Saturday, May 10, 2025
Blog Page 358

In Contempt of Court: from Death Row to Guantanamo

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CW: Criminal justice, systemic racism, capital punishment, sexual references.

“What is the most despicable thing you’ve ever done, that you’re most ashamed of?”

“I’m not telling you,” I respond with a smirk.

“But you’ve got it in your mind?”

“Yes.”

“Okay. Now, the interesting thing about Zoom, Jonathan, is that I can see into your heart, and I’m going to tell you what you’re thinking. What you’re thinking is not a criminal offence. It’s just a really nasty betrayal you did to someone you love that was really painful for them.” He’s right. “Now, I’d like you to answer this question: what’s the worst criminal offence that’s ever been done to you?”  

I tell him a story, laughing, about a time I was punched by a drunk teenager on a night out, hurling thoughtless abuse in every direction.

“And so that’s a criminal offence for which he could go to prison. If he was in Alabama- if you did that twice – life without parole. So – if you put in the balance the harm that you did by your non-criminal, nasty act that we don’t tell your readers about because they’ll all despise you, versus the harm that was done to you by the criminal act, which is worse?”

I’d have liked to say the assault, but I really couldn’t justify it. I’d just been laughing about it, after all.

“Of course it’s yours. It’s far worse. The little punch you took is nothing. So, the question you have to ask yourself in the context of what we call criminal justice, is why you and I are not in prison?” Feeling attacked and exposed, I fudge an answer, stumbling through a sentence about ‘the law.’ “There is no reason,” I eventually come to say. “No rational reason,” he agrees, victorious.

Clive Stafford Smith has dedicated his life to fighting for those subjected to the brutality of the law, especially in countries which retain the right to execute. Though born in Cambridgeshire, he trained as an attorney in America during the eighties. By 2002, he had helped win all but six of the three hundred or so capital appeals he’d worked on. In one three-year period, he managed to fully exonerate 126 of the 171 convicts he defended. In “75% of cases they had the wrong guy, and that’s assuming they got the right guy in the other 25%,” he tells me.

He has also represented eighty Guantanamo Bay detainees. The U.S. prison camp remains open today, holding forty men who have never seen trial.

He went on to become co-founder of Reprieve, an NGO which uncovers and investigates human rights abuses, and challenges them in the courtroom.

Our conversation comes as the Trump administration executes more people at a federal level than at any time since 1896. He tells me about the administration’s now-fulfilled desire to see Lisa Montgomery executed, despite a “litany of mental health disorders stretching pages,” and how, the day before our interview, 20% of death row inmates had tested positive for COVID-19. This happened after the court denied her lawyers’ request for a stay-of-execution, fearing exposure to the virus themselves. Inevitably, they went on to catch the disease.

The judicial system, he believes, is broken at all levels. “It’s a frightening thing to deal with the US Supreme Court … they are just mean-spirited people. Even the liberals – they’re so out of touch with the real world.” Later, he tells me that he’s been put on trial for contempt of court several times. “I’ve always been acquitted. But I sometimes think that perhaps I should just admit that I am pretty contemptuous of the way they deal with human beings, because I don’t think they live on the same planet as the people I represent.”

Stafford Smith’s career had an unconventional beginning, motivated by a deep suspicion of the establishment, and a belief that those with privilege should help those without. “One of the highlights of my life was telling this tweed-jacketed twit at Clare College, Cambridge, that I didn’t want to go to Cambridge to study Natural Sciences. And he said: ‘Oh, that’s the worst decision you’ll ever make in your life, my boy.’ And I said – ‘I bet it’s not.’”

Then, as an “arrogant, stupid, young, privileged English person” he went to America to write a book about capital punishment. “It will never see the light of day because it’s such juvenile rubbish, but in doing it I met all these people on death row. And I discovered that in the richest country on Earth, they don’t have lawyers. And even I could see that it was potentially more useful to them to have a lawyer than to have me write some piece of shit about the death penalty. So, I went off to law school to get a law degree, so I could go and help.”

One of his first cases is documented in the film Fourteen Days in May, which follows the final few days before the execution of Edward Earl Johnson, whose guilt has since been widely contested. “I was 27. I knew nothing. And I’m representing Edward, who’s 27, too. It’s one thing that I’ll take with me to my grave, but if I knew then what I know now he’d be alive. And he’d be free. I don’t beat myself up too much about that, because he actually didn’t have any alternative… It’s a horrible condemnation of a system that all of those brilliant people from Columbia were going off to represent corporate law firms, and the people whose lives were at stake had to put up with someone like me.”

I ask about the roots of our attitudes to criminality – why humans have, in countless societies, allowed justice to be guided by contempt, and coloured by cruelty. “It really is the elevation of us over the other. That, somehow, we feel that if there’s someone that we disparage as being so subhuman, that we should put them on an altar, and ritually sacrifice them to some god of deterrence – that somehow, that makes us better people.”

He also blames a corrupt political class. “They say we’ve got a problem with crime. And, you know, we’re not going to recognise that this thing we call crime is rooted in lack of educational opportunity, lack of funding, disparities in society, drugs, guns, all these things, that would actually be quite complicated to change. And instead, we say, well, it’s just a bunch of young black men who are terrorising our society, so let’s kill them. And, you know, that’s not just disgusting. It is obviously just a lie. And a racist lie and a pernicious one as well.”

He gives no more shocking an example of the corruption which has worked its way through the system than when discussing Crime Stoppers (Crimestoppers in the UK) tips. The organisation gives people the opportunity to anonymously provide information, and anonymously receive rewards if their tip leads to arrest. He discusses the case of the now-exonerated Shareef Cousin, a sixteen-year old on death row.

“The Crime Stoppers tip that tipped he’d done the crime said Shareef Cousin was 5ft3 113lbs. And I’m sitting next to him and he’s 5ft11 and 170lbs. And I’m wondering – where did they get this bullshit from? And then I look in the police file, and he’d only ever been arrested once, aged twelve, for the heinous crime of CINS – child in need of supervision. And on the police report it said 5ft3 113lbs so, you know, a little lightbulb goes off and I say – ‘well I think the crime-stopper tip came from someone who had that police report…’ So I went to do what any person should ever do – and I’m revealing a trade secret here if you want to solve a capital case. What you do is go and talk to the soon-to-be ex-spouse of the lead detective and you learn everything.” She confirmed his suspicions. “When there’s a murder happened, they decide which young black guy they’re going to go and arrest, and they call the Crime Stopper tip in, then they go and arrest him, then they call back and collect the cash… And that’s what they were doing in every case.”

The conversation then turns to his work with Guantanamo Bay inmates.  “When I first went down, I thought – because I was told that ‘these are the worst of the worst terrorists in the world’ – I bet we’re going to have some explaining to do.’ And I get there, and I had a hell of a time coming up with an honest to goodness terrorist. And the reason, it turned out, and it took me a while to figure this out, was that the majority of prisoners in Guantanamo had been sold for bounties.”

“In 2002, Ahmed Rabbani was turned over to the US as the notorious terrorist ‘Hassan Ghul.’ And he insists from day one that’s he’s not Hassan Ghul, he’s a taxi driver. And they won’t believe him. So, they ship him off to the prison – they paid good money for him, right? – where they torture him in truly medieval ways. But then, in 2014, he’s still languishing in Guantanamo. The senate published their report on CIA torture and in it they corroborate everything Ahmed said, right down to the fact that he insisted he wasn’t Hassan Ghul. But what we didn’t know is that when he was in the dark prison the Americans captured [the real] Hassan Ghul and brought him to a dark prison. Now, Hassan Ghul was corroborating, by which I assume they mean he said he was Hassan Ghul. As opposed to Rabbani, who said he wasn’t. So they let Hassan Ghul go, and he returned to Pakistan where he went back to his wicked ways. And he was killed in a drone strike in 2012. In the meantime, they send Rabbani to Guantanamo where today he’s still there, after 18 years. And you know, this is just the shocking shocking reality of those places. And it becomes your job to do something about it.”

He refers to an inmate who informed, in one ninety-minute meeting, on ninety-three others. “This guy said that he was helping the Americans because he really wanted help with a little problem he had. And he needed to go to America if he snitched for them. So the interrogator in this report I’m reading says “Oh yeah, what’s that?” And the guy says, well – ‘I’ve got a really small penis. And I need to go to America to have penis enlargement surgery.’ And there’s a silence, and the informant says, ‘Would you like to look?’ And to my great relief the interrogator says, ‘No, thank you.’ And this guy was just making bullsh*t up about hundreds of prisoners because of that. And it becomes intelligence. And this same guy included one of the first mentions of Sadaam Hussein having WMDs that resulted in the Iraq War. And this is the stuff these people really believe. ‘Cause it gets put into a form that says intelligence on it, and then it gets passed up the chain, and everyone forgets that the real issue at stake here is whether this guy can get a bigger penis. And, you know, I see this every day.” He notes that much of what he knows is classified; that he has to fight to be able to tell the public about this.  

How could something like this – something so barbaric as to appear absurd – happen under the supervision of a country which so consciously fashions itself as a bastion of freedom, and international leader? “You put someone in the office doing CIA work who believes all that paranoid bullsh*t, and who genuinely believes torturing people will make the world a better place, then they’re going to believe what they get out of it because otherwise they couldn’t live with themselves.”

And he is keen to emphasise that we are little better – “I’m always resistant to is the idea that America’s somehow different from England. In many ways, England is vastly worse.” He’d rather be put on trial in Mississippi than in London, he tells me.  

It would be easy to dismiss Stafford Smith’s beliefs as fantastical – representative of his self-confessed privilege, or of a life untouched by crime and terrorism. But after our conversation, no part of me felt his beliefs existed in the abstract and were anything but born of conviction and, above all, experience.

Even when discussing the seven times he was held up at gunpoint while living in America, it is with a breezy calm, which speaks to a man who makes the same gestures of forgiveness in private as he demands of public judicial systems. “It got to the point where I knew that this arsehole is going to pull a gun on me. And I would say to him, I said: ‘Look, I’m a defence lawyer. And it looks to me like you’re gonna need me one day. Why don’t you go mug a fucking prosecutor and leave me alone?’ And I got my wallet back every time, without the money, but you know?” 

“I’ve got fascinating number of innocent clients,” he tells me, “but I don’t really like representing innocent people.” Instead, he prefers to save the guilty from a system whose brutality vastly outweighs their own. “I’ve represented four hundred people on death row. And I count among them some of my very closest friends, because of course, all of us are better than our worst fifteen minutes… Even you, Jonathan… Even me, dare I say.”

Magdalen College JCR releases statement in wake of Cayman Islands news

Magdalen College JCR has released a statement after Dinah Rose’s representation of the Cayman Islands in a case regarding gay marriage. The JCR has confirmed that they “unreservedly and unconditionally supports the rights of LGBTQ+ people in the Cayman Islands and around the world, including the right to marriage” and are looking into ways to show this support. They also stated that they recognised the “importance of legal representation for all”. As a result, the JCR has rejected any calls for Rose to resign as President.

The statement follows a JCR meeting which was held on the 31st of January. The meeting lasted approximately four hours and over 120 people were present at the meeting’s peak, although only approximately 100 of these were present for the final vote. 85% of students voted for the final motion while 11% voted against and 4% abstained.

The statement can be read below in full:

“It has recently come to light that Dinah Rose QC, President of Magdalen College, will be appearing on behalf of the government of the Cayman Islands in an upcoming case. She will represent the government’s position that their constitution does not establish a right to same-sex marriage. The unexpected disclosure of Dinah Rose QC’s involvement in this case has caused distress among students at Magdalen and the wider university, and has been a stark reminder of the distance we still need to cover to secure equal rights around the world.

On the 31st of January, a General Meeting of the Magdalen College JCR discussed this news. The JCR unreservedly and unconditionally supports the rights of LGBTQ+ people in the Cayman Islands and around the world, including the right to marriage. The JCR has resolved to look into ways through which it can support the LGBTQ+ community in the Cayman Islands and around the world, and bring these to a vote in future General Meetings.

The JCR recognises the importance of legal representation for all, a key element of which is not conflating the views of lawyers with those of their clients. This is a fundamental principle of justice which the JCR firmly supports. It therefore rejects calls for Dinah Rose QC to resign from her position as President.

The JCR understands that the coverage of this incident in the Oxford, national and global press has caused significant distress and concern to many students at Magdalen, including some who identify as LGBTQ+. It has resolved to work with Magdalen Staff, the MCR, the Equalities Committee, and all those involved in welfare provision at the college to support LGBTQ+ students and any others affected by these recent events.”

The JCR Committee, on behalf of Magdalen College JCR.

This meeting followed a session between Magdalen students and Dinah Rose QC. While the contents of the meeting were confidential, one student tweeted that Dinah Rose QC would “face questions from Magdalen students about the Cayman litigation. I wish her good luck, and knowledge that many students are fully behind her”.

Many leading legal commentators have issued statements of support for Dinah Rose QC after Edwin Cameron’s criticism. Edward Fitzgerald QC, who is acting on behalf of Chantelle Day and Vicki Bush in the Privy Council case in February, stated that “as a barrister, Dinah Rose QC was acting perfectly properly in accepting the brief for the attorney general in the Day and Bush case. It would be a breach of her professional duty to return it now. It is an important constitutional principle that barristers should not be identified with the clients they represent.” While Dr Leo Raznovich, has argued that Dinah Rose QC’s statement regarding the position of civil partnerships in the Cayman Islands was “misleading”, Joshua Rozenberg QC (hon) has also said: “It’s extraordinary that Dinah Rose, of all people, should be accused of supporting homophobia… Crucially, those who are now attacking the Cayman government’s legal team for acting in this case are giving comfort to those in the UK government who attack “leftie lawyers””.

Bodleian Bangers: Dame Helen Ghosh

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In the second instalment of Music’s Bodleian Bangers series, interviewing key Oxford dons and alumni about what plays into their ears, Matthew Prudham speaks to Dame Helen Ghosh, Master of Balliol College, former civil servant and former Director-General of the National Trust.

MP: So, first of all, what is the one track or song that you can’t stop listening to, at this moment?

HG: Of all the things I’ve chosen… gosh, this is such a great question! People of my age, we all go back to Desert Island Discs. I think this would be the final ‘which of this records would you choose?’ I think, I think it would be Beethoven’s Seventh Symphony, because it’s got tremendous get up and go. You can’t listen to it, and not think “right, get on with it.”

Essentially, the pandemic has been really hard work. Bizarrely hard work even for the heads of colleges, you know, with no students or few students you think we could all do nothing. In fact, it’s been it’s harder to run a college with no students in it, than with lots of students in it, I’ve discovered. The particular thing that I miss is being with students, because the real plus of the job is talking to students, getting your energy, getting ideas. You know, learning about other people’s lives. And if students aren’t there, there’s none of that fun.

MP: Could you just tell us a bit more about the reasoning behind Beethoven’s Seventh Symphony. Do you find it quite motivational?

HG: For me, it’s both motivational and sentimental. Because I first consciously heard Beethoven’s Seventh Symphony when I was a student. I was a student at St. Hugh’s reading History. I went to a concert that some of my friends were playing with the Oxford University Orchestra in the Sheldonian. It was Beethoven’s Seventh Symphony, and I was absolutely blown away by it. I think it’s perhaps one of the sort of unfashionable Beethoven Symphonies. People are supposed to like the more sort of tortured ones- and my husband who is a tremendous classical music expert and lover would always go for one of the late quartets, which are fabulous. But, in terms of you know what is so special about Beethoven, it’s that sense of “Right, come on. Pull yourself together! Get going!” Particularly in the the final movement.

MP: So you just touched on that a little bit so what next what’s your most like when you were studying at Oxford. What the music that you listen to when you were at Oxford, alongside your friends? 

HG: Yeah. Two or three things on that. So, of course, we were students in the mid 1970s (a terrible thing to say). So, really, we didn’t sit there, we couldn’t sit there with things in our ears!  

I still find it strange looking at my children who are 30 and 32. But the idea that you can seriously work with music. I can’t work.  I can’t do the two things. I don’t understand how anybody can but clearly students today can. 

So, I suppose, two things. One of my next-door neighbours, who’s still a great friend, in St. Hughs had some tapes of a wonderful pianist who died very young called Dinu Lipatti. These tapes had two things on them: he had lots of Schubert Impromptus and Chopin, various kinds of Etudes, Nocturnes and so on. We listened to a lot of those sorts of things. Remember this was tapes, there was no downloading, there was no Spotify – you just had to listen to what there was. At the same time – so I said I had some friends who were musicians -, there was a flautist in our year, and she was a member of the University Orchestra so that introduced me, by going to hear them play, to a world of classical music I had never heard; I mean, my parents had some classical music in their record collection… my mother also loved musicals. But, true access to classical music – I mean, I remember getting down to a local record shop and the first LP – again, extraordinary – that I bought, the first classical LP that I bought was was someone playing Beethoven’s Emperor Concerto and the Moonlight Sonata.

But, of course, at the same time, it was just a fabulous time for “pop” music. Yes, we listen to we were listening to the Rolling Stones – All of those great sixties bands. Even now, if you play ‘Honey-Tonk Woman’, that’s what I would get up and dance to. It could not have been a better time for partying.

MP: I think that they’re still very much enjoyed with the student population. 

HG: I’ve lived in Oxford ever since I was a student, because my husband is a fellow at St. Annes. In fact, we’ve lived in the same house in south Oxford, just south of the river for 30 odd years.  And so, we have lots of neighbours that we know, families our children have grown up with. And when we have neighbourhood parties, like On New Year’s Eve, it’s things like Elton John’s ‘Crocodile Rock’ or the Rolling Stones or ABBA. Everybody gets up – everybody of all ages, dancing. 

MP: I know one of the things that was really popular, back when we could go out and have fun long ago… there was an ABBA night,  and it was sold out every single week in Durham.

HG: Everybody knows them, and everybody can sing along. Therefore, it feels like a real, wonderful community. I know at Balliol balls they have silent discos.  What is the point of a silent disco? The whole point is all to be singing and dancing at the same thing at the same time. Very old idea, a silent disco. 

MP: What’s brilliant is when you, when you actually take off your headphones for a moment, and then you can hear everyone singing totally out of tune, totally discordant.

HG: Is everyone listening to the same song?

MP: No, because there’s usually two or three different tracks on the headphones. So, you might have some ABBA but also some of the people may be listening to some Beyoncé at the same time, while others are listening to say some Metallica. So you hear this really weird mashup

HG: That is part of the fun, I believe. I think of all the local New Year’s Eve party which of course, sadly, we haven’t been able to have. This is just somebody’s sitting room, kitchen, and lots of families dancing. And the fact is we’re all dancing to the same thing, and we’re all singing to the same thing, you know whether it’s “Dancing Queen” or the Rolling Stones, or whatever it is, Elton John’s “Crocodile Rock”. We’re all singing the same thing, and it’s just lovely.

MP: So, if you had to pick the three most important artists, or composers, in your life, are the ones that have really influenced the way that you think about music, who would you choose?

HG:  If I was thinking autobiographically, I think, about my life and what albums, what pieces of music or collections of music would I say? 

I did ballet when I was young, I didn’t learn to play a musical instrument, ballet was what I did. So, one of my picks in my choice, which I thought of for this, was the final scene from Prokofiev’s Romeo and Juliet. I would undoubtedly want a piece of ballet music because of all the pleasure I’ve had seeing it and doing it. So I’d say Prokofiev’s Romeo and Juliet, particularly the Royal Ballet version: just the most wonderful combination of music, Kenneth McMillan’s choreography, and design!

In terms of thinking of growing up… I suppose, Simon and Garfunkel, Bridge Over Troubled Water (1970). I remember my brother was quite into things like Led Zeppelin, actually Cream – that’s not quite like Led Zeppelin. When I said, “Could you give me a lift. I want to go and get this new record” – it was something like it cost something like four pounds, nineteen shillings and eleven pence, just under five pounds – “I want to just get some money out of my savings account, so I can go buy the new Simon and Garfunkel LP”. He said “What was a terrible waste of money” but actually, all of that just lives with me in many ways forever. 

For a song from that album, it’d have to be “The Only Living Boy In New York”, which I heard Paul Simon sing. I’ve never been – a terrible thing to say – to a ‘pop’ concert, ever. But I did hear Paul Simon live in one of these kinds of very middle-class things that they used to do at Cornbury in Oxfordshire. Hearing him sing “The Only Living Boy In New York”, was just fantastic because he’s been a lifetime hero – 10 years ago I heard him. 

Thinking of later in my life and my family life, I suppose, and the things I’ve enjoyed with my children and my husband, actually, you know, I probably go for some Ella Fitzgerald, her Rodgers and Hart American Songbook. (1956).

MP: I really adore her versions of the songs from Porgy and Bess. I guess they’re just amazing that you actually did with Louis Armstrong I think those are some of my favourite things to him to listen to, especially when you need something that’s relaxing. I think she just has such a soothing tone of voice and it’s fantastic.

HG: She does this scat singing – I love the way she can use her voice as a musical instrument. 

MP: So what has been the best concert that you’ve ever attended had the pleasure of attending?

HG: There’s a question of what the concept meant to you, on the one hand; and how brilliant it was as a musical event, on the other. If it’s what the concert meant to me. Actually, it would be Alfred Brendel playing in Oxford Town Hall, Schubert’s D. 959 Piano Sonata – probably other things as well. The reason that’s important to me is, in fact, my husband. I didn’t go with him I didn’t even know him then –  but I remember looking across Oxford Town Hall and seeing my husband, who was a history student in the same year, thinking “Oh, that’s interesting. Peter Ghosh is here,” you know, I knew him by sight. “Oh, he’s obviously interested in this kind of thing.” It’s probably the first time I sort of registered him at all. So that’s completely sentimental. 

For the other…we always, but clearly not this year, try to go to two or three of the BBC Proms, and we quite regularly get up to London to the Royal Festival Hall and hear pianists or string quartets or whatever they may be. I suppose, probably. I’m trying to think of a particular one. The power of hearing something like one of Mahler symphonies played live – it’s completely extraordinary. 

MP: Yes, yes, yes. I completely agree.

HG: Again, when I was a young civil servant  – so this must have been about 1979 – Peter and I went and heard Rafael Kubelík with the Bavarian Radio Symphony Orchestra play Mahler’s First Symphony. I thought it that was simply wonderful – you’ve just got to hear Mahler’s symphonies live.  

MP: So, have you had any concerts, which you had planned to attend, cancelled or postponed thanks to the pandemic?

HG: One of the great jewels in Balliol’s crown is that we have a series, you must look out for them, On Sunday evenings in term time we have four concerts, every term, which are all endowed – that means they’re completely free to the public. What we tend to do is to get up and coming musicians – sort of like BBC Radio Three Young Artists, new generation artists, whatever they’re called – to come. Our students organise it students get in touch with the players. And we had to cancel all of those in TT20. We paid all the musicians, because, you know, we knew how much musicians are struggling at this time. One of the players who would have been fabulous to hear again  – we’ve had him at Balliol before  – is a classical guitarist called Sean Shibe. Last term, we managed to fit in two [of the concerts]. One of them had a jazz quartet, called Dinosaur. 

The other artist we had was a quintet from CHINEKE! They played, amongst other things, a wonderful selection of World Music and European classical music. Part of their repertoire was Schubert’s Trout Quintet, so that was great. We’ve had to cancel people like Pavel Kolesnikov, who was supposed to be coming, and, again we paid them. We had a wonderful programme but this term, we just had to say sorry you can’t come. Here’s the money. 

Another thing we actually managed to keep going – as well as in many other colleges – was the choir. So choral music would actually remind me of pandemic; especially something like Stanford’s Beati Quorum Via. I love English choral music! 

MP: So, I’m going to try and test your knowledge of the music of the youth, so to speak. So, what artists do you think that this year’s freshers are listening to right now?

HG: So, I have the disadvantage that my children are now 30 and 32. So if you had asked me this question 10 years ago when they were both students, I would have been able to answer it. The other problem I think parents have now is that, of course, the music doesn’t fill the house, you could be driving somewhere, and they’ve got their earphones in. You want to listen and you want all singing along which is also a lovely thing to do in the car. 

Are they listening to people like Robyn? It depends what kind of thing. I mean I think what’s amazing is just how broad people’s tastes are now. People can listen to sort of cheerful people like Taylor Swift, Robyn’s quite cheerful…  and then of course, there are all of these just amazing musicians – whether it’s what I think is rap or garage – I imagine people listened to quite an eclectic mix. 

MP: Personally, I can go from listening to some Dua Lipa who’s been absolutely fantastic – to listening to some of the indie rock music, like Shame, that I very much enjoy. I think the availability of the streaming services has meant people have been able to just listen to whatever they want, whenever they want, which is just fantastic.

HG: Of course, the music culture now is very different and creates a sort pretend sense of community. Is there a common canon? Now, like with so much of culture, what’s the value of a common canon?  How do you weigh that against the against the wonderful opportunity of greater diversity? I mean that’s a question in every cultural person’s head. 

MP: People do try and keep up with what’s happening the charts and stuff. There’s always like the big hits playlists on any streaming service so I think people do end up listening to some of the same artists, but then people can be  listening to things back from the 70s, or 60s, or 50s, or to more diverse and obscure artists, and even things from overseas. 

HG: It’s instant gratification! I have two children, as I say. My daughter lives and works in London. My son is in fact in Oxford, an Early Career Fellow at Jesus. And so, obviously, we haven’t seen that much then but we’re consuming, and you know, we had a brief period where we were able to go for a holiday in North Yorkshire with our son. But one of the things we always do when we’re going together on a long car journey is that [her children] put together a playlist. 

I think one of the things I was going to say – this was a song that I would associate with the pandemic year is that wonderful Taylor Swift song “London Boy”. It’s sort of a very witty song that she wrote about whichever British person – Tom Hiddleston or someone – she had been going out with; I think she’s been out with a succession of British boyfriends. She puts on a bit of a cockney accent; it’s all about going to Camden Market; “Do you fancy me?”, I mean, with a joking tone. Although I think some contemporary music just takes itself too seriously, I loved that. I had no idea about Taylor Swift before but now happily have that on my Desert Island. 

MP: Yeah, I think some people are thinking that she was referencing to Gemma Collins at one point – I found that hilarious. 

HG: So I keep up to date, but not as much as I should. 

MP: So what other music reflects your experience of the pandemic over the past year? 

HG: Like everybody, I was thinking “Right, okay, lockdown, and what do I do? Self-improvement!” There are two things I tried. One of them is intellectual, which was finishing James Joyce’s Ulysses, which I had meant to do for a long time. The other was to do Couch to 5k. Although I’ve been doing a bit of running over the years and have occasionally done a 5K, it was just to get me back up to speed. I did the NHS Programme and I was so proud of myself for being able to run a 5k without stopping – unfortunately, I did it so enthusiastically I then managed to hurt my ankle so I stopped and had to start again! If you asked me “what am I proud of?”. I did Couch to 5k. Okay, so going with that for a running song I would say Tears for Fears “Everybody Wants to Rule the World” (1985). Definitely one of my pandemic songs. 

Another thing was that we find ourselves shut up with our families. And in our case, you know, my husband and I – Peter is upstairs as we speak.  I can hear his tutorials because I’m downstairs in the conservatory and he’s upstairs in his study – I mean our study! – teaching something about history.  The pandemic tests whether or not you can get on and that you’ve still got things in common. We celebrated our 40th wedding anniversary, last year, had a wonderful family holiday in India to celebrate. But it’s nice to discover actually, you can do it, and the sort of theme song for that would be. And this also reminds me of one of my favourite films When Harry Met Sally. “It Had to Be You”, the Frank Sinatra song (1980). (Sings) “For all your faults I love you still. I didn’t like these people who were cross or never crossed or try to be boss, it had to be you”… because we both think we’re always right.  So, definitely that one! 

MP: Finally, if you could sum up Oxford in a song, what song would you choose? 

HG: A song about Oxford or what Oxford means to me? 

MP: I’d say…both? 

HG: Good heavens, that’s a tough one. Do You ask everybody that question? 

MP: Yeah! 

HG: Let’s think… It’s got to be a piece of music that encompasses so many things. So, if you think of the city, it’s got to sum up beauty because it is a beautiful place. And it’s got to sum up, having some sense of the length of time. I will say to students, “one of the things that Oxford should give you is this sense that ‘Yes we live today, but there’s centuries of past and centuries of future and what we worry about or what we believe may seem very strange in a few years’ time, what we worry about will be trivial’”. So, it’s good to have a sense of time and space. Obviously, there’s learning, there’s thinking about the common good. 

It’s not a perfect choice, but how about Jessye Norman, one of Strauss’ Four Last Songs: beautiful, serious, thinking about the end of things as well as current. I’m just trying to remember what the last one is called… “Im Abendrot?” You could choose something English [like Alan Rusbridger], but it’s such an international university now. 

MP: I know ! When I am in my accommodation, I think I’m one of the only two Brits, which is absolutely brilliant. 

HG: Across the University, I think about 80% of the graduates are international, 20% UK, partly because – having seen my son go through all this – it’s so hard for UK students to get funding. Particularly for humanities – very, very difficult – which is why the University is focusing so much on raising funds for research scholarships and particularly for groups who are even more marginalised, such as UK black students. Undergraduates I think it’s about the reverse.

So, we’ve talked about Beethoven seven, we’ve talked about ballet music, and all the rest, and we’ve even talked about “Crocodile Rock” (laughs). 

MP: it’s a very eclectic mix we’ve got here so I’m sure people will be very eager to hear it! 

Listen to Dame Helen Ghosh’s ‘Bodleian Bangers’ Spotify mix @cherwellmusic. Image credits: Balliol College, Oxford.

Read, Listen, Learn: The Everchanging World of Books

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Flash forward 100 years. Surprise! People still read — just not in the same way as we do now, and we can be pretty certain that books will be around for a long time yet. The future of reading, however, is shrouded in the mysteries of new inventions and technological advancements. The way people are reading is changing. Books are not only printed on paper but available on devices as eBooks and recorded as audiobooks. Almost every book is available in various forms. Reading has never been more accessible but does that mean that people are reading more? 

Audiobooks and eBooks continue to rise in popularity, but is reading from a screen or listening to a podcast en route to the library really as beneficial as old-fashioned reading? Not only do we read books for enjoyment and escapism, but reading also improves cognitive and language skills, increases concentration and affects our emotional intelligence. In 2019, only 54% of UK adults had read a book in the past year. Despite this, eBooks and audiobooks have expanded the world of reading. eBooks fulfil the 21st century desire for instantaneous everything, with practically any book ever published just a tap away (oh, the dangers of Amazon’s ‘just one click’!). Beyond the obvious convenience, audiobooks have also captured people with engaging voices and a return to childhood ‘storytime’.  

Over the past two decades, with the emergence of eBooks and audiobooks, print has become a changing industry. While eBooks, once heralded as the future of reading, are popular, print is still king. In 2017, a survey found that 35% of respondents preferred reading from physical books, while only 5% prefer to read from digital books only. However, like many aspects of life, the pandemic caused a detrimental hit to the print market and sales plunged in the first half of 2020 by £55 million. The Guardian reported that after six straight years of a decline in eBook sales, the pandemic has resulted “with sales home and abroad up 17% to £144m in the first half.” The convenience of eBooks acted as a temporary substitute for printed books while confined within the walls of our homes, as well as a reprieve for the Amazon delivery drivers; however, for many avid readers, eBooks are not a permanent replacement. Merely Halls, managing director of the Booksellers’ Association UK, believes that this is partly due to marketing techniques. “I think the e-book bubble has burst somewhat,”, she told CNBC in 2019, “sales are flattening off, I think the physical object is very appealing. Publishers are producing incredibly gorgeous books, so the cover designs are often gorgeous, they’re beautiful objects.”

The first eBook was created when the US Declaration of Independence was digitized by Project Gutenberg in 1971, the same year that the first email was ever sent. Almost fifty years later, there are over 6 million digital books available on the Amazon Kindle Store alone. A click and a swipe provide instant access, but that enchanting smell of paper, a pleasing blend of coffee, wood and vanilla is irreplaceable — at least for those of us who have bought into the sentimentality of paper. While statistics show that the majority of readers have not been lured entirely into the world of electronic books, younger generations may well develop a similar attachment to eBooks. Their convenience is undeniable; portability, immediacy and interactive features such as highlighting, font size and note taking. eBooks are generally cheaper than their physical counterparts and can often be easier to read, since print publishers often reduce font sizes to cut costs. According to Planet Blue at the University of Michigan, 8,333 sheets of paper can be produced from one tree, sparking the question of whether the environmental cost of traditional publishing is worth our love for paper books.

Audiobooks are another emerging strand of publishing, beginning in the 1930s when an American foundation for the blind designed programs for blind readers termed ‘talking books.’ The word ‘audiobook’ came into use in the 1970s when records were largely replaced by cassettes. Within the hecticness of modern life, finding an opportunity to read can prove difficult, so audiobooks provide an accessible alternative. Listening to an audiobook and reading a physical book are entirely different modes of consuming information, but the benefits of both are substantial. Of course, his difference is not an exact science and as a Forbes article found “Those who prefer one medium or the other simply like the feel of a physical book or the spoken kind.” Beth Rogowsky, associate professor of education at Bloomsburg University of Pennsylvania, wrote in Time Magazine that she always “viewed [audiobooks] as cheating,” a view shared by some readers who see audiobooks as a ‘shortcut’. However, after testing these assumptions in a 2016 study, “no significant differences in comprehension between reading, listening, or reading and listening simultaneously” was found. In a New York Times Opinion Piece, Daniel T. Willingham, a cognitive scientist, also came to the conclusion that listening to an audiobook is not “cheating” but wrote that “Our richest experiences will come not from treating print and audio interchangeably, but from understanding the differences between them and figuring out how to use them to our advantage.”

Audiobooks are a performance for the ear and pair well with autobiographies. Listening to autobiographies narrated by the author can feel like a very intimate experience, and give the impression that the story being told has been written just for you, a different kind of intimacy than physically holding a book in your hands. Words themselves have the power to create such intimacy, but when they are read to you by the author themselves, describing their own life, the connection can be even more profound. Michelle Obama’s Becoming is an exceptional read in its own right, but listening to Obama narrating her own story is truly an extraordinary way to experience the book. The narrator is an important feature of audiobooks: Audible’s sampling of audiobooks allows the listener to pick and choose their preferred reader. One popular Audible narrator is Stephen Fry, whose calm, soothing voice is the perfect bedtime storyteller. However, books like Bernadine Evaristo’s Girl, Woman, Other do not lend themselves to audio. Evaristo dispenses of some of the conventions of punctuation, creating a flow which may be difficult to appreciate through the medium of sound alone. Many writers including James Frey and Ben Foster pitch themselves as their novels’ narrator. “There’s no denying that reading one’s own work can carry with it certain advantages,” stated Basil Sands, a self-published writer and actor stated in an Audible article, adding that “If it works, it is truly rewarding.” Book design is an art in itself, and for many writers page space, punctuation, and fonts are essential creative tools; for publishers, these print details are important marketing devices.

In such a hectic world, it is not surprising that some people favour a passive form of entertainment rather than reading in their downtime. For students, who spend as much time reading as they do breathing, the pleasure of reading can often be masked by heavy workloads consisting of reams of textbook notes and academic journals. Streaming services and social media are integral parts of daily life. Reading has never offered us more; an escape from the chaos and noise of the modern world. After years of leisure reading reaching all-time lows, there has been a surge in reading since the pandemic began with 35% of the world saying they were reading more. The availability of eBooks and audiobooks have made reading one of the unexpected silver linings of the pandemic. The benefits of books, whether read or listened to, cannot be underestimated, and now, we have more choice than ever of where and how we consume literature.

Image Credit: Maximilian Schönherr from Wikimedia Commons, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported2.5 Generic2.0 Generic and 1.0 Generic license.

One Thing the Trump administration got right: U.S. foreign policy on CCP

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CW: discussion of torture, genocide.

On his final day in the job as Trump’s Secretary of State, Mike Pompeo announced the findings of the US State Department’s ‘Determination on Atrocities in Xinjiang’. The key lines of Pompeo’s accompanying press release read thus:

I have determined that the PRC [People’s Republic of China], under the direction and control of the CCP [Chinese Communist Party], has committed genocide against the predominantly Muslim Uyghurs and other ethnic and religious minority groups in Xinjiang. I believe this genocide is ongoing, and that we are witnessing the systematic attempt to destroy Uyghurs by the Chinese party-state.’

The Xinjiang report came as the second punch in a diplomatic one-two, the first of which sailed in on the 9th of January when Pompeo lifted the ‘self-imposed restrictions’ on contact between US and Taiwanese officials, to a predictably incandescent Chinese response. These actions, conducted in the final weeks of the Trump era, underscored that administration’s commitment to a tough stance against the most powerful of tyrannical regimes: The CCP.

Notably, in a rare display of bi-partisan agreement, Biden’s nomination for Pompeo’s role, former Obama Deputy Secretary of State Anthony Blinken, has said that he agrees with Pompeo’s conclusions on the Xinxiang atrocities.

And atrocities they are. Over a million people are now thought to be interned in hundreds of camps across the western Chinese province. The outstanding reporting of journalists like the BBC’s John Sudworth has revealed how these institutions, in which people are held without trial, sometimes for years, are designed to strip ethnic minorities of their own heritage and replace it with party approved Han culture. The relatives of those imprisoned are given no idea of when their family members will return. Perhaps most shockingly, systematic cultural annihilation is coupled with the forced sterilisation of ethnic minority women (a programme which the Chinese embassy in the US has been brazen enough to promote on its twitter account).

The US’s response has been clear and decisive. 2020 saw Trump sign the ‘Uyghur Human Rights Policy Act’, which increased the scope for sanctions against those Chinese officials suspected of involvement in the genocide. In fact, the tenure of the Trump presidency witnessed an increasingly aggressive CCP regime attempt to assert its agenda on a global scale. From international trade, to Hong Kong and the South China Sea, the no-nonsense US response has been just what the doctor ordered.

2018 saw Trump confront the theft of intellectual property and the use of ‘forced technology transfer’ (where foreign companies are only allowed access to Chinese markets on the condition that they divulge commercial secrets) by the Chinese government, believed to cost the US between $225 billion and $600 billion annually. The hundreds of billions of dollars of trade tariffs employed by Trump in retaliation, while not beneficial to the US economy, showed here an American commitment to just trade practices, a principle the CCP has long ignored.

In reply to the CCP’s campaign to strangle democracy in Hong Kong (the latest development of which saw 53 pro-democracy activists arrested in morning raids earlier this month), the US passed the ‘Hong Kong Human Rights and Democracy Act’ (2019), opening sanctions against those government officials involved in the crackdown. In the South China Sea, where China continues to illegally construct military bases on reefs in international waters, the US has ramped up its Freedom of Navigation Patrols (FONOPs), conducting a record number in 2019, and so denying the CCP de facto ownership of a sea lane which sees 40% of the world’s trade travel through it each year.

And then there’s the CCP’s delayed reaction to COVID. Having discovered a novel coronavirus in Wuhan, instead of alerting the international community, the CCP embarked on a cover-up operation. To this day official government outlets continue to blame anyone but themselves for the international catastrophe. Ultimately, the Chinese government played a strategic blinder in 2020, achieving stunning economic and propaganda coups. China was the only major economy to report economic growth for last year, a 2.3% expansion, and while much of the rest of the world world remains locked away, the government has invited foreign journalists to gawk at busy streets and bustling markets. In one fell swoop, whether intentional or not, the CCP has stolen an economic march on its rivals, and exported the martial law it holds so dear to the rest of the world. Trump cannot be creddited for his response here, which consisted purely of diversionary and reckless racism, rhetoric that has no place in the white house or anywhere else. However, this further example of the CCP’s politiking again makes it essential that Biden continue the work of his predecessor in holding this dangerous regime to account.

By taking a firm line, the Trump administration helped expose the true nature of the Chinese government: An authoritarian-capitalist organisation which ruthlessly pursues political dissidents and exterminates ethnic minorities; complete with a president, Xi Jinping, who has demolished executive term limits and is in the foothills of what I’m sure he intends to be a multi-decade reign.

Trump’s legacy on China is to have ended all the wretched cosying up to the CCP that seemed to be creeping in before he became President. All the talk of a ‘golden era’ in Sino-British relations has been ditched, thank goodness. No more will we be subjected to nauseating images of the British PM sipping beer in his local with Xi Jinping (as David Cameron did in 2015). Now we know where we stand.

The West has a responsibility, not least to the Chinese people themselves, who have been subjected to this regime for so long, to uphold rights like individual liberty, protection from torture, a right to privacy and freedom of religion. The CCP have different values, and if the last five years have shown us anything, it should be that they are attempting to impose them on the world. We must affirm our values in response. This requires the unity of all democratic nations, and crucially, the resolve of the leader of the free world. Trump held the line. Over to you Joe.

Image credit: Foreign, Commonwealth, and Development Office

COVID-19 immunity passports: a fair policy?

A recent study of healthcare workers by the University of Oxford has shown that a past coronavirus infection gives immunity against later reinfection to most people for at least six months. This has raised the question of whether ‘immunity passports’ should be introduced to give more lenient restrictions to those that have recently been infected, thereby reflecting the reduced transmission risk these individuals pose. 

Indeed, some countries have already taken this idea on board and have created looser restrictions for those with some developed immunity.  Hungary allows people to enter the country if they can provide evidence of COVID-19 recovery. Iceland also plans to allow mask mandate exemptions for those with a doctor’s letter confirming their recovery status.

To some, such a policy is unfair, as it gives different freedoms to people based on whether they have been infected. It could also lead to people attempting to self-diagnose themselves as immune, or fraudulently producing passports. Potentially this problem could be overcome with a suitably secure passport system, and a requirement for a confirmed government PCR test.

There is also the possibility that some might seek out coronavirus infection in order to have looser restrictions after their recovery. But this seems fairly unlikely due to the risks of having an infection and the currently ongoing roll-out of the vaccine, which would give immunity in a safer way.  Although for young people who tend to have asymptomatic infections, the risk may seem acceptable, so this could be a concern.

The policy may also make it harder to enforce national level restrictions.  The more people who have exemptions from restrictions, the more isolated those still locked down would feel, which may lead to reduced compliance. 

The most important and critical flaw with this proposition is the current stance of the World Health Organisation, who say there is insufficient evidence that a previous coronavirus infection significantly reduces risk of subsequent infection. Their stance may change in light of this new study from Oxford, but for the present it has not.

Yet ultimately, the government restrictions upon people’s freedoms due to coronavirus must also be kept proportionate to the risk that people pose. It is a substantial infringement of people’s liberties to keep them at home, and an immunity passport could make a fair representation of the reduced risk level for certain individuals. 

The justification for strict lockdown restrictions is that they are necessary to prevent people who may be infected from spreading the virus.  But if the risk of them doing this is significantly lower due to immunity, then it would be reasonable for these restrictions to reflect that.  If we have sufficient evidence to support the hypothesis of developed immunity, then the policy of immunity passports should be seriously considered. 

Image credit: Spencer Davis

It is the light

It is the light

That engulfs me 

Its fingers of dust waltzing ever so softly 

Treading air and falling, falling, falling to the sound of 

Footsteps

It is my grandma’s smile

And her laugh

And her light

It wraps around me 

Sheltering me from a reality that melts away 

With the leaded pace of these summer days

There is a place on earth at the end of time 

Which seems to be all mine

Not a home

But a place

Where I can hear my mother’s voice 

Still travelling, crossing spatial barriers, carried by light beams

Tracing the timeline of her ephemeral youth

It is a place where I can breathe

And with every watercolour landscape I tread through

Past and present converge 

But they do not clash 

They are two temporal tones, dashing and clasping

Waves in a precarious confrontation

Instead, the two linger in the air 

Those there feel their honey-soaked stare

Carried by the smell of salt and warmth

Their hearts are filled somewhere in the North

It is a place where I clutch at the lucid light

Where remnants of my own voice

Will soon be trapped between wooden beams 

Fixing in place a time 

It is within these realms that I exist boundlessly 

Image Credit: Katie Kirkpatrick.

Oxford sport versus lockdown

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2021 has unfortunately kicked off with another lockdown. With Iffley Sports Ground, pubs and Park End closed for the time being, athletes, socialisers and clubbers alike are having to battle through the Covid circumstances, trying to keep fitness levels and morale at a high- albeit from home. Oxford University’s sports clubs are actively finding ways to keep up involvement in the hope they will be able to compete in a Varsity fixture against Cambridge and shoe the tabs in this academic year. 

Oxford University Sport are bringing the ‘Blues Performance Scheme’ Facebook group back to life in lockdown 3.0. The group provides Blues teams with different stretching and body-weight exercises, as well as provides athletes with advice on how to eat healthily. Some sports clubs, such as Oxford University Rugby Football League Club, are also holding small Zoom sessions on nutritional eating and on maintaining strength through the lockdown. 

Some sports clubs’ training plans have not been as heavily impacted by the pandemic. As exercise is still able to occur outdoors with a member from another household, the university’s cycling club has been able to find a way to keep its club members active. Toby Adkins, the men’s captain for Oxford University Cycling Club, told Cherwell that they are planning to “implement a ‘buddy-system’ to allow two person rides to occur in a Covid-19 safe manner”, as they prepare to hopefully compete in the Varsity 25-mile Individual Time Trial as early as April. 

Other clubs’ Varsity plans have also been severely affected by the current circumstances. Most of the sports clubs’ Varsity fixtures would have been occurring in this term, so Oxford’s sports clubs are having to postpone their long-awaited Varsity matches, as Oxford’s swimming club have done. Clubs are also likely to have to hold those fixtures “behind closed doors”. Students from Oxford and Cambridge will have been disappointed to learn a month ago that The Boat Race would be a ‘closed’ event, and that it will be held on the Great Ouse at Ely in Cambridgeshire instead of the River Thames in London, due to safety concerns regarding Hammersmith Bridge. The Boat Race is a televised event every year, letting students and alumni enjoy the world-famous race from home. In fact, the university’s football club, as they closely work with Cambridge’s football club to arrange a fixture for June, is using this strange year as a chance to build upon the way in which their Varsity match normally works. Erin Robinson, president of OUAFC, exclusively told Cherwell: “For the first time in our history, we will also provide a high-quality live stream with commentary- which will ensure that all our fans can enjoy the games safely from the comfort of their own homes.” 

An important aspect of university sports life are social events, and things are no different in the times of corona. Varsity fixtures are normally a key opportunity for social events, unforgettable crew dates, and forgettable club nights. Drinking at home on Zoom can be a lonely experience, so clubs are innovating new ways of keeping everyone happy and engaged. Ellie Nako Thompson, captain of the women’s lacrosse Blues team, emphasised the importance of this. She told Cherwell that “the main goal has just been to keep up the presence of lacrosse, especially as it’s such a great support network in these times.” Elsewhere, Blues captains for swimming, Matty Johnson and Zoe Faure Beaulieu, have found creative antidotes to the stress of working from home. They told Cherwell: “Whether it be through Among Us zoom socials, virtual HIIT sessions or a great OUSC bake-off, we’re ready to face the challenges that this term will bring.” 

To say that corona has brought sports to a halt would be an understatement. 2020 brought enough challenges to the Oxford sports, yet clubs fought through adverse circumstances, and found ways to keep competition levels high. The start of 2021 has levelled up the challenges sports clubs face, but a return to sports is near. Sports clubs across Oxford are also increasingly hopeful that Varsity matches will take place in the coming months. Innovation has also been needed in order to make sure sports clubs continue through the pandemic. Oxford’s athletes will be eagerly awaiting their return to the green grass of Iffley Sports Ground and the drink-spilled dance floors of Park End. But for the time being, they must carry on from home. 

Image credit: Steve Daniels via Wikimedia Commons  

Is Love Really Blind?

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Oh, the times, they are unprecedented, and so is that ever-more-pressing desire for someone to hug, hold, and generally add a little bit of spice to our dull lives. Lockdown makes you do ridiculous things, things no self respecting person would ever dream of, surely, like texting your ex, like flirting with the guy on tills at Tesco, like matching with Oliver (21, 6’0, from West London) three times on three different dating apps. You might even, on a cold, lonely night from your childhood bedroom, sign up to a blind (Zoom!) date. Lord.

As someone who spent far too much of her Michaelmas organising Cherpse dates for the hopeless romantics of Oxford, I’m able to say I know a thing or two about the blind dating business. For those of you toying with the idea, I’m here to give you an honest account of what to expect from meeting a stranger over cocktails, coffee, or video conference. I won’t lie; it’s not always pretty.

The chit-chat will always be a little awful at the start. I’ve had a few unfortunate experiences when I was unable to leave the Zoom I’d created for the lovebirds and was forced to sit there, audio and camera off, struggling to find a way to escape hearing their shy conversation without ending the whole thing. I did figure it out eventually though, so any prospective cherspers can rest assured that this won’t happen to them. You might, however, have to cope with a bit of nervous-/awkward-ness from your match.

I have found that virtual dates tend to produce surprisingly few horror stories compared to the in-person affairs. A fair amount of the time they seem to get on pretty well, even expressing some tentative interest in a second date, and the rest of the time they mostly have a lovely chat as friends. There is the occasional dater who can’t work their camera or what-not, but I think in general meeting someone over Zoom tends to make us a bit more open and non-judgemental; you know you’re only getting half of the experience of being with them, so perhaps you give them the benefit of the doubt

IRL blind dates are another beast entirely. I’ve sent some unfortunate mates of mine on a few shockers. I won’t go into too much detail – editor’s discretion and all that – but I will say that they’ve met some highly interesting characters. Not that they all go this way, of course; I know people who’ve been married for years after meeting on a blind date (though I can’t claim credit for organising any of those).

I believe the time has now come for me to admit that I, yes I, have indeed experienced Cherwell’s matchmaking expertise. First lockdown, over Zoom, no less. I drank a whole bottle of wine and chatted for almost two hours. And then we had another one with another bottle of wine. And, would you believe it, we’ve actually ended up going out. This is not a story I give out lightly or without a tiny bit of embarrassment – but it’s one I give out to encourage any on-the-fencers to just bloody go for it. It’s Valentine’s Day, after all, and you’re probably sat at home in your childhood bedroom. The most you’ll get is true love – the least a funny story to tell and a unique experience of dating during the (hopefully) only global pandemic of your lifetime. It’s not like you’ve got anything else to do.

It’s a Sin: a sublime and sorrowful social history

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I cannot think of a show I have enjoyed less than this show. I can also not think of one that I would recommend more highly.  This is gay epic, spanning nearly a decade across the 80s as a group of five young people start into their adult lives with different hopes and dreams, not aware that survival will soon become their primary ambition. 1981 is a liminal year for their own adulthood and self-actualisation, but also for the AIDS crisis which would go on to claim more fatalities than World War One.

Davies told Esquire, ‘I was 19 in 1981, so I’ve been wanting to tell this story for that long really.’ And indeed looking back at his career, it almost seems like he’s been honing his skills to give a treatment to the crisis that is both sensitive and emotive and deeply political. This is a writer who knows how to depict culture – although it can hardly be taken as comprehensive, the program which catapulted him to fame, Queer as Folk, did so due to its groundbreaking and honest depiction of gay life in the noughties. He plots this show with a point to prove. Davies captures the fear from lack of information about the virus as only someone who lived through the crisis would be able to. But crucially, it’s very clear that the worst sin is the homophobia which meant that resources were withheld from tackling the crisis as a generation of young men was decimated. He captures the prejudice which exacerbated the pandemic and its insidiousness – from doctors to politicians, Article 48 to internalised homophobia. Some characters are very, very kind. ‘Jill’, based on a friend of the writer, shows a world of volunteers, hotline runners and campaigners. Others are not.  In one of the cruellest of many causes a sharp inhaled breath, the sweet mother to one main character falls in this category – when her son is doubly outed as suffering from AIDS and being a gay man, her macho husband breaks down in tears, while she shouts and swears and bans the dying boy’s friends from his bed side. 

It is this absolutely heart squeezing combination of tender and terrible which is both true to life and the foundation of landmark social television; Davies understands that tragedy is awfulness plus its antithetical counterpoint. We find and lose a culture – as so we see five disparate individuals find a home and safe space together, only for it to be taken away. There’s loss of love as the ones you want to reach out to perversely become the ones who might kill you with a kiss. And above all, there is seismic loss of life, an unrelenting slog as characters are born to us only to be snatched away again. Russel T Davies is the master of dialogue for characterisation and can sketch out love stories in a matter of minutes – here he has five one hour episodes to try to convey what this must have felt like to live through.

It’s heartening to see so many cameos from older members of the LGBT community today – Stephen Fry and Neil Patrick Harris have very different roles – whilst Olly Alexander (lead singer of Years and Years) plays his history with maturity and sensitivity. There is so much more that could be said to credit the fantastic cast, or the arch and deeply witty writing, or the sheer energy which the show vibrates with.  This is a story about loss, but also a loving commemoration of what was lost. It’s Davies finest work and everyone should watch it.

Artwork by Rachel Jung