Friday, May 2, 2025
Blog Page 2481

Is Medieval History Bunk?

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I don’t mind there being some medievalists around for ornamental purposes, but there is reason for the State to pay for them.” These comments, splashed across the Times Higher Education Supplement on Friday, created a furore in the academic world. Academics are usually defensive about their subject but stung them to learn that these remarks were made by the Education Secretary, Charles Clarke. It would seem that Clarke likes to create controversy in the academic circle. He has upset many students with the likely introduction of top-up fees and is set to interfere with university admissions through his proposed access regulator. However, his latest comments struck at the very heartland of academia in attacking the value of subjects that people have devoted their time (and money) to studying. Regardless of whether he was accurately quoted on Friday morning, Charles Clarke provoked an angry response, with at least one tutor branding him a “lout and a philistine”. Mark Thakkar, of Balliol College, said “Clarke, and other like-minded fools, just don’t have the minimal intellectual ability to see that their arguments apply to most, if not all, academic subjects.” Academics across the field accused Clarke of being against degrees which do not have a “clear usefulness.” The Secretary seemed to imply that some subjects have no use beyond study for study’s sake as they are unlikely to benefit modern society. “The medieval concept of a community of scholars seeking truth,” he remarked “is not in itself a justification for the state to put money into that…they don’t, in my opinion, add up to an explanation or justification for how the state provides resources for universities in the modern world.” Robert Crowe, a Classicist at Lady Margaret Hall, defended his subject, saying “Classics is influential, that is why we study the whole of the civilisation. We see ourselves in classics, we see classics in ourselves, around us in architecture, in our literature, in our politics”. Historians argue, too, that their subjects do provide valuable grounding for future careers and modern society. Dr Mark Whittow, a tutor of medieval history at St Peter’s College, said Oxford students are highly sought after organisations such as the civil service, because of the skills they have picked up. “We are increasingly moving into a world with masses of information and this makes skills of historians more important. History encourages you process large piles of information, argue with it, deploy it for analysis and interpret various forms spin. This is crucial in providing vital intellectual training which can be applied in many careers”. Clarke studied mathematics and economics at Cambridge University. He might believe these subjects to be more useful than history but Professor David Vines, who teaches economics at Balliol College, said that “both subjects are viable in the working of society because of the processes which lie beneath each”. He added that it would be impossible to study one without the other. Of course, economics does prepare students for future careers. Catherine McMillan, an economics and management student, said her subject, “uses and encourages logical thinking, and provides explanations of real world phenomena as well as methods of predicting future happenings.” However, subjects are not simply about obtaining information. Study develops the mind regardless of the content of the subject and Oxford University is keen that people should not be studying simply for their future career. Professor Vines says it is important to remind people of this, that “it is crucial to encourage students to study for pleasure and simply do what interests them.” Clarke has, of course, defended himself, saying that “I am a very strong supporter of the study history, including medieval and classical history, and I believe that the state should fund its study universities”. He also denied ever using the phrase “university medievalists”. His comments, however, will go down in history perhaps the reason he wanted discourage its study.
ARCHIVE: 3rd Week TT 2003

Watch all the Clocks

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The passing of time has always been a fascinating and troubling notion for mankind, and the thought of somehow ‘caging the minute’, to borrow from MacNeice, is inspiration enough for the endeavors of clockmakers. Horological Masterworks , running now in the Museum of the History of Science, takes us through one of the peaks of English engineering, mapping the rise of the pendulum mechanism alongside the careers of several master clock makers. The exhibition passes under four distinct headings, beginning with Prologue – domestic clocks up to about 1660 – and ending with the proud title of Perfection – the pinnacle of seventeenth century clock making. The clocks also reflect British history, their production being greatly encouraged by the restoration of the monarchy in 1660, and the patronage of the Royal Society. Although rather specialised, this is definitely a thought-provoking exhibition: we are presented with examples of clocks ranging from the more basic to the most elaborate: rugged looking ‘lantern clocks’– dented boxes of wheels and cogs held together by springs and brass rods, under the umbrella-like dome of the bell. Further on, both undersized and ostentatious grandfather clocks surround the visitor, with their etched brass faces. As the exhibition nears its end, the clocks become more elaborate, with architectural columns and gleaming silver mounts. Mirrors permit the visitor to view the insides of several clocks, and wonder at the regular rotations of tiny weights and axles. With its detail – running through the list of ‘great’ clock makers, from Fromanteel to Tompion – and several samey examples of each kind clock, this is not a general interest exhibition. And let’s be honest, clocks are just not going to be exciting until you’ve left Oxford behind and are considering soft furnishings and colour schemes. Students might also be put off the numbers of older visitors whose conversations seem to revolve around comparing their grandfather clocks to those of the exhibition, and speculating values. However, these are remarkable examples of ingenuity as well as artistry. Despite the initial clock’s warning that on this moment several samey examples of each kind clock, this is not a general interest exhibition. And let’s be honest, clocks are just not going to be exciting until you’ve left Oxford behind and are considering soft furnishings and colour schemes. Students might also be put off the numbers of older visitors whose conversations seem to revolve around comparing their grandfather clocks to those of the exhibition, and speculating values. However, these are remarkable examples of ingenuity as well as artistry.
ARCHIVE: 3rd Week TT 2003

Truth is a Fish

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Truthis a fish. So speaks the hero of Gould’s Book of Fish: A Novel in Twelve Fish (Atlantic Books, £7.99) by Richard Flanagan, a novel by name, but in reality, an extended dramatic monologue. Sent to Australia for every crime you’d care to mention, Billie Gould is given the task by the prison surgeon, one of the many certifiable characters in the novel, to paint exotic fish for the Royal Academy back home in London.
Despite being imprisoned in the Tasmanian settlement of Sarah Island, perhaps the most brutal in the whole British Empire in the first half of the nineteenth century, Gould maintains his honesty, integrity and most importantly, his sense of humour. His aim in the bleak world of beatings, rape and cells which flood every night is to paint the beauty of fish and the cruelty of men. As he writes in one of his early chapters, sorry, early fish, “I am William Buelow Gould… I tell you that I will try to show you everything, mad & cracked & bad as it was”.
It is easy to spot stylistic similarities between Gould’s Book of Fish and Peter Carey’s Oscar and Lucinda. In the descriptions of their shared homeland, both employ a nostalgic prose, the language always maintaining a poetic element (even when describing the way Gould tosses his turds at the prison warden). Likewise the use of a central metaphor around which the narrative revolves is common to both books. Carey chooses a glass church to reflect the vulnerability of the protagonist’s sense of self, one that is liable to crack at any moment while Flanagan, typically, invests something more prosaic, a blowfish for example, with a force of emotion quite unexpected.
The juxtaposition of slimy sea creatures with the beautiful notions of love, truth and freedom lends itself toward bathos, and generally the tone of this novel, which breezes through racism, politics, and technological progress, maintains an objective distance through facetiousness.
The humour, which ranges from the scatological to the satirical to the surreal (I wonder if the author’s mother liked the book’s dedication to her- “My mother is a fish”) is as integral to the style as is the use of Dickensian language and characterisation.
Behind the humour, however, one finds a novel of great merit and depth, constructed in the most poetic language, and not at all about fish.
ARCHIVE: 3rd Week TT 2003

Toilet Humour

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I love that even at Oxford people graffiti the walls. Perhaps this is worthy of further exploration?” (Bodleian Women Readers’ Cloakroom.) This throwaway toilet wall comment became my mission this week. Do the Bod readers, supposedly some of the most intelligent people in the country, produce a uniquely high flown genre of graffiti? One girl in the Rad Cam seems to think so: “Goodness, this is the writing on the wall. How exciting! But what educated, sarcastic little comments.

Let me bring down the tone. TK woz ere. 27/1/02” These scribbles are often a welcome entertainment. There’s this from the Rad Cam Men’s: I don’t need a poo Or penile dribbles, I only come down here To read the scribbles. An American paper on Graffiti in the Athenian Agora concludes that “one of the earliest uses to which the art of writing was put, along with alphabetic exercises and marks of ownership was sexual insult and obscenity.” E.g: Festus hic fuituit cum Sodalibus – Here Festus made it with Sodalibus. (Pompeii AD 79) Not much has changed.

One girl enquires if anyone has ever shagged in the Rad Cam: “University Parks and St Aldate’s Church are my records,” she boasts. A potent insult elsewhere exclaims: “YOU’RE ALL DICKS AND I WISH I HAD ONE!” She is put in her place by two comebacks: “Penis envy???” and then “Woah love, get some counselling.” The girls tend to be more conversational than the boys, and a common theme of these conversations is relationships.

Two different cubicles ask the same question: “Where are all the fit men?” The question gets a variety of responses – the conclusion is that they’re all either gay or have girlfriends. A possible solution? “They should have a society for straight men so we know where to find the minority group…!” One lone voice disputes this: “No, you’re not looking hard enough. I have an extremely fit boyfriend (smug grin) and there’s plenty more where he came from.” However, this is hardly a problem unique to Oxford. Recorded in a collection of Totally Tasteless Graffiti collected by Dr Hugh Mungus (actually filed as pornographic in the Bod stack filing system) are the words “These toilets remind me of all the men I meet – they’re either engaged or full of shit.” An alternative solution is proposed when one girl asks: “Why are relationships always so complicated? All I want is a nice boyfriend… is that too much to ask?” “Get a girl. They’re so much nicer.” This is nothing new. Around 1720, someone scrawled the observation on a window of Manwaring’s Coffee House, Fleet St, London: If kisses were the only joys in bed Then women would with one another wed. Sexual matters are approached in a less discursive, more ‘poetic’ way in the Men’s, where limericks abound: I once know a girl from Nantucket, With a cunt the size of a bucket. On safari one day, She went the wrong way And an elephant decided to suck it.

These are also unoriginal. Similar poems have been recorded in Boston, Massachusetts: A Canadian lady, Anne Tunney, Had a habit you may think quite Funny She would roll up a buck In her snatch ere she’d fuck So her husband would come into money.” And from Hull University: “There was a young scholar from Brighton Who remarked to a tart ‘You’re a tight ‘un’ She replied, ‘Pon my soul You’re in the wrong ’ole, There’s oodles of room in the right ’un. Of course some graffiti is just obscene.

The Rad Cam Men’s has the delightful dictionary definition: to crank – to wank and crap simultaneously, hence the name. In the Ladies’ we find the bizarre comment: “People who wipe their faeces on toilet walls are very very weird.” Shit is often, predictably, the topic of ‘latrinalia,’ as one graffiti scholar (yes they exist) put it. Oxford does not have the monopoly on obscenity, either, as demonstrated by the following piece of advice found in 1980s Lincoln (the town): “If you wrap sellotape round hamsters, they won’t split when you fuck them.”

The Rad Cam is not without its assignations: “Jonny does cock on Wednesdays at 11.” This is a common theme in Men’s toilets worldwide – a comic example being “I am 10 1⁄2” long and 3” wide.” Response: “Interested. How big is your prick?” The funniest bit of graffiti I found was in the Bodleian Women Readers Cloakroom.

An arrow pointing to the door stop behind the door asks “What is this?” In answer: “It’s a wall phallus enabling the wall to copulate with other walls and hence produce baby walls. Or a hybrid of wall and door – a new species will be produced.” “It’s a f****ing DOOR STOP!” someone else points out. The graffiti also includes references to the academic side of Oxford life.

The girls who complain about the rigours: large purple letters scream: “Aargh – I’m a second year, it’s xmas vac and I’m the Bod – WHY!!” Another snipe: “I bet exams were invented by a bloke,” followed by “bet he was single.” In the Men’s someone has written on a loo-roll dispenser, with arrow to the paper: “Classics degrees, please take one.”

However, as early as 1979, an almost identical joke is to be found at York University: “Sociology degrees, please take one.” Some truths of Bodleian life are clearly delineated however: “If you want fun go to the circus, the Bod is for studying… and convincing yourself that random undergraduates are actually attractive to look out of sheer boredom.” And if that fails: “Read The Erotic Arts by Peter Webb upstairs (in the top floor Art Section)… you will not be bored. ABM.”

In 1979 one graffiti covered wall in the Bodleian read: “This wall has been designated MS Bodl. 10000 and will shortly be taken away for binding.” However, this reminds that these scrawls are lost with every new paint job. Current concerns will be lost forever. On that note, I shall circulate what, from the size of its lettering, seems urgent question: “Does anyone know Azim Nooerami from New?” (Rad Cam Women’s Loos) Answers on a postcard please…

ARCHIVE: 3rd Week TT 2003

John Evelyn

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William Straw (New College) and the rest of the Dead End Kids (Westgate Centre) turned up at Pressie Drinks last week, offending all with their awful sense of dress and ridiculously tight trousers. Straw demonstrated his bohemian flaunting of bourgoise formalities by rolling up in what is described to Evelyn as “a hoody and jeans”. Straw’s egalitarian ethic was no mere affectation, and the unlucky boy was caught leaving with four bottles of wine up his jumper, no doubt intending to redistribute it to the poor and needy. But who? Perhaps Barry (Satan), who is barred for micturating the Union flowerbeds. Vampire ‘Willem’ Marx (Ladyboy Margaret Hall) is back on the prowl after break-up. He was sighted on Monday night in Po Na Na’s with with an arm around number of young strumpets. It seemed uncertain who might be the chosen victim. Marx has even drafted list of names from which draw blood. Evelyn was privileged enough to see this although is unable divulge any details. Your diarist can however report that Count Dracula was seen leaving with young rower named Ben Malcolm (Queeble), reportedly after a deal was struck involving the exchange rowing tips for sex. And to complete this week’s Union-heavy diary, a picture of Eddie (Frankie Howard) in a toga and collared shirt. Surely some mistake?
ARCHIVE: 3rd Week TT 2003

Living the High Life

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Smalltown America is not a pretty sight. For the most part the towns are modern yet faded and characterless with minimal allure, unless of course you like spending time in Hicksville which boasts only two rusty gas pumps, a trailer park and the “World’s Largest Eggplant”. These places are better left alone and in any case can be well enough appreciated from the window of a Greyhound bus or Amtrak train as it sweeps (or more accurately trundles) between the major cities. And it is the major cities which demand to be seen and appreciated, especially those on the East Coast. On my first return to New York, I slept with the hotel window open so I could hear the car horns, the groups of drunken students and the shouts of the van drivers making their 3am delivery to the pizza place below the hotel. I was determined to see more. Starting in Boston this time, I found that many Americans, especially New Yorkers, seem to hate it, apparently because of some kind of baseball rivalry. However, I enjoyed the city and found it easy to walk around. The high concentration of colleges and universities also makes Boston a young, trendy student town, though by no means cheap. Just across the Charles River lies Cambridge, home of Harvard’s beautiful, sprawling campus – the oldest university in America. I spent a pleasant day there, out of the big city, fantasizing about studying there. I regretted not being able to meet more Bostonians when I was there, my youth hostel being full of other Brits. I did meet one though: an expunk- rocker called John, who drank tea with me and told me about his divorce and “Baby” (his ferret) who keeps him company. On my fourth day, I jumped on bus and jumped off four hours later in the middle of Manhattan. Manhattan is the centre of perhaps the most exciting city in the world. Sure NYC has its fair share of dirt, strange smells and crazy people: before I went there, I was under the impression that I must on no account make eye contact with anyone, use the subway or set foot Central Park. Ever. Once there, however, I realised that it was no more dangerous than London and as for crazy people, we’re all used that in Oxford. Even Harlem’s ok you visit it during daylight. But if you take the Staten Island ferry, don’t bother getting off at the other end. My friend and I made this mistake two years back and ended up having a drink with a couple of gangsters a bar complete with bullet hole riddled windows. In a strange way, I think sightseeing in NYC is rather a waste of the city. New York isn’t the Empire State Building or the Statue of Liberty; it’s the whole of Manhattan and the different districts with their individual character, smells and atmosphere. The best way to see the city is on foot; walking down the man-made ravines of 5th Avenue or Broadway is one spectacular experience. In Times Square, which where much of the excitement of Manhattan is concentrated, I had wonderful feeling of anonymity. Imagine a massive version of Piccadilly Circus, stretching out in every direction – so crowded and busy that even with a map, a compass and a GPS unit, you would still feel lost. Philadelphia, my next destination, was a shock after the twenty four hour madness of NYC. There were far fewer sketchy characters on the streets and it was calmer and more conservative city. Museums and shops close earlier (and are often closed on Mondays) and the stylish, bohemian character which permeates places like the Village in New York and Camden Town in London, is confined to few blocks on the mildly curious and trendy South Street. Here you can buy your obligatory Philly cheese steak and then spend the rest of the day regretting it. I found it appropriate to see Philadelphia after Boston because their dual roles in the events leading to American Independence. Unfortunately, though, many of the buildings which were in the Historic Area were pulled down before the Americans began to treasure and preserve anything historic. Among those demolished was Benjamin Franklin’s house, but the site now has an underground museum dedicated to this extraordinary printer, diplomat and inventor of, amongst other things, the lightning rod and bizarre instrument called the armonica, based on glasses filled with different amounts of water, sounding at different pitches. There is however, only so much city life I can take – I think the hours I spent in art galleries Boston one afternoon, including hour and a half just to find an exit from the Museum of Fine Arts, almost did me in. By the time I had seen as much of these cities as possible and absorbed culture until I was saturated, I needed small town America, where there’s nothing do but eat pancakes, drink Sam Adams beer and fight off the evangelical rednecks. Destination: Virginia.
ARCHIVE: 3rd Week TT 2003

Food

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I’m in Oxford’s stuffiest taxi shouting apologies into my mobile. The driver is plodding along smoking interminable cigarillos, insisting on the windows being up, and asking me for the third time the name of the restaurant. I am sweating in the heat, I have just bought a new jumper I don’t like, I don’t know anything about the essay on narratology I have to do, and to cap it all I have to go to Summertown just to get a bite of lunch. But it’s the slap-spanking kind of day that demands, once I finally sit down and apologise again to my blonde companion and her daughter, a Manhattan before the starters. This arrives in a brimming glass sloshing a lonesome shred of lemon peel about, and doesn’t taste of very much except dulled booze. Our waiter forgets to take our menus once we’ve ordered, brings sparkling instead of still, and doesn’t understand what ‘blue’ means as an order for steak, but at least we’re on the terrace and in the sunshine. “If you’re reviewing this place you and I should share their mixed specialty starter plate for two,” suggests Blonde (her daughter isn’t eating due to GCSE stress but enjoys a packet of millions as we do). When this comes it is at best forgettable: bit of humous, some kind of salsa dip, pitta bread that goes cardboardy too quickly, an over-spiced sauce with crumbly mince, and a shredded iceberg and onion salad in the middle. My tuna steak, which is not rare despite specifically being advertised as such in the menu, comes in a watery ratatouille which overcomes its own delicate flavour. Blonde’s steak is clearly not a sirloin as the menu promised. On inspection it is probably a fore rib or classic French entrecôte, but the kitchen failing to notice this difference, or worse, to fob us off with an inferior cut, simply won’t do. Still, nice to be in the sunshine. Oliver JP Thring
ARCHIVE: 3rd Week TT 2003

Three Goats Heads

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The Three Goat’s Heads is the kind of pub that you only get in city centres. First impressions are that it is a joyless, characterless pub, staffed by disinterested graduate students and other ingrates, with bizarrely obscure (but not in a good way) range of beers.
It’s a poky little venue on two floors, right next to the Union’s St Michael’s Street entrance, but it isn’t pokey in a charming way. The decor is unpleasant and the music is usually the esoteric taste of whoever is behind the bar (get there on a Friday afternoon for driller bass and techno).
Why bother going then? George Street and its environs are riddled with similar pointless boozers. But it does have several redeeming features that saw it rocket from, “F**king awful, worse than the Cock and Camel,” to a coveted, “Ten pints out of ten!” rating during one night on the sauce.
First, it’s tiny and there are two bars, so getting served takes about fifteen seconds. Second, it’s miraculously free of twats. With it being so close to some of Oxford’s worst pubs and, more worryingly, the Union, we feared a particularly noxious clientele, but we were greeted by cheery locals and inoffensive students.
And crucially, they sell Ayingerbrau Pils, aka Magic Beer. Magic Beer is called Magic Beer because it has magical powers. Nominally it’s a strong pilsner, but we started to feel strangely pissed after the first pint. We were headed for a party at the naval mess, and after three pints we were sufficiently armed to make one hell of a mess. Rumours that people have drunk over five pints of this stuff are nothing short of lies.
“That’s got some funky shit in it,” said Pat, swearing needlessly. “It’s petrol and mescaline,” explained Texas.
Pat T Cake and The Boy Texas
ARCHIVE: 3rd Week TT 2003

On the Town

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I’m on the town every night. If you see me, wave. I’ll be at the back, looking forward to my beloved Saints being whipped barearsed and bloody in the Cup Final, James “Beattie” Beattie in particular playing like he couldn’t score in a Somerville bop. I’m taking Lucy on holiday. She comes from somewhere remote and limp in the North (I don’t mean St Hugh’s), and she’s always going on about wanting to go somewhere “exotic”. Normally I’d ignore her, but I’m quite fond of Lucy. Last week I even managed to stand going to the Zodiac and watching a sub-menstrual goth band with her. All girls wearing dark red lipstick and looking like they’ve been dead in the water for three days, singing songs about self-mutilation, bulimia and dull boys who wear eyeliner. Lucy says she “likes” them. So we’re going on holiday. Apparently, it was either that or go to a pub in Shoreditch that doesn’t serve Wifebeater and see a lesbian fringe theatre group perform radical reinterpretations of Andrew Lloyd Webber musicals. I don’t think I can stand watching Josephine and Her Amazing Technicolour Menses (“You’ll Never Eat Again!” – The Guardian), so I’m bowing to Lucy’s little puppy voice and taking her somewhere “exotic”. I thought about Venice or Madrid, but I’ve blown all my money on Marlboro Lights, toothpaste and lubricant. So we’re going to Yarmouth Pleasure Beach. Yarmouth Pleasure Beach is kind of like EuroDisney, but shit and in Norfolk, with porky pissed inbreds wandering around instead of the cute cartoon characters we all know and love. We go on the roller-coaster made out of bits of wood washed up from the sea, and eat some sweets made out of sugar-covered cardboard. We are having fun. Lucy wants to find what she calls the “scene” in Yarmouth. I’m dubious, but she drags me into a hangout called Sally’s Seaside Café. A groovy place. The clientele are old, the woman behind the counter looks like Steve Ogrizovic, and the tunes are definitely old-skool. Robson and Jerome. I try and rake some lines out on the red and white tablecloth, but it’s a dead end. Later, we walk to the beach. It would be nice (or at least diverting) to have sex in the dunes, but all the dunes have been removed from Yarmouth by the Government in an attempt to encourage flooding. I contemplate a quickie crouched behind the effluent pipe by the pier, but it’s the wrong vibe. We find an unlocked beach hut. I lie on my front, flicking through the Ultravox Annual 1983. Lucy is sitting naked on my back, massaging my shoulders lightly with vanilla icecream and occasionally offering me Moët. I realise there is something missing from my life.
ARCHIVE: 3rd Week TT 2003

Undergraduates Anonymous

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Everyone has an addiction. There are little things that if we didn’t do everyday, would leave us with an uncomfortable feeling, a withdrawal symptom of sorts. Some people go jogging or take a trip to the gym, some go shopping for clothes, others tidy their room. I, for one, cannot communicate with the Englishspeaking world in the morning without a cup of tea and a cigarette. And feel mildly perturbed at the possibility that my Frank Zappa collection has not been placed in some sort of order: be it chronological, biographical, or more recently, by colour. But there is no long term problem with my making sure that the shift from the light green of Joe’s Garage, to the midnight blue of Zoot Allures, is a smooth one. Though for someone who has a significant addiction, long term suffering is the result of dependance on short term benefits. Alcohol, gambling, sex, drugs or eating, which to the majority of people are normal elements of life, are used by addicts to cope with feelings or situations which are otherwise too difficult to endure. Stressful environments are a nightmare to people with such problems. Places like Oxford, where living + here = stress, have the effect of accelerating initial use as a crutch, to abuse, the point at which people find themselves suffering from one of life’s most crippling diseases: addiction. So why isn’t addiction a more commonplace aspect of life here? Oxford has to be one of the worst places for any addict or potential addict to be. Like any university, it is a place where initially no one knows your name – you can become invisible. Coupled with the fact that it’s about four times as hard to succeed here, you will find addicts vanishing before your eyes. One of the essential problems is that Oxford relies on addictive tendencies. Addiction to your degree is the goal. Tutors often stress breaks as an important element to study, but if I was compelled to do an hour’s work before breakfast every morning, life would be so much easier. What happens though, when failure to succeed, social stresses or the general burden of life here, cause you to drink before breakfast, get caned, or miss breakfast altogether and go to the bookies instead? The camouflage of an addiction is made more effective in a university: out of a group of drunk students, how can an outsider, let alone the students themselves, tell the difference between someone who drinking compulsively, and someone who, like most students, just drinks too much Alcoholics Anonymous has twelve questions for young people with worries about alcoholism. If you answer yes one of them, then there is a possibility that you may have a problem you need to address. I’m not alcoholic, but I answered yes seven of the twelve questions. Addictions in Oxford, especially alcohol, can become dangerously swallowed up in ‘student life’. I’ve had to ask questions about my own drinking from time to time, just assure myself that my behaviour that of a typical student, and not an alcoholic. It would help if problems with addiction received more exposure. Unfortunately, most of the coverage they receive is based around celebrities who have addictions, go to The Priory for treatment, or lose the cartillage in their noses from cocaine abuse. For people in the limelight addiction is a tough thing to hide. Alex Higgins sitting at the Embassy World Snooker Championship, weeping into his vodka and orange as people politely made their way out, is a heartbreaking piece of footage. But for many hundreds of thousands of people, there is no camera watching. Universities are not only ideal places to gain a habit, but can also serve to hide them. By the time an addiction becomes so advanced that it can no longer dwell unnoticed under the disguise of ‘student life’, it is too late to simply make lifestyle changes. We need to be acutely aware of the fact that Oxford is an environment which not only lends itself to an addictive lifestyle, but is a place which can merge the distinctions between normality and the chaos of addiction. This clouding of boundaries means that almost unnoticed, people can find themselves in the situation where chaos reigns supreme. Facilities for managing addiction go about as far as the Anonymous groups. OUSU does organise workshops, but unless you’re a JCR Welfare Officer you won’t know about them. To any recovering addict who regularly attends an Anonymous meeting, they owe not only their abstinence to the group, but their life. An Anonymous Group is simply a fellowship of men and women who have joined together to do something about their own addiction. They are based on a self help recovery programme, built around the twelve steps that have been in place for over sixty years. As any Anonymous Group’s literature will tell you, the greatest importance of the twelve steps “lies in the fact that they work”. A Gamblers Anonymous meeting started in Oxford two weeks ago, AA groups run here every day of the week, there are five NA meetings in Oxford and also an SA meeting. If your life has become unmanageable due to addiction, help is at hand. The first of the revered twelve steps of the anonymous programme is this: “we admitted we were powerless over addiction – that our lives had become unmanageable”. How many people feel, at this moment in time, that their life is “unmanageable”? I’d be surprised if anyone studying at Oxford said that their life was ever fully manageable. It is when we cannot manage life, when the level of stress outweighs mechanisms for coping with stress, that we fall apart. The likelihood is that often these coping mechanisms are frequently destructive and addictive, it is woefully apparent that we need to be on our guard. To get in touch with your nearest Anonymous Group meeting, ring the respective national 24hr helpline, who will put you straight through to your region. Gamblers Anonymous 08700 50 88 80 Sexaholics Anonymous 07000 725 463 Narcotics Anonymous 0207 7300009 Alcoholics Anonymous 0845 769 7555.
ARCHIVE: 3rd Week TT 2003