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The Holy Trinity of women’s leg wear this summer

Image credit: Hunter Desportes

In a moment of divine inspiration, I googled this years predicted fashion trends before I hit the January sales, in the hope that this year my outfits might be both cheap and trendy. This year, according to fashion’s prophet, Vogue, short shorts are in.

Something of a staple of the 80’s and various periods in between, this is more a return than a debut. I suppose we should be grateful that they are an extension to the underwear-like bottoms sported by the likes of Kendall Jenner this past year. I happen to own tiny shorts, and wouldn’t feel a sinner wearing them in public. They’re cute, light, sure to provide some reprieve from the ever-rising global temperatures this summer, and totally work with tights if the weathers not quite there yet. They aren’t, however, without their trials.

A prayer must surely be said for the inner thighs. I am not referring to the omnipresent dialogue surrounding their separation, or lack thereof, recently renewed by the online ‘legging legs’ controversy. Shorts suit thighs of any size. I mean an actual problem, faced by anyone whose legs touch, in a heat wave. Chafing. 

Hot weather, sweat and literally any movement can rub your thighs raw. When tested by this issue last summer, the only salvation available to me was something of an uncomfortable waddle. Anecdotally, I believe applying deodorant or cream are options, though more likely is the classic ‘grin and bear it’ approach of this hell we call fashion.

Similar issues arise when confronted with the need to sit down. Bare skin on any surface is a challenge faced by all attempting to appear a la mode. Metal is always either burning or freezing. Fabrics may be itchy, wood may be splintered, and the ground is a roll of the dice. One could always strike a deal with the devil and sit on a sweater, but is it worth the sweaty price of wearing or carrying it the rest of the day?

The word of Vogue may be as good as gospel, but this fashion resurrection has me sceptical. I have much more faith in their proclamation that we will see a lot of see-through skirts this summer. 

An allegorical interpretation of this particular incarnation of clothing is advisable for any fashion disciples not walking a runway or red carpet. Whilst it does nothing to address the chafing problems shorts provide, it is at least a barrier between you and your seat, if nothing else.

The usual concern with skirts – flashing – does not apply. The skirt is already see-through, and in that regard something of a revelation. Splashing out on expensive underwear, but got no date? No problem! You can show it off to everyone you meet.

High rise trousers complete the trinity of options for leg wear this Spring/Summer season. Not exactly a newcomer to the fashion scene, they are already the soul of my wardrobe, the saving grace of the days I don’t want to think about what to wear. 

Practical, modest, and most importantly including pockets which are either big enough to fit your phone, or could be altered to do so. They have the added advantage of potential wear all year round, instead of being limited to the brief window of the British summertime when it is both hot enough, and dry enough, to allow for breezier attire.

Perhaps fashion’s doctrine is one of suffering. Perhaps chafing thighs are the penance we pay for being on trend (though I challenge those who endorse any uncomfortable outfit to practice what they preach). Though fashion is not a religion, and we need not worship looking good. But I’ll be damned if I don’t feel blessed on days I put a little more thought into what I wear.

New hotel opening on Broad Street

Image Credit: Jaggery via Wikimedia Commons

The Store, a new, high-class modern hotel, is set to open in May on Broad Street beside Waterstones.  With construction reaching an end – after having blocked the corner of Broad Street opposite Balliol College for the past few years – details of the establishment have finally been released. 

The 54,000 square-foot building will hold 101 rooms and offer various luxury experiences. Amenities are set to include a rooftop cocktail bar with outdoor terrace offering city views, a full spa, and an “untraditionally British” restaurant, that will also be open to non-guests. Rooms at The Store will start at £285 a night.

Formerly the city’s oldest department store, Boswells of Oxford, had to close in 2020 after nearly 300 years of operation since its establishment in 1738. Its renovation into a modern hotel has been following the trend of the gentrification of city-centre businesses that failed during lockdown. Some Oxford locals were upset with the change – speaking to Cherwell one local stated: “It’s sad because Boswells was independent and family run – and a great shop”. 

Nevertheless, some have argued that The Store will be a welcome addition to Oxford. Most four and five-star hotels sit on the city outskirts, with expensive exceptions, such as The Randolph. The decoration of the hotel will also pay homage to its roots: art and pictures of the department will be a key theme in many rooms and sections of the hotel.

There are also questions concerning how the hotel will impact the “no traffic” zone on Broad Street and its designation as a walking street, which has been expanded in recent months and is hosting many seasonal markets throughout the year. Although this has not been overtly addressed by The Store, the proximity of the hotel to bus stations and taxi ranks at the end of St Giles Street could nevertheless be a cause for concern.

An Oxford student told Cherwell: “it will be nice to have a new hotel that’s very central and actually nice. My parents, as visitors, have been unhappy with central hotels in the past.” However, speaking with The Business Times, the general manager, Simon Drake, stated: “it’s not just parents of students. There’s a huge leisure business.” He presents the tourism aspect as a key target of the establishment, noting: “So much history and heritage will appeal to Americans, who so far account for the biggest proportion of bookings.” 

With the opening just a few months away, it will be during the coming Trinity term when we will see the impact the establishment has on students, locals, and tourists that make up the signature population of Oxford’s city centre. 

American Odyssey- The world building of Lana del Rey’s music

The past decade of Lana del Rey’s music has ventured  from the deserts and neon-lights of Las Vegas to the streets of New York, Hollywood, and eventually rural California. This journey through the lens of old-world Americana is enticing, and for me a huge part of what makes her music so captivating. Moulding this narrative not only through where she chooses to place herself, but also how she chooses to express it has lead to Lana del Rey filling stadiums around the world, always keeping us coming back for more. Whether it’s a cry-your-heart out ballad, 60’s inspired lullaby or an effortlessly cool hip hop piece, her world building plays such a large part in her success. However, whilst places and time scales may change, Lana’s continual reliance upon the idea of melancholy and sadness within her work shines through. It’s the melancholy and continual longing for the places she’s left and the places she’s in which makes the listener dive into another album looking for the next instalment.

If we are to think of her albums as these instalments, they feel almost confessional. They track the life of a young twenty something party girl gone wrong into a ranch owning chicken feeding country woman. NFR, her fifth studio album, expresses this metamorphosis clearly when in How to Disappear she writes “Now it’s been years since I left new York/ I’ve got a kid and two cats in the yard/ The California sun and the movie stars/ I watch the skies getting light as I write/ as I think about those years”. Infusions of the confessional into lines like this is part of what keeps us wrapped up in the story. We want to see what area of Americana she’ll lean into next. If it’s not the starlet, the old-money darling or the free-spirited hippie what could it be? In light of this, it’s possible to draw comparisons between Lana and Taylor Swift. Both rely heavily on creating set time-periods in their work or in Taylor’s case, Eras. On the sides of both del Rey and Swift this is a clever marketing tactic because why pull in only one fan-base when you could have four or five? Listeners can identify with their chosen album, infusing into it their own memories, feelings, and journey. It’s common knowledge and pretty obvious that artists are never going to stay the same, take Lorde’s transition from grunge Tumblr teen to Solar goddess. However, the difference in Lana’s take on this  sets her apart from her contemporaries, she not only builds lanscapes, she immerses us in them.

The landscapes she builds for us may drastically shift, yet there’s a distinct sense of cohesiveness to all of her projects. Just take a look at any of her lyrics, there are constant repetitions of “tears” “racing cars” “guns” “roses”  or perhaps most infamously “cola”  tie her many lives together. This kind of lyrical branding, honing in on specific words and their connotations in order to paint these landscapes are central to her brand. Immediately, when we think of them, our mind draws back to this idea of the sad-girl, bad-boy universe she plays into that it almost becomes referential to what she’s actually saying. Whilst readings such as this have drawn controversy from both the media and the songstress herself,  in a 2019 Twitter battle amidst the NFR release, Lana got back at critics by quipping: “Never had a persona. Never needed one. Never will.” Her shape shifting and reliance on specific tropes make it really easy to see why this conclusion might be drawn. However, for me, it’s always been possible to see Lana not as a persona but a commentator for our times and our culture. She references, she provokes, and she engages us in her world building. After all, who else would be able to say “pass me my vape/ I’m feeling sick/ I need a puff” after writing something as poetic as Margaret? She’s up to date on every aspect of today’s cultural milieu but isn’t afraid to look back to the past when it might seem more poetic. It’s this tongue in cheek observing and crafting of her sound which is testament to her value as an artist rather than a persona.

Lana’s sound and brand seems to be a never ending public and private journey. From listening to her first album on my iPod mini aged 9 (the consequences of unfettered access to the internet) one thing I’ve learnt is that she’s never tiring.  Even though we’re now a decade on from that release, it’s still an album I continually return to. Why? Because it’s exciting. Amongst her other works, I get to go on a journey, to sepia toned flashes of diners and parties and beaches  whilst meeting bikers , celebrities and maybe the odd gangster along the way. With her headlining of Reading this summer and release of her country album Lasso this autumn, I’m only more excited to see the new territories she’s charting. 

Student Union Chair resigns over alleged undemocratic Board practices

Chair of Student Council Isaac Chase-Rahman resigned at a meeting on 27 February in protest of “disregard for democratic principles” by “SU’s leadership and Trustee Board,” which struck down two motions of no confidence.

Chase-Rahman, who has been Chair for the past two terms, said in a speech to Council: “It became immediately apparent to me that the SU has been systemically mired in difficulty, challenge, and most importantly, a disregard for democratic principles. I hold these democratic principles in high regard, and lament the role I have been forced to play in casting fair and reasonable democracy aside.

“The events preceding this meeting have been wholly undemocratic. The decision of the SU’s leadership and Trustee Board to reject motions of no confidence in a sabbatical officer and a sabbatical-elect acts only to shut down student voices without valid cause. Giving obscure explanations of ‘ongoing investigations’ and ‘organisational risks’ is insufficient and unacceptable.

“As the Chair, it is my responsibility to be unbiased on motions. I maintain that with these motions of no confidence too. But the SU cannot function with such willful disregard for democracy, and it would be unreasonable to expect any Chair of any Council to function in any SU while it continues in this way. It is therefore with a heavy heart that I feel I have to make the difficult decision to resign as Chair of Council with immediate effect. I hope the Organisation takes pause to reflect on its current course and make necessary changes for the students it purports to represent.”

In an email to the Steering Committee, the SU Democracy and Community Manager wrote: “Unfortunately both VONC motions will have to be struck from the agenda for next week’s meeting. Trustee Board has informed us that both include content which is subject to ongoing investigations which will need to be resolved before the motions can be heard and we have highlighted some significant organisational risks with the Board.”

Additionally, they wrote that a “procedural motion” has been removed “as it relates to one of the struck motions.”

Previously, University College Junior Common Room passed a “motion of no confidence and condemnation” in the SU Welfare VP-Elect Alfie Davis. The motion states: “The Student Union, referring to a non-descript ‘investigation’ blocked the no confidence motion in the Student Council. When prompted for an elaboration, the SU refused to provide one.”

As such, Univ JCR resolves “to urge the SU to allow the no confidence motion to be heard at Council.” If this item is not met by Trinity Term’s first SU meeting, the JCR resolves to “conditionally suspend affiliation from the Student Union.”

Davis states: “It’s important to note that for a no-confidence to be raised, something impeachable has to have occurred, with factual evidence to support such. Whilst there’s been an attempt to distort private messages taken from me out of context, which were used to make entirely libellous and defamatory statements, the SU requires evidence for a motion to be brought.”

SU president Danial Hussain, after returning from four months of suspension, was not physically present. As there was no Chair nor Returning Officer, VP of Liberation and Equality Kennedy Aliu chaired the meeting.

Cherwell has contacted the SU, Bell, and Davis for comment.

Nuclear Bombs and Feminism: Monica Sjöö’s Exhibition at Modern Art Oxford

Monica Sjöö: The Great Cosmic Mother.

Based on the Modern Art Oxford posters, Monica Sjöö’s activism appeared to be a driving force for social change. I, therefore, wanted to understand how her deep passion for female liberation could be communicated through her artwork and how the gallery would display such an important genre of work.

The first gallery room was like a white, empty shell, but it was Sjöö’s artwork that brought the space to life. The art installation was filled with repeated motifs and imagery of female spirituality and independence that juxtaposed the known adversities faced by women in a patriarchal society and empowered any person who entered the gallery on that day. 

Sjöö’s stylistic block print letters in Back Street Abortion – Women Seeking Freedom from Oppression (1968) epitomise the hardship faced by women as a consequence of, as noted by Sjöö, ‘Medicine controlled by men’. Sjöö argues that the right to contraception and legalised abortion were not a decision of the mother. Instead, her health and bodily autonomy was determined by the male-dominated system which shaped twentieth-century health care. The grief communicated by the figures in the painting acts as a record of the voices and protests of women in the past, like Sjöö, which greatly shaped the privileges of women today. In that moment I saw Sjöö not as an independent artist, but part of a collective group of women – a generation of women – fighting for liberation and justice.

Her work was further contextualised through the use of photography and film recordings. The simplistic layout of the first gallery room is contrasted immediately by the collage of posters plastered to the wall. Sjöö’s poster Women need not always keep their mouths shut and their wombs open (1968) was scattered across the installation and encapsulated the battles faced by Sjöö and other contemporary feminists. Her political consciousness, fighting for the right to abortion and sexual autonomy were translated directly through her artwork on display. Her work felt tactile even against the wall and reflected Sjöö’s own activism as it transcended beyond the canvas.

From a recording played at the gallery, Sjöö’s activism is evident through her participation in the Women for Life on Earth Peace March at Greenham Common Women’s Peace Camp. Footage from the Greenham Common protests, starting on 27 August 1981, reveals how Cold War tensions were a direct and ‘dangerous expression of masculinity’ as noted by Niamh Walker. Military irresponsibility was challenged by the position of mothers protesting against the use of nuclear weapons. The women did not just defend their own position, but that of their children and of families that had no say in the war that was unfolding. Sjöö communicates this through her Women for Life on Earth banner, which she is also depicted holding on a postcard at the gallery.

Monica Sjöö’s work portrays the generational and collective experiences of women from birth to motherhood. Her role and position as a woman were constantly evolving and it was these experiences that she translated to the work she created. Her title ‘The Great Cosmic Mother’ can, therefore, only begin to portray the transcendental experience of Sjöö’s art. 

Photography by Taya Neilson

The Oxford college named after a fascist

Amanda Slater/CC BY-SA 2.0 via Wikimedia Commons

CW: Paedophilia, antisemitism, racism

You’ve probably heard of Nuffield College – a small postgraduate college, specialising in the social sciences, situated between the Westgate and Worcester College. You probably haven’t heard of its eponymous founder, however, William Richard Morris (1887-1963), the first Viscount Nuffield – but you definitely should have.

Visiting Nuffield College’s website and the short biography of Morris contained within, the impression given is that of an unambiguously benevolent civic hero all Oxfordians should be grateful for. Morris, the article describes, was a genuinely self-made man, who worked his way up from nothing to becoming ‘the British Henry Ford,’ before giving away his millions to worthy causes across the city.

I am not sure that, in my time as a History student, I’ve ever encountered such a selective reading of the past. Morris was a great industrialist, yes, and a generous philanthropist; he once remarked: “I can only promise you this, that for the rest of my life I will do my best for mankind.” But rarely has a promise been broken so completely. Not only was Morris a pro-Hitler fascist and 20th century Britain’s leading financier of far-right politics, but a deeply oppressive and cruel employer, a pedophile, and, ultimately, perhaps the most wicked man still celebrated unreservedly by the university.

Any investigation of fascism in 20th century Britain is likely to highlight Morris’ central role. His involvement with far-right politics began in 1930, when he gave £50,000 – almost £3 millions in today’s money – to Oswald Mosley’s New Party, the precursor of the British Union of Fascists (BUF). The BUF would spend the next few years physically assaulting Jews on the streets of London, advocating a Britain exclusively for those of ‘British Birth and Parentage,’ and seeking collaboration with Mussolini’s Italy and Hitler’s Germany. Mosley made little secret of his admiration for and friendship with Morris, describing him as his ‘chief backer’.

Two years later, Morris gave another £35,000 – around £2 million in today’s money – to Mosley to establish Action, the BUF’s primary newspaper. Action’s antisemitism was open, virulent, and occasionally violent; decrying the “filthy, obscene Jewish Communists”, it advocated disenfranchising them and “holding them under restraint” so as to protect native Britons. Jews, in the pages of Action, are to blame for all of society’s ills; it is they who control the “financial democracy” of the world, oppressing hard-working Britons and stealing their money for their own kind, seeking to “destroy Christianity” while using their control of the media to divert eyes elsewhere. Action also took every opportunity to refute criticism of Nazi Germany, and particularly their treatment of Jews – describing it as “mild”, “justified”, and as far less harsh than the treatment of Catholics elsewhere in Europe.

But by 1932, British public opinion was increasingly turning against fascism – and so Morris increasingly made his support for the far-right more subtle. He stopped directly funding Mosley, but became one of the leading figures of the Anglo-German Fellowship: founded in 1935, the Fellowship was a high-society membership organisation dedicated to building bridges with Hitler’s Germany, which held dinners with leading figures of the Nazi regime including Heinrich Himmler, Joachim von Ribbentrop, and Rudolf Hess. Even during the war, he was involved with the National Front After Victory, a far-right organisation whose name was later shortened to the National Front. Once WW2 was over, and most of Britain disavowed fascism, his beliefs still remained the same: “it is a well-known fact that every government in my England is Jew controlled regardless of the Party in power”, he wrote in his diary.

Morris didn’t give all his wealth to the far-right, however; he did, admittedly, give lavishly to genuinely charitable courses – he gave millions to the university, for instance, helping fund not only Nuffield College but St Peter’s too. But these donations were made from wealth accrued by brutal means. Wages at his Oxford factories were abominably low – in some cases, people were paid as little as 19 pence for a week’s work (the average annual salary in Britain at this point was several hundred pounds). When his workers began to rise up against these conditions – something they were forced into doing, the factories being so hot work was virtually impossible – he clamped down. Morris was fiercely anti-union, and promised to fire anyone who joined one.

Morris’ crimes were not only political and economic, however – they were also deeply personal. In 2015, Ann Vaughan made a police report, as documented by the Daily Mail, documenting the horrific abuse Morris had subjected her 12-year-old self to. Morris showered her family with gifts and was, in exchange, allowed to do what he wished to their daughter; he repeatedly sexually abused her over the course of a decade, groping her genitals and forcing her to tell him she enjoyed it – he only refrained from penetration out of a fear that doing so would result in traces that could be identified by police. These are allegations, yes; but they are allegations it is difficult to question. “I’m sure I was not the only little girl that Nuffield abused,” Vaughan told the paper.

Oxford University has a dark past. It was financed on the back of the transatlantic slave trade; it has educated countless colonial administrators and tyrannical dictators; colleges have even had students burnt at the stake outside them. But the University has increasingly faced a historical reckoning – consider the enormous ‘Rhodes Must Fall’ protests over the past decade, or the plaque at All Souls commemorating the slaves who financed it.

That reckoning has yet to reach Nuffield College. There have been no protests, no outrage, over the fact that a fascist pedophile, who stood for everything our modern society should abhor, continues to be unambiguously celebrated by the university authorities. Fundamentally, no one seems to care that, if you are Jewish, or LGBT+, or almost anything other than a wealthy white British male, whenever you say the name Nuffield College, you are saying the name of a man who would’ve wanted you dead. That ought to change.

A crash course in British politics: The scandals of recent years (Week 5)

UK government, OGL 3, via Wikimedia Commons

After having clarified the basics – how elections in the UK work and looking ahead at who will be the next Prime Minister – this week’s article will look back at recent history. Specifically, this article will explain both parties’ recent scandals, which are paramount to understanding their standing today. First, since the Brexit vote the Conservatives replaced five leaders – Cameron, May, Johnson, Truss, and Sunak – in what was described as an implosion. Second, Labour’s Corbyn-antisemitism scandal.

The Conservative Party has governed Britain since 2010 – 14 tremulous years around the globe. The Arab Spring, democratic backsliding, the Trump presidency, and the Ukraine War are some of the major events that shaped where we are now. Another major contender, especially in this country but not exclusively, is Brexit. In 2016 Cameron called a referendum, believing he could win and “put the issue to sleep”. However, to his surprise, after some of his closest Conservative allies campaigned against him, he suffered a narrow defeat – and resigned. The Brexit vote and consequent resignation of Cameron sent the Conservative Party into a tailspin, which it is yet to entirely recover from.

May followed Cameron as PM and served for three years (2016-2019), attempting to find an acceptable Brexit deal. However, upon failing to pass her plan in Parliament three times, and in the process losing the support of her party, she resigned. Then came the controversy-riddled Johnson, whose tenure included illegally shutting down Parliament (2019) and corruption allegations (2022). But what eventually brought him down was “Partygate” – a series of illegal parties in 10 Downing Street during Covid-19 lockdowns. As a result, Johnson resigned (July 2022) and was replaced with Truss, who resigned 44 days later after causing an economic crisis through massive tax cuts and borrowing. Finally, Sunak became PM (October 2022), and although he has not achieved all his goals, he has at least held onto his seat so far.

Second, Labour’s antisemitism scandal (2016-2023). Under Corbyn’s leadership, Labour dealt with a list of scandals regarding antisemites in its ranks and improper handling of antisemitism complaints. Importantly, Corbyn himself was repeatedly accused of antisemitism, in addition to claims of antisemitism among his supporters. After Corbyn lost the 2019 general election, Starmer replaced him as leader in April 2020, and, later the same year, the Equality and Human Rights Commission (EHRC) completed an investigation into multiple antisemitism accusations against the Labour Party. The investigation concluded Labour acted illegally and charged it with three counts: harassment, political interference in complaints, and lack of training on antisemitism. While Starmer apologised and vowed to change the party’s ways, Corbyn rejected the findings and claimed they were politically motivated.

Corbyn’s reaction, seen by many as proof of his antisemitism and the need for substantial change within Labour, led to his suspension from the party (which made him an independent Member of Parliament). Furthermore, in February 2023, Starmer announced that Corbyn would not be allowed to run as a Labour candidate in the upcoming general elections. The same month, it was decided that Labour’s implementation of change in regard to antisemitism was sufficient to take it out of the EHRC’s special measures.

To understand the current election, we ought to understand the things that shape them more than anything – including recent controversies. These events caused great ripples that shook the parties’ electoral bases and perception of them. Be sure, many voters will have them in mind when casting their ballots.

Why are men still getting more firsts than women?

Why are men still getting more firsts than women?

Oxford University’s Strategic Plan for 2018 to 2024 claims to prioritise the need to reduce the gender awarding gap. It aims to “set ambitious targets by April 2019 to reduce by 2024 gaps in attainment by gender, ethnic origin and socio-economic background.” But, why should this be “ambitious” anyway? With 2023 coming to an end, it is time to assess whether this has been achieved and understand the problems that both students and the University face in addressing these challenges.

While preparing for my exams last year, I looked at the 2021-22 Examiner’s Report for History. I felt uneasy when I saw that 50.7% of men were getting firsts compared to 34.9% of women in their finals. In the face of anonymous marking, I had naively thought that this was no longer a problem. However, there hasn’t been much improvement since 2019, when 55.8% of men got firsts while only 42.5% of women did. In History at least, very little headway has been made in reducing the gender awarding gap.

This is not a problem exclusive to History or humanities subjects. In the 2023 Examiner’s Report for Mathematics (Part A), 10.26% of women got firsts compared to 38.46% of men. These figures are only marginally better than the 2022 figures and significantly worse than those for 2021, where 24.39% of women got firsts compared to 36.26% of men.

Over all subjects operating a 2.1/1st system, there is still a 6.57% awarding gap between men and women as reported by the Oxford Gazette Supplement at the end of 2023, a decrease of only 4% since 2015-2018. The fact that this awarding gap is not reflected across the country makes it all the more concerning.

The gender awarding gap is a problem almost unique to Oxford. In 2023, Statista have reported that in the UK in 2022, 14.8% of female students achieved an A* in their A-levels, compared to 14.4% of male students. In 2021/22, moreover, 33% of female students achieved a first compared with 31% of male students in UK undergraduate degrees. Oxford’s problem is not reflected across other university degrees in the UK, and women who had been achieving similarly to their male peers are apparently no longer doing this once they arrive at Oxford. Something about Oxford is creating a gender attainment gap that wasn’t previously there and letting women fall behind.

What is it about Oxford that means that women are consistently underperforming in comparison to men?

One reason that has been suggested is that the structure and organisation of Oxford is not conducive to women performing their best. Unlike most other UK Universities, Oxford continues to operate an eight-week term where work is concentrated in a very short time. According to Cambridge University’s Information Hub, the “other place”, which also operates an eight-week term, has a similar gender awarding gap. 25.4% of women obtained firsts in 2021-22 compared to 34.3% of men. While Oxford’s short terms and their negative effect on students’ mental health has been hotly debated, it appears that this issue may affect women disproportionately to men.

A second-year Classics student, Li An Tan, has suggested that this may be due to the “general disadvantages of being female”. It is normal for many women to feel unwell with their period, which is likely to come twice in an eight-week term. Women are therefore more likely to be forced to take days off, or to work even though they are not feeling well in a busy term with few days to spare for rest. Many students do not habitually take weekends off and regularly work in the evenings, which may be putting women at a disadvantage. This is a particularly significant lifestyle difference from GCSEs and A Levels, and not necessarily common at other universities where the gender awarding gap is much narrower. This may then be an indicator of something that needs to change for Oxford to close the gap between genders.

Another reason that has been suggested is that those undertaking marking are implicitly biased.  With anonymised marking in place, overt discrimination is much rarer; however, handwriting is often an indicator of gender. Women do tend to perform better in typed exams compared to handwritten ones: breaking down the results for History finals from the 2021 – 2022 Examiner’s Report by paper reveals that 47.6% of women got firsts in the compulsory thesis, which was typed, compared to 37.7% of men. By contrast, in the European and World History paper, which was a handwritten exam, only 13.4% of women got firsts compared to 33.3% of men. But why is this happening?

This correlation could be because women perform better in coursework rather than timed exams. The assessment method of exams itself could be disadvantageous to women. There could be a number of reasons for this. Firstly, women are more likely to be unwell on the day or week of the exam itself with their period. Secondly, it could be that women are better at organising their work than men towards a deadline. Thirdly, it could also be that women are spending longer perfecting and editing their work, which is not as necessary a skill in a timed, written exam. With women outperforming men in GCSEs and A Levels, however, it doesn’t seem sensible to suggest that women are unable to perform in either written exams or coursework, which may be indicative of gender awarding gaps not coming from female students’ approach to exams and coursework. It could be that marking is implicitly biassed, but it seems more likely that it’s from the way women interact with Oxford.

The University has recognised that women are performing better in coursework in History. The introduction of the ‘take home’ paper in 2017, which replaced one of the five exams History students sat in their finals with a nine-day open-book exam, was introduced for the purpose of narrowing the gender awarding gap. Speaking to the Telegraph in 2017, Amanda Foreman, an honorary research senior fellow in history at the University of Liverpool, said that this was a “well-intentioned” move, but that “Women are not the weaker sex.” She argued that women are not less-able to handle the stress of exams, and that it is the risk-taking attitudes that are encouraged in men that take them into first-class territory. That the University is taking action is promising, but is this action in the right direction? Changing assessment methods is one way to do it, but it could be helpful to look into changing teaching methods and increasing understanding of the assessment criteria.

What if it is actually the tutorial-style system at the heart of the gender gap? Cambridge, which operates under a similar system, reported on the problem years ago in a Varsity article from 2013 – and still has them. The system may be more conducive to the way men have been taught to have confidence in their own opinions. A second-year History student, Eve Reynolds, has suggested that “women feel the need to cover their opinions behind tentative language, just because of how we’ve been socialised”. This may explain the gender awarding gap, therefore, in humanities subjects in particular at Oxford and Cambridge, if women feel unable to take advantage of tutorials as much as men do. A typical ‘Oxford’ essay brings to mind very broad questions with lots of interesting ways to respond. They are designed as a start to an open-ended discussion to take place in tutorials. It is naturally in such essays that risk-taking behaviour is particularly rewarding, both in the mark given to the essay itself as well as the quality of the learning in the tutorial as a result of the essay as new and interesting ideas are discussed. It may not be implicit bias that is occurring in marking, but explicit: mark schemes may be preferencing how men have been taught to think.

With the criteria for a first-class degree in many humanities subjects being “remarkable originality” (according to the current Examination Conventions for History), it certainly seems that the points women are making in their essays are holding them back – or the confidence women have in the points they do make. If, as a second-year Law student told me, men have “the confidence to make an outlandish point and back it [come what may]”, maybe self-conviction propels them into the first-class arena. Is the ‘confidence gap’ holding women back? I don’t necessarily think that confidence and originality are not criteria that should be considered, but I believe it should be recognised that this environment of relentless intellectual scrutiny may disadvantage women in comparison to their male peers. It may be helpful to research how women could be encouraged to take advantage of the tutorial system and how the system itself can be modified to better encompass women.

After all, the University’s archaic system never rebooted when women were first awarded degrees in 1920. Oxford is still operating a system that was designed to educate men. More significantly, it was designed to educate upper-class white men, and almost naturally therefore preferences the confidence of a nineteenth-century Victorian gentleman. What Oxford needs might be a reassessment of the demographic it is teaching; we are no longer catering to the ultra-rich only.

In STEM subjects the gender attainment gap is slightly better than in humanities, with 36% of women getting firsts in Mathematical, Physical and Life Sciences compared to 42% of men according to the Oxford Gazette Supplement published in 2023. While this is not as easily attributed to men writing more confidently since these exams also involve calculations, the educational environment may still be disadvantageous to women. It may be that women feel less confident to ask to target tutorials towards areas they would like more help with, particularly in the still male-dominated environment of STEM degrees.

A 2013 Cherwell article suggested that the marginalisation of gender issues and feminist theory may be a further reason for the gender awarding gap. This was certainly true in 2013, but has anything changed? My experience studying History suggests that gender history is actively studied. However, gender often appears as its own ‘theme’ within modules and is not always integrated into the study of other ‘themes’. It is often only for one week of eight that I am studying women, while in the others I read mainly about elite men. The issue of the marginalisation of gender issues and feminist theory has in my opinion improved since 2013, but it is in no way solved. I have had more female tutors than male while I have been at Oxford, and have been able to study gender history as a ‘theme’ and sometimes within other ‘themes’. But studying and reading “great men ” may be holding women back; women may find the environment that they are studying as well as the environment in which they are studying unfamiliar and unwelcoming.

Moreover, the fact that the reading lists continue to be dominated by male authors shows that the academic environment is nevertheless still masculine. For example, in the general section of the faculty reading list for my Prelims European World IV paper last year, none of the six books listed are written by women. When reading lists show only the authors’ first initial, it is not always obvious that this is the case, but a closer examination of most of my reading lists shows the continued prevalence of men in history. Reading that ‘the female worker was the archetype of the unskilled’ by a male author in a book last year on nineteenth-century Europe shows the hostility of a male academic environment to women. One annotation responded: ‘I am so done with white male privilege in Oxford… You don’t even try to understand the female experience?’ Another was more succinct: ‘fuck the patriarchy’. And another: ‘sexist pig’.

As an Oxford University spokesman told Cherwell: “The University has set a target to eliminate the current attainment gap between our male and female undergraduate students by 2030.  The reasons for the gap are varied and complex. However, we are introducing a number of measures focused around flexible and inclusive teaching, mixed assessment methods, and study skills support that we hope over time will contribute towards a level playing field for all students and move us closer to achieving our target.”

This suggests that the University believes that the problem of the gender awarding gap lies firstly in teaching, secondly in assessment methods, and lastly in how female students are studying. While it is unclear exactly what these measures are from this statement, which is worrying in itself, what is clear is that the problems pertaining to the gender awarding gap penetrate virtually all areas of the university’s provision. “Inclusive teaching” remains undefined, and indeed what comes across most strongly from looking into Oxford’s gender attainment gap is a lack of evidence of specific action taken.

The spokesman, however, identified the improvement in the gender awarding gap over the pandemic, which is interesting. Was it the opportunity to learn on your own terms and escape tutorials that resulted in improved results for women? Will moving more exams online recreate the closing gap of COVID-19? That the university is considering the cause of this is encouraging.

In the 2020-21 Equality Report, published in 2022, objective 6 (a) was “To reduce the first-class attainment gap between women and men from 8.5% to 4.4% by 2025”. The latest exam results to be released show a reduction in the gender awarding gap, but not yet to 4.4%.  Recent data as well as data on what strategies Oxford are undertaking to achieve these “ambitious” targets is difficult to find. This is not only worrying for the experience of women at Oxford, but for their experience in Britain more generally, with Oxford graduates historically playing a large role in public life, as Dr Micheal O’Neill, a Departmental Lecturer in Inorganic Chemistry, explains. There has been some response from the University, which is promising, but more needs to be done. The reasons behind the gender awarding gap are certainly “varied and complex”, but understanding why there is a gender awarding gap is vital to solving the problem. There needs to be an awareness of why women are underachieving in comparison to their male counterparts of both the students themselves as well as the University. Understanding that, for example, it is confidence costing you a first is the easy step towards improving your own grade.

I believe that educating women on the gender awarding gap is a vital step in closing it – a step that needs to come from both the University and the students themselves. Large parts of the problem come from Oxford mark schemes awarding behaviours that are typically encouraged in men, but discouraged in women. We need to encourage these behaviours in women and be transparent about what behaviours are being awarded. But there are also problems that are very specific to the structure of Oxford, and it is perhaps these structural changes that need to be implemented the most. A longer term or a reading week may give women the space they need to perform better – and this could benefit more than just women. Modernising Oxford may be the way to reflect modern values in our attainment.

Captain’s Corner: Oxford Lancers

Image Credits: Graeme Chesters

Following Super Bowl LVIII on Sunday, Cherwell spoke this week to Saketh Subramanian, the new Blues captain of the university’s American Football team, the Oxford University Lancers.

When did you start playing American Football?

I started playing flag football in school when I was five. I started playing organized tackle football in year six when I was ten.

What drew you to the sport?

I moved to the US when I was four, where American Football is the dominant sport. My first memory of the game is watching Super Bowl XLII between the New England Patriots and the New York Giants. This was one of the greatest upsets in NFL history as the Giants took down the 17-0 Patriots, led by Tom Brady. From there, I was hooked. I’m still a Giants fan, something that I struggle with every season.

Were there any specific goals for this season and how has the season gone so far?

Our one goal is always to beat Cambridge. With respect to BUCS, we focus on the process. The results take care of themselves if the team trains well and the players do their job on each play. The team is currently 5-2-1 (five wins, two losses, and one draw), which currently puts us in second place in Division One South and we will compete for the National Trophy in the playoffs. The Varsity match is provisionally scheduled for May 11th in Cambridge.

What has been the best win of the season currently?

Our biggest win of the season was a 26-12 home victory in November against Hertfordshire, who are five-time national champions and currently top of our league.

What have been the biggest sporting setbacks and successes in your time at Oxford so far?

The biggest sporting setback was our loss to Cambridge my first year (2021-2022). We lost 14-12 and this was a tough way to send off our leavers after an undefeated BUCS season and being promoted from Division Two to Division One. 

The biggest successes were our Varsity win and staying up in Division One last year (2022-2023), a first in programme history. Our current season is also promising, with the playoffs and Varsity still to come. 

How did Varsity go last year?

We had a historic Varsity match last year, as it was the first fixture hosted at the RC Millsap Pitch, our home in University Parks. We had a fantastic turnout of over 300 spectators in the stands, who witnessed us beat Cambridge 41-7. 

How difficult is it to have a high turnover of players, losing and gaining players each year?

It’s a tremendous challenge, especially when you need to put a squad out every year that can compete in one of the toughest divisions in BUCS. There are additional challenges – the Oxford term schedule and its associated academic rigour make it hard to recruit, train, and retain players, many of whom have never played the game before. We typically have about a month to assemble a team and get them ready – about half of the time that our opposition has. The solution is to recruit from a variety of courses. People assume that our team is made up of American graduate and visiting students who are here for one year. While those players are certainly high impact when they come out, the lifeblood of our programme are the undergraduates, DPhil students, and the medics who are here for three, four, or even six years.

What’s the best and worst thing about being the Blues captain?

The best thing about being the Blues captain is watching the newer players develop. Many of them have no experience with the sport and its rules. They come to the gym sessions, watch footage, learn about the game, and develop into great contributors for the team over a few years. It’s tremendously important that we can continue to offer them the resources, coaching, and playing time to grow in that way. 

The toughest thing about being Blues captain is balancing organizational responsibilities as President with the on-field captaincy responsibilities on game days. There’s a complex symphony of handling opponents, medical cover, transportation, referees, kit, and so on. It would be impossible to manage all of that and still focus on playing the game without the guidance of our coaches, alums, and SportsFed. 

Who are the ones to watch in the team?

American Football is a team game. Some players will touch the ball more than others, but we can’t succeed unless all eleven players are doing their job.     

Oxford to host new AI research hub

Low-level radio-frequency controller for magnetron. More: Fermilab developed a new technique to use a magnetron to power a superconducting radio-frequency (SRF) cavity, potentially saving hundreds of millions of dollars in the construction and operating costs of linear accelerators. Original public domain image from Flickr

The University of Oxford is set to share in an £80 million pound investment to launch foundational new AI research. The investment will provide nine new hubs across the UK with the aim of propelling the country towards being a global centre for AI.

The hub will be based in the Department of Computer Science and will bring together experts in the mathematical, computational and algorithmic fields that underpin the technology. 

The Oxford hub will explore fundamental questions about AI technology such as how it can be implemented safely and how to improve algorithmic efficiency. It will also investigate how machine learning models can be used to reveal hidden underlying structures in data. The research conducted will seek rigorous mathematical answers to these questions.

AI has a wide variety of practical uses in many different areas of life: from designing smart cities and optimisation problems to drug development and disease control. Although some people are concerned about the risks of AI developments, the project will fund an additional ten scoping studies to help define responsible AI technology.

The £80 million funding comes from the Engineering and Physical Sciences Research Council, which is part of UK Research and Innovation, and will be split among the various hubs. 

There are high hopes for the project, which will bring together a wide range of specialist researchers in many areas of mathematics and computation, and provide opportunities for 13 PhD students to be trained in foundational AI research. 

Pioneering Oxford AI researcher, Professor Michael Bronstein (Department of Computer Science), who will lead the project, said that he expects this to be a “transformative cross-fertilisation”, bringing together researchers in the fields of geometry, topology and probability with opportunities to collaborate in new problems of deep significance. 

Minister for AI Viscount Camrose, said: “These hubs will nurture new, cutting-edge breakthroughs, from healthcare treatments and more power efficient electronics to machine learning and chemical discovery.”

Alongside the Oxford centre, there will be eight other hubs opening at universities including Edinburgh, UCL, Warwick and Bristol. This nationwide breadth of the project underlines the government’s intention for the UK to become a global AI leader.