he stated that he had received no punishment from the college, or even regular reminders.

Another student admitted to having not paid his battels for the whole of his first year. He said,

“I just completely forgot about it. If letters were sent then they certainly were not threatening enough.”

Adam Alagiah, a third year Pembroke student commented on the failure of college to ensure prompt payment from students, stating that it created a feeling of complacency amongst the students. He explained, “there is simply no incentive to pay battels on time. Nothing happens if you don’t pay.”

Freddie Krespie, a Pembroke student who is currently living out of college agreed, saying “the college doesn’t really seem to bat an eyelid.”

Currently, all students at Pembroke who owe more than £1000 can be fined for late payment.

However, in light of the £200,000 deficit, the finance and general planning committee have decided that this threshold should be lowered so that students with smaller battels to pay are encouraged to do so on time or else receive a fine.

More drastic punishments are also to be considered for those who continually fail to pay. The college has suggested that these could include being banned from living in college accommodation or being refused permission to continue their course.

Pembroke bursar, John Church, emphasised that treatment of those who could pay but refused, and those who could not afford to pay ought to be markedly different. He stated,

“it should be stressed that at all times I and the College Finance team remain alert to issues of hardship and allow extended periods for repayment where reasonably justified in the circumstances.

“In those cases penalty charges are not levied. In some of those cases the students concerned have received a hardship award”

But one student who fails to pay his battels on time has said that not paying is a result of the college’s “grossly expensive” rents.

Currently at Pembroke, room rents range from £2352.00 to £4191.03 per annum. The student explained that, “by the time I had spent money on holiday, I didn’t have enough left to pay my battels.”

At no other college have unpaid battels amounted to such a quantity.

At St Catherine’s College, Bursar James Bennett estimated that unpaid student bills amounted to £4,000.

Christopher Wigg, Bursar of St Anne’s College, estimated a similar figure. He also commented that a debt of £200,000 could not be withstood by any college.

He said, “given that for colleges, battels are often the main source of income, a higher default rate simply couldn’t be afforded.”

He commented that for the sum of unpaid battels to exceed even £10,000 would be “very surprising”.

University members were surprised that the amount should be so large. Freddie Krespie estimated that at most, there might be £20,000 worth of unpaid battels.

However, despite the increased stress on a tighting of punishments, students have remained sceptical about the College’s ability to enforce punishment.

Krispin commented that the college was justified in in removing a student from their course if they were able to pay their battels, but simply refused to do so.

But he said that this was more of a threat than a likelihood. Another Pembroke student echoed this statement, arguing that it was common knowledge that “getting chucked out of Oxford is far harder than getting into Oxford.”

Christ Church defeated in kebab van row

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Christ Church authorities have this week lost their battle to have a kebab seller relocated away from college, to the delight of the JCR.

College authorities have complained that the smell of the food form he van, known as ‘posh nosh’, distracted students trying to work and sleep, as well as being unpleasant for visitors to the college.

They also claimed that it attracted drunkards to the college entrance who made too much noise and littered the area on the gateway to the college, adding that some students had been attacked at the van.

The college authorities requested that the City Council ban the owner of “posh nosh”, Saeid Keshmiri, from obtaining a license unless he agreed to move his van further down the road and distance himself from the entrance to the college.

Heamn Hassan, an employee of Saeid Keshmiri who works at Posh Nosh stated that he was “very pleased” that the kebab van had been allowed to stay, but spoke of his unhappiness at having his right to serve outside the college questioned. He said:

“I was not very happy. After it happened, many students came by every night and asked us not to move away from college. They said that we are part of the college here. I feel part of the life and college too.”

Saeid Keshmiri has also stated that he enjoys working outside Christ Church. He admitted that the drunkards that visited the van had caused problems and acknowledged that litter was generated around the van.

However, he stated that such anti-social behaviour was generated by those who hung around the bus stop, and not specifically by those who visited his van.
Christ Church students have spoken out to defend the van’s presence outside the college, stating it to be a fundamental part of their time at university.

One a third year student at Christ Church, claimed that the kebab van constitutes an important part of student life.

He said, “Posh Nosh is very much seen as a tradition amongst the college’s undergraduate population, as much of a feature of college as life as, for example, Mercury Foutain. And it’s a damn sight more useful.

Many of us are fed up of the college authorities doing things without taking our wishes into account, so I say hurrah for something happening that reflects our enjoyment.”

Past students have also defended the van’s right to stay. Ex-JCR President Garth Smith who graduated last year reminisced about the college’s role in day to day life.

He said, “when I was there, everyone used it and was grateful that it was there. I never heard any complaints at all, about the smell or otherwise. I knew students who lived in rooms that were right next to the van, but no one ever complained that the van shouldn’t be there.”

Whilst the Council authorities have not forced Keshmiri to relocate, they have nevertheless suggested that he moves his van elsewhere in future to avoid further controversy within the city. He has moved 200 yards further down the road in a compromise agreement.

An Oxford University spokesman said, “the van is outside the college seven nights a week and the smell lingers on long after it has left for the night.

“A number of staff have raised concerns over whether it is suitable for students to work best in such conditions.

“We encourage students to eat healthily but the issue with Sid’s Kitchen has nothing to do with that. The college is concerned with students having the best possible environment for study.”

Tottenham’s bizarre transfer window

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Who would have thought it? Robbie Keane shrugs of the politics at Liverpool and returns heroically to save Tottenham’s season – starting against the gunners on Sunday. Jermaine Defoe pisses off Tony Adams (and Sol Campbell) to return, and immediately starts scoring. Cudicini is universally seen as the steal of the window. Pascal Chimbonda’s reception is more muted, but his versatility is useful. Palacios seems expensive, but perhaps he is the ball winner, box-to-box midfielder that Tottenham have been craving for so long.

So, it’s all looking brilliant. For my heart, this has been the best transfer window in a long time. We have kept all (were there any?) of our stars, and brought in a new spine to the team which looks impressive. Keane is an icon of the last 5 years, which were, relatively, successful. 5th twice in a row and a run in the Uefa Cup, F.A. cup, and finally the triumphant victory at Wembley last year. He was the one player I knew would play as well away from home as he did in front of his adoring fans. He was the player who celebrated winning the Carling Cup more than any other because he is one of a rare footballing breed that simply loves to be out on the pitch playing football and scoring goals. He comes with many good chants and undoubtedly he will be a positive force in the dressing room.

However, my head thinks this could all go wrong. We have set a precedent with Keano, saying to good players: come to our club, perform, get your move to a massive club, and then, if it doesn’t work out, we’ll have you back, and make you captain. Of course I understand that club loyalty is too much to ask for nowadays, but are Tottenham sending a confused and complacent message? Lets just bring the old boys back and try again, rather than properly rebuilding a diminished and unbalanced football team.

We’ll see. There is no doubt that Tottenham have brought some excellent players and I am more confident that we will climb the table. But in the long term I cannot help be feel that bringing players back from a previous era will create an atmosphere of complacency and booster the image of Tottenham being a ‘glamour club’ where mediocrity is acceptable.

 

World XI : right backs

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Two votes, but 100%: Patrice Evra is our World XI’s left back.

And now on to right backs! Early favourites are Sergio Ramos and Dani Alves, but watch for outside moves from Maicon, Miguel and José Bosingwa.  Or will Sean go for Bacary Sagna? Kristian for Alvaro Arbeloa? Will anyone gamble on Javier Zanetti’s fitness?

You’ll find out soon enough.

Send us your snow pictures and videos!

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Send us your pictures of Oxford’s snow day and we’ll put the best ones on this page right here. Email your pictures and videos to [email protected]!

Photo: Chris Baraniuk

Photo: Chris Baraniuk

Photo: Shachi Nathdwarawala

Photo: Shachi Nathdwarawala

Photo: Pinar Sanel

Photo: Dave Wright

Photo: Jin Lee

Sometimes it pays to go back

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Sean points out the problems Robbie Keane’s heroic return to White Hart Lane have posed for Jermain Defoe, of recent heroic return to White Hart Lane fame.  Going back is often the comfortable option for players keener on hearing their name sung than challenging for trophies.  I mean, I was delighted when Shaun Wright-Phillips returned to City, but is he really less good than the two-headed mediocrity that is ‘Kalouda’?

But there is a heart-warming tale in Italy at the moment of what it means to go back for the right reasons, and the success it can bring. 

In January 2004 a 24 year old Argentine striker was bought by Genoa CFC from Racing Club.  Diego Milito made an instant impact in Serie B: scoring twelve in seventeen as Genoa struggled to fifteenth in the league.  2004/05 was a triumph for him, scoring twenty-one goals as Genoa finished top of Serie B.  But some serious rule-breaking meant that Genoa started 2005/06 not in Serie A but in Serie C1, and Milito was sold to Real Zaragoza.

At Zaragoza Milito flourished.  He finished fourth in the Pichichi table in his first season (15 from 35), and then second in 2006/07, with 23 from 36.  Last season, however, Zaragoza struggled and were relegated from the Primera Division.  Nevertheless, from his three seasons for the Blanquillos Milito had scored 53 goals in 104 La Liga matches : a wonderful record.

But Zaragoza could no longer afford his wages, and he had to move.  He had offers from Real Madrid, Tottenham Hotspur and Manchester City but on deadline day he chose to return to Genoa, the team who gave him his big opportunity, now back in Serie A.

An instant hero for the Rossoblu even before he pulled the shirt back on, he has done great things this season.   Fourteen goals in seventeen Serie A starts put him behind only Marco di Vaio in the scoring charts.  More importantly, his Genoa side are flying high in fourth, set for a Champions League place and only four points behind second place AC Milan. 

And with Carlos Tévez rotting on the Manchester United bench, Milito is surely (pace Gonzalo Higuaín) Diego Maradona’s first choice centre forward for the upcoming World Cup qualifiers against Venezuela and Boliva.

What chance Robbie Keane having a similar impact at Spurs?

What’s happened to Chelsea?

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Another big game, another big choke from Chelsea.  I’m not much of a fan of the idea that the title is decided by a mini-league between the Big Four (those teams drop points across the Small Sixteen quite often actually), but Chelsea’s form in those games this season is telling: having played Liverpool twice, Manchester United twice and Arsenal once (at Stamford Bridge) they’ve taken just one point. 

How far removed from the Mourinho era, when the ruthless and relentless Chelsea machine destroyed all before them.  95 points in 2004/05 and 91 in 2005/06 seem so far away now. 

But it all started so well for Chelsea this season.  With Cole and Bosingwa doing what Roberto Carlos and Cafu did for Scolari’s Brazil, and Lampard and Deco running games from midfield it seemed like they would sweep all before them.  Every month they engaged in another piece of muscle flexing; smashing Portsmouth 4-0 in August, Bordeaux 4-0 in September, Middlesbrough 5-0 in October and Sunderland 5-0 in November.

So what’s gone wrong? The definitive strength of Mourinho’s Chelsea was that when they could not produce good football the players’ religious loyalty to the manager would get them points instead.  Scolari, popular as he may be, has not created that same personality cult so important to the Mourinho era. 

This ought not to be much of an issue: Chelsea players transferred their loyalties from Ranieri to Mourinho in 2004 with few teething problems.  But that was when the new manager was equipped with Abramovich’s billions to bring his own players in.  Scolari has bought in only the ageing Deco.  Chelsea FC’s new found austerity – failing to spend the £30million earmarked for Robinho, or any of the £12m Wayne Bridge fee – has forced Scolari to operate with a squad not of his creating.

I am sure that with sufficient time and resources, Scolari could turn Chelsea into a fantastic team: even bringing the beautiful football that Abramovich always wanted to Stamford Bridge.  But to be asked to do this, in his first season in England, with a squad still loyal to his predecessor-but-one, and no new purchases? It’s a task maybe even beyond the Special One.

These Dark Materials

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“I think he’s planning to use whale noises,” Steve tells me. Lord Asriel in His Dark Materials formed an army to defeat the Catholic Church on a barren planet, but the sound design for his story is being worked out by on of the projection designer’s colleages, Dan Hoole, in a cluttered room round the back of a Birmingham theatre. He has a lot of work to do, though not all of it as exotic as working out how to represent cliff-ghasts: the list of sound effects covers everything from spectres in Cittagazze to traffic on the Oxford ring road. But considering that the Birmingham Repertory Theatre’s production takes in everywhere from Oxford physics labs in two worlds to the Arctic and Geneva and adapts an iconic book that, together with the Harry Potter books, defined the identity of its generation and redefined children’s literature, it’s not surprising: where to start?

The answer, production manager Milorad Zakula told me, was a series of meetings between him, the director and designer. Working from AutoCAD and a tight budget, they drew up a spare, simple set: steel towers down the side of the set supporting drapes and a bridge suspended from the theatres’ machinery; everything fits into two lorries. In his office (there was a bag of paper snow on the floor, going off to Korea for a tour of The Snowman), he showed me a plan on his computer, sprouting in three dimensions from a flat floorplan of a theatre, looking a little like a blueprint which just grew some legs. They worked out the staging of every scene with a model of the set: on the same computer is a series of photos of each scene, showing how the lighting changes and tables and chairs are brought on and off or a curtain lowered. Late on, the Oxford theatre was changed to the cramped Oxford Playhouse, requiring an emergency redesign: in another file on his computer is the cut-down version Philip Pullman will see when he comes to watch the Oxford run in Trinity. Budget was a major issue, Zakula told me: puppets cost more than expected, the production had to ask for more money from the theatre, and plans for a carpet of LEDs under the actor’s feet had to be scrapped.

The production is currently at an early stage: casting directors are looking for Wills and Lyras in the various cities the run goes through, and the theatre press officer, Victoria Price, took me through the various rooms of the theatre, showing me the costume store, make-up department (with a head of Mr. Tumnus left lying around from a past production), the welding shop, a rehearsal room, and the sound design room. She looked into one room to check nobody was using it, let me in, and on the floor of a bare white-painted room, double-glazed windows looking down onto a warehouse and some trees, the were the heads and spines of two armoured bears, completely finished and waiting for use. I’m going to be seeing it when it comes to Oxford, and I’m sure many other students will too. And if you see Philip Pullman in the seat beside you, ask him from me, just why did he erase Lincoln from the list of colleges in his alternate Oxford?

Coolness In The Face Of Fire

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Jo Lovesey is a postgraduate in Philosophy from Merton. But Jo has a double-life: when she’s not trying to get to the ultimate truths of our metaphysical reality, she bewilders crowds at street and theatre festivals, dressed in a sleek vaudeville costume and enveloped in a cloud of dancing flames. She and her boyfriend Michael Rack, together with the unicyclist Lucas Wintercrane, form Pyrokinesis, one of UK’s top fire dancing troupes.

Cherwell: How did you get into fire dancing?

Michael: When I was eight I saw a guy juggling with devil sticks at a festival. I thought it looked amazing so I asked my mum to buy me some, and it all went from there… But I didn’t start using fire until I was 10 or 11.

Jo: Seven years ago, I saw some people playing with poi on a beach in Israel. I asked them to teach me and then practiced for hours every day. Then in 2006, I saw Mike performing at a club in Reading, where I did my BA. I wanted to have a go, so he auditioned me on the spot and we’ve been performing together since.

C: What kind of shows do you mostly put on?

M: The summer was really exhausting – we performed pretty much every weekend at festivals. We’ve done Glastonbury, Bestival, Camp Bestival, GuilFest, the Tárrega festival in Spain…

J Lately, we’ve been trying to make Oxford our base. We’ve done a gig at a Magdalen MCR event. I think they initially hired us to do something in the background, to look nice, but people were so fascinated that we ended up doing a whole show for them.

C: How’s health and safety? Ever burnt your fingers?

M: Yes, I’ve got some scars, Jo, haven’t I?

J: We’re doing this choreography which requires us to step past one another and…

M: Jo didn’t!

J: So I ended up wrapping one of my poi around Mike’s wrist.

M: Otherwise, it’s not dangerous – we’ve never inflicted any damage on the crowd or had any claims on our insurance.

C: You’re also pretty big on breaking world records…

M: We broke the world’s biggest fire show record at a circus festival in 2006 – 201 fire dancers in a choreographed routine. It looked amazing, but unfortunately we couldn’t authenticate it with the Guinness people. So, we’re re-doing it for the next Bonfire Night. We’re also planning the biggest dance routine (1200 people) and the biggest circus act (323).

C: What have you got coming up?

M: The next big thing we’ve got planned is a circus festival in Canada. And we’re planning to do a fire show on ice. We want to get a whole bunch of figure skaters and jugglers, teach them each other’s skills, put everyone on the ice and see what happens!

J: If there are any ice skaters or jugglers interested in joining up, they should get in touch via our website. We’re also looking for people to participate in our next attempt at the world record – so get in touch!

www.pyrokinesis.co.uk

 

The Cactus Where Your Heart Should Be

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Three stars

Most murder mysteries have a sense of the absurd, but this one, by current Exeter student Sarah Hand, goes further than most. Halfway through an awkward dinner party, the host escorts his guests and angry wife into the greenhouse, locks them in and tells them that nobody leaves until he’s discovered who murdered his plants. The chaos that follows is well-observed and well acted: Struan Murray is perfect as the deranged host Ronald, one moment threatening a guest with a trowel and the next cooing over his plants, Annina Lehmann has a lot of fun with the role of mysterious femme fatale Vlada, who angrily insists that she’s from Croydon, and Nicholas Pullen makes the most of his role as a bluff, hearty guest who always says the wrong thing (sample: “Well, Ronald, you may have lost your wife and your son and your friends, but you’ve kept your…er, your integrity. Yes.”)

Where the play falls down is in plotting: for a murder mystery, there isn’t a lot of mystery or that many red herrings, and though there are a lot of good one-liners, it can’t quite match Whodidit? at the TSAF last year for sheer deranged, sustained invention, though I loved the fact that the three couples present are Mr. and Mrs. A, B, and C. It’s a lot of fun, very well characterised and it fits perfectly into the Pilch Studio, which has exactly the right reverberant acoustic to bounce Ronald’s shouting off for maximum effect, but it never quite becomes brilliant comedy.

Further information on The Cactus Where Your Heart Should Be, as well as interviews with the cast and author