Owlets, Corpus Christi College’s drama society, has existed since the 18th century. Until COVID, Owlets was incredibly active, producing regular shows both in Oxford and at the Edinburgh Festival Fringe. Cherwell sat down with Clara Woodhouse, Owlets President, to discuss their resurgence.
“[Owlets was] properly big scale. Then, lockdown happened and kind of nerfed it,” says Clara.
Cherwell’s online archive holds two positive reviews of pre-COVID Owlets productions. Shakespeare’s As You Like It was directed by John Retallack and Renata Allen back in 2017. A playful, original satire, for legal reasons titled Redacted Arachnid, was put on in 2019. Redacted Arachnid was described by the reviewer as “one of the most enjoyable things I’ve watched all year.”
Post-COVID, Owlets was no longer producing its own shows, let alone staging original scripts. It did, however, continue to fund external productions, such as Analogia Productions’ Suddenly Last Summer in Trinity 2025. Clara’s predecessor, Logan Allen, told Cherwell: “after lockdown, the society seemed to slump […] it never waved the Owlets’ banner.”
Owlets made its “re-debut”, to borrow Clara’s words, in Trinity term 2025: a production of Euripides’ The Bacchae, with Logan Allen at the helm as President. Inevitably, with an inexperienced team attempting to resuscitate the poor dying Owl(et), there were some… hiccups. Saul Kesteven, actor and Owlets Treasurer between 2024 and 2025, calls the final result “an accidental comedy.”
“We had last minute substitutions, cast members dropping out the day before […] all sorts of technical and logistical issues which we didn’t have the experience to predict,” says Saul. “Originally, I was not intending to take an acting role [but] I ended up filling in the roles of Tiresias and a member of the chorus, something which I ended up enjoying immensely.”
“The Bacchae was… something,” says Logan. “Very much our first pancake. It still did well financially, but we were all going in blind. It was a key learning experience for the whole committee and a starting point for what can hopefully be a revival of Owlets. [As President,] I wanted to reignite Owlets as a uni-wide drama name.”
After The Bacchae, it seemed like the revival might be over before it really began. “It seemed like Owlets was going to fall flat on its face moments into us bringing it back,” Saul explains. “Many of us on [the] committee were set on dropping it as soon as The Bacchae was done.”
Instead, realising they “actually had a lot of fun”, the team committed to another production in the new academic year. In MT25, Owlets put on Shakespeare’s Richard III. “We’d already been through the fires of a fairly poor production and come out stronger for it,” Saul recalls. “We also had a variety of more experienced cast and crew members, including Clara [director of Richard III], who were an immense help.”
For Logan, who played Richard, there were still some challenges. The big problem? “The lines, mainly. I was definitely overconfident,” he recalls. “Our dress rehearsal was awful.” Regardless, Richard III brought a fresh energy to Owlets. “It set a precedent for what Owlets can do on a relatively small budget, and [it used] a majority Corpus cast, many of whom had not acted before or only had little experience.”
One such Corpuscle was Nicko Lawrence. The first-year Classics student played Edward IV, and described how responsive Owlets was to scheduling demands: “The team involved in the production was incredibly flexible concerning the demands of our degrees.”
Owlets isn’t just for Corpus students: Clara highlights that anyone can audition for Owlets productions. Plus, a recent change in the constitution has meant that now only 50% of the committee must be Corpuscles.
In Trinity term 2026, Owlets will put on Tennessee Williams’ The Magic Tower. Clara describes “the disconnect” between the “dreamland escape” of Jim and Linda compared to their actual experience of abject poverty. “We’ve got a good vision,” she teases. “I want to keep tackling new things. We’ve done a Greek tragedy. We’ve done Shakespeare.” Owlets is keen not to get into a rut, so it seems.
When it comes to advice for anyone keen to get involved but unsure where to start, Clara says it’s about putting yourself out there even when it’s scary. “Just get involved and get applying for things,” she says. Describing the first time she applied for a crew role, she recalls: “I was so nervous. But everyone was so happy to help.” Corpus Christi students are offered more specific advice: “For Corpuscles, literally just send me a DM.”
On the future of Owlets, Clara sees things as a lot less bleak than post-Bacchae. “Everyone is quite keen for Owlets to be revived,” says Clara. Interest has been registered by Corpus alumni, who have fond memories of watching and performing in Owlets productions. “It comes with a lot of pressure. It’s [all] these years of history and it’s sat,” she puts her hands on her shoulders. “Here.”
Clara might be nervous, but it appears that Corpuscles have full faith in her. “I’m really excited to see what Clara and her new committee have planned,” says Saul. “It is likely that the next Owlets production takes a completely different approach, which I am very excited to see.”
Logan describes the Owlets’ ethos as one which balances quality with fun. “[It’s] a student drama group that is enjoyable and [puts] on developing productions whilst not taking itself too seriously all the time.” Logan embodied this as Richard during Richard III. As closing-night audience members may recall, Logan once improvised a shirtless fight scene. “We want to put on good, enjoyable productions, whilst also not expecting everything to be perfect […] there’s a playfulness in what we put on. They’re often passion projects for the committee.”
Logan’s goal as President was to build a new foundation for Owlets, centred around the Corpus community. “I think a lot of my time was, hopefully, setting a groundwork that can take Owlets into a positive direction,” says Logan.
On his successor, he’s nothing but lauding. Clara joined Owlets as Secretary in Hilary term 2025, but immediately became a standout contributor. “She had already worked on productions with OUDs before and her experience was incredibly helpful,” Logan explained. “I have no doubt she will bring success to [Owlets].”

