Sunday 14th September 2025
Blog Page 2146

Students overestimate salaries

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A study conducted on 3,000 students at universities across the country has revealed that they had expectations of earning 10% more than the average graduate wage, estimated at £16,450.

The most unrealistic expectations came from first-year students and linguists in particular. In some cases starting wages were overestimated by over 3,000. Finalists had more pessimist views on salaries and in many cases estimates fell below the average.

John Jerrim, a PhD student at the University of Southampton carried out the study and presented his results to the Royal Economic Society’s annual conference.

His findings have left him eager to encourage people to decide on a university and a course only after they have spent enough time investigating the job market.

He said, “It is vital that students thoroughly research their future employment prospects when going to university, so they can make informed choices about the subject they study and institution they attend.”

He voiced his fears that students were totally adrift of likely graduate wages commenting, “Some young adults enter university with unrealistic ambitions about future income levels. Simply having a degree does not guarantee a graduate job and a silver-plated salary.”

Jonathan Black, the director of the Careers Service at the University of Oxford told Cherwell, “average starting salary for the graduation year of 2008 has risen by 6.5%, which in itself is a 6.5% rise on the year before.”

Class of 2009 at Oxford can expect earnings of £25,500. However, only 33% of finalists are expected to join the graduate job market at the end of their students.

Jonathan Black believes that the 90% employment rate for Oxford graduates is proof that “most graduates are content with the pay packages they are receiving upon leaving the university.”

The number of Oxford students going into research has seen a rise in the last two years. Although many have seen this as a reaction to the current financial climate,
Black was eager to highlight that we should not be too hasty in exaggerating the crisis as far as Oxford is concerned.

He commented, “One of the first places where recruiters look is still Oxford. It is not all doom and gloom for people graduating at the moment.”

Secondary education is the field where the largest proportion of students is going to for jobs. Social Sciences is the division which offers the prospect of the highest average starting salary, at 28,000.

Students of humanities have the lowest average starting salary to look forward to, at 7,000. However, for all divisions at the University of Oxford the average starting salary has grown in the last few years.

 

Doughnuts to be classified as ‘low-fat’

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A team of Oxford University experts has shown that proposed new European Union legislation could mean that 93% of foods will claim to be ‘nutritious’.

The proposals, which go before the European Commission next month, suggest a limit of 8mg of saturated fat per 100g for bakery products. A Tesco jam doughnut contains 5.7mg. Under these criteria, Oxford researchers have concluded that just 7 per cent of foods in the average UK diet will be prevented from claiming to be nutritious, while 60 per cent could be marketed as ‘healthy.’

According to Which?, the consumer group who commissioned the survey, doughnuts could soon be advertised as ‘low fat,’ and foods such as custard tarts, pork sausages and ready salted crisps could carry health and nutrition claims.

Which? along with health charities the British Heart Foundation and Cancer Research UK, have written to Health Secretary Alan Johnson asking the British Government to reject the proposals.

Colin Walker, Which? spokeasperson, said the new rules would “weaken the fight against obesity and poor diets, doing far more harm than good.”

Walker continued, “Jam doughnuts and crisps being allowed to make nutrition claims would be laughable if it wasn’t so serious. The goalposts have been widened to the point that no one remembers why they were put there in the first place.”

Some Oxford students voiced support for Walker’s views, with one saying “everyone knows that things like doughnuts aren’t actually nutritious – classifying them as such will just undermine the whole system of food labelling.”

With almost one in four adults in the UK classified as obese, there are fears that poor food labelling could add to the problem and its related diseases, such as diabetes and heart disease.

However, some students said they felt that the proposed changes would have a limited effect. “People aren’t stupid,” said Wadham college student Andrew Wilkinson, “they know what’s good for them, even if they then go and ignore it. Classifications are a bit unnecessary, especially if foods continue to have their GDA information. If something is ‘low fat’ but contains 90% of your daily allowance of sugar, it’s fairly obvious that the food is unhealthy.”

The Food Standards Agency has also considered the issue, with a spokesman saying, “we must ensure that health claims do not mislead consumers. The Agency understands Which?’s position and shares some of its concerns. Labelling must help people make healthier choices and we would oppose any moves that might encourage consumers to eat more fatty, sugary and salty foods.”

 

News Roundup: Week 2

Antonia and Marta bring you the news. This week, they discuss Alice Heath, animal rights, the open letter to Bilawal Bhutto and the sad demise of Balliol’s Matilda.

For the Love of Film 9

Cherwell’s film podcast is back for Trinity! This episode join us for five short, snappy film reviews with a lot of humour thrown in for good measure. Not to mention the in-depth analysis of ‘Wolverine’.

55 years and four minutes ago

“In my day, the Cherwell was always pushing the boundaries and getting banned, is that still true?” Sir Roger inquired with a twinkle as he continued to make conversation on my way to the door. With tongue firmly in cheek I assured him that we were a totally unsullied publication and that he must be thinking of our scabrous rivals, and was gleefully on my way, having just sat down for an afternoon cup of tea (politely refused) with the historical legend, “The Running Doctor”, Sir Roger Bannister.

Sir Roger was quick to make clear to me, however, that his career in neurology was always more important to him than was his running, though he acknowledged that others might see it in a different light. After studying medicine at Exeter College he went on to pursue a specialist career in “one of the more taxing branches” of medicine despite the handicap that came with being heralded a “record breaker”.

“I possibly had to show even more diligence in writing medical papers than otherwise would have been necessary to achieve this”, explained Sir Roger.

Yet “it would be true to say that I have always welcomed challenges”, he continued, and such a mentality has fuelled him through a distinguished lifetime of achievements aside from his sporting career, being appointed Consultant Neurologist to the National Hospital for Nervous Diseases and St Mary’s Hospital, London, and later, in 1985, making a return to Oxford as Master of Pembroke College, a challenge which he “greatly enjoyed”.
As an undergraduate, Sir Roger was President of OUAC and responsible for developing the club. He made a bold but well-reasoned change to the track structure, converting the three-lap-to-a-mile track into “an orthodox 4-lap-to-the-mile track, certainly a requisite for running the four-minute mile”.

While explaining his “grave disappointment” at coming fourth in the Helsinki Olympics, and his subsequent decision not to retire at that point despite the difficulties of combining his medical training with his athletic commitments, the positivism of his actions emerged as, by 1953, it had become clear that the four-minute mile was the next major athletic target.

Scrupulously detailing each aspect of the build-up to his publicly defining moment, his memory was sharp and his approach forthcoming, and it was evident that this time in his life had made a deep impression on him. Conveying the mood of the country at the time, as it made its emergence from “austerity towards a confidence in the new Elizabethan age”, he touched on other important events in the period, namely the coronation of Queen Elizabeth II and the conquering of Mt. Everest by a British and Commonwealth team.

Sir Roger had astutely recognized two other athletes in the world as contenders for breaking the four-minute mile, rivals John Landy and Wes Santee, and the mile time was rapidly being whittled down, certain to be breached soon. For this reason he felt he had to take the first opportunity of “a bone-fide athletic meeting to attempt it”. He recalls rubbing graphite onto the spikes of his specially made lightweight running shoes on the morning of the race at St Mary’s Hospital Medical School, although his precise decision to make the record attempt was not quite so preconceived.

“Whether or not it would be possible to break the four minute mile was entirely dependent on weather”, Sir Roger denoted emphatically, and it was only when he noticed the St George’s flag near the Iffley Road track dropping in the wind ten minutes before the race that he confirmed with his increasingly impatient friends and pacemakers, Chris Brasher and Chris Chataway, that he would make the attempt. 3 minutes and 59.4 seconds later he was transformed into an iconic figure of his time and a true legend. Not only had he broken the record; he had charted new territory, and importantly, for himself, “made amends for what I had regarded a disappointing failure for me and for my followers and for the British public in 1952” at the Olympics.

As we moved deeper into the conversation and away from the choice topic of journalists which has surrounded him for most of his life, Sir Roger began to show more of his genteel character, thoughtfully assimilating my prying words and reciprocating with insightful and unstudied acumen.

Addressing the publicly touchy subject of doping in sport, Sir Roger, who initiated the testing of anabolic steroids during his role of Chairman of the Sports Council (now Sport England), admits that the World Authorities “have not moved with the dispatch I would have wished to introduce random testing.”

“I always knew that random testing was necessary”, but he carefully adds, “I am aware of all the difficulties this presents, and the enormous expense”.

However, he remains confident that the expanding precautions set for longer time scales in the hope that more effective tests become available in the future have made it increasingly difficult to “hope to evade detection”. He concludes, “it won’t be easy, but it has to be done”, a mentality somewhat parallel to his own gritty determination, perhaps, and one proven highly successful at that.

It is true that despite a seeming desire to escape the burdens of the sporting domain in order to pursue his medical career, Sir Roger has remained actively involved in the field of sport throughout his later life. He anecdotally recounts his recent visit to the Olympic site with Lord Coe, which left him “most impressed” with its transformation from a previously derelict site into somewhere that will “leave a legacy of facilities…of great benefit to the area of London that has been neglected”. On a bleaker note, citing Minister for the Olympics, Tessa Jowell, he discloses that, should a world financial crisis have been foreseen, the London bid may never have gone ahead. Nonetheless he simply notes that frugality will inevitably play a larger role in the administration, unlike the “lavish expense possible in Beijing”. Perhaps this is a positive however, as it will hone the focus back towards the true enjoyment of sport, without the distracting embellishments that countries like to employ to bolster their authority. It will typify the reserved and gritty English disposition.

Sir Roger carefully weighs up the debate of “pushy parents” determined to use their children as vehicles for success in sport, highlighting the necessity for prudence and self-control. He believes it is important not to deceive children about their true capabilities, wisely commenting, “Children should not prematurely be led to expect they will become champions, nor to be sure, as teenagers, where their eventual talents lie, given that their physique and personality are changing”.

He goes on to acknowledge, however, the value of parental willingness to involve their children in sport. When I pry further into the kind of upbringing that Sir Roger experienced, his eyes momentarily glint and he reveals suspicions of a scheming plan of his father’s to “concentrate” his mind, as he puts it. Not only did his father win a mile race at school, but also as a boy took him to watch what he remembers as a “very inspiring” mile race between then-world record holder Sydney Wooderson and Arne Andersson. Little did he know it that a few years later it would be his name on the record, and he chuckles at the reflection.

Does Sir Roger rue the day professionals took over the sport?

“Society changes with a certain inevitability”, he replies, perceptively. “There are advantages and disadvantages.”

In his characteristically positive manner, Sir Roger chooses to focus on the benefits; he understands the need for the end of the amateur era as, in order to “achieve the current levels of world records, full-time training is necessary, and it is difficult to combine with another career”, something which he has experienced first-hand. He regards it as an advantage that sport in general has become more prevalent recreationally, perhaps stimulated by the “exceptional examples of some professional athletes”, and then reels of numerous statistics related to numbers of competitors in public sporting events, such as the Great North Run (40,000, should you be interested), once again exhibiting the remarkable crispness of a memory more expected in a young graduate than, most tactfully put, an octogenarian. Perhaps that moment 55 years ago is locked within him, perpetuating eternal youth. Clichés aside, Sir Roger gently tries to shatter this illusion for me when I ask if I’ll see him jogging around North Oxford at some point.

“I wouldn’t dignify it with the term ‘jog'” he answers steadily. “I move rather slowly, and avoid the streets, but don’t mind the grass of the parks”.

He may move slowly, but his mind is still quick as a fox. The sub-four minute miler has not lost his edge.

66 monkeys in Oxford laboratories

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Oxford University revealed that 66 macaque monkeys were used last year in medical research.

The primates were used in investigations into brain diseases such as Alzheimer’s or Parkinson’s. This is because the brain of a monkey is more similar to human brain than that of a mouse or a rat. Some monkeys were used to develop vaccinations for HIV.

The university was ordered to release this data earlier this term by the Information Commissioner Richard Thomas, following the requests made by the British Union for the Abolition of Vivisection.

Oxford University stated that monkeys accounted for under one percent of animals housed at its Biomedical Sciences Laboratory. They are only used when no other species can deliver the research answer.

 

Review: Much Ado about Nothing

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Inspired by avant-garde group The Factory, the ‘rules’ of the Bright-Dukes-Maltby Much Ado are myriad, and their theatrical game enjoyable. There’s promenade, props supplied by the audience, and ‘tasks’ imposed by a bowler-hatted Sam Bright. Conceived and led by Lindsay Dukes as Beatrice, the O’Reilly’s latest experiment deserves much praise.
The cast is strong. The comedians particularly shine, with Joe Eyre’s Borachio, John-Mark Philo’s Dogberry, and Joe McAloon’s Verges thriving on the chaos throughout. I found myself laughing aloud: a rare treat at press previews. Of the lovers, Dukes’s Beatrice has great energy and comic skill; unfortunately, she rather gallops through Beatrice’s psychology. Both the revelation of her reciprocated love for Benedick and her rage against Claudio are taken much too fast. We must remember that speed isn’t passion. However, the originality and talent of Dukes’s performance emerge whenever she slows down.
Conversely, James Corrigan’s Benedick begins weakly but improves; their love scene is the play’s subtlest, mature and melancholic. Isabel Drury is the production’s greatest surprise, creating in Hero an honesty and emotional intensity that indicate Drury’s right to larger and more rewarding roles.
The company could benefit from a firmer hand with the storytelling. Enraptured by the creative process, there are moments when the verse is garbled, the play’s essence reduced to a convenient coathanger for the antics of an improv troupe. Intensive vocal work would help, as would lighter shoes so that one actor’s lines aren’t drowned by the feet of fourteen others.
This ambitious production marries ideas from the best in professional theatre practice with the freshness and idealism on which student theatre thrives. Liberated from the commercialism of professional theatre, we students can afford experimentation even in a recession. Above all, our theatre allows us to create spaces in which to do what students do best: imagine, endeavour, and learn.
The highlights of my Much Ado were Dukes’s hiding in a hatstand, Philo’s singing from a shopping trolley, and the incredible acrobatics of Eyre. Yours will be different. With all its variations, this Much Ado will be a first rate show, every night of the week.

Four Stars

Rabid Productions’ Much Ado about Nothing will be at the Keble O’Reilly, Tuesday to Saturday of 3rd week.

The Great Equalizer

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‘Come in, sit down’ Polly Toynbee whispers, her hand pressed against the telephone speaker. ‘I’m just about to go on the Jeremy Vine show. So sorry about this.’
So I sit silently in the front room of the columnist’s Clapham house, pretending to read a copy of the Financial Times.
She listens to hold music, waiting to be put on air to discuss the government’s new Equalities Bill, the subject of her column that day. A brief chat with a researcher, and then she’s live on Radio Two, with all the lines you’d expect from one of the country’s best-known left-wing commentators: ‘…Need to think carefully about how they might address that balance and even things out…need to question themselves about whether the way they spend is fair…’
A Guardian columnist since 1998, Toynbee has been writing on social affairs for the best part of forty years. In person she is exactly how she appears in her by-line; the same friendly-but-firm gapped smile, and as far as I can tell she’s wearing the same necklace today as she does in her twice-weekly Guardian headshot. Loved and loathed in equal measure, she has been banging the social equality-drum for her professional life, and is the author of A Working Life, Hard Work and, most recently, Unjust Rewards: Exposing Greed and Inequality in Britain Today.
As she speaks on the radio, I look around the room. It’s hard to imagine this ever being the shabby, run-down area Toynbee claims it was when she bought the place thirty-seven years ago. The road outside is silent, green, and the whole interior smells upper-middle class. (I mean that literally. There’s a certain smell unique to these sort of houses; probably a combination of well-treated wood and organic food.)
She hangs up and we begin our interview, which starts on the subject of Oxford. Toynbee came to the University in the sixties, but dropped out after a year and a half reading history at St Anne’s. Having read her articles and books on social equality, mobility and class, I had imagined her decision to leave Oxford would have been a political statement against perceived elitism in the institution.
The truth turns out to be slightly different. ‘The Cherwell was beastly to me,’ she says. ‘I don’t know if it’s still poisonous, but it was poisonous in those days. I was being got at, a great deal at the time…by this nasty gossip column.’ Ooh-er. ‘And there is so little genuine, interesting gossip or politics around in Oxford that once you’re in their sights, you’re sort of roasted.’
‘I didn’t leave in a great, sanctimonious, ‘I am very shocked by the elitism of this place’ way. It was just very nasty in my day’.
After dropping out of Oxford, Toynbee worked in a number of low paid jobs. ‘[I had] the insane idea that if you worked with your hands in the day and in the evening it leaves you free for greater artistic endeavour, like writing novels and poetry,’ she says, half-smiling. ‘I very quickly discovered why not many people who work in these places actually have the energy to do much creative writing in the evening.’ However, she returned to work in factories and other minimum-wage jobs as research for her later books exploring life on the poverty line. At this time she was also writing pieces as a freelancer, eventually leading to a job on the Observer.
In her most recent book, Unjust Rewards, Toynbee accompanies a group of children from an inner-London school on an AimHigher trip to Oxford. (‘The yellow limestone building of St John’s left the Brent students almost breathless with amazement,’ she writes in one chapter. ‘They could see that gaining a place at Oxford would be like climbing Everest without oxygen or crampons.’) I ask her how she feels about the University’s selection process. Although she has ideas on how admissions could be changed, she tells me that who Oxford lets in or how they select students is not really the most pressing issue.
‘How would it be if Oxford and Cambridge took the top two students of every sixth-form in the country? It means that even the less good schools get to send good people and you’ve got to be the best of your class,’ she suggests.
‘But actually I think it’s terribly unimportant.’ So why the almost constant media interest in Oxbridge applications and other stories from the universities? ‘It absolutely obsesses newspaper editors who are trying to get their own children into Oxford and Cambridge. I think it’s terribly unimportant who goes there’.
Instead she argues that most money and attention should be put into schemes for the youngest, rather than obsessing over who is admitted to ‘elite’ universities. ‘Most resources should go into children’s centres and all of that for the very youngest. By the time you get to passing A-Levels…there’s not a whole lot universities can do about it’.
She tells me that if she were education minister, she would significantly increase investment in children’s centres and the youngest. ‘At the moment we spend least on nursery, next least on primary, then on secondary, and most per capita on university. And really, by the time you’ve passed your A-levels, you’re going to be fine. You’re assured a decent life ahead. Whereas, what happens before you’re five pretty much sets your future.’
A columnist rather than a politician, she speaks in monologues rather than sound-bites, making her almost impossible to interrupt. But she explains things so simply that you rarely want to. To support her view on nursery schools, she cites research which follows the progress of students from different backgrounds. ‘A bright child from a poor background and a dim child from a rich background are tested when they are toddlers.
‘By the time they’re six, the lines cross and they go in the other direction. The poor child, however talented, falls down, and the rich child goes up, because the rich child has such advantage in terms of teaching stimulation…family pressure to try hard, do their homework and so on.’
To combat the unfair advantages given to children of wealthy families, she argues that we need better trained nursery staff to ensure all are given an equal start. ‘Being a nursery school teacher is not being a nursery assistant; sixteen or seventeen year old girls who themselves failed at schools so they think they’ll be nursery nurses.’
She praises Labour’s new under-five’s programme, which is set to open 3,500 new sure-start children’s centres across the UK, calling it ‘the biggest addition to the welfare state since 1945. The only question is whether they will have the funds.’ And despite her certainty that the party will lose the next election – ‘I can’t quite think what it would take for it not to happen now,’ she says, and refers to the decisions facing a Conservative government in the future rather than conditional tense – she is supportive of many of the current government’s actions.
‘I have felt very encouraged by a lot of things Labour has done. We’ve given them a lot of praise for the things they’ve done well. Education has improved no end.’ So why do things seem to have gone so wrong now? ‘Inevitably, after ten years of finding that [social change] is much harder then they thought, that it is very slow…they got weary, I think’.
Unjust Rewards condemns the culture of city bonuses, and the vast and growing gap between the rich and the poor, at a time when the seriousness of the economic situation had not yet been fully realised. I ask whether she thinks she might had played a part in predicting the credit crunch. ‘We were out ahead saying how dysfunctional the whole bonus system was,’ she replies.
‘But I can’t say we predicted quite what would happen or how bad it would be…If, when we’d written that book, we’d said ‘And therefore we expect to see the imminent demise of capitalism,’ I can’t think we’d be have taken very seriously,’ she says, and she laughs out loud.
As she makes me a cup of tea at the end of the interview, I see that for all her polemical opinion pieces, radio appearances and books, in person Toynbee is softly spoken, friendly and patient to explain her point of view, however unpalatable it may be for some. An icon for middle class liberals everywhere, she insists she plans to keep going for ‘as long as my editor will let me.’ Can you forgive the Cherwell for all the beastly gossip it wrote about you now, Polly?

Relief over Oxford Fashion Week success

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Oxford Fashion Week (OFW) passed off to mixed reviews following a crisis over ticket sales and controversy over expensively-priced events.

Organisers of the annual style extravaganza had massive concerns last week that the event could be in jeopardy as less than a quarter of tickets had been sold.

OFW staff members became increasingly worried after receiving an emergency Facebook message from team management leader Lucinda Fraser saying, “Right now we have less than a quarter tickets sold, so we are very much in THE SHIT! This really is CRISIS point.”

The message went on to encourage the team to sell as many tickets as possible and asked staff to post marketing tips on the group thread.

Carl Anglim, who also co-ordinates the show, downplayed the issue. Although she admitted that tensions were high in the run up to the shows, she said the message sent to OFW staff was meant to be a “motivational message.”

“We’re always apprehensive about ticket sales before events, and we have to reach a lot of team members. We wanted to sell as many tickets as possible.

“All of the previous fashion events in Oxford have been charity shows. This wasn’t for charity, so expectations were much higher.”

An OFW team member had said on Saturday that the team leaders were “pretty panicked” by the situation of ticket sales at the time.

But Carl insisted that ticket sales had subsequently improved: “The concept show sold out to the extent that we had to turn people away at the door.”

“All the seats sold out for the lingerie show, and we had people standing at the back.”

Zoe Savory, a St Peter’s student, praised the atmosphere of the concept show, “The outfits at the concept show were all very well put together, and they’d used models of all shapes and sizes. The show felt studenty, but in a way that wasn’t amateur – young and fun and edgy.

“It felt very arty, not feel completely slick and professional, but I don’t think that was the point.”

The lingerie show, however, has met with mixed reactions. One student who attended said it was “very slick, very corporate” but that the feel of it jarred with the rest of the show, “It wasn’t particularly imaginative.” But she conceded, “Lingerie is quite a difficult one to do well, because unless you’ve got really high fashion designers doing it, it won’t look worthy of being on the catwalk. They might have had a difficult time of it.”

However, some students criticised the ticket prices, with one Wadham student said, “Everyone who wants to go somewhere fancy will go to the ball instead of a fashion show. It’s too expensive.”

Katie Sunderland, the director of the swimwear and lingerie show, rejected claims that the show tickets were too costly.

She said, “I don’t think any of the shows are expensive for what you get. Mine is an extremely luxurious event, with real designers, the quality justifies the price.”

It remains to be seen how the remaining shows will go, but Anglim suggested that students often wait to buy tickets on the door. He explained, “On the morning of most of the events, we have only sold around 50% of the tickets based on online sales, but a lot of tickets sold throughout the day.”

The Harsh Reality

Jodie Harsh has a very strange sort of fame. Frequently hailed by the media as the UK’s emblem of the relentlessly self-promoting MySpace generation, she now finds herself in the luxurious position of making a living out of dressing up and going out. I’m just about to meet the ‘The Real Queen of England’ at artsy members’ club Shoreditch House, when I learn that there has been a hiccup of sorts and the location of the interview has been changed to Jodie’s flat.
The door is answered by a young man whose only seriously unusual characteristics are his lack of eyebrows and his big smile. ‘It’s me!’ he reassures. I am supplied with tea and a seat in Jodie’s airy sitting room and informed that in an hour we’re going to a party in Soho to launch a new gallery-come-concept store. Jodie Harsh isn’t enormously concerned with my 9am Restoration Literature collection, although, right now, neither am I. In her sitting room, Jodie has a selection of framed butterflies, a canvas of Che Guevara with no face and all manner of other trinkets; mementos from her climb to the top of her game.
For those in doubt, Jodie is not quite famous for being famous. She has run three London club nights (the popular, flamboyant night “Circus” being the remaining of the three), and she more than pulls her weight as a live DJ. “I tend to have about two DJ gigs a week. They can either be at a club-on a Saturday night I might DJ up North-or they can be at an event. I prefer to go out when I am also working. It’s better to go out and get paid to go out, rather than spend your own money on things!”. She is currently working on a range of remixes ‘for various people’ and other musical projects. Jodie puts on a song from the producer Larry Tee’s recent release ‘Club Badd’-‘Let’s blare it out and annoy the neighbours’. The song, ‘Agyness Deyn (feat. Jodie Harsh)’, is a witty take on Agyness Deyn and the way in which she succinctly embodies the second generation of ‘Cool Britannia’. The combination of Jodie’s comic timing and the stirring electro instrumental make for an excellent track.
I ask Jodie which music upstarts she has high hopes for. ‘Little Boots is cool,’ she replies. ‘VV Brown I think is really cool. People are into just really good music, now. I think Girls Aloud are great.’
Jodie tries to work out whether I am the first journalist to see her out of drag. Even if I am not, the experience of sitting and watching her create the public face is truly a fascinating one. The unrecognizable boy slowly morphs into a celebrity face over 46 minutes. ‘Oh my God, I’ve got green eye shadow in my nose.’ I ask what beauty tips she’d give a busy student who’s strapped for time: “To keep your make-up on, spray hairspray over your face. Gives you bad skin but fuck it, if you wanna look good when you go out! I shave my eyebrows off. I don’t think anyone at Oxford is going to want to shave their eyebrows off, though. It really is a look.’
Does anybody ever recognise the au naturel Jodie? ‘Not really. I got followed by a paparazzi once in the evening when I was with some friends, not in drag. And that ended up in The Sun and the London papers. I saw it and I was like, “Oh great. For fuck’s sake!” I wasn’t very happy because I think it’s nice for people to only see me in make-up. It adds an illusion and mystique to the character, if you like. Though I don’t think I am a character because I don’t act any differently when I am dressed up.’
There are no two ways about it, Jodie Harsh is a drag queen, but her look and lifestyle are a million miles away from the 40-year-olds lip-synching to Shirley Bassey, wearing sequin gowns in Brighton. I ask how much 21st Century, cutting-edge drag is really about female impersonation: ‘We have totally gone beyond that. I don’t look like a woman! There are attributes that might look feminine like lipstick and high shoes. But weren’t they both invented for men, anyway? What is ‘feminine’, after all? I’d say I was an exaggeration of what current society perceives as femininity. But I just wear what I like and I’d feel very weird if I had big ol’ false boobs in! I don’t wear dresses either, really. I tend not to just because I don’t feel that girly! I just feel like a boy that’s gilding the lily.’
Jodie’s cult fame is so rooted in London’s club and fashion circuit that I wonder if she would ever move to another city. ‘Yes, I could actually. I was thinking about this recently, I am probably going to stay in London for about another three years and then go to New York. London is the coolest city in the world but there’s just something about being in New York. Even if you’re just doing a touristy thing like walking into Times Square you’re like ‘Wow!’-everything is so much bigger over there! It really is a magical city.’
Jodie’s litter of A*-List friends, money-spinning ventures and innumerable public appearances might lead us to think she’s never at home but Jodie explains, ‘I can’t be out every night, like a Geldof. I think that’s just so boring. Because I have got better things to do, like hanging out with my real friends, watching DVDs or going to the theatre. Although I go to my club Circus every Friday. I am always there unless I am in a different country. I have had Circus for three years now and it’s my baby so I am quite hands-on with running it.’ But Jodie is all too aware that she needs to show her extraordinary face every once in a while: ‘You’ve got to go and get photographed to keep your profile up. For example me and Sienna Miller went to Matthew Williamson’s H&M launch on Wednesday and the week before that I went to a party for Barbie’s 50th Birthday.’
As Jodie ponders one of my sillier questions (favourite flower? ‘A buddleia’), her phone rings “That’s so our car.” On the way to Soho, Jodie speaks to Miquita Oliver about whether Lily [Allen] will be out at Circus later.
The crowd at the opening is what’s called ‘avant-garde’. Designers, club kids, editors, ‘performance artists’. Everyone has wacky clothes and connections (Kate Moss’ best friend, The Scissor Sisters’ stylist, etc.). Jodie knows nearly everyone, and absolutely everyone knows her. We stay for an hour but it’s soon time for Jodie to go on to Circus and for me, Selfridges. ‘Would you hail a cab, please?’ she asks. ‘They don’t tend to stop for me because I look a bit strange.’ We say our goodbyes and Jodie speeds off, back to Shoreditch. Somehow I don’t think that is the last I shall see of her.