Monday 1st December 2025
Blog Page 52

St John’s President Sue Black on skinning rabbits, AI, and working in a war zone

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CW: Violence 

Professor Lady Sue Black, Baroness Black of Strome certainly has a title which precedes her. The President of St John’s made her name as an academic and forensic scientist who worked to identify victims in conflict zones including Kosovo and Sierra Leone, and then later the 2004 Boxing Day Tsunami. I sat down with Sue Black and asked her to give me a “whistle-stop tour” of her life and career which, given an experience which stretches from an Inverness butcher’s shop to the red benches of the Lords, might have been the most difficult question I asked that morning. 

First of all, Black paints a picture of someone whose childhood remains an integral part of their story: “I’ve always got stories”, she says. “Both my grandmother and my father were great storytellers, and so everything I have is a story, and it has been really useful for me that as you get older, you get the chance to stop, to turn around, and to look at the life you’ve taken”. Born in Inverness, Black grew up on the Scottish west coast, a native speaker of Gaelic. It is a far cry from the expensively-furnished college quarters where I sit with her now.  

Yet that upbringing planted the seed of her future career. “My father, as it happened, was a tremendous shot. I was his little shadow. And so when he would go out shooting [to eat, not for sport, she reassures me], I would carry home the dead rabbits and pheasants. I would sit at the back door with my father and he would teach me how to skin them.” 

There was little surprise about a career in forensics, then, when from a very young age, Black “thought nothing of having blood up to my elbows. It felt completely normal”. At thirteen, when her father, ever the Presbyterian, asked her what job she would get, she decided to work in a butcher’s shop. “So when all my friends were selling makeup in the chemists or selling clothes, I was up to my elbows in blood and guts and gore and loved it.” 

University wasn’t a consideration until a Biology teacher told her she had to go. “I lied to my parents. I told them I got a full grant, which I didn’t because at the age of 17, I decided that my parents couldn’t afford to support me: total arrogance. So I ran three different jobs at the same time as being in university because I’m not afraid of hard work.” 

Once at university, Black didn’t like zoology, genetics, chemistry (“my god”), or botany. But anatomy, that’s just the butcher’s shop: “I walked into the department and knew I was home”.  There was never any doubt: “My Biology teacher said I was going to be a scientist, so I had to be a scientist. There was never any doubt about that.” 

University came with challenges, though. Black’s parents, while loving, didn’t understand why she needed to go. She adds: “My mother believed I would leave school, I’d get a job in an office, I’d meet somebody and get married, I’d have children, and I’d live five minutes away from her… So when I went and did something different, she cried”. She was proud all the same, Black tells me, but “never understood” what she did for a living.

Black too sometimes wonders how she made it to where she is now: “I still have huge imposter syndrome [that says] my governing body is going to wake up and realise what a mistake they’ve made… so I never get to a point where I think, my goodness me, I’ve really made it.” When I probed to ask whether this makes her a good model for first-gen and state comp students for whom the idea of Oxford seems so alien, she just expresses her amazement at the students who “are all so much smarter than I am. I’ve got here through hard work, not through raw intelligence. You guys just intimidate the living daylights out of me.” 

She marvels at the intensity of the eight-week terms, and how people can balance their studies with other roles, whether at Cherwell or any other society. We’ve talked about jobs, so I mention what happened in Kosovo. There, Black was one of the first to work on identifying victims of war crimes committed in the Balkan Wars. Serbian leader Slobodan Milošević later became the first sitting head of state indicted for such crimes. 

Shielded by the UN, her team entered across the Macedonian border. Scottish to her backbone, she never realised she was British until she saw the union jack painted on a tank coming right towards them and felt “the sheer sense of relief that says it’s ours”.

That didn’t end the nightmare, though, for their job was to enter a crime scene. 43 dead bodies, people rounded up into rooms “sprayed with Kalashnikov fire”. She tells me that “they [the criminals] stood at the window, threw in straw, threw in petrol, [and] torched the building. [The one survivor] had to lie underneath the dead bodies of his friends and his family who were burning above him because he knew if he came out he would be shot as well.” Black and her team had to return to that scene six months after the event, in 38 degree heat: “a boiling mass of maggots”. 

I ask how she can possibly work with such a sense of moral disgust. The solution: block it out. “It’s not your fight. You’re a scientist. Your job is to find the evidence, recover it, analyse it, report on it, and go home. And so I can’t allow myself to empathise and sympathise with those who are present. I can’t allow myself to get angry with those who are responsible. There are other people for whom that is their job, and if I bleed into their job, I’m not being the unbiased, impartial scientist I have to be.” For Black, “all focus is on the courtroom”. 

After a lengthy conversation about Kosovo and how it changed her personal outlook, I don’t really see how to proceed from here. How can you ask about such trivial matters as the House of Lords when you’ve just heard about such atrocities? When I ask about the Lords, I expect the usual answer about people being out-of-touch, of not doing real experience in the field, as Black does. 

The answer I get, however, comes as a surprise. She recognises the perception of “old people asleep on benches and having a nice lunch”, which she also had on arriving in the role, but claims “that was totally wrong”. She applied after being told that more scientists were needed in the Lords, and more women scientists in particular. “I put my CV in thinking, but it’s not going to happen anyway, so it doesn’t matter.” 

Of course, Black was successful and became the Baroness Black of Strome. Perhaps, she claims, it was her disdain for politics and power that landed her the role: “I was interviewed and one of the questions was ‘if you were offered a ministerial post, would you accept it?’ I said: ‘oh, for goodness sake, I couldn’t think of anything worse’. And they all burst out laughing. And apparently that was the right answer.” 

“Blown away by the breadth and depth of knowledge” in the House, she believes Crossbenchers in particular can offer important oversight. I press, though: should the Lords be abolished altogether? Surely the system is not fit for purpose, especially with regard to hereditary peers. Black has changed her views on the House, and sees “a genuine commitment to trying to do the right thing”, especially when they sat till 3am to debate the Rwanda Bill, a remarkable feat given the age of some parliamentarians. But of course, she adds, “I suppose if that’s what we vote for, that’s what we vote for. And of course I go with it.” 

Black does not vote often (she has no interest or knowledge of football, so why should she vote on it, she asks), but her record is noteworthy all the same. Two which stand out are support for amendments to the Safety of Rwanda Bill and the Elections Bill which opposed the then Conservative government. 

Being surrounded by death in her line of work, I figure Black will have some thoughts about the Assisted Dying Bill. She will vote in support, provided she is “convinced that the safeguards are in place”. She highlights the experiences of members of her own family and friends, as well as the importance of autonomy: “I feel that I am sufficiently comfortable with death, that when it is right for me, I want to be able to have that choice.” She cites studies from Ohio, where there is a history of legalised euthanasia dating as far back as 1906. “They’ve had the pill for a very long time”, Black adds, and “over 60% of those who have it don’t take it because [the value is in] knowing they have it.” She again repeats that if the safeguards aren’t sufficient, she will vote against. It may also take a lot of time, since there will be so much scrutiny. On the prospect of the Bill being passed quickly: “I really don’t think that’s a given”. 

Having moved quickly through a long career history with just a few stops, I feel obliged to mention St John’s. My own college, and the one Sue Black has presided over since 2022. In part, she tells me, because of the pain that is the West Cost Mainline. It became difficult to do House of Lords work while also living near Lancaster University, where she was Pro-Vice Chancellor for Engagement, and the commuting to London was impractical. A self-described “rainmaker”, Black had her eyes set on bringing in more big projects, which a small university like Lancaster would not necessarily be able to handle. 

The application to St John’s came across her desk, and much to her surprise given outside stereotypes about Oxford, “humanity, humility, and a strong moral compass” were the desired qualities. But surely this wasn’t for her, she said, for “they take pedigree”. Why would she have thoughts on the tutorial system when she never went to Oxford? 

That honesty carried her all the way to the role. Even bluntness seemed to help. In a video each candidate had to make as part of the selection process, Black said “I feel really sorry for St. John’s, how awful it is to be known as Oxford’s wealthiest college. Wouldn’t it be better to be known as its most welcoming or its most innovative, or its most enlightened, it’s most diverse. Anything has got to be better than being the wealthiest.” 

The process was, nonetheless, a long one. “I said to them, you need to understand I’m a Scottish Presbyterian. I’m never going to throw money at anything. So if we’re going to solve problems, we’ll solve them properly. And I thought that’ll be the end of that. And they invited me back again. So I’m thinking by this point, what can I say that’s going to put these people off?” As it turned out, nothing. 

I ask her for the weirdest thing she has to do as President. 

“Oh, lordy. President of St. John’s College. [Today] I’m going to go away and look at new samples for chairs in the chapel, and then later on in the week, we will go for a perambulation up to Bagley wood, and later on in the summer, we will go and have a perambulation to one of our farms. It’s the most ludicrous job I’ve ever done in my life!” 

Searching the crypt in the chapel was another job where Black’s previous experience was useful. “I’ve got responsibility not only for the living, but for the dead on these premises”, she tells me. Fortunately, “it’s the best kept crypt I’ve ever been in my life. And there are seven individuals buried down there, and the crypt is in perfect condition, never needs to be opened again for another a hundred years.”

I warned at the start of my interview that there would be some difficult policy questions, and it was at this point that I shifted my focus to buzzwords in Oxford: AI, free speech, and similar. Having attended the inauguration of Lord William Hague as Chancellor, I too heard him talk up the potential of artificial intelligence as a tool for exceptional change at the University. I ask Black if it’s more of an opportunity or a risk factor. 

While “a bit of a dinosaur when it comes to technology”, she notes that AI has changed the face of her own line of work. “We have trained the computers to identify where the hands of the perpetrator are in a video [of child sexual abuse]. I don’t need to look at the video anymore so it can extract the hands. Then we’ve been able to train computers to identify what is the vein pattern on that hand? What is the freckle pattern, the scar pattern, the skin crease pattern, and extract those, convert them into a multimodal biometric… we would never have been able to do manually.” 

This, however, is “white box” AI, where the reasoning process is still visible to human engineers. What is more concerning is “black box” AI, where the computer does not show its working. All the same, Black is “supportive of AI in a way in which it will help us to do things that we have not been able to do before, just by the limitation of our own ability. I couldn’t look at 5 million images. I simply couldn’t, but the computer can.” What that isn’t is letting a chatbot write your essay. “Are you cheating yourself when AI writes your essay for you?” she asks – “you are.” 

AI done, free speech next. Hague mentioned the Higher Education (Freedom of Speech) Act in his admission address. With a perception in some quarters that higher education needs more protections to ensure that people can speak freely on university campuses, I’m curious to know what Black’s experience across Dundee, Lancaster, and Oxford has shown her. 

“I fully believe that people should be able to voice their opinion as long as it is not inducing hatred or aggression of any kind, because we all have our views and it is really the most rewarding of places in a debate, where you have these different views. It’s one of those great human freedoms of being able to listen to a tapestry of perspectives and views, in a way that educates you to come to your own decision.”

“If at any point that freedom is suppressed, then you hear a disproportionate voice. I think we run the risk, with legislation, of altering that dynamic. It’s such a difficult topic because it’s so emotive as well, depending on what you’re talking about. But people should be emotional about things that matter to them, because if they’re not then they don’t matter to you.” 

“But as long as you don’t persecute somebody for it, as long as you don’t become aggressive or hateful about it, in a place like Oxford, where there are so many intelligent people, we should be in a position to hold those difficult discussions, with respect for everyone’s perspective.” 

“We just need to watch that the legislation doesn’t impact negatively on that ability. But I support it, 100%.” For Black, free speech is a vital enabler of the student experience: “you’re never going to be more critical of institutions than at your age. That’s what being a student is all about!” 

With that, I head out to my lecture, and Black switches gear again, to go and inspect new chairs for the chapel. 

Small Claims Court: Tools to Organise and Present Your Case

No one enjoys a legal tussle.

But if somebody owes you money, trashes your car, or fails to live up to an agreement, small claims court can be a fast, affordable way to get made whole. You don’t need a lawyer. You don’t need a law degree. And you don’t need to spend a fortune to get justice. You just need a decent case. And you need to be able to present it coherently and convincingly.

But just having the facts on your side isn’t enough. You need to be prepared. That entails getting your dates and documents straight and organising your presentation in a way that judges can follow, often in just a few minutes.

The good news? You don’t have to figure it out on your own. Today’s smart tools and a little preparedness can help make you look like a pro the very first time you walk into a courtroom.

Start with a Solid Story

Your brief is more than just paper; it’s a narrative. Who did what, when, and why it matters. Create a compelling script, one that’s easy for the judge to digest. Direct the action as if you were making a film. Setting. Characters. Conflict. Evidence. Drop it when the jury least expects it. Keep it linear. Judges follow plots like everybody else.

Organise Like a Pro

Do this simple thing: bundle all your evidence according to the issue. Texts, emails, pictures, and everything should be in script order and collectively labelled. And never, ever, bury the lede. Annotate, add notes. Make your evidence do the heavy lifting. 

If you really want to impress the court, consider using smart legal tech like a small claims resolution platform. It helps you organise your documents, link evidence to claims, and build a clear, logical case that’s courtroom-ready. Think of it as your digital paralegal.

Bring Copies—And Then Some

There’s an old saying that you probably know: when you show the judge something, they need a copy. And the other side does too. Bring three copies of everything. One for yourself, one for the judge, one for the other side. Put it in a nice little binder or folder. With tabs and summaries of key evidence on the front, with bullets. Those little things are good for the judge to know you appreciate their time. They remember it.

Watch the Clock

You don’t get hours on the stand to plead your case. Small claims court trials are brief. It’s common for a trial to take as little as 10 or 15 minutes. That’s your window of time to speak persuasively. So be concise. Eliminate unnecessary details. Focus on the facts. Let your evidence do the persuading.

And the best way to stay focused? Use a case outline. Drop your facts into a simple form, attach your evidence, and print a concise summary to take to court. 

Real Talk: What Happens If You Lose?

Even people who are organised sometimes lose. The judge may also not like your style, or your opponent may have a strong case. That’s why you get ready like you’re going to win, and be clear on your Plan B. Ask about your rights on appeal, and understand the limitations (and your rights) of small claims court. 

Winning Your Small Claims With The Right Platform

Winning in small claims court isn’t a game of who can shout the loudest or who’s the angriest. It’s about who is most prepared. Tell your story. Show your receipts. Keep your cool. All you need is a plan, some tech, and a whole lot of heart.

Town and Gown charity races set to raise £300k

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The Bidwells Oxford 10k charity race is set to raise £300,000 for Muscular Dystrophy UK. 6,600 people took part in the annual “Town and Gown” race on Sunday 11th May. The race sold out for the second consecutive year, reaching the largest number of participants in the event’s history.

Town and Gown Series Events Officer told Cherwell that around a third of the registrants self-identified as “Gown”, which comprised both University of Oxford students and staff. 

Several local schools, such as Summer Fields School, also took part in the junior 3k race. Ian Barrett, Assistant Head of PE at Summer Fields said the event “is a real highlight in [their] school calendar.” This year 180 pupils from the school entered the 3k race.

Teams completing the race included a group of scientists from Oxford Neuromuscular Centre, who raised over £1,200. Also of note was an Oxfordshire fire crew, who took part in the race dressed in full fire-fighting PPE and whilst carrying a 50 kg casualty mannequin, raised over £1,100 for Muscular Dystrophy UK and The Fire Fighters Charity.

Jessie Keighley, Events Manager at Muscular Dystrophy UK said: “This is a true community event, and we’re delighted that it continues to grow, selling out in advance for a second year running.” The money raised will be used to “continue funding groundbreaking research and supporting those living with muscle wasting and weakening conditions.” 

Nick Pettit, Senior Partner at Bidwells said that partnering with Muscular Dystrophy UK to run the race allows the firm “to champion the charity and its cause, while also giving back to the local communities that are central to [their] work.”

Diligencia, Penningtons Manches Cooper, Oxford United Football Club, and David Lloyds Clubs supported the “Town and Gown” race alongside Bidwells. 

Muscular Dystrophy UK is a charity supporting 110,000 people in the UK with one of over 60 muscle wasting and weakening conditions. The race in support of the charity was established in 1982 inspired by Daniel Cleaver, a local boy with muscular dystrophy, who died at the age of 12.

What the UK-EU deal means for students

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The UK and the European Union have reached a new agreement setting out post-Brexit relations on areas including fishing rights, trade and defence. For students, the main point of interest was the EU’s proposed “youth mobility scheme” for 18- to 30-year-olds, which would allow stays of up to four years without a visa.

Although no such scheme was finalised at the recent summit, Prime Minister Sir Keir Starmer told press that the UK and the EU had “agreed to co-operate” on a “youth experience scheme”, which would allow British young people to travel and work ‘freely’ in Europe. The initiative has been labelled a youth “experience” scheme rather than a youth “mobility” scheme to emphasise the restrictions which would be put on it, and would mirror existing arrangements the UK has with countries such as Australia and New Zealand.

Starmer also announced a commitment to work towards the UK rejoining the Erasmus programme, an EU initiative which provides funding for student exchanges and training across Europe. The UK’s membership was first established in 1987, but it left the scheme in 2020 as part of the Brexit deal. The government now appears to be working with European leaders to allow the UK to rejoin the programme, although has clarified that the planned “youth experience scheme” would be “capped and time limited.”

The question of youth mobility, especially for students, has been a crucial one in negotiations; the UK’s prestigious universities, including Oxford, have long acted as a draw for European young people, providing an incentive for EU member states to secure positive relations with the UK.

Additionally, such a deal could widen opportunities for those studying modern languages, whose degrees often involve international travel. In 2022, Cherwell published testimonies which described a “failure to adapt to Brexit” within the Year Abroad Office, at which point the Year Abroad Office itself highlighted the difficulties presented by the replacement of “one set of immigration regulations with 27 different ones.”

The number of students applying to Oxford from EU countries saw a significant decline after Brexit, dropping from 2,773 in 2019 to 1,572 in 2023. The loss of home fee status, along with complications related to health insurance and travel, made studying abroad less accessible for students in both the UK and EU. European research funding for Oxbridge also plummeted as a result of the Leave vote; Cherwell reported in 2023 that Oxford was awarded only €2m in the Horizon Europe 2021-2027 programme, compared to €523m combined from the same scheme in 2014-2020. 

Review: Death of a Salesman – ‘The Inside of His Head’

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To review Tiptoe Productions’ staging of Death of a Salesman, I must first contextualise my biases as a reviewer. By no means do I intend to offend – I believe that this performance was a promising first act for a newborn theatre company, and one which could quite easily be perfected. The cast and crew certainly had their moments of brilliance, but my experience as a spectator was perhaps skewed by the fact that hours of my life were spent rereading, highlighting, and mulling over the minutiae of this Arthur Miller play as a youthful A-level English student. With such overexposure to a play, one cannot help but form strong opinions on it.

Arthur Miller’s Death of a Salesman is stunning. It is tense and excruciating, it is the final crumbling of an old salesman whose hallucinations swallow up his reality, an allegory for the despairing individual driven to insanity when the American Dream contorts into a Sisyphean nightmare. The drama is psychological: Miller’s working title for this play was ‘The Inside of his Head’, and his original concept was to have an enlarged skull on the stage with characters walking around inside it. It is significantly the tragedy of a ‘low man’ (although Miller’s pun on his tragic hero’s name, Willy Loman, was not intentional), of an ordinary mortal attempting to grasp at greatness and failing spectacularly. 

I adore the precision of Arthur Miller’s stage directions; he always knows exactly how he wants his plays to look. A gloomy mist enveloped the stage when I walked into the Michael Pilch Studio, successfully giving it “an air of the dream”, as desired by Miller. His other stage directions were not so faithfully followed: there was no “angry glow of orange” and the Loman household was not surrounded by “towering, angular shapes”. While Miller’s instruction for the play’s set to be “partially transparent” is difficult to achieve, his lighting directions are not so fanciful, and the towering shapes (crucial to the overall sense of physical entrapment) could have been projected onto the backdrop. The Pilch, which is quite literally a stuffy black box, made up for this absence with its claustrophobic conditions, but the play’s counter-motif of natural imagery (a contrast to its urban barrenness) was under-emphasised. 

The actors often played their parts marvellously. My personal favourite was Joe Rachman as Bernard, who was animated and expressive in his role as a nerdy, bullied schoolboy, his emotions ranging from indignation to true heartbreak upon witnessing his friend (Biff, Willy’s son) throw his life away. More than any other character, he reminded the spectators that they were watching a tragedy. He filled the stage with his presence and his pained gaze was particularly accentuated (by him taking off his glasses) in the scene where Bernard tells Willy that it was after Biff’s trip to Boston (where he learned that his father was having an affair) that everything started to go wrong for him. 

The role of Willy Loman seems challenging: he must at once be broken, insignificant, and a delusionally proud salesman. Nate Wintraub executed the role powerfully in his quieter, more vulnerable moments, especially when Willy is overwhelmed with emotion upon the realisation that – “isn’t that remarkable” – his son likes him. His last scene was surreal, and several spectators seemed to gasp when he screamed a rushed goodbye to his offstage wife, “I gotta go, baby. Bye! Bye!”, before hurtling to his death (the play’s title is quite explicit about the salesman’s death, so surely this is not a spoiler). Nate amplifies his voice quite impressively, which was suitable, in my opinion, for his role as the ‘bad cop’ in The Pillowman, but I feel that there is a depth to Willy Loman’s mental breakdown which cannot always be conveyed by simply raising one’s voice. Besides, one could shout in many different ways, depending on whether they are expressing their rage, anguish, authority, madness… This production’s Willy Loman almost seemed a little too sane, and did not strike me as a man who wanted to die. 

Miller’s characters are complicated. Linda, Willy’s wife, is both resigned and loving. Hope Healy’s Linda balanced these emotions well, holding herself at a weary distance from her husband while still looking after him with careful concern. Her words after Willy’s death – “Forgive me, dear. I can’t cry.” – were haunting, and were met with silence. Ollie Gillam played a bitter and brooding Biff, and Ezana Betru’s most convincing moment in his role as Happy was when he cried at his father’s funeral. The brothers seemed much more emotive and energetic when they played their younger selves in Willy’s hallucinations, whereas their performance of their adult selves seemed a little static. There was little movement in their first few scenes except the occasional puff on a cigarette, and in those moments I felt almost as though I was listening to an audiobook. 

The ominous Uncle Ben (Tristan Hood) was the only character for whom being glued to the spot worked well, because he is a figment of Willy’s imagination, a recurring hallucination who ultimately prompts him to kill himself. Cameron Maiklem’s stage presence as Charley was natural and charismatic, often drawing laughter from the audience. 

Towards the end of the play, the lighting choices were incredible. A beam of light targeted Willy at precisely the right angle to make his shadow large and dramatic, allowing him to appear as the mirage of a great man one last time. At some point, the light illuminated nothing but the gas pipe, an agonising reminder of Willy’s suicide attempts. This production features an original score by James Pearson, which is an important role given the attention Arthur Miller pays to music in his script. Multiple characters have recurring musical themes in the stage directions, and the symbolic flute reappears to conjure an arcadian longing. Pearson’s music was dramatic and often intense, but it didn’t seem to rise to “an unbearable scream”, as it is supposed to in Willy’s final scene. 

While writing this review, I come to wonder about what makes a good reviewer. My crystallised expectations of how Miller’s characters should be portrayed are not necessarily appropriate; theatre is, after all, a collaborative art form. Characters are renewed by every actor who embodies them. That said, this production saw its finest moments when the cast and crew sprinkled this classic tragedy with their personal flair, and with a little more creative experimentation, their full potential could surely be unleashed. 

Oxford Union believes that Trump has gone too far

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The Oxford Union last night debated the motion “This House Believes Trump has gone too far,” featuring controversial American conservative activist Charlie Kirk on the opposition. At the end of the debate, 250 members voted in favour of the motion and 92 voted against.

Opening for the proposition was Union Librarian Anya Trofimova. Trofimova took aim at President Trump’s first 100 days in office. She criticised the US president’s foreign policy, stating that he has “bankrolled Israel’s Gaza genocide”. Trofimova also pointed to Trump’s domestic programme, describing how he has “tanked the American economy,” warning that “this is just year one” of his second term.

Vishnu Vadlamani, member of the Union’s Secretary’s Committee, opened for the opposition. In a slightly convoluted manner, Vadlamani argued that Trump was demonstrating to Europe and America the consequences of voting for the “radical right”. He also queried what the boundaries implied by the phrase “too far” were and sought to remind the chamber of the mandate produced by Trump’s electoral victory. He too criticised Trump, but argued that the president is a symptom of a deeper “malaise” in American liberal democracy and the Republican Party. Vadlamani said: “The real issue is not Trump himself, but the political climate that enabled his rise.”

The second speaker for the proposition was Serene Singh, a Criminology DPhil candidate. She broke down the negative impacts of the Trump presidency into three catchily alliterative categories: “division”, “distraction”, and “deflection”. Singh used a bit of theatre to illustrate her point about distraction tactics. She pointed out three people sitting on the floor at the back of the room, positioned there ahead of time. She said that just as attendees had up to that point ignored those people, the world was ignoring the Trump presidency’s negative impact.

Next for the opposition was Regent’s Park College student Daniel Ogoloma, who like Vadlamani alleged that the term “too far” was excessively vague. Addressing the accusation that Trump has disregarded the Constitution, Ogoloma argued that the president was in fact following it “forcefully and faithfully”. Ogoloma brought up the example of the deportation of Kilmar Abrego Garcia to El Salvador, which the U.S. Supreme Court has ruled to be illegal. He argued that this was an example of the courts successfully balancing executive power. The Trump administration has not facilitated Abrego Garcia’s return to the US, despite having been told to

Following this, speeches were taken from the floor, two each for proposition and opposition. Students arguing for the proposition claimed that Trump has flouted both democratic values and the US Constitution. Those arguing against spoke of Trump encouraging Europe to build up its armed forces and combat institutional “stagnation”.

The final speaker for the Proposition was Laura Smith, a presidential historian at Oxford’s faculty of History. Smith cast doubt on Trump’s electoral mandate, calling attention to criticism of the concept within political science. She compared Trump several times to President Andrew Jackson, who was impeached like Trump. She argued that unlike in Jackson’s time, America is not a “democracy of the white man”, also noting the difference in gender between the proposition and opposition benches. Shortly before the end of her remarks, she joked about Kirk taking notes on a sheet of paper. Kirk responded: “you’re going to love it.”

Beginning his remarks as the final speaker for the opposition, Kirk sought to undermine his opponents’ arguments by pointing to factual inaccuracies. He noted that Abrego Garcia was not a US citizen. Answering concerns around Trump’s association with the European far right, Kirk said: “I certainly hope Reform and AfD wins.” 

Kirk spent the bulk of his prepared remarks attacking the records of successive British governments. He called ‘Make America Great Again’ a project to “return America to its British roots” but said that British leaders had abandoned the principles that “made them great in the first place”. He referred to the “dying out of the British nation”, and of Christianity, attributing this to immigration to the UK. Kirk added: “Soon, Britain will have more practising Muslims than practising Christians […] I don’t want Americans to be replaced.”

For the remainder of his time, Kirk spoke about DEI, calling it a “cancer”, and referring to “DEI parasites”. He praised Trump for taking measures to combat DEI, as well as what he called the “toxic social contagion of transgenderism”. He concluded by telling the chamber: “If you want a Britain you can be proud of, you should all be wearing MAGA hats.” 

Before attendees left the chamber, Union President Anita Okunde called for a moment of silence to mark the recent death of Joseph Nye. Nye, an American political scientist, was originally going to be the lead speaker for the proposition.

Superstitions: The good, the bad, and the bizarre

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With exams around the corner, good luck charms, trinkets, and affirmation routines are on the rise. Manifestational tendencies emerge in reaction to soul-draining exam anxiety. Conducting a small college survey, I found that nearly 1/3 of students have some kind of superstition, routine or charm to bring them luck during exams. But at what point do these seemingly harmless practices become destructive? And why do we rely on such menial rituals to ensure our success?

Superstitions can be a method of anxiety relief, manifesting a sense of control and acting as an outlet to externalise fears – they are ultimately an escape. Displacing nerves onto an object can have advantages in the case of examinations. Good luck charms and superstitious rituals can allow us to get into the right headspace, such as by listening to a particular song before exams. This does have its downsides, which I have personally experienced – whenever I hear “Mr Blue Sky”, my pre A-Level get-in-the-zone song, I have a visceral reaction and am transported back to those sticky exam halls. Nonetheless, superstitious manifestations, rituals, and fortune tokens can get people in the examination mindset and manifest positive energy. They are there to absorb our stress and calm our nerves. Superstitions give us a sense of control, stability, and reassurance, which supports our confidence, leading to better results.

Superstitions allow us to shake off feelings of guilt and accountability when exams don’t go to plan. Blaming poor results on forgetting to wear your long, overdue-for-a-wash lucky socks shifts the responsibility. Perhaps we use superstitions as a scapegoat and coping mechanism– we are unwilling to accept that poor performance is not in fact the fault of seeing a black cat, but rather the three hours of TV consumed the night before the exam. We don’t want to face the music (Mr Blue Sky or otherwise) and take accountability.

Forgetting to perform superstitious habits can negatively impact performance. Not bringing your favourite crystals into an exam hall won’t actually make you forget all you have learned, but it can lead to an overwhelming sense of anxiety. Mental state is crucial to exam success. Neglecting superstitions can significantly impede someone’s psychological state. Take me, for example – if my wrist was not decked out in auspicious jade bracelets, not only would I be on the verge of hyperventilation, but also would be convinced that poor exam results were set in stone. I’m not saying bringing in my bag of charms into my A-Level exams is what got me into Oxford University, but a part of me does feel if I hadn’t had my trinkets as a backup, I would have struggled.

At what point do we become obsessive about superstitions? When exactly do positive affirmations become fixations? Is it when we genuinely believe we will fail an exam if we do not bring our charms with us? Catastrophising when certain rituals aren’t performed could be the first sign we have crossed the line. Becoming obsessive to the point where superstitions create unprecedented amounts of anxiety rather than being an outlet to project anxieties onto would suggest that these behaviours have become compulsive and destructive. When superstitious rituals become addictive, interfering with daily function, they cease to be coping mechanisms, and instead become psychological barriers. 

Despite the negative impact superstitions can have, for most people the advantages generally outweigh the negatives. They come at a low loss, high gain price. What we dismiss as trivial rituals in fact play a role in keeping us sane under exam pressure. But they can become dangerous when we become too reliant and almost addicted to our lucky charms. Just like anything, superstitions are good in moderation.

Charlie Kirk questioned on trans rights, abortion, and Red Pill media at the Oxford Union

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Controversial American conservative activist Charlie Kirk appeared at the Oxford Union on Tuesday afternoon, speaking on issues ranging from abortion to the influence of Red Pill media. 

A small gathering of protestors from Oxford Stand Up to Racism (OSUTR) gathered on St Michael’s Street to oppose the event, telling Cherwell: “We’ve got to stand up to them and we’re here to say you don’t debate with hate. You stand up and you speak out.” When asked about the protest, Kirk told Cherwell: “They have a right to do that. Well, I hope they have a right to do that.”

During the event, Kirk was asked about his views on transgender rights, claiming that “there’s something sick and awful about chopping off a 14-year-old’s breasts,” whilst also describing JK Rowling as a “hero”. On the influence of figures such as Andrew Tate, Kirk said: “the men of the West have been infantilised for too long”. When discussing Adolescence – the Netflix series which provoked discussion about Red Pill media – he described it as “complete fiction” which was a “mythology like Lord of the Rings”.

Responding to questions about Adriana Smith, a brain-dead, pregnant US woman who is currently being kept alive under state abortion law until the birth of her baby, Kirk said: “Her parting gift to the world will be another life […] that’s beautiful.” As part of a wider discussion about abortion later in the talk, Kirk said: “We aim to abolish abortion the same way we abolished slavery in the 1860s […] one is arguably worse.”

Project 2025 – a right-wing plan to reform the US government – was another topic of discussion. Kirk praised the initiative, telling the audience that it was “going great”, which led to laughter amongst some. However, Kirk admitted: “I haven’t even read it all.”

Speaking to Cherwell, OSUTR said: “We don’t want to platform people whose ideology is so islamophobic, so antisemitic, and we think that the Union instead of inviting him here should kick him out on the street and boot him back over the Atlantic.”

Commenting after the event, Kirk told Cherwell: “Much better than Cambridge. Very respectful, very thoughtful – A-Plus experience.”

Kirk is also set to participate in this evening’s debate, “This House Believes Trump has gone too far”. He is known for having founded Turning Point USA, an organisation that endeavours to promote conservative politics on the campuses of high schools, colleges, and universities.

The Oxford Union has been contacted for comment.

Journalism: A ‘dying’ art

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Articles are pitched from the comfort of quad-facing bedrooms. Ideas are mulled over glasses of cheap wine. Meetings are held in independent cafés or stuffy seminar rooms. Such is the world of student journalism: a space of institutional safety where voices compete and coexist, yet to what avail?

This luxury is not universal. In Palestine, journalism is no longer just a profession. It is a final act of defiance with life and death stakes. It is quite literally a “dying” art — not because it is becoming obsolete, but rather because it is a practice undertaken by Palestinians even in their final, dying moments. Still, they are not free of authoritarian suppression: a reality which forces us to reexamine what journalism means, and what it demands from those who practice it.

According to Roger Hardy’s The occupied press, there is a three-tiered system by which Israel regulates the Palestinian press. Through licensing, authorities decide whether a publication may exist at all. Through censorship, they determine what the publication may say each day. And through confiscations and distribution permits, they then control whether the product that has been approved by the censor may reach its readers. Each step strips Palestinian journalists of their autonomy and makes it almost impossible to create a free press. This suppression of journalism is a stark reminder of what is at stake when information is controlled: an outcome which student journalists, working within liberal democracies, are privileged enough to critique without fear.

According to the Palestinian Journalists Syndicate, more than 200 journalists and media workers have been killed by Israeli forces since October 2023, making it the deadliest conflict for journalists in recorded history. In Gaza, a press vest makes you a target. Your own words can kill you. In this war on narrative, Israel does not simply bomb hospitals, but memories and resistance. By combatting the uprising of the voices of the oppressed, the Israeli state continues to control the dominant narrative. Now, more than ever, the media has become a way for geopolitical events to be both warped and exposed.

At times, the privilege of journalistic freedom which exists within our own student publications makes me uncomfortable. How can I sit here and summarise a Union debate or review a student play, scroll through Canva templates or attend lay-ins, when scholasticide has deprived a state from a whole generation of students? In the face of global silence, what is the ethical obligation of those who can speak?

Hearing the haunting words “It’s Bisan from Gaza and I’m still alive”, on my phone in between lectures, or watching videos of citizen journalists in an occupied nation where all universities are either damaged or destroyed, is bitterly troubling. Bisan Owda, Motaz Azaiza, Hind Khoudary and Plestia Alaqad are a few of the many young journalists who have put their lives on the line, and understood that “dying” is what is at stake for this art. Their resilience is a call to action. Whilst their courage may have been acknowledged through Emmy Awards and UN recognition, the media outlets which surround them continue to betray the cause of independent journalists.

In April 2025, for example, the BBC came under fire for a headline on a story on Gaza, which initially read “Gaza hospital hit by Israeli strike, Hamas-run health ministry says”. Later, this was eventually changed to reflect the reality: “Israeli air strike destroys part of last functioning hospital in Gaza city”. The initial framing reflects more than editorial caution. It signals a systemic failure to treat Palestinian narratives with credibility, and magnifies the silencing of those who are already fighting to be heard. This, too, wounds journalism. When language fails, injustice thrives.

As mainstream outlets hesitate to report accurately, they create space for ambiguity where there should be none. The consequence is twofold: public perception is warped, and local journalists are silenced, despite doing the most life-threatening work. As residents of  a nation which exports arms to Israel, we remain complicit in the deaths of the same journalists. Complicity extends beyond government: because of the stories we choose not to tell, it reaches into the editorial rooms of our newspapers, into our lecture halls, and sidles into the comfort of apoliticism. 

When our own legacy media outlets fail Palestinian reporters with skewed headlines which euphemise genocidal actions, how can student journalists, who remain cushioned within their respective institutions, remain silent?

We, too, are killing journalism: an art which is repeatedly wounded by its consumers and contributors alike. The least we can do is prevent its burial.

Top Tax Tips for US Expats Living in the UK

Living in the UK as a US citizen can be a great experience. But when it comes to taxes, things can get a bit complicated. The US is one of the few countries that still taxes its citizens no matter where they live. So, even if you’ve moved abroad, you’ll still have to deal with both US and UK tax rules.

It helps to know the basics – like which taxes apply to you, how residency works, and what tax breaks you can use. This guide shares some helpful info for US expats in the UK, so you can steer clear of common issues and maybe save some money too.

Understanding your tax obligations as a US citizen living in the UK

If you’re a US citizen living in the UK, there are tax rules to think about in both countries. The US asks you to file a tax return every year, even if you’re already paying taxes in the UK. That’s because the US taxes all income earned worldwide.

In the UK, you also pay tax on money you earn there – like wages, pensions, or investment income. How much you pay depends on how much you earn. And just so you know, the UK tax year runs from April 6 to April 5 of the next year.

Worried about getting taxed twice? It’s a common concern. But the US and UK have a tax treaty that helps avoid that. Plus, there are things like the Foreign Earned Income Exclusion and the Foreign Tax Credit that can help lower your US tax bill. These tools are a key part of US expat taxation.

The impact of the statutory residence test on your UK tax status

The Statutory Residence Test, or SRT, is how the UK decides if you’re a tax resident for the year. This matters because your tax status decides what income the UK can tax.

The SRT looks at things like how many days you spend in the UK, whether you have a home there, and if you work full-time in the country. If you’re in the UK for 183 days or more during the tax year, you’re usually seen as a resident. But even fewer days can count if you have strong ties to the UK.

For US expats, knowing your SRT result is important. It affects whether you pay UK tax just on UK income or on your income worldwide. Luckily, the US-UK tax treaty can help if you end up being a resident in both countries.

Filing tax returns: US and UK requirements explained

If you’re a US citizen living in the UK, you have to deal with tax rules in both countries. It can feel like a lot. In the US, you need to file a federal tax return every year. This return includes all the money you earned anywhere in the world – even if you already paid taxes in the UK.

If you have foreign bank accounts that total more than $10,000 at any time during the year, you also need to file an FBAR (Foreign Bank Account Report).

In the UK, if you earn money that isn’t taxed automatically – like from self-employment or renting out property – you’ll need to fill out a self-assessment tax return. The UK tax year runs from April 6 to April 5, with deadlines in October for paper returns and January for online returns.

Mistakes that US expats often make with their taxes and how to avoid them

Many US expats in the UK make mistakes that can cost them money or cause penalties. One common mistake is missing the deadlines for filing tax returns or FBAR reports. The IRS is strict about this – late filings can mean big fines.

Another mistake is not reporting all your worldwide income or getting confused about what needs to be declared. Some expats miss out on tax breaks like the Foreign Earned Income Exclusion and the Foreign Tax Credit, which could save them a lot.

Mixing up your residency status or errors with the Statutory Residence Test can also lead to surprise tax bills. To avoid these problems, keep good records, stay on top of tax rules, and talk to professionals who know expat taxes in the UK. That’s the best way to file correctly and save money.

Other important considerations for US expats in the UK

Taxes aren’t the only thing you need to think about as a US expat in the UK. Estate planning is important because UK inheritance tax rules are very different from those in the US. If you own property or investments in the UK, there are extra tax and reporting rules to keep in mind.

Pensions and retirement accounts can be tricky too. The tax rules for these differ a lot between the US and UK. Without careful planning, you might end up paying taxes twice or face penalties.

Why professional tax help is crucial for US expats living in the UK is explained below

Handling taxes in both the US and UK is not simple. The rules keep changing. That’s why working with a tax professional who knows expat taxes in the UK can really help.

With over 20 years of experience and thousands of expat returns filed, a skilled CPA offers real, personal support – no robots, no guessing. They can help you avoid costly mistakes, stay compliant, and find tax savings you might miss on your own.

For peace of mind and smart tax planning over the long term, it’s best to partner with an expert who understands the ins and outs of US citizens living in UK taxes.